Attack for my friend @riikuurii!! Honestly very pleased with how this turned out. The shading ended up looking pretty cool and I feel like I get better at these Omori inspired icons with each try
omg i did not expect this post to get so many reblogs of all things! I love reading through the replies and tags, thank you!!!
i might make a data set after christmas with the most loved pokemon based on this post because it’s super neat and i’d love to see the most loved pokemon!!
Scraper Bots, Fuck Off! How to "Opt Out" of Your Artistic "Data" Being Used in "Research"
How can artists protect their work from being used by art-generating "AI" bots? How can we take a stand against this continuing, as more and more programmers build their own forks and train derivative models?
Here are a few steps artists can take to keep their work from being used to train new art generators (and one step non-artists can do to help). For the reasoning and explanation behind these steps, click the Read More.
The Method:
Remove images that do not have watermarks. Take down every one of your images that can be accessed publicly and does not have a watermark. (In fact, if you have the resources, take down every image, even those with watermarks, and reupload them with new names or URLs).
Add watermarks to your images and re-upload them. Put a watermark on every image you intend to share publicly. It doesn't have to be huge and obvious, but for best results, it should have text, and if you really want to be a pain in some engineer's neck, it should be colorful. I explain why below the cut. @thatdogmagic has shared an absolutely brilliant watermark method here (https://www.tumblr.com/thatdogmagic/702300132999397376/that-your-audience-wont-hate-this-is-a-method).
Watermark everything. From now on, any image you share publicly should have a watermark.
One host domain only. Strive for keeping your image files on only one domain—for example, tumblr.com, or your personal domain. Again, I explain below the cut.
ADVANCED: Configure your domain's robots.txt. If you have administrative access to your host domain, update your robots.txt file to contain the following: User-agent: CCBot Disallow: /
ADVANCED: Configure your meta-tags. If you have administrative access to your web pages, update your meta-tags to include the following: <meta name="robots" content="nofollow">
ADVANCED: Configure your .htaccess. If you have administrative access to your host domain, update your .htaccess file to prevent hotlinking to images. There are a few ways to achieve this, and a simple tutorial can be found here (https://www.pair.com/support/kb/block-hotlinking-with-htaccess/).
Bullying Campaigning. If you do not have administrative access to your host domain (for example, if you host on tumblr, or deviantart), ask your administrator to block CCBot in the domain's robot.txt, disable hotlinking, or take similar actions to prevent image scraping.
Aggressively pursue takedowns on image sharing sites. The best known sources of this issue are Pinterest and WeHeartIt, but especially focus on Pinterest. The image takedown form for Pinterest can be found here (https://www.pinterest.com/about/copyright/dmca-pin/), and the image takedown form for WeHeartIt can be found here (https://weheartit.com/contact/copyright).
Non-artists: do not reupload images, do not share reuploaded images (no, not even to add the source in comments), do not truck with re-uploaders. If you see an image without a watermark on image share sites like Pinterest, and it doesn't look like the artist themselves pinned it, give them a heads up so they can file a takedown.
The Reasoning:
Why watermarks? Why meta-tags? What good will any of this do?
Below the cut, I explain how these art-generation bots are "trained," and how we can use that information to prevent new bots from training on stolen art.
Those Who Can't, Program
Deep learning models capable of generating images from natural language prompts are growing in both capability and popularity. In plain English: there are bots out there that can generate art based on written (and sometimes visual) prompts. DALL-E, Stable Diffusion, and Midjourney are examples of art-generating "AI" already in use.
These models are trained using large-scale datasets—and I mean, large. Billions of entries large. Because teaching a learning machine requires a lot of examples.
Engineers don't make this data on their own: they acquire datasets from other organizations. Right now, there is no better dataset out there than the Internet, so that's what most engineers use to train their models.
Common Crawl (https://commoncrawl.org) is where most of them go to grab this data in a form that can be presented to a learning model. Common Crawl has been crawling the publicly-accessible web once a month since 2011, and provides archives of this data for free to anyone who requests it. Crucially, these are "text" archives—they do not contain images, but do contain urls of images and descriptions of images, including alt text.
The Common Crawl dataset is, in some form, the primary source used to train learning models, including our art generators.
Nobody Likes Watermarks
Watermarks are one of the easiest and most effective ways to remove your art from the training set.
If the model is trained using the LAION-5B dataset (https://laion.ai/blog/laion-5b/), for example, there's a good chance your art will be removed from the set to begin with if it has a watermark. LAION-5B is a filtered, image-focused version of the Common Crawl data, with NSFW and watermarked images filtered out.
Using this example provided by the LAION team, we can determine what kind of watermark will ensure your art is filtered from the dataset: partially transparent text placed over the image. Bots trained with data filtered similarly to LAION-5B will not be trained using your images if you use such a watermark.
As a bonus, if you include a watermark in your image and it somehow still makes it into a training set, the additional visual data will skew the training. It will assume any images it generates that are “inspired” by yours should include similar shapes and colors. The bot doesn’t actually understand what a watermark is and assumes it’s a natural element of the image.
404 Art Not Found
The reason we want to remove and re-upload images with new URLs is simple. The datasets these models study do not have actual images, they have the URLs pointing to images. If your image is no longer at that URL, the model can’t load your image, and any models trained with out-of-date datasets will not be able to locate your images.
However, this is only a temporary fix if you can’t prevent Common Crawler from recording the image’s new location in its monthly archiving of the internet.
Unusually Polite Thieves
The slightly more advanced tricks we can use to keep crawlers from recording the URLs of your images rely on the etiquette of crawler bots.
Firstly, keeping all your images in one domain has a chance to reduce the number of times models training from filtered datasets will reference your images in training. Crawling or scraping that results in significant negative impact on a domain’s bandwidth is bad. Like, legal action bad. The people behind the learning model generally want to avoid pissing off domain admins. So, there is a narrow chance that simply having all your images hosted on the same domain will prevent a model from trying to access all of them. It’s a bit of a stretch, though.
Something that is much more likely to see results is to plant the equivalent of “KEEP OUT” signs in your domain. Common Crawler, for all its presumption, follows bot etiquette and will obey any instructions left for it in robots.txt. Common Crawler’s bot is named CCBot. Create a robots.txt file and place it in the top-level folder of your domain. Make sure robots.txt includes User-agent: CCBot Disallow: / and CCBot will not archive your pages.
Using meta-tags in the headers of HTML pages on your domain will also help. Adding <meta name="robots" content="nofollow"> will tell any crawler robots not to follow any of the links from this page to other pages or files. If CCBot lands on your page, it won’t then discover all the other pages that page leads to.
The more advanced tactic is to disable hotlinking for your domain. When someone accesses an image hosted on your domain from somewhere other than your domain, this is called hotlinking. It’s not just a bandwidth sink, it’s also the exact process by which models are accessing your images for training.
This can be tricky: it involves creating and configuring a hidden file on your domain. The tutorial linked above in the step-by-step gives a simple look at what you can do by editing your .htaccess file, but searching “htaccess hotlink” will provide a bunch of other resources too.
Fucking Pinterest
Let’s cut to the chase: a majority of images in these training sets were scraped from Pinterest. Not DeviantArt! Not ArtStation! Literally 8%, of the billions of images collected, were from Pinterest. Image sharing social sites are the worst.
There’s no easy way to prevent people from resharing your images there, but between your new watermarks and the Pinterest takedown form, you can potentially keep ahead of it. 🫡
Now for the Downside
This won’t work on the models that already exist.
Unfortunately, we can’t untrain DALL-E or Midjourney. We can’t do anything about the data they’ve already studied. It stinks that this happened without common knowledge or forewarning, but all we can do is figure out how to move forward.
The good news is that while the current models are powerful and impressive, they still have some significant flaws. They’ll need more training if they want to live out the bizarre pie-in-the-sky, super fucking unethical dreams some of these weirdos have about “democratizing” art (which seems to mean eliminating trained artists altogether).
If we educate ourselves on how these models are trained and how the training sets are compiled, if we continue to make noise about artists’ rights to their own data, we can make sure this art-generator trend doesn’t somehow mutate into a thing that will genuinely replace living, biological artists.
This is a method I started using when NFTs were on the rise - thieves would have to put actual work into getting rid of the mark - and one that I am now grateful for with the arrival of AI. Why? Because anyone who tries to train an AI on my work will end up with random, disruptive color blobs.
I can't say for sure it'll stop theft entirely, but it WILL make your images annoying for databases to incorporate, and add an extra layer of inconvenience for thieves. So as far as I'm concerned, that's a win/win.
I'll be showing the steps in CSP, but it should all be pretty easy to replicate in Photoshop.
Now: let's use the above image as our new signature file. I set mine to be 2500 x 1000 pixels when I'm just starting out.
Note that your text should not have a lot of anti-aliasing, so using a paint brush to start isn't going to work well with this method. Just use the standard G-Pen if you're doing this by hand, or, just use the text tool and whichever font you prefer.
Once that's done, take your magic wand tool, and select all the black. Here are the magic wand settings I'm using to make the selections:
All selected?
Good.
Now, find a brush with a scattering/tone scraping effect. I use one like this.
You can theoretically use any colors you want for this next part, but I'd recommend pastels as they tend to blend better.
Either way, let's add some color to the text.
Once that's finished,
You're going to want to go to Layer Property, and Border Effect
You'll be given an option of choosing color and thickness. Choose black, and go for at least a 5 in thickness. Adjust per your own preferences.
Now create a layer beneath your sig layer, and merge the sig down onto the blank layer.
This effectively 'locks in' the border effect, which is exactly what we want.
Hooray, you've finished your watermark!
Now let's place that bad boy into your finished piece.
You'll get the best mileage out of a mark if you can place it over a spot that isn't black of white, since you'll get better blending options that way. My preference is for Overlay.
From here, I'll adjust the opacity to around 20-25, depending on the image.
If you don't have a spot to use overlay, however, there's a couple other options. For white, there's Linear Burn, which imho doesn't look as good, but it still works in a pinch.
And for lots of black, you have Linear Light
Either way, you're in business!
EDIT since this has escaped my usual circles, and folks aren't as familiar with my personal usage:
An example of one of my own finished pieces, with watermark, so you can see what I mean about 'relatively unobtrusive'-- I try to at least use them as framing devices, or let them work with the image somehow (or, at the very least, not actively against it).
I know it's a bummer for some people to "ruin" their work with watermarks, which is part of the reason I developed this mark in particular. Its disruption is about as minimal as I can make it while still letting it serve its intended purpose.
There's other methods, too, of course! But this is the one I use, and the one I can speak on. Hope it helps some of you!
janainaart
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