Monterey Bay Aquarium
gracie abrams
if i look back, i am lost
No title available
Keni
Cosimo Galluzzi
Origami Around
bliss lane
TMBGareOK. The Official They Might Be Giants tumblr
No title available
RMH
Sade Olutola
Sweet Seals For You, Always
macklin celebrini has autism
Color Me Curious
Game of Thrones Daily
Cosmic Funnies
Love Begins
NASA
Not today Justin
seen from United States
seen from Malaysia
seen from Hungary
seen from Ukraine
seen from Malaysia
seen from Colombia
seen from United States
seen from Pakistan
seen from Brunei
seen from India
seen from United States
seen from Colombia
seen from Brazil
seen from Maldives
seen from Brazil
seen from Brazil
seen from United States
seen from Colombia
seen from United Kingdom
seen from Norway
@ruinedrock
and, baby, when you think of me -
independent & private daisy jones of “daisy jones and the six” as told by k. minors & personals dni; 21+ only due to mature themes. show, novel, & headcanon based. follows back from pierprincess.
I hope it ruins rock and roll.
what if i temporarily move daisy back to my multi
Send "Why did you call me?" for my muse to call yours out of the blue.
Alternatively, send "I just wanted to hear your voice." for your muse to call mine.
the audacity of Stevie writing and singing in 2003’s “Thrown Down” this particular lyric:
“you can sit outside his door and wait
well, you can dedicate your pain to him.”
That’s Penny Lane, man. Show some respect.
PROMPTS FOR THE ROMANCE OF HANDS & TOUCH * include 'reverse' for the reversal of the prompt
[ table ] sender reaches for receiver's hand under the table
[ knowing ] sender has been holding receiver's hand all this time without realizing it and hurries to let go
[ cling ] sender scrambles to grab receiver's hand in a hasty situation
[ tangle ] sender carefully knots their fingers with receiver's
[ thumb ] sender starts gently caressing receiver's knuckles with their thumb
[ squeeze ] sender reassures receiver with a squeeze of their hand
[ aligned ] sender lays their hand flat against receivers, lining up every digit to compare sizes
[ pinky ] sender hooks their pinky finger with receiver's
[ ring ] sender admires a ring on receiver's hand
[ desperate ] sender is in pain and squeezes tightly to receiver's hand to channel the agony elsewhere
[ let go ] after holding onto receiver's hand for a while, sender finally, reluctantly releases their grip
[ swing ] sender holds receiver's hand and starts swinging their hands back and forth in a playful way
[ promise ] sender performs a pinky promise with receiver
[ piano ] sender begins tapping their fingers along receiver's back like they're playing a piano
[ shoulder ] sender sets a hand on receiver's shoulder and leaves it there
[ strand ] sender reaches up and tucks a strand of hair behind receiver's ear
[ fix ] sender gently fixes receiver's hair
[ boop ] sender lightly taps the tip of receiver's nose
[ clean ] after eating, sender reaches up to clean something off receiver's face
[ napkin ] sender uses a napkin to tidy receiver's face
[ chin ] sender takes receiver's chin between their fingers and holds it
[ lips ] in the midst of an intimate exchange, sender smooths their thumb back and forth over receiver's lips
[ play ] sender plays with receiver's hair
[ knead ] sender gives receiver a much needed shoulder massage
[ accidental ] sender and receiver reach for the same thing and their fingers brush unintentionally
[ pat ] sender pats the top of receiver's head
[ thigh ] sender begins caressing along the receiver's thigh
[ smooth ] sender strokes up and down across the receiver's arm
[ comfortable ] sender picks the receiver's legs up and drapes them over their lap
[ straddle ] sender guides the receiver over and coaxes them fully onto their lap
[ shirt ] sender slips a hand up the receiver's shirt
[ hem ] sender plays with the hem of receiver's shirt
[ loop ] while standing behind the receiver, the sender hooks a finger in the belt loop of their trousers
[ pocket ] sender slides a hand into receiver's back pocket
[ guide ] sender uses both of their hands to guide the receiver into a kiss
[ push ] in the midst of a dangerous situation, the sender pushes the receiver out of harm's way
[ shield ] the sender drags receiver behind them to keep them safe
[ remind ] sender sets their hands on both sides of receiver's face and tries to get them to look at them directly
[ pressure ] sender sets a hand on the small of receiver's back
[ neck ] sender sets a hand around the base of receiver's neck and gingerly kneads the muscles there
[ braid ] standing behind the receiver, sender starts braiding their hair
[ undo ] sender takes receiver's hair out of their updo/ponytail
[ clasp ] sender helps receiver put on a necklace
[ zip ] sender assists receiver in zipping up or taking off a difficult piece of clothing
[ wave ] sender waves goodbye to receiver for the very last time
[ both ] sender takes both of receiver's hands in their own and guides them close to one another
[ hug ] sender slides both arms around receiver and clings to them
[ handshake ] sender and receiver shake hands and hold on to each other a little longer than intended
[ behind ] sender hugs receiver from behind and tucks against their body
[ sleep ] sender is asleep and reaches for receiver in the middle of the night
[ spoon ] while spooning, sender tangles their hands with receiver
[ tap ] sender appears behind receiver and taps their shoulder to let them know they're standing there
[ patch ] sender patches up a wound on receiver's body
[ propose ] after a successful proposal, sender slides the engagement ring onto receiver's finger
[ paint ] sender applies body paint to receiver's nude form
[ undress ] sender takes their time removing receiver's clothes piece by piece
[ cover ] sender shoves a hand over receiver's eyes, preventing them from witnessing a terrible sight
[ pillow ] sender pats the pillow next to them, encouraging receiver to climb in bed beside them
[ gift ] sender offers a wrapped present out to the receiver
DAISY JONES & THE SIX — Track 5: Fire
"Bonnie & Clyde: The Musical" Sentence Starters
PICTURE SHOW
"I can see me, I can see me."
"Can't you see me in the middle of a dance floor?"
"Flirting madly, looking dreamy. These are things you take a chance for."
"It must be great to be called the 'It Girl'."
"I can see me, can you see me, the main attraction at the picture show."
"I wanna live the life of an outlaw."
"He/she/they had the looks that everyone goes for, me too."
"I'm gonna make a whole lot of money."
"No one will stand in my way."
"I'm gonna be the guy/girl kids look up to."
"He/she/they made it big, and so will I."
"That isn't what they're calling me, but one day soon I bet you they will."
"Trust me."
"He's/she's/they're more to me than a hero."
"I wanna be like him/her/them."
THIS WORLD WILL REMEMBER ME
"The people in this town live and die and are forgotten, and it doesn't seem to scare them."
"I can't wait to get away."
"I don't intend to waste my life around here."
"I've got it all mapped out."
"I'll be rich, I'll have wealth and fame. Everyone'll know my name."
"What do you think it means?"
"One thing I guarantee is that this world will remember me."
"Yes, this world will remember me."
"Your face should be up on the silver screen."
"You've got that 'It Girl' look."
"I can't believe that you see that in me."
"I always knew I'd be a star."
"How intelligent you are."
"We are wasted 'round here."
"We're too good for this place."
"This is my plan, there's no plan b."
"You and this world will remember me."
YOU'RE GOING BACK TO JAIL
"We can't spend our whole lives hiding."
"That ain't no way to live."
"It is time to wipe the slate clean."
"What the hell are you talking about?"
"Now pull yourself together because you've gone pale."
"We'll still be young and in our prime."
"Are you kidding?"
"I think you're done!"
"I've now got lots of habits I can't curtail."
"If we see 'em once a month we will be more than satisfied."
"Ain't that the truth."
"Don't mean to be unkind."
"Can't put a price on peace of mind."
"I will wait till Kingdom come."
"It will be hard for us but we'll come through."
"I can't believe what you are asking me to do."
"One thing's for certain, our love won't go stale."
HOW 'BOUT A DANCE
"How 'bout a dance? What do you say?"
"I've got some moves that I'd love to show ya."
"Let's find a spot and dance the night away."
"Come over here, let me get to know ya."
"Can't beat a band to lift your spirits, hon."
"You look so handsome."
"Music like this can really throw ya."
"You'll lose the blues, and you may lose your heart."
"Tonight is the night I've been waiting for."
"Even the moon looks just right."
"I'm sure the crowd will make room on the floor when they see you look like you do."
WHEN I DRIVE
"I would bet my life on that."
"I'm in love, I'm alive."
"They'll always be behind, and, man, that just feels great."
"We are the heroes who the people look up to."
"This is how I wanna live, I wanna die."
GOD'S ARMS ARE ALWAYS OPEN
"Your voice is always heard."
"No one needs to feel alone."
"Everyone's his/her/their friend."
YOU CAN DO BETTER THAN HIM
"I give you fair warning."
"He's/she's/they're no bed of roses."
"He's/she's/they're wild and he's/she's/they're reckless. Ain't nothing but trouble."
"You're better without him/her/them."
"We both know you can do better than him/her/them."
"You deserve someone who's there all the time."
"You could find someone that people respect."
"You won't do better than me, no. Not when it comes down to love that is true."
"There's no one who could love you like I do."
YOU LOVE WHO YOU LOVE
"I know my heart."
"Don't care what people say."
"All I know is that I never felt like this."
"I wouldn't change him/her/them if I could."
"No one's all good."
"I always knew what I was taking on."
"Even if he'll/she'll/they'll never fall in line, I'm glad he's/she's/they're mine."
"You love who you love."
"You can't help how you're made."
"You don't have no say. Your heart decides."
"It's that simple, I'm afraid."
"You love who you love. Common sense may say it's wrong."
"There's a part of him/her/them you know is wild."
"Maybe that's what made you love him/her/them all along."
"I only care that he's/she's/they're mine and I am his/hers/theirs."
"There ain't no rules, that's how it is."
"True love's something you don't choose."
"You go with what you feel."
"You never think what's down the road while the fairytale seems real."
RAISE A LITTLE HELL
"I can't take no more of this."
"This nightmare has to end."
"Justice here don't fit the crime."
"Justice is a waste of time."
"By tonight, it will be over."
"No way out, I gotta do this."
"I won't get to heaven, why not raise a little hell?"
"No way I'll see heaven. So, let's raise a little hell."
THIS WORLD WILL REMEMBER US
"My name is gonna make the history books."
"Too bad I won't be here."
"Thanks to you, I can make plans again."
"I got lots of reasons to keep living."
"It's true that love can set you free."
"I know in my heart, babe, that Hollywood is calling."
"How can I be in the spotlight if we always have to hide?"
"But after that, we will be done for good."
"No need to rush everybody gets our autographs."
" 'Hell of a ride!' will be the words on our epitaphs."
"Two living legends, that's what we will be."
"And that's okay with me."
"We are the pair that they'll discuss."
"No wonder we're who they'll discuss."
"No way they won't remember us."
MADE IN AMERICA
"You cannot buy your soul back."
"We must all do what is right!"
"You can't blame em, who could blame em?"
"No dream can come true."
TOO LATE TO TURN BACK NOW
"I gotta get out now while I still can. While I'm still in the clear."
"The dream is done. It's over now."
"Gotta get me outta here."
"Don't say that."
"We're both in shock."
"We need to think this through."
"It ain't my fault, I had no choice. Nothing I could do."
"How stupid can you be?"
"It's too late to turn the clock back."
"I would do it if I could."
"We can talk 'bout this forever, but it still won't do no good."
"I wouldn't hurt you for the world."
"We'll get through this somehow."
"I'll get through this cause I'm leaving."
"Not too late to turn back now."
"I won't see that dream die."
"Don't you say goodbye."
"How can you think of leaving?"
"Get those thoughts out of your head."
"You ain't going nowhere."
"I meant what I said."
"You come here right now."
"It's too late to say I'm sorry."
"It's too late for all of that."
"We cannot change what has happened."
"Let's face what we're looking at."
"You've got every right to be mad, but let's move on anyhow."
"We were born to be together."
"My mistake was loving you."
"Even if I walked away, my heart won't let me get far."
"I would die without you."
"It's too late to beg forgiveness."
"Let's face what we're looking at."
"I knew I would make the headlines, but I wasn't sure just how."
"It's too late to turn back now."
THAT'S WHAT YOU CALL A DREAM
"Just an ordinary life."
"Easy days and quiet nights."
"Now that's what you call a dream."
"No ideas and no big plans."
"Happy with the way things are."
"No one with a scam or scheme."
"These dreams of yours make no sense at all."
"It's what's inside, not what's out there."
"We both could have a perfect life and not go anywhere."
"You miss a lot when you ask too much."
"You're all I need, not one thing more."
"All I've ever wanted is on this side of the door."
WHAT WAS GOOD ENOUGH FOR YOU
"This ain't no way to live."
"What was always good enough for you will not satisfy your wayward son."
"What was always good enough for you, gotta say ain't good enough for me."
"Writing a diary is tough around here."
"Boring as hell, sorry ___."
"I wanna wear diamonds. One stud for each ear."
"What was always good enough for you will not satisfy your little girl."
"I don't wanna miss my chance."
"I'm looking for romance."
"There ain't nothing good enough for us."
"We deserve all we are gonna get."
BONNIE
"I start thinking about you from the minute I wake up."
"That feeling is the best I ever had."
"I must be in love, or else I'm going mad."
"That girl's/guy's got something, nothing scares her/him."
"You're the only piece of luck that's ever come my way."
"Can't wait to tell her/him/them how much I've missed her/him/them."
"Got a feeling there are good times up ahead."
RAISE A LITTLE HELL (REPRISE)
"Now our dreams are so much bigger."
"These our gonna change our lives."
"Why do folks wanna be heroes?"
"All I wanna do is save her/him/them."
"That is all that matters now."
"I can feel it in my bones."
"I'm coming for ya."
"It's been a long time coming."
DYIN' AIN'T SO BAD
"Dyin' ain't so bad. Not if you both go together."
"Only when one's left behind does it get sad."
"But a short and lovin' life, that ain't so bad."
"I couldn't live on memories."
"I'm sorry, but I'm not that strong."
"There are some things in life you can't replace."
"A love like ours don't happen twice."
"When all his/her/their days are through, mine will be too."
"Seems you get to live your life just once."
"I'd rather breathe in life than dusty air."
"Only when you're left alone does it get sad."
THIS NEVER HAPPENED BEFORE
"Just hold me darling, that's all I'm needing."
"You ain't got nothing to prove."
"Just lyin' with you is perfect. We'll spoil it if we move."
"I ain't been sleeping too good for a while."
"Don't worry."
"Let's take it slow, babe."
"Just staying close will keep me satisfied."
"Think I'm in heaven."
"I told you, being with you is enough."
"This never happened before."
I’m the hotel queen of Los Angeles, the mother of all wild things, an angel dipped in sin, a bullet made from rose petals
@olds0ng sent in: "You're doing so good for me." from billy
Daisy hadn't expected a lot of things in her life; she hadn't expected her parents to basically disown her once she left home, she hadn't expected to become the frontwoman of the biggest rock band in the country, and she sure as hell didn't expect to see Billy Dunne at the door of her small bungalow. He smelt of whiskey and cigarettes, not nearly as much as Daisy herself did, but all of it was forgotten once his mouth was on hers, a fistful of copper hair in his hands. If he wasn't going to be the one to end this before things moved faster, then why would it be on her? Daisy wasn't about to ask if Camila even knew where he was, what he had been up to.
Moving them through the bungalow to her bedroom, a total and complete mess, Daisy's fingers were already at work at the buttons of his stupid denim shirt, it being all but tossed to the floor in seconds. Her lips moved from his to his jaw, down his neck and bare chest, taking her time as she began to sink down to her knees. Now in her head, a blowjob meant nothing, undoing Billy's belt before the fastens of his jeans, a burning sensation in her gut forming as she tugged them down to his ankles. Daisy's cobalt blue eyes seemed to darken even more as she watched him sit on the edge of her bed, his own green a much deeper color. Scooting closer between his legs now, she looked up at him through her long lashes, before pressing her plush lips to the head of his cock. A few peppered kisses before gathering slavia in her mouth and taking him slowly in, tongue wrapping around underneath the hard member.
Her eyes closed as her head bobbed to begin a rhythm, only feeling Billy's hand in her hair and again gathering copper locks, but this time firmer, Daisy giving muffled small whines. One hand braced herself on his knee, as the other toyed with other parts of him with just the tips of her nails, her head only pulling back for air at his remark. It was fucked up, but being praised was about the biggest way to turn her on even more, Daisy pressing more hot, opened mouth kisses to his manhood. "Yeah?" her voice hoarse, soft, blue eyes glancing up at Billy as she teased him more. "Lemme show you how good I can be."
* ― ﴾ 𝚗𝚜𝚏𝚠 𝚙𝚛𝚘𝚖𝚙𝚝𝚜 ﴿ : 𝐋𝐄𝐒𝐒 𝐂𝐑𝐈𝐍𝐆𝐘 𝐄𝐃𝐈𝐓𝐈𝐎𝐍.
personally , i’m tired of the secondhand embarrassment. so here’s a random assortment of nsfw actions and dialogue prompts that don’t feel too over the top. ( don’t forget to add [ reverse ] if you’d like to see the receiver perform the action. )
actions.
[ PULL ]: sender pulls receivers hair.
[ HICKEY ]: sender gives receiver a hickey.
[ TRAIL ]: sender leaves a trail of kisses down receivers stomach.
[ HIPS ]: sender pulls receiver in closer by the hips.
[ KNEES ]: sender lowers themselves to their knees.
[ STRIPTEASE ]: sender teasingly strips their clothes.
[ STRIP ]: sender undresses receiver.
[ GRIND ]: sender grinds on receivers thigh.
[ ORAL ]: sender goes down on receiver.
[ PASSENGER ]: sender touches receiver while sender is driving.
[ DRIVER ]: sender goes down on / touches receiver while receiver is driving.
[ OVERSTIMULATED ]: sender repeatedly making receiver orgasm.
[ PUBLIC ]: sender and receiver have sex somewhere public.
[ CAR ]: sender and receiver have sex in a car.
[ CONTROL ]: sender is riding receiver and receiver takes control by guiding their hips.
[ SHY ]: sender covers their face and receiver moves their hands away.
[ EYES ]: sender makes receiver look them in the eyes.
[ BEG ]: sender begs receiver to touch / fuck them.
[ MORNING ]: sender wakes receiver up with sex.
[ STRADDLE ]: sender sits in receivers lap to tease them.
[ CAMERA ]: sender records receiver.
[ RECORD ]: sender is recorded by receiver.
[ MOUTH ]: sender puts their fingers into receivers mouth.
[ LOVE ]: sender tells receiver they love them during.
[ PUSH ]: sender pushes receiver onto bed.
dialogue.
“ you look so pretty like this. “
“ i want to spend all night learning every sound you make. “
“ let me take care of you. “
“ i’m not wearing any underwear right now. “
“ you’re really good at that. “
“ god, you’re so wet / hard …. “
“ i think about you when i touch myself. “
“ tell me what you want. “
“ please touch / fuck me. “
“ i love teasing you. “
“ touch yourself for me. “
“ i get so wet / hard around you. “
“ get on your knees. “
“ you’re such a tease. “
“ tell me you’re mine. “
“ i’m yours. “
“ i want you to cum for me. “
“ i want you to cum in me. “
“ i’ll be good, i promise. “
“ you’re doing so good for me. “
“ you feel so good. “
“ you sound so pretty when you moan. “
“ i could be your toy. “
“ fuck me like you love me. “
“ i’m gonna cum- “
“ i just want to feel something. “
“ i wanna be on top this time. “
on her first solo album, there is a song that’s very akin to “silver springs”
#mood
RILEY KEOUGH as DAISY JONES in DAISY JONES & THE SIX
Mistress America, Noah Baumbach (2015)
Daisy Jones & The Six: Episode 5 + Book Quotes
