don't let the twitter rage get to you man. As a brown dude (i fucking hate that I feel i need to bring this up) i think the anger thats being directed towards you is totally unfair. I wish i could step in and attempt to defend you from some of it but i'm not really too deep into the comic scene and not really articulate enough either. You can't have a debate or discussion with these people anyway. Things have become too polarised. Shocking how they will turn on you at even a hint a ambivalence
Thanks so much for the message.
I tend to do not do too well with this sort of twitter conversation.
The Island talk about Dilraj’s cover left a bad taste in my mouth, that continued with this. I don’t want to put out work that people see as harmful or worst case scenario, makes anyone feel like they are not welcome in comics.
That said. I think the idea that Image should have some kind of editorial to check work is a deeply offensive idea to me. I’m very frustrated by seeing creators posting things that amount to “please tell me if I do anything offensive” I would argue that there is no art without risk.
A friend of mine today was talking about this.
He was saying that if you are going to give artists total freedom you will get things like the Howard Chaykin book/cover or Airboy or Boiled Angel. People will do work that is not for everyone or misses the mark and offends – or is just stupid and offensive. but you also ideally make more room for books like Stuck Rubber baby, Sinner, Barefoot Gen, or Phoebe Gloeckner‘s A child’s life, or the underground comics movement- Raw magazine or Metal Hurlant-(& I know these aren’t Image books but it’s the high water mark I aim for)
Or the other extreme is that you get Marvel movies– work designed to not challenge or offend. Work that I would argue isn’t really even trying to be “art” Where artist, Ardian Syaf who quoted the Qur’an in the background (Granted it was taken by many to be anti semitic) of his art got fired over it. What that says to me is that Marvel was not employing him to express his actual opinions and beliefs.
I caught some shit today by saying that the cover is only lines on paper– but past that they are ideas. I was remembering hearing about why some thought that it was important to keep Mein Kampf in print in Germany (I think the new edition is heavily annotated) – Some view it as an important historical document that should be studied in order to understand what led to such an awful lack of empathy for human life.
I think a major problem we need to work on in mainstream comics (and certainly at Image) is getting in more types of voices from a much wider range of creators holding dramatically different ideas. If we’re making work for and by mature adults then I would hope that readers can take in ideas that they both agree with and strongly object to, and make their own decisions on them.
I don’t want comics to be sterilised disinfected, or deodorised in any way, and I think as both artist and readers we need a real diversity of ideas and beliefs for the American comic market to see it’s best work.