The energy of this video >>>🎸🎻🎼
That “AH PERROOOO” you can hear in the beginning means they have fully accepted him into the band btw.
Keni

roma★

JBB: An Artblog!
Three Goblin Art
Sade Olutola
taylor price
RMH
Sweet Seals For You, Always
occasionally subtle

pixel skylines

Kaledo Art
Cosmic Funnies
Peter Solarz
"I'm Dorothy Gale from Kansas"
DEAR READER
$LAYYYTER
let's talk about Bridgerton tea, my ask is open

shark vs the universe
No title available
he wasn't even looking at me and he found me
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@rockinsockinmo
The energy of this video >>>🎸🎻🎼
That “AH PERROOOO” you can hear in the beginning means they have fully accepted him into the band btw.
And I am so proud of you!
No but guys, GUYS, we need to talk about how important this scene is. Because the commonly accepted lore about unicorns is that they are so good and pure that they’ll only appear to young virginal girls. Because Molly Grue is a middle-aged woman who has been living with bandits for most of her life and is as far from innocent and virginal as you’re likely to get. Because she’s so angry that this creature, embodying everything that society tells her she’s lost, everything she’s thrown away through her own choices, is here now when all that The Unicorn represents is long since behind her. Because she knows, in a way that only someone who’s been steeped in an oppressive system her entire life can ever know, that she’s missed her chance and doesn’t deserve to be seeing a unicorn now.
And you know what? The Unicorn doesn’t give two fucks about her virginity, about her supposed loss of innocence and purity. She’s not repelled by Molly being older, being experienced, being a full human person. None of that has ever mattered to unicorns, only to the people telling stories about them. Not only does she step in to physically comfort her here, but before long this bandit’s wife becomes her friend, closer to her in most ways than Schmendrick.
This story is fucking revolutionary, you guys, and I just have a lot of feelings about it.
I heard Peter S. Beagle speak about this scene at a convention once. He said he just kept writing and writing into the scene and suddenly here was this powerful, moving dialogue which came out very strong and natural, flowing directly from inspiration.
He said it was one of those moments when “the writer just gets really lucky.”
This is one of those scenes you nebulously get when you’re ten and comes up and punches you in the face when you’re thirty.
Realizing it’s not romance that I hate but overdone straight relationships with zero chemistry built on a slew of misogynistic tropes was like a huge revelation for me
I have a story about this.
My revelation regarding this was spurred by a little-known film that actually didn’t do very well in theatres at all, from the early 90s called Corina Corina.
Starring heartthrob of the time Ray Liotta, fresh off his Goodfellas fame and…..Whoopie Goldberg??? as his love interest??????
Bear with me here.
Corina Corina is the story about a man whose wife died, leaving him alone to parent his 8-9 year old daughter alone in what appears to be the late 50s-early 60s. His daughter, Molly, is non-verbal due to the trauma of her mother’s death and is dealing with feelings of isolation as a result of her mourning process. Ray Liotta’s character makes a concentrated effort to be a good dad for her, but it’s real clear that both of them are still dealing with the death of his wife. Because Ray’s character works full time, he needs to find a nanny to watch his girl and pick her up from school. After a couple of terrible experiences (one with a hilarious appearance by Joan Cusack) he decides to hire Whoopie Goldberg. Whoopie Goldberg’s character is a college educated black woman (in the 50s!!!!) who appears to be doing domestic work because its the only work white 50s America will hire her for. She and Ray’s daughter Molly get along well because she is the first person to take Molly’s decision to be non-verbal seriously and learn an alternate way to communicate with her.
Long story short, Whoopie Goldberg and Ray Liotta fall in love and live happily ever after.
But, more importantly, the way the movie built their love changed the way I was able to process hetero couples on screen forever.
1. First, they were both provided with alternate romance options from the beginning of the movie. Ray was given an extremely attractive white lady love interest, and Whoopie was given an attractive and charming black man love interest. Both of them were given opportunities to return their affection but both pointedly chose not to.
2. They were attracted to each other based on common interest. They both liked the same music, they both bonded over their ability to play the piano, they both loved molly, they both helped encourage each other in their chosen fields (whoopie’s was english, and ray’s was being a songwriter), they both respected each other’s opinions and they both were honest with each other about the circumstances they were in.
3. They were realistic about the issue of a black woman being in a relationship with a white man in the era, and didn’t glide over racial identity issues. Ray made sure that his white neighbors knew that he loved her and didn’t care what they thought. He even explained to his mom that Molly emulating black culture wasn’t shameful and that she should mind her business about the way he felt about Whoopie Goldberg.
4. When Ray confessed his feelings, it was incredibly heartfelt and he was literally crying.
5. They didn’t pursue a romantic relationship until Whoopie wasn’t working for him anymore. And they didn’t gloss over the issue of power disparity in that equation. Ray doesn’t condescend to Whoopie at all through the movie, but once he’s aware he has feelings for her, his new goal is to let her know that he unquestionably considers her his equal both in private and in public And its clear that he’s aware that this is the first thing that must be settled before anything else.
By the time you get to the end of the movie, the entire concept of Ray Liotta being with Whoopie Goldberg seems not only normal, but exceptionally romantic and you’re left wondering why you thought they would be a gross couple to begin with when they’re sO cLeArLy MaDe fOr eAcH oThEr
I now call this the Corina Corina standard.
If a movie has a hetero couple and their relationship isn’t as fleshed out as Ray/Whoopie, I now have difficulty accepting whats occurring.
The concept that two hot straight people who are vaguely near each other just doesn’t do it for me anymore after watching Ray Liotta walk through a black neighborhood in the 50s and knock on Whoopie’s door to beg her to come home to him.
Oh so you say your characters are in love?
Prove it.
I think I’ve reblogged this before, but it deserves to be reblogged every time it crosses my dash.
I’ve never heard of this movie before, and I clearly missed out.
LOKI (2021) + Text posts.
I recall at least one of you guys having worked with livestock animals. Why are cows so damn indestructible while horses keel over and die if mercury is in retrograde or a dog barked in Kazakhstan?
gettingvetted here.
Let me tell you a story about how livestock animals work.
In the beginning, God created the horse. God looked at the horse and saw that it was beautiful and strong. “However,” God said, “it breaks too easily.”
Then God created the cow. God looked at the cow and saw that it was more durable than the horse, and tasted good to boot. “However,” God said, “it poops too much.”
Then God created the goat. God looked at the goat and saw that it was perfect.
God looked around and saw that he still had some spare bits of fluff on his work table, but no brains to put into it. So then God created the sheep.
Now let me tell you what my equine surgery professor said on the first day of class.
“Horses are only interested in two things: homicide, and suicide.”
And that’s all you need to know about horses.
Except every goat is just waiting its turn to die of pneumonia
Sorry I’m not over “if a dog barked in Kazakhstan”.
My entirely half-assed understanding of Why Horses Explode If You Look At Them Funny, As Explained To Me By My Aunt That Raises Horses After Her Third Glass Of Wine:
Horses don’t got enough toes.
So, back right after the dinosaurs fucked off and joined the choir invisible, the first ancestors of horses were scampering about, little capybara-looking things called Eohippus, and they had four toes per limb:
They functioned pretty well, as near as we can tell from the fossil record, but they were mostly messing around in the leaf litter of dense forests, where one does not necessarily need to be fast but one should be nimble, and the 4 toes per limb worked out pretty good.
But the descendants of Eophippus moved out of the forest where there was lots of cover and onto the open plains, where there was better forage and visibility, but nowhere to hide, so the proto-horses that could ZOOM the fastest and out run thier predators (or, at least, their other herd members) tended to do well. Here’s the thing- having lots of toes means your foot touches the ground longer when you run, and it spreads a lot of your momentum to the sides. Great if you want to pivot and dodge, terrible if you want to ZOOM. So losing toes started being a major advantage for proto-horses:
The Problem with having fewer toes and running Really Fucking Fast is that it kind of fucks your everything else up.
When a horse runs at full gallop, it sort of... stops actively breathing, letting the slosh of it’s guts move its lungs, which is tremendously calorically efficient and means their breathing doesn’t fall out of sync. But it also means that the abdominal lining of a horse is weirdly flexible in ways that lead to way more hernias and intestinal tangling than other ungulates. It also has a relatively weak diaphragm for something it’s size, so ANY kind of respiratory infection is a Major Fucking Problem because the horse has weak lungs.
When a Horse runs Real Fucking Fast, it also develops a bit of a fluid dynamics problem- most mammals have the blood going out of thier heart real fast and coming back from the far reaches of the toes much slower and it’s structure reflects that. But since there is Only The One Toe, horse blood comes flying back up the veins toward the heart way the fuck faster than veins are meant to handle, which means horses had to evolve special veins that constrict to slow the Blood Down, which you will recognize as a Major Cardiovascular Disease in most mammals. This Poorly-regulated blood speed problems means horses are prone to heart problems, burst veins, embolisms, and hemophilia. Also they have apparently a billion blood types and I’m not sure how that’s related but I am sure that’s another Hot Mess they have to deal with.
ALSO, the Blood-Going-Too-Fast issue and being Just Huge Motherfuckers means horses have trouble distributing oxygen properly, and have compensated by creating fucked up bones that replicate the way birds store air in thier bones but much, much shittier. So if a horse breaks it’s leg, not only is it suffering a Major Structural Issue (also also- breaking a toe is much more serious when that toe is YOUR WHOLE DAMN FOOT AND HALF YOUR LEG), it’s also hving a hemmorhage and might be sort of suffocating a little.
ALSO ALSO, the fast that horses had to deal with Extremely Fast Predators for most of thier evolution means that they are now afflicted with evolutionarily-adaptive Anxiety, which is not great for thier already barely-functioning hearts, and makes them, frankly, fucking mental. Part of the reason horses are so aggro is that if deinied the opportunity to ZOOM, it’s options left are “Kill everyone and Then Yourself” or “The same but skip step one and Just Fucking Die”. The other reason is that a horse is in a race against itself- it’s gotta breed before it falls apart, so a Horse basically has a permanent terrorboner.
TL;DR: Horses don’t have enough toes and that makes them very, very fast, but also sickly, structurally unsound, have wildly OP blood that sometimes kills them, and drives them fucking insane.
They way they look at each other- my heart just melts
The Nightmare Before Christmas 1993 | dir. Henry Selick
That cat is going to murder the man in the dark of night.
alas, he will be unable to murder the man because the accordion noises that now accompany his every move make stealth impossible
You are Superman, aren’t you? Lois, look, we’ve been through these hallucinations of yours before. Can’t you see what you almost did? Throwing yourself off a building 30 stories high? Can’t you see what a tragic mistake you almost made? I made a mistake? I made a mistake because I risked my life instead of yours. Lois! Don’t be insane! And don’t fall down ‘cause you’re just going to have to get up again! Superman II: The Richard Donner Cut (2006)
This scene features one of the best things about Chris Reeve’s portrayal, which is that he physicalized his different choices between playing Clark and Superman. Like, look at the difference:
He could go from Rick Moranis to Chris Evans with just his posture. It’s like his glasses are weighing his entire body down. Here it is, in motion:
Acting.
This is a perfect example that proves that the Clark Kent disguise actually does work….and how it works….
Christopher Reeve was the best Superman and still is
Are we gonna discuss that Lois Lane rationalized that Superman wouldn’t even feel a bullet, thus wouldn’t even know he hadn’t been hit, causing Clark Kent to reveal himself for who he truly is without her having to risk anybodies life?
The Witcher Four Marks // Much More
GAME OF THRONES + ART
Fallen Angel — ALEXANDRE CABANEL Napoleon Crossing the Alps — JACQUES-LOUIS DAVID The Soul of the Rose — JOHN WILLIAM WATERHOUSE Wanderer Above the Sea of Fog — CASPAR DAVID FRIEDRICH Priestess of Delphi — JOHN COLLIER The Birth of Venus — SANDRO BOTTICELLI Judith Slaying Holofernes — ARTEMISIA GENTILESCHI Circe Invidiosa — JOHN WILLIAM WATERHOUSE Saint George and the Dragon — GUSTAVE MOREAU Death and Life — GUSTAV KLIMT
― Clarice Lispector
casual reminder the MCU is the work of the devil
How the Pentagon Leaned on Hollywood to Sell the War in Afghanistan
in honour of the original video turning a year old, may i present:
the witcher but with britney spears music (now with sound effects) (originally inspired by @paper-records)
Share the chills! Join in Neil Gaiman’s All Hallows’ Read effort! Here are all the cursed books I’ve painted to inspire people to trick and treat others to the joys of reading good scary books on Halloween.
Seven books for seven years make quite a gruesome hoard. I’ve even resurrected the first AHR-fanart I did eight years ago to stalk the feed once again, misplaced hyphen and all. Mohahahahaha