Is Destiel Canon Yet ?
11/5/2020: Yes.

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@quath-the-raven
Is Destiel Canon Yet ?
11/5/2020: Yes.
Do not let them consume you. They donât define who you are.
If you canât reblog this, unfollow me now.
itâs fucking disgusting that i just lost 6 followers
Can we please talk about how our history teacher sent a barbie to the smithsonian as proof of the presence of man two million years ago
pleas,e for the love of God read the whole letter, there are tears streamign down my face rn
Can we please talk about how your history teacher has done this sort of thing enough times that he has his own specimen shelf in the Smithsonian
âyours in scienceâ tho
âB. Clams donât have teethâ is the part where I lost it.
@zozi-writes
The letter says:
âThank you for your latest submission to the Institute, labeled â211-D, layer seven, next to the clothesline post. Hominid skull.â We have gien this specimen a careful and detailed examination and regret to inform you that we disagree with you theory that it represents âconclusive proof of the presence of Early Man in Charleston County two million years ago.â Rather, it appears that what you have found is the head of a Barbie doll, of the variety one of our staff, who has small children, believes to be the âMalibu Barbieâ. It is evident that you have given a great deal of thought to the analysis of this specimen, and you may be quite certain that those of us who are familiar with your prior work in the field were loathe to come to contradiction with your findings. However, we do feel that there are a number of physical attributes of the specimen which might have tipped you off to itâs modern origin:
The material is molded plastic. Ancient hominid remains are typically fossilized bone.
The cranial capacity of the specimen is approximately 9 cubic centimeters, well below the threshold of even the earliest identified proto-hominids.
The dentition patters evident on the âskullâ is more consistent with the common domesticated dog than it is with the âravenous man-eating Pliocene clamsâ you speculate roamed the wetlands during that time.This latter finding is certainly one of the most intriguing hypotheses you have submitted in your history with this institution, but the evidence seems to weigh rather heavily against it. Without going into too much detail, let us say that:
A) The specimen looks like the head of a Barbie doll that a dog has chewed on.
Clams donât have teeth.
It is with feelings tinged with melancholy that we must deny your request to have the specimen carbon dated. This is partially due to the heavy load our lab must bear in itâs normal operation, and partly due to carbon datingâs notorious inaccuracy in fossils of recent geologic record. To the best of our knowledge, no Barbie dolls were produced prior to 1956 AD, and carbon dating is likely to produce wildly inaccurate results. Sadly , we must also deny your request that we approach the National Science Foundationâs Phylogeny Department with the concept of assigning your specimen the scientific name âAustralopithecus spiff-arino.â Speaking personally, I for one, fought tenaciously for the acceptance of your proposed taxonomy, but was ultimately voted down because the species name you selected was hyphenated, and didnât really sound like it might be Latin.
However, we gladly accept your generous donation of this fascinating specimen to the museum. While it is undoubtedly not a hominid fossil, it is, nonetheless, yet another riveting example of the great body of work you seem to accumulate here so effortlessly. You should know that our Director has reserved a special shelf in his own office for the display of the specimens you have previously submitted to the Institution, and the entire staff speculates daily on what you will happen upon next in your digs at the site you have discovered in your back yard. We eagerly anticipate your trip to or nationâs capital that you proposed in you last letter, and several of us are pressing the Director to pay for it. We are particularly interested in hearing you expand on your theories surrounding the âtrans-positating fillifitation of ferrous ions in a structural matrixâ that makes the excellent juvenile Tyrannosaurus rex femur you recently discovered take on the deceptive appearance of a rusty 9-mm Sears Craftsman automotive crescent wrench.
Yours in Science,
Harvey Rowe
Curator, Antiquitiesâ
âââââââââââââââââââââââââââââââââ-
(sorry if there are misspellings or wrong wordings. this was long and i was reading it off my phone)
âI for one, fought tenaciously for the acceptance of your proposed taxonomy, but was ultimately voted down because the species name you selected was hyphenated, and didnât really sound like it might be Latin.â
I love that that entire last paragraph can be boiled down to âkeep it up, you mad bastard.â
AAAAAAAA
AAAAAAAAAAAAA
im going to come out and say it: isolating is a self-destructive behavior. it might not be as obvious and immediately self-destructive as say, impulsive spending, drug use or risky behaviors, but it gradually decays relationships and can deepen your mental health issues. often, our impulse is to retreat from others and responsibilities for âself careâ or to âwork on ourselvesâ and obviously sometimes we need mental health breaks, but thereâs a line you cross from âtaking a breakâ to full on neglecting your relationships with others and your social needs that can be incredibly damaging to yourself and others over time
So the other night during D&D, I had the sudden thoughts that:
1) Binary files are 1s and 0s
2) Knitting has knit stitches and purl stitches
You could represent binary data in knitting, as a pattern of knits and purlsâŚ
You can knit Doom.
However, after crunching some more numbers:
The compressed Doom installer binary is 2.93 MB. Assuming you are using sock weight yarn, with 7 stitches per inch, results in knitted doom beingâŚ
3322 square feet
Factoring it outâŚ302 people, each knitting a relatively reasonable 11 square feet, could knit Doom.
Hi fun fact!!
The idea of a âbinary codeâ was originally developed in the textile industry in pretty much this exact form. Remember punch cards? Probably not! They were a precursor to the floppy disc, and were used to store information in the same sort of binary code that we still use:
Hereâs Mary Jackson (c.late 1950s) at a computer. If you look closely in the yellow box, youâll see a stack of blank punch cards that she will use to store her calculations.
This is what a card might look like once punched. Note that the written numbers on the card are for human reference, and not understood by the computer.Â
But what does it have to do with textiles? Almost exactly what OP suggested. Now even though machine knitting is old as balls, I feel that there are few people outside of the industry or craft communities who have ever seen a knitting machine.Â
Hereâs a flatbed knitting machine (as opposed to a round or tube machine), which honestly looks pretty damn similar to the ones that were first invented in the sixteenth century, and hereâs a nice little diagram explaining how it works:
But what if you donât just want a plain stocking stitch sweater? What if you want a multi-color design, or lace, or the like? You can quite easily add in another color and integrate it into your design, but for, say, a consistent intarsia (two-color repeating pattern), human error is too likely. Plus, it takes too long for a knitter in an industrial setting. This is where the binary comes in!
Hereâs an intarsia swatch I made in my knitwear class last year. As you can see, the front of the swatch is the inverse of the back. When knitting this, I put a punch card in the reader,
and as you can see, the holes (or 0â˛s) told the machine not to knit the ground color (1â˛s) and the machine was set up in such a way that the second color would come through when the first color was told not to knit.
tl;dr the textiles industry is more important than people give it credit for, and I would suggest using a machine if you were going to try to knit almost 3 megabytes of information.
@we-are-threadmage
Someone port Doom to a blanket
I really love tumblr for this đ
It goes beyond this. Â Every computer out there has memory. Â The kind of memory you might call RAM. Â The earliest kind of memory was magnetic core memory. Â It looked like this:
Wires going through magnets. Â This is how all of the important early digital computers stored information temporarily. Â Each magnetic core could store a single bit - a 0 or a 1. Â Hereâs a picture of a variation of this, called rope core memory, from one NASAâs Apollo guidance computers:
You may think this looks incredibly handmade, and thatâs because it is. Â But these are also extreme close-ups. Â Hereâs the scale of the individual cores:
The only people who had the skills necessary to thread all of these cores precisely enough were textile and garment workers. Â Little old ladies would literally thread the wires by hand.
And thanks to them, we were able to land on the moon. Â This is also why memory in early computers was so expensive. Â It had to be hand-crafted, and took a lot of time.
(little old ladies sewed the space suits, too)
Fun fact: one nickname for it was LOL Memory, for âlittle old lady memory.â
I mean letâs also touch on the Jacquard Loom, if you want to get all Textiles In Sciencey. It was officially created in 1801 or 1804 depending on who you ask (although you can see it in proto-form as early as 1725) and used a literal chain of punch cards to tell the loom which warps to raise on hooks before passing the weft through. It replaced the âweaver yelling at Draw Boyâ technique, in which the weaver would call to the kid manning the heddles âraise these and these, lower these!â and hope that he got it right.Â
With a Jacquard loom instead of painstakingly picking up every little thread by hand to weave in a pattern, which is what folks used to do for brocades in Ye Olde Times, this basically automated that. Essentially all you have to do to weave here is advance the punch cards and throw the shuttle. SO EASY.Â
ALSO, itâs not just âlittle old ladies sewed the first spacesuits,â itâs âthe women from the Playtex Corp were the only ones who could sew within the tolerances needed.â Yes, THAT Playtex Corp, the one who makes bras. Bra-makers sent us to the moon.Â
And the cool thing with them was that they did it all WITHOUT PINS, WITHOUT SEAM RIPPING and in ONE TRY. You couldnât use pins or re-sew seams because the spacesuits had to be airtight, so any additional holes in them were NO GOOD. They were also sewing to some STUPID tight tolerances-in our costume shop if youâre within an eighth of an inch of being on the line, youâre usually good. The Playtex ladies were working on tolerances of 1/32nd of an inch. 1/32nd. AND IN 21 LAYERS OF FABRIC.Â
The women who made the spacesuits were BADASSES. (and yes, Iâve tried to get Space-X to hire me more than once. They donât seem interested these days)
This is fascinating. I knew there was a correlation between binary and weaving but this just takes it to a whole nother level.Â
Iâm in Venice, Italy several times a year (lucky me!) and last year I went on a private tour of the Luigi Bevilacqua factory. Founded in 1875, they still use their original jacquard looms to hand make velvet. Here are the looms:
Here are the punch cards:
Some of these looms take up to 1600 spools. That is necessary to make their many different patterns. Here are some patterns:
How many punchcards per pattern?
 This many:
Modern computing owes its very life to textiles - And to women. From antiquity weaving has been the domain of women. Sure, we remember Ada Lovelace and Hedy Lamarr, but while Joseph Marie Jacquard gets all the credit for his loom, the operators and designers were for the most part women.
Iâve seen this cross my dash a few times, but Iâve never watched the video before. Maybe I just didnât pay attention when I was a kid, but I donât remember ever seeing just how the Jacquard loom works. I just knew that the punch cards controlled which threads were raised. Itâs cool to see the how, not just the what.
Donât hide this in the tags, @drylime :D
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This got me dying
who paid for this study bruh
itââs literally seasoning. thatâs it. thatâs what make food taste good.
Bro itâs more complex than just âey they used seasoningâÂ
Itâs HOW they used seasoning, compared to other areas of the world.Â
Indian seasoning does this neat color wheel of flavor, fitting a bunch of spices that are very DIFFERENT from each other, to create a huge range of complex flavor.Â
Meanwhile in Italy for instance, they tend to use flavors that are SIMILAR. For instance, Basil and Oregano, or Sweet fish with Sweet wine. It makes foods less likely to contrast weirdly in your mouth, and itâs the basis of why fancy european people pair red wines with steak and white wines with chicken. Savory with Savory, Light with Light. Â Â
But the Indian food steps it up a notch. The research is definitely worth a read.Â
â That like flavors should be combined for better dishesâan unspoken but popular hypothesis stipulated by recipe-building in North American, Western European, and Latin American culturesâis an idea essentially reversed in Indian cuisine. â
well yes, spices need to not just complement the food but contrast against each other. to get maximum flavour when cooking indian food:
1. use whole spices, dry roast small quantities of individual spices together and then grind them to a powder. balance is what youâre looking for, not just chucking in handfuls of seasonings willy nilly because quantity does not equal flavour when it comes to spicing indian food.Â
2. whole spices go in the oil first. always. also everything gets fried on its own before itâs chucked into the sauce/curry. even the curry base is started off by frying onions/ginger/garlic/tomatoes or any combination thereof. basicallyâŚFRY THAT SHIT. i donât know of any regional cuisine in india that uses stock for simmering. frying everything individually is how we add flavour instead. Â
3. indian food needs to be cooked long and slow for the flavours to really merge. donât skimp on the cooking time if you can because that makes a huge difference.Â
This was so enlightening
I feel a need to mention that the researchers for this study are NOT white, as stated above. Theyâre Indian. Itâs Indian people saying âwhy does our cuisine work and taste so vastly different than anywhere else in the world?â To quote from the article:
âResearchers Anupam Jaina, Rakhi N Kb, and Ganesh Bagler from the Indian Institute for Technology in Jodhpur ran a fine-tooth comb through TarlaDalal.comâa recipe database of more than 17,000 dishes that self-identifies as âIndiaâs #1 food siteââin attempts to decode the magic of your chicken tikka masala or aloo gobi.â
How to spot signs and symptoms of Breast CancerÂ
Reblog to literally save a life
whish they told us this in school, all they did was say âfeel for lumps, you will know when you feel itâ
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