Streaming services: huge budgets for an 8 episode show
Me: ha back in my day we pretended the same Canadian forest was a different planet 20 times a season and we liked it
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@racwraithe
Streaming services: huge budgets for an 8 episode show
Me: ha back in my day we pretended the same Canadian forest was a different planet 20 times a season and we liked it
Oh I know this one! As far as we can see (with telescopes and satellites) everywhere else around the universe has a pretty similar distribution of mass. This means we can see a lot of solar systems like ours, sometimes a black hole or a pretty fucking big star, but most of whats around us is vacuum! So when we do calculations about the whole universe we assume that the whole universe is kinda like we can see: a whole lot of empty space.
But. The universe is infinite, and what we can see is a very small part of it. So maybe we are wrong! Maybe the universe has a whole lot of things and very little vacuum everywhere else BUT here!
So some scientists are assuming exactly that and redoing every single calculation we have ever done about space but assuming that instead of mostly vacuum the universe is mostly matter, and seeing what this would mean.
The tweet is obviously misleading, because there is no evidence we are in a "vacuum bubble". But there is no reason to assume we aren't in one and testing weird shit is what physicists do.
Ok dash reloaded but I saw a tweet screenshot comparing Netanyahu in Congress with Nazi Germany and I think those comparisons are generally apt but they said it as "this is Worse than Nazi Germany because the world legitimizes it" and I need you guys to know the world DID legitimize Nazi Germany. Their violence and racism was largely known, their positions were shared by leaders in many countries in the imperial core, and they operated pretty much with impunity for years before the war, which started not because other countries cared about Jews or Roma or anyone else's lives, but because Germany started threatening the power of other European nations. It's important to me that we all know this
Yes! I need everyone to remember that the war just started bc Germany invaded Poland. Germany was commiting genocide for YEARS before the war started and the reason it started at all was because Europe was afraid of invasion.
The US only joined YEARS after the war started when it became clear nazis were bad for business (in particular bc France fell and the USSR the strongest front against them and the US didn't want communism to win the war).
Governments are hardly ever against genocide of minorities. People are.
This has big "They China Food" (John Dies at the End) energy in the best way.
25 THINGS IâVE LEARNED IN 25 YEARS IN TV WRITING
Well, itâs actually been 30 years now, but hereâs a spew I did 5 years ago on the bird app to commemorate my 25 years as a TV writer.Â
Iâve edited it a bit for clarity. Hopefully some of you will find it useful.
1. In TV writing (and writing in general) there is only one unbreakable rule: Thou shalt not be boring.
2. Write characters people want to hang out with for an hour or so once a week for years to come. Even if theyâre bad people, make them interesting, engaging bad people.
3. If your lead is a bad person, make them funny and/or sexy. Direct most of their bad behavior toward other bad people or themselves. Make them well motivated. Maintain rooting interest.
4. What makes a character special should be intertwined with what makes them struggle. Perfect people are boring.
5. Characters should complement/conflict with each other. No two characters should serve the same purpose/have the same backstory/have the same voice.
6. Cast the best actor, adjust the character to suit.
7. Give your leads the best lines/moments. No one is tuning in to watch the funny guest star. Like Garry Marshall said back on HAPPY DAYS, âIâm paying Henry Winkler $25,000 an episode. Give the Fonz the jokes.â
8. Your characters, good & bad, should reflect the reality of our wonderful, diverse world. White male shouldnât be the default.
9. Avoid stereotypes. Stereotypes are boring.
10. If all your POV characters know some secret, the audience should know it too.
11. If your show hinges on a big mystery, know more or less what the truth is from the beginning. You can change it later if you need to, but write to a specific.
12. If your story doesnât test your characters mentally, physically, psychologically, emotionally, or spiritually, you donât have a story.
13. You can start by figuring out the Beginning, the Middle, or the End, but you donât have an episode until you have all three.
14. Big suspenseful act outs (the last moments before the commercials) arenât just a gimmick. Theyâre a good way to structure an hour of entertainment to make sure the audience is invested and your pacing is solid.
15. Every scene should be a consequence of the previous scene or a refutation of it.
16. A scene also needs a Beginning, Middle, and End. The end should propel the characters and/or audience into the next scene.
17. Every scene is a negotiation/confrontation between two or more characters who want different things or have different ideas on how to solve the same problem.
18. A good action scene is still a character scene. With punching. (This applies to sex scenes too, but you know, with sex.)
19. A crap page is better than a blank one.
20. Itâs easier to cut than to add.
21. Good things rarely happen in the Writers Room after dinner. Go home, get some rest, write pages at home if you have to, start fresh in the morning. Writers who have a life outside the writing room are better writers. Beware the showrunner who doesnât want to go home to their family. That saidâŠ
22. Script by day one of Pre-Production. No matter what.
23. Youâre a writer first. Almost nothing happening on set or in post is more important than the writing. Delegate when possible.
24. Make an extra effort to surround yourself with writers who are different from you (background, race, gender, orientation, etc). Listen to their perspectives, especially on experiences alien to you.
25. And in the end the love you take is equal to the love you make. In TV writing and life in general.Â
Face Claim Diversity Masterpost
Articles
A Few Tips and Resources for Writing POC Characters by writeworld
Additional tips on writing PoC characters by keyboardsmashwriters
Bro-Tip: Describing Skin Color by thetrolliestcritic
Cedarseedâs Guide to Human Types at edencomplex
Demographics, Representation, and Fiction by writeworld
Describing characters of color in writing by N.K. Jemison
Describing characters of color, pt. 2 by N.K. Jemison
Describing Skin Colors by thewritershelpers
Describing Skin Tone by Marion Sipe
Describing Skin Tone by writeworld
Gee, I donât know how to research writing Characters of Color tastefully by missturdle
Kazzaâs Guides: How to find face claims by kgillsrpc
More on Inclusiveness, Art, and Just Writing by writeworld
Re: POCs: Just Write by writeworld
The Term POC by writeworld
Tips on finding face claims by shackleboltrps
Why Writing Colorblind Is Writing White (a rant) by Kameron Hurley
Writing Racially and Culturally Diverse Characters by writeworld
Z Ponders: Why Face Claims Are Killing Creativity by thetrolliestcritic
Body Diversity
FC Help: Plus Size tag at fchelpers
Masterlist of Plus-Size FCs/FCs for Body Diversity in Roleplays by cl4p-tpwrites
Whosdatedwho celebrities by build
IMDB Lists
100 Hot Women of Color by Greenidge_Lewis
Beautiful Women of Colour by Daliouse
favourite actors of colours by phoenix310789
Gorgeous Leading Men of Color by rejavanation
The list of Top Bollywood Actors by miketellon
Sexiest Women of Color by SteelKeez
Young Actors & Actresses of Color by mirrormera92
Tumblr Blogs
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Tumblr Resources
Face Claim Masterlists by fchelpers
Faceclaims Table by dontmesswith-rpcw
FC Directory by rphelper
FC Suggestions: People of Colour tag at rphelper
POC characters tag at thewritingcafe
POC FC GIF hunts by rphelper
POC FC tag
POC tag at fuckyeahcharacterdevelopment
POC tag at referenceforwriters
POC tag at thewritershelpers
Skin Deep tag at writeworld
White Writers tag at thetrolliestcritic
Writing Race tag at cl4p-tpwrites
Web Resources
Whosdatedwho celebrities by ethnicity
Wikipedia List of American people by ethnic or national origin
Words Used to Describe Skin Color
Do y'all remember being in fandoms and wanting to read a reader insert fic that included a character you liked? Or maybe even your favorite character? You were a little excited to see the world and storylines this author came up with and imagine yourself in the story but then you come across something that isn't quite right. Right isn't necessarily the correct word but for the nature of the type of fanfiction it didn't really make sense?
It's a general insert, right? A fic where every reader is supposed to imagine themselves and feel included in the fandom but oh-
You see a comment about pale skin. Or maybe a comment about flowing hair. Or someone very explicitly describing someone's cheeks as red or pink. The same for their lips or if it's smut...well, you know. Pink everything else. They talk about throwing their hair into a messy bun or if they're gripping something, it's always "white knuckled".
You get this oh moment. This moment where you realize that despite what this author says, this wasn't written for you at all. Despite how inclusive they claim to be, someone who looked like you clearly wasn't in mind when they wrote it. It's blatantly a white reader even though it doesn't say it. And you try to think they didn't do it on purpose but doesn't that make it worse? The fact that people who look like you are such a non factor that it didn't even cross their mind that you...exist? You're a little disappointed because you wanted to enjoy it but how can you when the reader insert portion of the fic is clearly not what it's supposed to be?
But it's fine though because that's just one writer!
But it's not one writer or even two or even 5. It's majority of the writers in the fandom. Whether it was Marvel or 1D or whatever other fandom you were in. It was a plethora of writers going out of their way to exclude people. To make it clear who they wrote for and who they wanted reading their fics. And if you bothered to point it out, you were belittled. Your feelings were invalidated because "it's not that big of a deal". Your feelings just didn't matter.
To make matters worse, these fics had thousands of notes. It was a sign that people didn't care. They didn't care that people were being excluded and made to feel left out and like they didn't have a place in that particular part of the fandom. For years people showed that they couldn't care less and you wonder why you're even in the fandom at all. Why even interact with these people who've made it clear they kind of don't want you here? The fandom isn't fun for you and these people have made it that way.
And now those same people wonder why people go out of their way to write things like specific black inserts. Why people go out of their way to make people who've been excluded for years feel included. Why they would want to make a safe space for readers like that. Take a wild guess...
Black fic writers here on tumblr have been getting anon hate simply for the audacity to write black reader inserts or OCs. Nah. Fanfiction, creativity, fantasy, and a platform to express yourself are for everyone. I feel ridiculous having to state that, like I'm talking toddlers who haven't learned to share.
You can only reblog this on the 3st of January
the 3st huh?
Yes, the thirdst, what do we not get here
Check in request
Itâs been a long couple of years. Please consider checking on with your online communities if you've stopped being active in them over this time. I guarantee there is someone, somewhere who is worried you've become another grim statistic. Content here, reblog, make your own post, anything. Just make a little noise. Let us know that you're well. Reassure us that we're all still out here, fighting the good fight.
It's been a wild damn ride, personally. But I'm still standing. Drop me a note if you want to chat.
đ Blue đ
The secret to writing relatable characters is to picture yourself in their circumstances, carefully fix in your mind exactly what information would be available to you in that situation, and figure out what the worst possible decision you can imagine yourself honestly thinking seemed like a good idea at the time is.
well now is probably a good time for a post like this, what are some essential readings on fascism in your opinion. i really like the point you made, that the right now has a reason to be on the offensive, didnât even consider that.
thank you for asking! ive been studying (or trying to study) the far right and the history of fascism for the past four years and my position has always been thatÂ
its wrong to characterize trump or the entire trump movement as fascist because they dont have a lot characteristics that define fascism
doing so obfuscates the meaning of fascism and the conditions fascism forms in, and it will make it difficult to analyze and prepare for an actual fascist movement
trump is more aptly characterized as proto-fascist. the actual fascist movement is on the horizon and will probably develop more post-trump
those characteristics that define fascism are absolutely emerging now so its crucial for radical and antifascists to understand what fascism is and what the historical precedent for it was. heres my essential readings:
Blackshirts and Reds: Rational Fascism and the Overthrow of Communism â Michael Parenti
Discourse on Colonialism â AimĂ© CesairĂ©Â
Technology, War, and Fascism â Herbert Marcuse (this is a collection of essays. the most important and illuminating one is State and Individual Under National Socialism)
The Fascist Revolution: Towards a General Theory of Fascism - George Mosse (this is a cultural history of fascism, heâs a little anti-soviet but its very good otherwise. his other books on nazism and european history are also great)
Fascism and What is Coming â Michael Novick
Lectures on Fascism â Palmiro Togliatti
The Fascist Offensive and the Tasks of the Communist International in the Struggle of the Working Class against Fascism â Georgi Dimitrov
Anatomy of Fascism â Robert Paxton
Selections from the Prison Notebooks (1929-1935) â Antonio Gramsci
i have a few posts which are tagged #fascism that may be of interest, this one here has more resources on german culture, nazi culture, and pre-fascist militias. also reading about italian and german history from the late 19th century to the 1920âČs is very helpful for understanding the historical context
Suffering a bit too much from numbers 1 & 7 atm đđŹ
Quick Writing Tip: Accents
Hi friends! Every so often I get an Ask about how to do accents. Hereâs an excerpt from my book The Complete Guide to Self-Editing for Fiction Writers that gives advice about it:
Avoid changing spelling to show an accent. This is called âeye dialectâ and itâs notoriously difficult to read. What you want to go for is âear dialect,â (disclaimer: I made that term up) which is achieved by altering word choices, syntax, and grammar.
Eye dialect:
There wos other genlmen come down Tom-all-Aloneâs a-prayin, but they all mostly sed as the t'other wuns prayed wrong, and all mostly sounded as to be a-talking to theirselves, or a-passing blame on the t'others, and not a-talkin to us.
â Mark Twain, Bleak House
Ear dialect:
She is a friend of my mind. She gather me, man. The pieces I am, she gather them and give them back to me in all the right order.
â Toni Morrison, Beloved
Eye dialect was popular a century ago, when writers like Mark Twain used itâoften pejorativelyâto draw attention to âimproperâ English spoken by their characters. The misspellings are supposed to make you âhearâ the accent in your head: âWosâ for âwas,â âgenlmenâ for âgentlemen.â Not only is âeye dialectâ difficult to read, these days itâs considered outdated, classist, and racist.
Toni Morrisonâs dialect, on the other hand, uses word choices and punctuation to convey her characterâs nonstandard English: âshe gather themâ instead of âshe gathers them;â âin all the right orderâ instead of âin the right order.â If your story has any accents, try to use syntactical cues instead of misspellings to get your characterâs voice across.
Hope this helps!
The blurb, the hook, and the synopsis!
what are some reasons characters can break up while still loving each other?
Hi icy-hot :)
I think as long as the reason for break up is not falling out of love, in every other scenario there could still be love between the exes.
So here is an incomplete list of reasons:
Reasons for a break up while still loving each other
inconsolable differences:
different views of social and political ideology, religion, morals, habits, etc.
personal issues:
wanting different things out of the relationship (romantically, sexually)
different ideas about children/ child care
neverending problems with SOâs family or friends that SO doesnât want to lose
betrayal: cheating, lying about important issues, not having each others back
physical distance:
established long distance relationship (met on year abroad, met on vacation, over the internet, etc.)
new long distance relationship (one of them moves away for work or school, being in prison)
more reasons:
being blackmailed into breaking up
being forced to marry someone else
not being in a position where they are allowed to be in a relationship
not being able to be together because of class differences, differing ethnic background, religions, not conforming to the societyâs expectation of a âcoupleâ due to their sexual orientation and/or gender identity
realizing theyâre better apart, because they are toxic together
I hope some of the reasons are helpful for you.
Have a great week!
- Jana
Poem Bangkok âTimeless Collection, Chapter I: The Rose of Heliogabalusâ
New outfits, perhaps