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stop using hospitals as horror settings
fun alternative: cruise ships. cruise ships exploit workers and can pollute as much as a million cars on a daily basis while dumping endless shit into the ocean and endangering all passengers on board because the on board air quality rivals some of the most polluted cities in the world while being a breeding ground for disease. cruise ships deserve to have negativity associated with them
also all crimes commited aboard a cruise ship is under the juristiction of whichever country they’re registered to once they’re a certain distance away from land so you have the added bonus of the crimes being very unlikely to be properly investigated (due to usually being physically so very far from the actual police whose juristiction they’re under)
terrifying!
On top of THAT cruise ships tend to have their own morgue, as people tend to die on ships all the time. Good for those spooky scenes.
plus u can just like…leave a hospital. good luck escaping a killer or a monster or a curse or w/e in the middle of the fucking ocean
Fun things to consider about cruise ships:
THEATERS. Usually a minimum of three, all of varying levels of #fancy
Grand staircases. PLURAL. Most ships have at least two massive grand halls with massive staircases and plants and indoor creeks n shit.
Nightclubs. Actual nightclubs. Usually segregated by age brackets. They also have attached age-segregated hangout places. Older ships (pre-2009) are all stuck in hilariously 90s era stylings.
Casinos. Either two of them separated by machines/tables, or one entire floor.
Library/board game room. Think a big old fashioned men’s smoking room. Like fat leather chairs and floor to ceiling shelves.
Restaurants of various levels of fancy and quality. Pick each tier of passenger (usually 3-5 tiers, but it depends) and give them each about ¾ options.
So. Many. Fucking. Elevators. And not all of them go to an equal number of floors.
Not to mention….STAIRS. ALL STAIRS ALL TIME.
Endless, ENDLESS identical hallways of doors to rooms. ENDLESS. These will usually span the ENTIRE length of the ship, with the middle class rooms breaking into the main staircase areas. The lower decks are monotonous in the extreme.
Shopping mall. Smaller than the word typically implies, but segregated by need and price. So from everyday basic necessities to extremely fancy jewelry stores. These can be entire floors.
Movie theaters, usually for kids. A lot of weird 90s theming.
Random TVs that sporadically pick up the signals from whatever island or land mass you’re nearest to. Some weird shit every once in a while.
The top-most deck often has a minigolf course and a running track. Usually looks like a little garden.
Spas. These places have full on spas.
The penthouse rooms. Legit some of these will be like…straight off the titanic level grandeur. Talk about some irony poisoning.
Surprisingly placed lifeboats to remind you of your mortality. First thing after you get a room is an evacuation plan and it takes FOR EV ER if people aren’t cooperating.
Legit actual doctors office. Some Big Fancy Boys have minor surgeries.
The rooms often also have multipurpose and hiding furniture. That room for ants actually comfortably sleeps 6 adults.
The cleaning crew is also Very Sneaky.
They will often leave little towel animals or some other cute themed gift. This is very exploitable for horror.
The purely utilitarian design of the non-customer sections are brutal in their simplicity. And monotonous.
Most of these ships, away from the money makers, are monotonous.
One of the BIGGEST unintentionally creepy factors is the hollow illusion of wealth these ships try to sell you.
Like…they have all the splendor and grandeur of a McMansion. The gold paint is faded, the jewels are plastic, the wood is worn. The lights are yellowed and dusty, but all around you the ship screams luxury. But it’s not. It’s something you notice after being on one more than a few times. You can feel the cheapness and emptiness of it all.
Even the highest priced areas have a sense of wear to them. Like, unless you’re the first bitch on the maiden voyage, even the biggest and most expensive penthouses have a cheap, used feel to them. It’s eerie once you notice it.
And lastly. Bigly. Most importantly.
Waves
Okay so like obviously waves on the ocean. And you expect to feel the swaying of the ship, but most people expect that these bad boys are too large to really get spicy.
Nah. I’ve been on MASSIVE ships where the waves are so large that the deck would literally be at a 45 degree angle.
THIS is why you see railings everywhere. You’ll be moseying along and then suddenly you’ll be walking with one foot on the wall, dizzyingly swaying back and forth and desperately clinging to the wall as your legs threaten to come out from under you when the ship leans away. I’ve even seen the crew members get sick.
On the lower decks and rooms, you’ll have the joy of seeing your fucking window GO UNDERWATER. I’m not kidding. Upper balcony rooms can appear to sway hideously close to the water. It’s TERRIFYING.
AnyWAY the end point of this is that I AGREE. CRUISE SHIPS ARE SO FUCKIN RIPE FOR HORROR.
As a seafarer myself, I can confirm all of the above with the added horror of:
Security in cruise ships is completely flawed. They simply do not have cameras in some key places and the security staff is really underprepared for real shit that could happen.
Yeah, some rooms in lower decks get the windows underwater sometimes, but have you considered that we also have windowless rooms? Like, full on match metal boxes people are supposed to sleep in.
Yes, we crewmembers have regular trainings for any kind of emergency that might happen, and yes, most of crewmembers will not give a shit about trainings and try to save themselves if something happens.
There are SO MANY ways and paths to reach any location in the ship the passengers have no idea about.
You talked about the endless amount of stairs? We crewmembers have the exactly same amount but they are all grey and dull and scary.
From someone who constantly worked in the Nightshift, its actually creepy how silent and desert a ship with thousands of people gets in the night. Not a single soul walking around and that same eerie elevator music playing all around.
I mean? GHOSTS? We crewmembers talk all the time about how the souls of passengers and crew that died on the ship keep wondering around and it just? Works so well for horror???
So yeah, as a crewmember I can completely see horror movies happening in a cruise ship, yes yes.
this is fascinating
the age of social media: a reading list
note: all hyperlinked texts are either open-access academic works or public-facing articles, & most other texts are accessible through various pdf-hosting websites.
books
the age of surveillance capitalism by shoshanna zuboff (2019)
the burnout society by byung-chul han, tr. erik butler (2015)
control: digitality as cultural logic by seb franklin (2015)
dark matters: on the surveillance of blackness by simone browne (2015)
the death algorithm and other digital dilemmas by roberto simanowski, tr. jefferson chase (2018)
the end of forgetting: growing up with social media by kate eichhorn (2019)
in the swarm: digital politics by byung-chul han, tr. erik butler (2012)
the politics of dating apps: gender, sexuality, and emergent publics in urban china by lik sam chan (2021)
the transparency society by byung-chul han, tr. erik butler (2015)
weaving the dark web: legitimacy on freenet, tor, and i2p by robert gehl (2018)
articles
ambivalent influencers: feeling rules and the affective practice of anxiety in social media influencer work by mari lehto (2021)
capitalism, patriarchy, slavery, and racism in the age of digital capitalism and digital labour by christian fuchs (2017)
children are our future: resistance, addiction and the digital natives by rob horning (2010)
#dadtribe: performing sharenting labour to commercialise involved fatherhood by mario campana, astrid van den bossche, and bryoney miller (2020)
disintegrated bodies from cyborg microcelebrities to capital flow: a post-phenomenological investigation of disembodiment by riad salameh (2021)
the drama of metrics: status, spectacle, and resistance among youtube drama creators by angèle christin and rebecca lewis (2021)
#familygoals: family influencers, calibrated amateurism, and justifying young digital labor by crystal abidin (2017)
fragments on microcelebrity by rob horning (2012)
imagined affordances of instagram and the fantastical authenticity of female gulf-arab social media influencers by zoe hurley (2019)
improbable curators: analysing nostalgia, authorship and audience on tumblr microblogs by dinu gabriel munteanu (2017)
instagram use, instamums, and anxiety in mothers of young children by mara moujaes and diarmuid verrier (2020)
micromicrocelebrity: branding babies on the internet by crystal abidin (2015)
power through the algorithm? participatory web cultures and the technological unconscious by david beer (2009)
“running the numbers”: modes of microcelebrity labor in queer women’s self-representation on instagram and vine by stefanie duguay (2019)
selling brands while staying “authentic”: the professionalization of instagram influencers by loes van driel, delia dumitrica (2020)
seo and the disappearing self by rob horning (2010)
social media as masochism by rob horning (2016)
social media is not self-expression by rob horning (2012)
speaking to no one by rob horning (2017)
verbal venting in the social web: effects of anonymity and group norms on aggressive language use in online comments by leonie rösner and nicole c. krämer (2016)
vlogging parlance by sophie bishop (2018)
How old do you think Harry was before he finally realised that crying and running to aunt petunia wasn't going to get him the comfort he sought?
The only thing I know is that he was way too young—
Oh my FUCK
Writing Sibling Relationships
A sibling relationship is perhaps one of the most complicated things to realistically write about. Your character dynamics and personalities will help determine their relationships but here are some things to consider:
Building their past:
Think about how they were raised. Upbringing plays a large role in impacting a person’s character, and it also helps shape relationships with siblings.
Consider their favourite memories. Good memories are important to a person, and people often seek to create new memories similar to the old good ones. On the other side, also think about their worst memories.
Who was the oldest? Who was the baby? Birth order does have some impact on personality. It also is especially important for the earliest memories.
Think about the roles that they ended up in. Siblings do, to some extent, define themselves by how they are different from each other. They pursue different interests, take on different roles, and explore different identities. These roles can be a source of self-realisation and sometimes frustration.
Giving siblings personalities:
Choose personality traits for each sibling. Even if the sibling is only a minor character, it’s important to know their basic personality.
Think about each character’s dreams, hopes, and struggles. What do they want in life? What are their goals? Every character needs something to strive for.
Figure out their insecurities. Everyone feels insecure about different things: skills, personality traits, perceived physical flaws etc.
The siblings in your story might have similar looks, qualities and characteristics. However it’s important to make them their own person too.
Keep in mind that siblings might have the same habits, sometimes without even realising it. (Personal example- My eldest brother and I do not look the same. He has green eyes, mine are brown. I have dark hair, he’s blonde. Our faces are shaped different. He takes after our mum, I take after our dad. However, we have a lot of the same habits and mannerisms. We both carry ourselves in the same way, we both quirk our eyebrows in the same manner when confused. Little things like that, that when growing up I’ve picked up from him and vice versa.)
Things siblings do: (This is a generalisation)
Siblings know how to push each others buttons.
Usually they spend so much time with each other, they know exactly how to annoy their sibling and the best way to do it.
Whatever annoys your character, his (or her) siblings already know about it. If your character’s siblings decide to get on his nerves, it shouldn’t take them very long.
Most (if not all) siblings make fun of each other to some degree. Usually they are just messing with each other. Depending on the circumstances, the insult may be forgotten almost immediately.
But it’s important to consider how siblings react when someone else is picking on their brother or sister. A lot of siblings will get defensive in this situation. Unless you have set up a reason otherwise, make sure your siblings know how to tease each other but also how to protect each other.
They rarely call each other “sis” or “bro” unless they’re trying to be annoying. This is seen a lot in films and TV but it’s not common. The occasional greeting like that is fine, but overusing it just sounds strange and unnatural.
Sibling conflict:
Siblings will argue other pretty much anything. Most of the time it’s just to get a reaction. Sometimes one will start an argument just because they’re bored.
The silent treatment! A lot of siblings, particularly children teenagers and young adults will give each other the silent treatment over the pettiest things. But it’s incredibly hard to ignore someone living in the same house as you for a long period of time.
The sibling on the receiving end of the silent treatment will usually do absurd and annoying things to get their brother or sister to speak.
Common things siblings argue about:
The tv remote
Who is going to use the bathroom first
Someone is taking too long in the bathroom
Who gets to sit in the front seat of the car
Who the favourite is
Estranged siblings:
“Sibling relationships are our longest, but it’s also an accident by birth. There are no guarantees that the siblings will grow up with similar personalities, interests or like each other,”
You should be able to find plenty of conflict amongst brothers and sisters. But most of the time there is a resolution.
If you were to fall out with a friend, you can unfriend them, you can’t un-sister a sister, whether you like it or not you’re stuck with that person in some sense.
However, some siblings do fall out and never speak to each other again. It happens, but if this happens in your story there are a few things to consider:
When asked about their family will your character acknowledge that they have siblings? Or will they claim to be an only child?
Why did they stop speaking?
Would they reconcile in times of crisis? For example, if a family member died would the siblings put aside their differences to deal with the situation?
Do they tell stories about their childhood that include the sibling?
It’s important to remember that if someone has a sibling, a lot of their childhood memories and stories from growing up will have some reference or include that sibling. It’s hard to complete cut them out, they will be mentioned at some point.
Given the entangled, long-lasting bond, what’s the price paid for suspending or ending it?
Does the sibling have other brothers or sisters whose relationships are satisfying? “
“If they have no contact with a sibling, it’s losing a shared history and there can be a sense of guilt,”
Or are your character’s relieved? Do they express a sense of relief.
“Like the end of a marriage, sibling estrangement is always sad, even when it brings relief. It’s not what anyone hoped for, but sometimes it’s the wise and necessary choice.”
Ways of bringing together estranged siblings:
Write compassion between your characters. Show them trying to see things from the sibling’s viewpoint alongside their own.
Have them say what they want from their sibling moving forward. Don’t just have your characters vent all the time. Your reader might grow tired of that.
Confirmation of love and affection:
Are the siblings in your story the type to talk about feelings? Maybe they don’t talk about it but the feeling is still there. Consider showing the depth of their relationship through actions.
(Personal example - When I was born my brothers were 4 and 6 years older than me. From what my mum has said they were both excited to have another sibling and would fight about who got to hold me first. When we were younger we used to cuddle on the sofa and play together, and frequently said I love you etc, however as we got older that stopped. I can’t remember the last time I said I love you to either of them, which sounds terrible. But it doesn’t change the fact that I know they love me and that they know I love them, we just show it and say it in different ways.)
Relationships with parents:
How did parents or caregivers react to fights between siblings?
Was there parental favouritism, real or perceived? How did the non-favourite sibling(s) react?
Do your siblings stick together when arguing with their parents?
Would your characters lie in order to prevent their brother or sister being told off by their parents?
Some siblings will join forces to tease their parents.
What if the siblings don’t have a good relationship with their parents:
If this is the case in your story, research it, google is your friend.
Try and read up on real life experiences.
Consider how the siblings view their parents. Do they stand together with the same opinion or do they have conflicting recollection of events?
Do the parents have a healthy relationship with each other? How has this impacted their children?
Writing siblings who have abusive parents:
If the siblings come from an abusive home, how has this affect their behaviour?
Do the siblings ever talk about what happened?
Do they have the share the same experience? Do they ever argue about the situation?
Are they over protective?
Has their own relationship become strained? Have they drifted apart?
Do the siblings ever acknowledge the past? If not, does this cause friction?
Common assumptions about sibling age order:
Oldest child: people pleasing, bossy, organised, punctual, natural leader, controlling, ambitious, expected to uphold family values, caretakers, financially intelligent, responsible
Middle child: flexible, easy going, independent, sometimes feels like life is unfair, sometimes will engage in attention-seeking behaviour, competitive.
Youngest child: silly or funny, risk-taking, creative, sometimes feels inferior, easily bores, friendly, outgoing, idealistic, the baby of the family.
Only child: close to parents, demanding, leaders, spoiled, self-absorbed, private in nature, may relate better to adults to kids their own age, independent, responsible
While these are common assumptions, they are not strictly true and it’s important to consider your characters personality before you apply any of these stereotypes because it may clash with how your character truly is.
Half siblings:
Half-siblings can run along several lines:
They might act like full siblings, depending on how long they’ve known each other.
They may view each other as space takers.
Your characters may feel “eh” about their half- sibling, they could just be someone who is there but they don’t have a relationship with. The half-sibling may even be a complete stranger.
Consider that they might be rivals. Are they friendly rivals or bitter rivals?
Don’t get caught up in trying to build their relationship based on what “should be” in accordance with society. As you establish these characters, let your own imagination lead you to what their relationship is. But remember that their relationship will be impacted on how the parents treat them too.
(@its-the-tear-in-my-heart thanks for asking about sibling relationships. This post is more generalised than your question but I hope it helped in some way.)
La venganza de Leda / Leda’s revenge by Emilia Castañeda
Light Based Prompts
• Sunlight: Person A and Person B waking up to see the light shining in the window while they’re cuddled up together.
• Moonlight: Person A and Person B sitting outside together late at night and as the temperature begins to drop they snuggle up together.
• Starlight: Person A has always lived in big cities so they haven’t been able to see the stars well so Person B drives them out, far away from the city, to show them what the stars really look like.
• Streetlight: Person A always wanted to go on late night walks but was to nervous to do so alone, Person B then decides to make a date out of it and they go on a midnight walk holding hands.
• Candlelight: After the sun has set the power goes out so Person A and Person B have to scramble to find enough candles to light up their house.
50 tips for (fanfic) writing
have fun
write whatever is interesting to you, even if it won’t be interesting to anyone else
appreciate kudos when they come, but don’t expect them
appreciate comments when they come, but don’t expect them
if you wish you could just write that one scene you have in your head, do that. you don’t need to create a 30K backstory for it first.
embrace one shots
embrace drabbles
embrace writing your story out of order
rough drafts are meant to be rough. if you can’t think of a word, put in a placeholder for it and keep going.
try not to get stuck on the little things
it’s okay if your readers can’t see the picture inside of your head
some people work well when they have a posting schedule. some people work well when they don’t. it’s okay if you don’t know which kind of person you are, and it’s okay if the type of person you are changes over time.
if a rule you created for yourself isn’t working for you, get rid of that rule.
make fandom friends. even if they don’t read your fic, they’ll cheer you on while you write it.
cheer on other writers you know. you’ll be cheering yourself at the same time.
no trope or genre is better or worse than another one. they all just appeal to different audiences.
quality and popularity are not the same thing, although they do sometimes overlap
numbers and statistics will never tell you whether or not you’re a good writer. they will never tell you how valuable you are as a person.
you belong in fandom if you want to be there
you’re a writer as soon as you start writing things
writing and posting are two different things. your story is still worth writing, even if you never plan to share it
you don’t need to apologize for what you write or what you post.
don’t worry about taking up too much space. the internet doesn’t have a maximum size.
keep your readers in mind when you’re tagging your content. how could they search for your fic? if you use a tag, will be a reader who loves that tag be satisfied with how much it appears in your story?
if you have a relationship in your fic that plays a minor role, tag it in the Additional Tags section instead of the Relationship section so that people who love that ship don’t get their hopes up
be cautious when looking at bookmarks on your fic. they aren’t “extra comments.” that’s a space where readers make notes for themselves and each other, not for authors.
you don’t need to know everything about canon before you start writing fic
you don’t need to read fic in the same fandoms you write for
you don’t need to read fic at all in order to write it
love your work because sometimes you’re the only one who will - and that’s okay
if your hobby starts feeling like a job, you might need to take a break before you get burnt out
if you get stuck on a story, you can always start a new one
if you fall out of love with a story, you can always stop writing it. if you’re worried about your readers, you can always give them a bullet point summary of where you were planning to go with thing. for a lot of people, that’s satisfying and provides closure
if you get hate, report it
use the tools at your disposal to block hate before it can come in (limiting or turning off comments, limiting or turning off asks, blocking users, etc)
try replying to comments sometimes. it can be a lovely way to make fandom friends
don’t be afraid to reblog your own writing posts.
if you get stuck on your summary, just write 1) who the story is about 2) what they are doing and 3) what problem gets in their way
notice when your writing makes you smile. that moment is a gift. enjoy it.
notice when your writing makes you cry. that moment is a gift, too.
even if you’re disappointed in how your story turned out, there’s something in there that’s fantastic. find that thing and focus on it and feel proud.
some ideas are ones you want to write. some are ones you want to read. if you ever have too many ideas to deal with at once, give some of the latter ones away to someone else.
sometimes the things you write will be really personal. be careful about putting them where other people can comment. they won’t know how personal it is for you, and you need to remember that comments aren’t about you, they’re about the story.
remember that you can write series as well as stories. if the story is done but you still have passion or ideas, start a new one in the same universe.
enjoy the satisfaction of finishing a story. savour it. bask in it a little while.
don’t feel guilty about abandoning a story. not every story gets finished, and that’s okay
you can have separate accounts for different fandoms. you can have one account with a million fandoms in it. do whatever works for you.
sometimes writing is more important than sleep - but only sometimes
it doesn’t matter if that story has been written before by someone else. it doesn’t matter if it was written by you. write it again.
only follow the advice that makes sense to you. the rest isn’t important.
- Dont be ashamed to be trash, we all are. - if its a rarepair odds are there’s someone who wants to read it. - modern AUs with lots of worldbuilding rock - yes, everyone can be gay.
- surround yourself with friends who offer support and cheer you on, even if you aren’t doing a damn thing at the moment
- share lessons and support with new creators; you remember how nervous you were?
- embrace other’s work as a contribution to the universe of your fandom, even if the subject matter isn’t your jam
- If you’re not happy, you can always quit. Trust me on this one.
- You can avoid most of what you hate, I assure you, if you manage to use well the tools that are given to you.
- Don’t be afraid to ask what is the purpose of a thing, be it a tag, AU or fandom norm, there’s someone who will gladly explain it to you.
WORDS TO USE INSTEAD OF: CRY / CRIED / CRYING
Do you ever find yourself over-using the word “cry” (or “cried” or “crying”) in your writing? Try using these words instead:
sob / sobbed / sobbing
wail / wailed / wailing
weep / wept / weeping
bawl / bawled / bawling
whimper / whimpered / whimpering
howl / howled / howling
blubber / blubbered / blubbering
snivel / sniveled / sniveling
squall / squalled / squalling
yelp / yelped / yelping
whine / whined / whining
shed tears / shed tears / shedding tears
burst into tears / burst into tears / bursting into tears
tear up / teared up / tearing up
choke up / choked up / choking up
well up / welled up / welling up
break down / broke down / breaking down
let it out / let it out / letting it out
turn on the waterworks / turned on the waterworks / turning on the waterworks
open the floodgates / opened the floodgates / opening the floodgates
Powers that hurt
telekinesis that gives the user a massive headache
super strength that leaves them with sore muscles for days after use
pyrokinesis that gives a horrible burning sensation, felt even though there’s no physical evidence of it.
cryokinesis that chills them to the bones, leaving them with a desperate need to get someplace warm after every battle
heightened senses that mean the character is in a near-constant state of sensory overload
flight powers mean they have altitude related illness every time they go just a little to high a little to fast
aquakinesis that means that it’s harder to drown them but not impossible, that means they feel horrible when the humidity is too low
geokinesis that makes them terrified to be off the ground, whether they’re being carried or in a plane or flying in any way, they just hate it
I had some feelings about Yuri!!! On Ice on Twitter...
Lazy Sunday ~
crying
“By some magic, all the flowers in London bloomed at once on the 3rd of March that year.”
(aka ‘i love helga pataki and her heart picture from hey arnold! and i had to give draco a weird harry potter love locket’)
a first kiss. draco had to make out with this sad kid to cover up the fact that potter made him get all choked up #slytherinforlife
i got goosebumps.
<3
scorpius: mic drop
draco: we’ve been banging for over a year. also, i’m going to kill you
THE WAY I SCREAMED EVEN LOUDEER
draco malfoy: i’ll take my secret love of potter to the grave
the grave: *beckons*
draco: POTTER
thank you to @dddraconis for the idea to do ‘dark twist on the little mermaid’ w/malfoy losing his gay ass voice <3
THE WAY I SCREAMED