Mirror Palais spring 2024 photographed by Nesrin Danan.

ellievsbear
One Nice Bug Per Day
noise dept.
Lint Roller? I Barely Know Her
let's talk about Bridgerton tea, my ask is open
RMH

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todays bird
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Color Me Curious

@theartofmadeline
Not today Justin
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@ringcycle
Mirror Palais spring 2024 photographed by Nesrin Danan.
Lady Godiva (1890) by Jules Joseph Lefebvre (French, 1836 – 1911), oil on canvas, 62 cm × 39 cm (24 in × 15 in), Musée de Picardie
c. fred alford’s what evil means to us enormously soothing because one area of discourse that has been frustrating me enormously is that all explanations for harm and violence seem to resist one explanation that is obvious to me from when people have hurt me, which is that often they do it because they liked it and it brings them pleasure. it can make you feel crazy to have this so consistently denied, told people are only hurtful against their will, for reason of x y and z impersonal social force. has no one in fandom been on the receiving end of real sadism that you can observe and feel, done with no compulsion and no material concrete gain? really? is it so unimaginable? what a life! you see this resisted in for example my current fandom discourses: characters on this show cannot be violent because they were not “taught” to be violent, war is not “natural” because violence is not “natural” to humans and you can see this because war has to be maintained through an unequal social order etc. and i just go hm, false! or incomplete. this has to be factored in, and can’t just be vanished because it’s difficult to confront. people resist this because obviously this answer - human beings can derive pleasure from inflicting harm on others - seems like it leaves you with notions of innate evil exclusive to certain designated psychological categories of human and cuts out the way social structures absolutely shape and determine violence, which is always an error. but what a relief to have someone say, yes willfully inflicted violence is a pretty observable feature of human beings, and the simplest answer is that no, it does not inherently horrify us all, that some people do it because it appears to bring some benefit, perceived or actual. and it doesn’t mean casting people who do so out behind the human, the transformative proposition here is actually all understand and sympathize with the emotional structures fundamental to human existence that might drive a person to find such relief in inflicting harm.
ARTMS ICARUS (2025)
Domenico Ghirlandaio (Italian, 1449-1494)
Nascita del Battista
"Persephone Writes a Letter to Her Mother", by A.E. Stallings
First – hell is not so far underground – My hair gets tangled in the roots of trees & I can just make out the crunch of footsteps, The pop of acorns falling, or the chime Of a shovel squaring a fresh grave or turning Up the tulip bulbs for separation. Day & night, creatures with no legs Or too many, journey to hell and back. Alas, the burrowing animals have dim eyesight. They are useless for news of the upper world. They say the light is “loud” (their figures of speech All come from sound; their hearing is acute).
The dead are just as dull as you would imagine. They evolve like the burrowing animals – losing their sight. They may roam abroad sometimes – but just at night – They can only tell me if there was a moon. Again and again, moth-like, they are duped By any beckoning flame – lamps and candles. They come back startled & singed, sucking their fingers, Happy the dirt is cool and dense and blind. They are silly & grateful and don’t remember anything. I have tried to tell them stories, but they cannot attend. They pester you like children for the wrong details – How long were his fingernails? Did she wear shoes? How much did they eat for breakfast? What is snow? And then they pay no attention to the answers.
My husband, bored with their babbling, neither listens nor speaks. But here there is no fodder for small talk. The weather is always the same. Nothing happens. (Though at times I feel the trees, rocking in place Like grief, clenching the dirt with torturous toes.) There is nothing to eat here but raw beets & turnips. There is nothing to drink but mud-filtered rain. Of course, no one goes hungry or toils, however many – (The dead breed like the bulbs of daffodils – Without sex or seed – all underground – Yet no race has such increase. Worse than insects!)
I miss you and think about you often. Please send flowers. I am forgetting them. If I yank them down by the roots, they lose their petals And smell of compost. Though I try to describe Their color and fragrance, no one here believes me. They think they are the same thing as mushrooms. Yet no dog is so loyal as the dead, Who have no wives or children and no lives, No motives, secret or bare, to disobey. Plus, my husband is a kind, kind master; He asks nothing of us, nothing at all – Thus fall changes to winter, winter to fall, While we learn idleness, a difficult lesson.
He does not fully understand why I write letters. He says that you will never get them. True – Mulched-leaf paper sticks together, then rots; No ink but blood, and it turns brown like the leaves. He found my stash of letters, for I had hid it, Thinking he’d be angry. But he never angers. He took my hands in his hands, my shredded fingers Which I have sliced for ink, thin paper cuts. My effort is futile, he says, and doesn’t forbid it.
Hokyoung Kim
i kinda love this response. just try reading my comment in a nicer voice and you'll feel better
Leif Engström (Swedish, 1992) - The Invisible Weave (2024)
Leif Engström (Swedish, 1992), The Invisible Weave, 2024. Oil on canvas, walnut frame, 81 x 118 cm.
buried with 755 jade objects, 564 bone objects, 468 bronze objects, 63 stone objects, 11 pottery objects, 5 ivory objects, and 6900 cowry shells
How’d you know?
Joan of Arc Dedicates Her Arms to the Virgin (1880) | Zoé-Laure de Chatillon
【贴图】三轮推特上更的图或者其它三轮相关…@artkingman采集到face(632图)_花瓣家居
academic writing these days is always like “be/longing” “re-membering” “(under)standing”
Fairy tale illustrations by Nadezhda Illarionova
how can we lose when we’re so sincere is forever always one of my favourite peanuts bits
some of my favorite comment-style images from my collection