“I’m having his baby! No I’m not, but you should see your faces!”

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Aqua Utopia|海の底で記憶を紡ぐ
Today's Document

Kiana Khansmith

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Jules of Nature

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RMH
almost home
todays bird

tannertan36
NASA

shark vs the universe

roma★
Stranger Things

pixel skylines
Cosimo Galluzzi

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@readingrainchel
“I’m having his baby! No I’m not, but you should see your faces!”
it drives me bonkers the way people don't know how to read classic books in context anymore. i just read a review of the picture of dorian gray that said "it pains me that the homosexual subtext is just that, a subtext, rather than a fully explored part of the narrative." and now i fully want to put my head through a table. first of all, we are so lucky in the 21st century to have an entire category of books that are able to loudly and lovingly declare their queerness that we've become blind to the idea that queerness can exist in a different language than our contemporary mode of communication. second it IS a fully explored part of the narrative! dorian gray IS a textually queer story, even removed from the context of its writing. it's the story of toxic queer relationships and attraction and dangerous scandals and the intertwining of late 19th century "uranianism" and misogyny. second of all, i'm sorry that oscar wilde didn't include 15k words of graphic gay sex with ao3-style tags in his 1890 novel that was literally used to convict him of indecent behaviour. get well soon, i guess...
I saw a review of The Tenant of Wildfell Hall that said 'I can't believe people think this was a feminist book'.
Like, do you know how swooningly, outrage-causingly shocking it was that the main character slammed her bedroom door in her abusive husband's face? Do you have any idea how unthinkable it was that she denied him access to her space and her person? She was supposed to submissively look away while he turned their son into an alcoholic for his own amusement and seduced innocent young women! It was revolutionary in 1848; when Bronte (Anne) wrote it, she had to do so under a male psuedonym because publishers wouldn't accept works by women unless they were harmless pap, which was all that was thought suitable for women to read lest their mild and gentle minds be corrupted.
The reason these groundbreaking books of history seem to tame and understated now is because they worked. They raised the bar, pushed the agenda forwards, cleared the path for the next writer. They did exactly what they were supposed to. Time is linear. History moves forward. We make progress.
When you are old, if things happen as they ought, a future generation of teenagers will read The Hate U Give and Simon and the Homo Sapiens' Agenda and Speak and think to themselves 'why did anybody ever think this was contraversial? Why did they ban them? These are just things we talk about, these are things we deal with like normal people. What was the past like, and how do we stop from backsliding into a place where these things are considered shocking again?"
I really hope that's how it goes.
First rule of literary analysis: the analyst cannot judge a past work by modern standards or ethics. Doing so leads to faulty comprehension, straw man fallacies, and lazy logic and analysis. We must always consider the work within the broader frameworks of the history, culture, and events that shaped it.
If your plot feels flat, STUDY it! Your story might be lacking...
Stakes - What would happen if the protagonist failed? Would it really be such a bad thing if it happened?
Thematic relevance - Do the events of the story speak to a greater emotional or moral message? Is the conflict resolved in a way that befits the theme?
Urgency - How much time does the protagonist have to complete their goal? Are there multiple factors complicating the situation?
Drive - What motivates the protagonist? Are they an active player in the story, or are they repeatedly getting pushed around by external forces? Could you swap them out for a different character with no impact on the plot? On the flip side, do the other characters have sensible motivations of their own?
Yield - Is there foreshadowing? Do the protagonist's choices have unforeseen consequences down the road? Do they use knowledge or clues from the beginning, to help them in the end? Do they learn things about the other characters that weren't immediately obvious?
Thank you so much for this!
Romance Story Starters
For @oh-man-are-you-sirius
Pronouns are of course completely interchangeable.
The day started gloomy, not quite letting on what beautiful things could happen on a day like this.
“Hey! Wait for me please!”. They stopped dead in their tracks, their breath shallow and wondering why that voice still made them feel this way.
Meeting the love of your life in a police station does not make for a good story to tell the grandchildren, but definitely an interesting one.
The alarm clock woke her up from a very lovely dream.
She hurried over the busy streets, slaloming between honking cars, four large cups of Iced Coffee balancing in her hand and she should have kept her eyes up in order to prevent what was about to happen.
The dark brown eyes were the first thing he noticed.
Day in day out, it was always the same time, same place, same people and he was used to this implicitly agreed upon order of things.
Later they would say it was love at first sight, but both knew it was a long road they had to take to get here.
With all the drama in the morning, she did not expect her day to get any better.
He liked watching her, when she was in her element – the confident beauty she radiated.
If you like my blog and want to support me, you can buy me a coffee! 🥰
I don't know who needs to hear this, but here's a list of when bilingual characters slip into their home language:
Swearing
As a joke (applies to above as well)
When they've been reading/watching/talking to someone in their home language and haven't adjusted to English Mode™ yet
When the people around them know the words they're using
When they forget a word in English
When do characters not do that?
When they're saying a sentence and suddenly switch?? For no reason??
When they're stressed/freaking out (big cliche there. Though I can see how this happens to someone learning English I don't think??? It's actually that prevalent???)
Around English only speakers
Other times they "slip"
when furious and ranting
when in need of affectionate terms that are close to their heart, especially for loved ones and cute animals or babies
sleeptalking. not every time, of course, but probably often since they may be dreaming in their first language
As a bilingual person:
I do switch in the same sentence all the time to be honest. I think this is more common with speakers who have integrated their languages, like people who speak Spanglish. I only do this with people who speak the language, never with English speakers.
Sometimes we even mix words together into a made up one. For example, in Spanglish we often say things like "Parquear" or to park (your car) even though that's just the English word Park with Spanish grammar. The correct word is estacionar.
With specific words or feelings that don't exist in english or just have a different feeling to them. Sometimes specific phrasing too.
Something I've noticed too is not realizing someone doesn't know what you're saying, this is more with people who became bilingual later. I have friends who will speak to me in complete Spanish and neither of us will realize the third person can't understand us.
In the wake of JK once more being a total jk, here’s a (non-exhaustive) thread of works by Black trans writers.
Don’t Call Us Dead - Danez Smith, poetry about Black masculinity, police brutality, gender and queerness. Probably the best book of poetry I’ve ever read. Smith has several collections available and you should read them all.
The Deep - Rivers Solomon, a speculative fiction novella about the descendants of murdered slave women. Themes of trauma and memory. Really beautiful writing. Their sci-fi novel An Unkindness of Ghosts is equally unmissable.
Redefining Realness - Janet Mock, the memoir of Mock’s childhood and adolescence as a trans woman before she transitioned. Mock’s second memoir, Surpassing Certainty, focuses on her life in her twenties.
Felix Ever After - Kacen Callender, a YA novel about a teenage trans boy (at the start of the book), Felix, as he further questions his identity, tries to find love, and works on his artistic future. Everything that makes YA novels great.
Reacquainted with Life - KOKUMO, a debut about Black trans womanhood and the power of her voice and body. This work is so hard to describe. Ferocious? Lively? Witty? Completely different to literally any poetry I’ve ever read? All of the above and more.
Mannish Tongues - jay dodd, a poetry collection about Black youth, queerness, religion, family, and gender. I hate how pretentious the word ‘visceral’ is, but it’s pretty accurate here. dodd’s collection The Black Condition ft. Narcissus is also phenomenal.
Pet - Akwaeke Emezi, a YA novel about a Black trans teenage girl and having to confront the existence of monsters. Emezi also has an acclaimed adult novel out, Freshwater, and I believe their new adult novel, The Death of Vivek Oji, is out in August 2020.
trigger - Venus Selenite, poetry about being Black, trans, queer, and unapologetic. This one is hard to get hold of, but worth it if you can. Selenite also co-edited and is featured in Nameless Woman, an anthology of writing by trans women of colour.
Surge - Jay Bernard, a poetry collection written in response to the 1981 fire at New Cross Road, as well as Grenfell Tower and the Windrush Scandal. Bernard is one of those poets who can use 10 words to say more than most of us can in 1,000.
Nameless Woman: An Anthology of Fiction by Trans Women of Color - ed. Venus Selenite, Ellyn Peña and Jamie Berrout, this one includes several stories by Black trans women and is, as a body of work, completely invaluable. The stories here range from semi-autobiographical and romance to sci-fi and speculative fiction.
Resilience - ed. Amy Heart, Larissa Glasser and Sugi Pyrrophyta, an anthology of writing by ©AMAB trans people. Again, this anthology is not specifically dedicated to Black trans people, but it includes work by KOKUMO and CHRYSALISAMIDST, amongst others. This book is super varied, with short stories, poetry and personal essays.
Consider ordering these, where possible, from independent Black owned bookstores.
You can also financially support Black trans people through donating to organisations such as this and these.
Important addendum: I tried incredibly hard to find published works by Black trans women, because trans women are the focus of JK Rowling’s tweets and indeed an overwhelming amount of violence and bigotry in general, but I’m sure it’s no surprise to anyone that Black trans women are enormously discriminated against by the publishing industry, and are routinely denied a platform for their work and their voices. Literally, when you Google ‘black trans woman author’, you just get Janet Mock’s author page. I think all of the books by Black trans women in the list above, with the exception of Janet Mock, are self/indie pub.
I have trawled through online indie and radical publishing magazines, message boards, and nearly 100 lists of ‘trans authors you must read now!’ and I would charitably say that about 1% of people featured in such lists are Black trans women. Obviously, Black trans women are writing, but the lack of available platform for their work is a huge barrier to their voices being heard. If anyone else has recommendations for work by Black trans women, whether it’s a physical book, an online chapbook, an Insta account of poetry, or anything else, please add it, because there must be so much more than I’ve managed to find.
I mean yeah, I get that you have decent chemistry with this guy. But is it, you know *does the 2005 pride and prejudice Hand Flex*
crimeofrhyme
Person/writing advice/whatever: what is the theme of your story? What message are you trying to tell to the world?
Me:
Does my story really need a message? Isn’t it not enough to vicariously live my unattainable fantasies through characters?
Just because you didn’t figure it out in advance doesn’t mean your story doesn’t have a theme or message. The only reason why I know what the thematic message of my writing is is because people tell it to me. Often it’s something so core and essential to the writer’s view of the world that it’s invisible to them. Writers often suck at analyzing their own work.
Tell your stories. Don’t doubt they have meaning.
Books make me weak 📖📚❤️
All of these books are queer, but they all have back blurbs that don’t say they’re queer. While this can be a pain if I’m scouting for queer SFF, it can come in handy for people in a situation where they don’t want to be reading queer books openly.
Please do note that I don’t have hard copies of the books on hand so it’s possible that an author quote or something mentions one being queer (I feel like this isn’t super likely, but I don’t want to rule it out). Some might also have author biographies mentioning that the author is queer. Also, some may be shelved as LGBT on Goodreads or categorized as queer on Amazon. So if you’re planning on asking for any of these as holiday gifts, I would suggest going to the Amazon page or where ever your relative is likely to buy it from and double check that it’s something you’d be comfortable with sharing openly.
I wish I had more pansexual books, but the ones I know of tend to mention queerness in the back description.
With the exception of The Spy with the Red Balloon, these are all books I have read or are currently reading. If you want to recommend others, feel free to do so in the replies!
You can find my other queer book recommendations here.
Links to the queer books database (or Goodreads if the book hasn’t been added yet) are available below the cut. You can find information on content warnings there.
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“You got to keep trying if you want to be the lucky caller.” // Emma Mills, Lucky Caller
IG: skyhazzard
“Novels aren’t just happy escapes; they are slivers of people’s souls, nailed to the pages, dripping ink from veins of wood pulp. Reading the right one at the right time can make all the difference.”
— Brandon Sanderson (via lizziebennet)
meme?
hiding this in the tags is injustice