Fragmentos.

Conjunto de artistas, estilos, até ideias. Fragmentos de pesquisas feitas ao longo de trabalhos universitários, pessoais ou profissionais.

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Ensayo de Computer Visión vía JMyron Library + Detección sonora vía FastFourierTranform, Processing 1.5. El proyecto apunta a generar visuales por captura de iluminación y movimientos de personas, requiere ser viabilizado por sectores de espectáculos, entretenimiento y esparcimiento.

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“Tejido Pancromático” instalación 2008 - 2011

“La máquina es la prolongación del cuerpo sensorial pero nunca va a ser más irreal que los sentidos”

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DATAMAT Logo - Generative Typography

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Particles Typography 3D

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Audio and beat reaction No. 2 | Processing

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Casey Reas | RGB I-182 (2015) | Artsy

From DAM Gallery, Casey Reas, RGB I-182 (2015), Plotter drawing on paper, 31 × 31 cm

Casey Reas co-created Processing, an open-source programming language and environment for creating images and animation. Reas began writing software to produce his own complex images, which take the form of prints, installations, and site-specific digital murals. “I write software to draw millions of lines in a few seconds,” he says, “to make thousands of calculations and decisions in a fraction of a second, to go beyond what my mind can imagine without its digital extension.” The abstract patterns and shifting structures contained within his images and animations explore ideas of transformation and evoke systems both organic and synthetic.

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Casey Reas, ‘Control Room (Forward Command Post),’ 2013, bitforms gallery

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Journées du Code Créatif #2 - Processing ART

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Conditional Design A manifesto for artists and designers. Through the influence of the media and technology on our world, our lives are increasingly characterized by speed and constant change. We live in a dynamic, data-driven society that is continually sparking new forms of human interaction and social contexts. Instead of romanticizing the past, we want to adapt our way of working to coincide with these developments, and we want our work to reflect the here and now. We want to embrace the complexity of this landscape, deliver insight into it and show both its beauty and its shortcomings. Our work focuses on processes rather than products: things that adapt to their environment, emphasize change and show difference. Instead of operating under the terms of Graphic Design, Interaction Design, Media Art or Sound Design, we want to introduce Conditional Design as a term that refers to our approach rather than our chosen media. We conduct our activities using the methods of philosophers, engineers, inventors and mystics. Process The process is the product. The most important aspects of a process are time, relationship and change. The process produces formations rather than forms. We search for unexpected but correlative, emergent patterns. Even though a process has the appearance of objectivity, we realize the fact that it stems from subjective intentions. Logic Logic is our tool. Logic is our method for accentuating the ungraspable. A clear and logical setting emphasizes that which does not seem to fit within it. We use logic to design the conditions through which the process can take place. Design conditions using intelligible rules. Avoid arbitrary randomness. Difference should have a reason. Use rules as constraints. Constraints sharpen the perspective on the process and stimulate play within the limitations. Input The input is our material. Input engages logic and activates and influences the process. Input should come from our external and complex environment: nature, society and its human interactions. ============================================== Luna Maurer, Edo Paulus, Jonathan Puckey, Roel Wouters ==============================================

http://conditionaldesign.org/manifesto/ 

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conditionaldesign.org

The process is the product.

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Roots Multi Touch Tangible Installation Teaser from FlipMu on Vimeo.

Video: Memo Akten, Owen Vallis, Jordan Hochenbaum, Roots, 2008 (From Collection: A curated exhibition of Processing software.)

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pieces created by Walter Gorgosilits aka Dextro from Austria, one of the pioneers of generative Macromedia Director programing. Project Page | Dextro | Vimeo

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For Casey Reas, software is the most natural medium to work with. He uses code to express his thoughts—starting with a sketch, composing it in code, and witnessing the imagery that it ultimately creates. We visit his studio to see how he uses color to convey emotion and how his programming language Processing is closing the gap between software and object. 

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Self Projector

from BREAD 

Experiments into the Kinect for live 3D capture and overlay projection.

Coded by Sarat Babu (sarat.co) and Stefan Dzisieswki-Smith (bycgwtsf.com). Using Daniel Shiffman's open library in processing (shiffman.net/2010/11/14/kinect-and-processing/) and a holographic screen developed by Laser Magic (laser-magic.com/transscreen.html) projected on with a XGA Hitachi projector.

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Exhibition Concept and Creative Direction - Nike Brand Design 'Fit' Installation Concept and Creative Direction - Matt Pyke Art Direction - Dylan Griffith 3D Animation - Chris Perry Developers - Mike Tucker, Andreas Müller Sound Design - Simon Pyke Executive Producer - Keri Elmsly Producer - Captain Blyth Film and Photography - James Medcraft

Commissioned by Nike Um exemplo mais recente de uma instalação de arte digital interactiva. Lançado pela Nike na semana de Design de Milão.  A instalação de arte usa a tecnologia Microsoft Kinect, a fim de imitar e reagir aos corpos humanos interagindo com a tela digital, que copia o movimento humano e exibe em cores vivas padrões de luz na tela. O projeto foi criado pela empresa de design do Reino Unido, Everything Universal com a idéia de transformar o corpo humano em uma obra de arte digital.