But are not
all Facts Dreams
as soon as
we put
them behind
us -
Emily Dickinson, envelope fragment A 843, Radical Scatters
Today's Document
Xuebing Du

oozey mess
Lint Roller? I Barely Know Her

Love Begins
KIROKAZE
dirt enthusiast
RMH
Alisa U Zemlji Chuda

Product Placement
Not today Justin

titsay

⁂

Kaledo Art
Game of Thrones Daily
d e v o n
No title available
Sweet Seals For You, Always
Misplaced Lens Cap

if i look back, i am lost

seen from Sweden

seen from Türkiye
seen from Lithuania

seen from United States

seen from Türkiye

seen from United Kingdom

seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
seen from Thailand
seen from T1

seen from United States

seen from United States

seen from France

seen from Canada
seen from Malaysia

seen from Malaysia
seen from Australia
@ripteyed
But are not
all Facts Dreams
as soon as
we put
them behind
us -
Emily Dickinson, envelope fragment A 843, Radical Scatters
Moroccan Composite Embroidered Silk Panels, Late 19th Early 20th,
The Story of a Tattooed Girl by Cindy Ray, 1966.
Born Bev Nicholas, she was Australia's first fully tattooed pin up model and female tattoo artist. When asked what it was like to be tattooed in a time where it was extremely uncommon, Cindy said it was:
“Horrible, horrible. People all staring at you. I even had a police woman come in and try and scrub them off because they thought it was a big fake and we were taking money off people under false pretences.”
1928 c. Silver plated tea pot attributed to Ilonka Karasz. It is in a sculptural modernist design with vertical fluting, squared handle and wooden finial and grip. From Chairish.
Francoise Hardy
During Her Stay In Greece(July 1965)
Photo By Giancarlo Botti
Edward Steichen (American, 1879-1973)
Magnolia Blossoms, Voulangis, France
c. 1921
Gelatin silver print
Liz Johnson Artur
There should be cigarettes made from night time
Sisters, Central Park, NYC, Photo by Mary Ellen Mark, 1968
recently my friend's comics professor told her that it's acceptable to use gen AI for script-writing but not for art, since a machine can't generate meaningful artistic work. meanwhile, my sister's screenwriting professor said that they can use gen AI for concept art and visualization, but that it won't be able to generate a script that's any good. and at my job, it seems like each department says that AI can be useful in every field except the one that they know best.
It's only ever the jobs we're unfamiliar with that we assume can be replaced with automation. The more attuned we are with certain processes, crafts, and occupations, the more we realize that gen AI will never be able to provide a suitable replacement. The case for its existence relies on our ignorance of the work and skill required to do everything we don't.
unskilled labour is a myth
practicing radical acceptance about the fact that I'm always gonna be weird and awkward and a little difficult to be around. it's okayyyy to be weird as hell
Joni Mitchell, 1988 © Larry Klein.
I just hope we don’t have betraying ourselves for nothing in 2026
everybody follow me down the old woman yuri rabbithole
nobody followed me do i gotta do everything myself around here.
Weekend plans, Diane Arbus
miss baez 1968