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i don't do bad sauce passes
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I'd rather be in outer space 🛸
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cherry valley forever
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@rachelthefish
On Twitter Now
Idk if anyone but porn bots still follows me because I stopped posting on this blog for a long while since I was on my wow blog more. But now I'm leaving tumblr entirely. I started a Twitter in place of my wow blog that I haven't used much yet if anyone wants to follow my trashy gamer ass over there before I delete this blog. Check out Arahe (@AshtotemTauren): https://twitter.com/AshtotemTauren?s=09
“I just want Bruce Lee to hold me as long as he can.”
I’m dying.
(imgur album)
I love how chill this cat is
since those old christmas movies are the next big meme i want to say that these two had the catchiest song out of all those movies
a classic
there’s some lava bending going on there…. so she separated the ground down to the mantle layer (magma chamber)? then floated that chunk on lava then air bended it over?
This is often cited as the single most powerful feat in bending in the entire franchise, and I’m inclined to agree. Kyoshi Island also manages to wind up quite a distance from the mainland–let’s assume it’s still on the continental shelf, otherwise MY GOD–and is large enough to sustain a reasonably-sized village with agriculture. Unless there’s an earthbending equivalent of the great comet going on, this is nuts. Avatar Kyoshi also lived to 230 years old. All of this begs the question to me–what the hell was up with her? Did she get a spirit-world power boost or something? These things are all very much outside the norm, even in a world of such extraordinary people. What’s everybody’s theory on this?
She was just that strong
My thought has always been that Kyoshi was one of the few Avatars that was completely at peace with who and what she was. Every other Avatar we’ve seen – even the best of them like Aang and Korra – are conflicted over what they have to do and how they do it. Guilt and self-loathing over their responsibilities and actions, regret over what they could have done better.
Kyoshi, however, never doubted herself. Even without being arrogant, she always saw that what she did had to be done. She took what were the only options. You see this even in the advice she gives to subsequent Avatars: Be decisive. Be final. Commit.
Because of that, she was one of the few (Maybe only) Avatars who was able to completely encompass the powers available to them. No part of her subconsciously didn’t want to use them. There was no hesitancy buried so deep that she even didn’t realize it, Unlike Aang, or Roku, or Koruk, or Korra, or Yangchen, or even Wan, she was able to give herself over totally to whatever she was doing and hold nothing back.
That’s why she was able to accomplish feats of bending and skill that no other Avatar could equal: Because she, alone of all the Avatars, had she SHEER CHUTZPHA to do it.
other avatars ask “can i do it?” kyoshi says “of course i can.”
SUPPORT YOUR SISTERS NOT JUST YOUR CIS-TERS
I have no idea what’s going on but a transphobe got fuckin rekt so I don’t care
A tree trunk throne in Kendall, England.
Doesn’t look safe for a mortal.
I’m gonna sit in it. I’ve read all the stories, I know all the tropes. But you know what? I’m gonna sit in it anyway.
Well, it was nice knowing you.
The royal family employs no bodyguards. A would-be assassin discovers why.
“Please?” the crown prince said hopefully.
The assassin hesitated. “I’m not sure I’m comfortable with this.”
“Come on, you’re doing great. Just one stab, it’ll be easy-peasy.” The prince spread his arms wide, leaving his throat and chest vulnerable.
“Look, I’m going to level with you,” the assassin said. “I took this contract on the assumption that you were a bad dude. Usually when a country goes bankrupt this fast, it’s because whoever’s in charge is raiding the treasury. But once I infiltrated the guard, I actually had to spend time around you, and you’re just.” The assassin threw her hands up in disgust. “You’re a really nice person! There’s no getting around it! So I’m not super on board with murdering you now. Nothing personal.”
“But if you don’t, my sisters won’t get the life insurance payout, and the country will be in debt for the next century!”
“I’m pretty sure arranging for your own assassination is insurance fraud.”
“Your whole job is to commit murder,” the prince said, “and now you’re worried about a little insurance fraud?”
The assassin pinched the bridge of her nose. “Okay, let’s back up and think about this rationally. Have you considered faking your own death?”
THERE. IS. ONLY. ONE. GOOD. GIRL.
We must end our reliance on big telecom monopolies and build decentralized, affordable, locally owned internet infrastructure.
Good, yes, 100% in support of this!
Just wondering how this could work
A town in colorado just voted to do just that
and a town in Massachusetts did it last year
Turns out when these local governments do it it ends up being cheaper for everyone, and they often offer cell service too (The Massachusetts town had cell service for 10$ and internet for 25-45 depending on speed. Most residents had a 40% drop in cost)
FUCK YOU AND EVERYTHING YOU STAND FOR
What does this mean?
IM ILL
oh my god
I don’t get this…
The bigger the cat the more raw power stored inside
FUCK yeah thats what im
TALKING
ABOUT
R A W P O W E R
Guy who likes music
Is he an alien
This is the funniest thing I’ve ever seen
Something that’s been stressing me lately.
Stop being so interested in my sex life or lack thereof
Baby armadillo.
Humans will pet anything.
How wonderful, then, to live on a planet full of creatures that like to be petted!
“ How wonderful, then, to live on a planet full of creatures that like to be petted!”
It truly is.
i think about this video a lot
This is amazing
it’s sort of funny that the current cultural idea of the flapper dates not from the 1920s, but the 1950s when costume designers took the radical, gender-fluid, sexual, sexually liberated ideas and fashions of the 20s and made them sexy. as in sexual objectifying.
because 1950s and fuck female agency.
If you would like, I would love to hear more about this. What, exactly, happened, and what was the true 1920s aesthetic, untainted by 50s views?
hokay. so it’s the 1950s and it’s the heyday of the studio system and writers and movie makers (and audiences) want rom coms and frolicking films and lighthearted fun, but there’s just one problem.
WWII
but that was the 1940s! you say
you’re right.
but in order to set a film in the 1950s, writers and film makers have to establish what the male lead character did during the war or risk it coming across like he didn’t, well, serve. can’t have a shirker or a coward and rejected for medical reasons really doesn’t fly in the 1950s. and there’s only so many times you can write about soldiers and sailors and airmen and the occasional spy before it starts to become stale. and it doesn’t terribly fit with the fluffy writing because, well, war and death and tens of millions of people dead. contemporary films more fall in the line of what we now call film noir. men and women who have been damaged by war, but that’s another topic.
sooooo, you do period pieces. no one wants to do the 1930s because that’s the great depression. so 1920s. frolicking and gay and fabulous!
(Great War, what Great War?)
but the thing is, the 1920s, especially in Paris and Berlin, were a massively transgressive, reversal, and experimental time period in art, fashion, society, and all over. but only a little bit in america because honestly we were barely touched by wwi so it’s not like we’re partying to forget an entire generation of young men killed off and entire towns wiped off the face of the earth using weapons the likes of which had never been seen before. the us as a whole mostly heard about sarin gas, not see it poison entire landscapes and men and animals dropped to the ground and die in truly horrific ways.
the europe that emerged from wwi was massively shell shocked, angry, and living in a surreal dream of everything being upwards and backwards and live now because tomorrow you may die and it’s all nonsense anyway. it’s a world in which surrealism and dadaism and german expressionism make sense because fuck it all.
you get repudiation of the old, experimentation, deliberate reversals, transgressive behavior, and if there’s an envelope to push, you tear it open. France calls the 1920s “Années folles”, the crazy years.
the things we’re doing now, with fluidity and experimentation and exploration of gender and sexuality and presentation? the 1920s did that already. it’s drag and androgyny and blatant homosexuality. it’s extramarital affairs and sex before or without marriage, it’s rejection of marriage as an idea and an institution, it’s playing with gender and gender roles and working women and unrestrained art and
it’s everything the 1950s hated. or more accurately: absolutely terrified of.
the flappers of the 1920s went to college and cut their hair to repudiate a century of a woman’s hair being her crowning glory. they wore obvious makeup and makeup in ways that are not terribly appealing now and weren’t terribly appealing then, but they signaled you were part of the tribe.
they were women who wanted independence and personal fulfillment.
“She was conscious that the things she did were the things she had always wanted to do.“
so the 1950s didn’t want that. they wanted films with dancing and chorus lines and pretty girls to be looked at. they wanted spaghetti straps and fringed dresses that moved pretty when the chorus girls danced.
1920s fringe doesn’t. 1920s fringe is made of silk, incredibly dense, incredibly heavy, sewn on individually by hand, and rather delicate. the all-over fringe dress didn’t exist until the 1950s invention of nylon and continuous loops that could be sewn on in costume workshops by the mile on machines.
(this is before “vintage” exists. to the 1950s, the 1920s (or earlier) wasn’t vintage, it was old-fashioned. démodé. out of style. last last last last last season.)
1950s 1920s-set movies have clothes that are the 1950s take on it. the dresses have a dropped waist, but they’re form-fitting, figure-revealing. the actresses are pretty clearly wearing bras and 50s girdles under them a lot of the time. they’re not
the woman on the far left is basically wearing a man’s suit with a skirt. la garçonne. some women went full-out and wore pants. you could be arrested for that. they were. still wore pants. and pyjama ensembles in silk and loud prints.
or class photo of ‘25
or even
not that 1920s dresses could be sexy or sexual; they often were. i’ve seen 20s dresses that were basically sideless and held together with straps. but it’s sort of like how the mini skirt went from being a thing of sexual liberation to an item of sexual objectification.
it’s ownership and it’s agency and it’s hard to put a name or finger on it, but you just know. sex goddess versus sex icon.
My Grandmother used to have to bind her chest to get the silhouette fashionably androgynous.
