Struggle City, a Bus Poem
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Struggle City, a Bus Poem
Food For Thoughtlessness
Earlier this year, the Chicago Tribune ran a story with the subheading "Author believes African fare will be a hot trend - perhaps in a decade or two". The story profiled author Josh Schonwald who wrote a book with the premise of "sub-Saharan cuisines ... as the ethnic food to watch for, eventually". I had no idea that a whole book could be written about trends to watch for eventually. But that enigmatic claim about a non-existent cuisine* isn't even the most problematic element of Schonwald's ideas & the article that was dedicated to them. The problem with this article & Josh Schonwald's writing is that it's all pretty baseless.
Schonwald's interest in African food is fairly new & was inspired in large by Ethiopian-born & Swedish-reared chef Marcus Samuelsson's 2006 book "The Soul of a New Cuisine". It should be noted that Samuelsson isn't an expert chef of Ethiopian or any other African cuisine. Schonwald also confesses he's never been to Africa but he doesn't let his limited experience hold him back. In fact, his lack of knowledge liberates him to forecast trends about "Sub-Saharan cuisine", an unproductive amalgam he doesn't care to explain but in his mind includes Caribean "but not necessarily Ethiopian" cuisine. A ballsy move considering maps exist.
However useless the label might be, Schonwald & other trendologists** agree that "African food is the last culinary frontier". Schonwald doesn't care to answer for whom it is a last frontier but he does have ideas about who could lead the conquest. Without flinching after that imperialist analogy, he suggests an "African Bayless" referring to Rick Bayless who is known for "re-imagining" Mexican food. A trusted white chef to translate into mass edibility strange foods from strange places as opposed to the current state of African restaurants in Schonwald's Chicago which he describes as being "ethnic for ethnics".***
Last year, Francis Lam covered how more chefs are mastering acquired cuisines & following his piece, he and Eddie Huang had a frank conversation about what the "Rick Bayless model" means for innovative chefs who aren't culinary institute graduates or white males. Huang pointed out that the praise chefs like Bayless receive is never aimed towards traditionally accurate versions of those same dishes or current re-imagining of those cuisines done by "ethnics". None of these conversations or nuances seem to have crossed Schonwald's mind because he has tunnel vision & at the end of that tunnel is the last frontier. The last frontier has also long been behind, above, under that tunnel but Schonwald would never know.
I've never met Josh Schonwald & his writing is new to me, a new frontier if you will, so I feel just as fit by his standards to forecast his whereabouts in 10-15 years:
In the next decade or two, Schonwald will buy a box of Stouffer's Mac & Cheese & eat it alone while standing in front of his microwave. He will write multiple pieces on his Stouffer's experience because he is starved for content & full of time. Josh Schonwald will also be a full fledged expert on "Sub-Saharan cuisine" & appear on morning talk shows thanks to producers who are also starved for content. That's the benefit of being part of the cycle of writers & tastemakers who along with the institutions who give them a platform, promote restaurants & trends that prove them right. It's a closed cycle of re-affirmation that forecasts then propels trends with no conflict of interest in sight.
*"Sub-saharan cuisine" is not a thing in the same way that "Asian food" is not & will never be a thing. **Could trendologists predict that their profession makes me vomit? ***For those of you who don't know, "Ethnic for Ethnics" was the culinary division of FUBU oh wait no it wasn't because there's no such fucking thing among businesses who serve paying customers like Schonwald who after dining at these restaurants, still felt the need to use that absurd phrase.
Here are some similarities between Drake & cats: 1. Trust issues 2. General softness 3. Severe introspection 4. Moodiness 5. Half Jewish
I'm being told there's no such thing as a half Jewish cat. My apologies. -@rumege
@rumege
A Girls Guide to TV Diversity
2013 started with more talk about the HBO series Girls & the diversity, or lack thereof, on the show. It appears that the 2012 version of this discussion was seen as a challenge by Girls showrunners to cast minority actors. On the show's second season premiere, the challenge was answered in the form of Donald Glover playing the love interest of Hannah, the main character portrayed by show creator Lena Dunham. In my opinion, this was not the move*.
Lena Dunham's Hannah & Donald Glover's Sandy (photo via nytimes/jessica miglio)
It's pretty corny to see a creative product addressing or catering to criticism in this way. The fact is, inclusion of minorities doesn't necessarily exempt a show from being racially biased or insensitive. In some cases, on screen diversity provides plenty more opportunities to be offensive. But this isn't another thinkpiece examining Girls & minorities on tv **. This is my imagining of the process by which Girls & other shows who find themselves similarly diversity deficient, react to criticism. This is me retracing the possible steps that lead to clumsy & reactionary casting choices.
So You've Decided to Cast A Minority, But Who?
The safe bet when casting minorities on a minority deficient program is to stick to the current archetype of your show & in the case of Girls, cast a hipster of any race (which is basically anyone under 30?). While I'm sure Girls and other shows really do mean "any race", a commonly employed time-saver is to operate under the assumption that the ethnic color spectrum is punctuated by white & black and having the two present on screen accounts for every shade that lies in between. There are of course shows who don't operate this way but those shows don't win Golden Globes.
So You've Cast A Minority, Now What to Write?
When writing for minority characters, many shows get trope-y or get trippy***. Since there's already a strong foundation laid for the personalities of minorities in tv and films, developing them can be a minimal task if you so choose. Popular minority tropes include the eager cultural guide, the vehicle for white morality, & the oracle.
A more contrarian approach is to get trippy and confront stereotypes head on by deliberately giving minority characters traits that juxtapose the stereotypes associated with their race. For example, a black Republican like the character played by Glover on Girls. Either way, minority character development can easily be guided by stereotypes, may it be using them directly or opposing them explicitly. It is also possible to develop a character without using their race as a focal point but how will your critics & audience remember that there are minorities on your show?
So You've Got A Minority on Your Show, Now What?
Once a minority character is on board, you can finally tell that joke about how [REDACTED] people are always [REDACTED] knowing that a minority's presence will deflate any accusations of bigotry. What will the critics say now? They might say your accessorized use of minority characters is tactless & you could respond by extending the arc of your minority cameos to permanent sidekicks. Or maybe this time you'll act with unfaltering resolution that this is exactly how you want minority characters on your show: undercooked, transitory & hackneyed. Maybe this portrayal is your meta-criticism of white privilege & how it perpetuates thoughtless narratives and pigeonholes minorities. Maybe, touché.
*My qualm with Girls isn't that the cast is white. While I understand that criticism, I don't necessarily agree with it. And this is why: Arrested Development featured a white family as their central cast. A family whose privilege was only paralleled by the pathos of each character. Anyone could be repulsed by & relate to the Bluths as individuals or a unit. Their dealings with race & class through characters like Lupe, Annyong & yes, even Franklin, revealed their ignorance & privilege in an absurdist & hilarious way. And in 2013, the Bluths are coming back! Huzzah! **This is not a thinkpiece, it's a stink piece. ***Tropey & trippy...who's corny now.
dream hampton on Django
I’m tempted to write about how important Br’er Rabbit revenge fantasies and minstrel used by and for enslaved Southerners was to lightening the centuries long ton of a psychic mind fuk that slavery was and remains. How of course Django is incapable of doing for us what Spielberg did for his folks with Munich (his atonement for shufflin ass Schindler’s List), but I’d rather write and direct our Munich.
Criticism sharpens and clarifies and is absolutely necessary, but I have also known it to stand in the place of creative action on my part. So my thoroughly enjoying Django—-almost as much as I enjoyed Death Trap—-does not mean I don’t see what’s wrong with it, and that I’m not reading these thoughtful reads of it, it just means I’d like my protest to be my work, a dream I’ve too long deferred while I produced criticism.
While I was stumbling around trying to explain why criticism can sometimes be unfruitful, this happened:
Chief Beef
Is this worth talking about? Possibly maybe. In today's Chief Beef, aka beef stemming from talk about Chicago rapper Chief Keef, B Dot from Rap Radar had issue with Jordan Sargent's review of Keef's album on Spin & had some choice words for him:
Jordan, in turn, had a few of his own remarks:
Wide brushstrokes painted meaningless labels & this convo spun out to a few other music writers & critics & lurkers etc etc idc idc...
BUT WHAT DOES THIS ALL MEAN? IS THIS CONVO STILL RELEVANT IN 2000 ALMOST THIRTEEN?
It's not a bad idea as a writer of any kind to question why or what gives you authority to speak on things even if the answer is "no reason" or "nothing". That sort of self-evaluation can be useful especially if you're interested in bettering your work. On the other hand, policing each other on what we write and why we write is a less useful exercise in these vast internets.
The point I imagine B Dot was trying to make is based in his truth & the truth of black art. To mock the protectiveness around black art, which has historically been bastardized for capital gain, is a mistake. Also a mistake is to undermine a reader's ability to discern thoughtless writing may it come from the hands of people within or outside of the culture. Basing music writing hierarchies on whether or not the source is inside or outside of the culture is less fruitful than concluding that good writing beats bad writing or no writing at all.
The most fruitful thing, really, is to avoid giving music criticism priority when forming opinions about music & to instead give that honor to the music itself.
This inadequate summary of the intranets Chief Beef is brought to you by Chief Keef laughing to the bank like hauh hauh hauh.
A Guide for Consuming & Critiquing Creative Things
Don't be so contrarian that you're denying yourself a good thing. Alternatively, don't abuse contrarian tendencies to set yourself apart.
Don't dismiss a thing if you cannot immediately discern its intent or identify with its content.
Resist any urge to hierarchize intent. Good art isn't good because its intent is noble.
Resist any urge to tether a good thing's goodness to traditional measures of intelligence or refinement.
Be honest in your reaction especially if it means exposing your biases.
Familiarize yourself with your biases.
Be generous with the time & context you give yourself.
Speaking of context, make the distinction between historical memory & unproductive nostalgia.
& unabashedly Indulge in the inexplicable goodness of good things.
Holiday Gift Guide: Astronaut Chick
Forget all the other basic gift guides because your Astronaut Chick deserves better. The most essential gift for any chick, astronaut or not, is of course Nayvadius Cash aka Future aka Super Future's debut album "Pluto". Now when it comes to Pluto vs. the re-released Pluto 3D, I stand firmly with the original since 3D contains remixes that were butchered by certain featured artists. Once you have that base covered, peep this gift guide & keep your girl astronaut chic:
1. Maison Margiela's Metallic Flat Sneakers are out of this world & outer space ready. ($680) 2. This Topshop Galaxy One-Piece is the space version of camo ($70) 3. Not quite a Panamera around her neck but this Pluto Glass Dome Necklace is a humble ode to an amazing album. ($18) 4. In case you don't have an Astronaut Chick yet, keep this Mini LED Flashlight close so you can look for her. ($17) 5. LEGO City's Astronaut Keychain is a no-brainer. ($12) 6. Louis Vuitton's Money Clip will come in handy when she gets used to that cheddar. ($237) 7. This Glass Eye Brass Telescope Designer Series is suitable for all planetary explorations. ($1,814) 8. The Pluto Files by fellow Pluto enthusiast Neil deGrasse Tyson is essential reading for all Astronaut Chicks. ($16) 9. Future's schwa game is on a whole 'nother level which is why Astronaut Chick's chorus may sound like "on a whole 'nother level, me & you we like the roomba when we're together" on your first listen (It surely was on mine). Even if that's an incorrect interpretation, the iRobot Roomba still makes for a great gift. ($599) 10. Astronaut Ice Cream is the perfect snack for when you blast off in a rocket, when the time's right. ($22.20)
Year End Listlessness
It's that time of the year again. A time to regurgitate opinions had & emotions felt in the past 365 days & process them into endless lists. A time where critics, opinion-havers & bystanders dig within themselves a deep pit to host a grand internal battle between the top everythings. Just as the dust settles, it's revealed: the Year End List.
This painstaking itemizing & numbering isn't for naught as year-end lists inform our collective anger about the things that got left out by listing the ones that got left in. If it weren't for these hierachives, how would we know who won 2012? Is it Obama or is it Oxblood? It's Oxblood isn't it? It's Oxblood on leather? Well who can argue with that.
Truth be told, every medium of information is inundated with a constant deluge of lists year-round so by the time December rolls around, we've all drowned already. We perish to the bottom of the sea surrounded by a complex web of words that are skeletons themselves. Oh look, that guy managed to stay alive using a #longread as a floatation device.
Oh no, he's not floating on a #longread. He's sinking with a list of top ten #longreads. TL;DR
An Impossible Conversation: Nardwuar vs. James Lipton
On this week's Impossible Conversation, legendary interviewers Nardwuar, the Human Serviette & James Lipton, host of Bravo's Inside the Actors Studio, go head-to-head in a battle of questions & get no answers.
JAMES LIPTON: The Actors Studio stage is pleased to welcome a peculiar man who's elevating the art of the interview. His inexhaustible enthusiasm and obscure knowledge have lend to memorable moments with some of today's greatest musicians. Let's start at the very beginning. Nardwuar, where were you born?
NARDWUAR: Who are you? You are J - ...
JAMES LIPTON: I'm James.
NARDWUAR: James ... ?
JAMES LIPTON: Lipton. Speaking of names, I understand you changed your name to Nardwuar in 1986. What was your given name?
NARDWUAR: That's right! You're James Lipton, Dean Emeritus at the Actors Studio Drama School at Pace University. James Lipton, I have some gifts for you. Here I have the playbill from the 1951 Broadway production The Autumn Garden staring you, James Lipton!
JAMES LIPTON: How did you find that?
NARDWUAR: You are James Lipton! We had to find that!
JAMES LIPTON: Nardwuar, I'd be remissed if I didn't bring up your brush with death in 1999. Tell the students here at the Actors Drama School at Pace University more about that incident.
NARDWUAR: I have another gift for you James Lipton. The soundtrack to Dave Chappelle's Block Party. What do you know about Dave Chappelle's Block Party?
JAMES LIPTON: Ah! The unparalleled Dave Chapelle.
NARDWUAR: James Lipton, you were interviewed by Dave Chappelle for the 200th episode of Inside the Actor's Studio! 200 episodes ... that is a lot of episodes!
JAMES LIPTON: Speaking of longevity, your radio show on Vancouver's CITR has been running for 25 years. Tell us about the format of your program.
NARDWUAR: James Lipton, thank you very much for talking to me today. Keep on rocking in the free world and doot-doola-doot-doo ...
JAMES LIPTON: Nardwuar, if Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?
NARDWUAR: Doot-doola-doot-doo ...
JAMES LIPTON: Doot doo.
How I Edited A Rap Blog Once (2012)
I took on the role of editor of a rap blog without any misgivings. Was I too frivolous? Though largely unfamiliar with the doctrine, I eagerly dug my stake in the rap blog landscape. Certainly my ignorance could at least foster the blend of cultural tourism and playful irreverence marketable to coffee book enthusiasts and Urban Outfitters shoppers.
To my delight, my rap blog started garnering some attention and its contents couldn't be book-bound. Flocking came hip-hop neophytes, trap tourists and soon after, rap mavens or ravens as I refer to them. Ravens amended the unrefined, deciphered the complex & propelled the blog into an interactive sphere beyond my initial ambitions. When the blog leaned into a voyeuristic exercise, ravens corrected and re-calibrated restoring balance in our virtually autonomous rap community.
Alas, the blog's popularity also made it an easy target for haters. More money, more problems. But even Biggie's wisdom couldn't quell my surprise when accusations of bigotry were hurled my direction. How could I, a victim of the prejudice practically indistinguishable to that I was accused of, invoke said prejudice on others? And as far as the blog's contributors, is it not generally conceded that ravens, albeit birds, are black?
(original image via Ray Brown Art)
Being the diplomat I am, I invited my critics to a dialogue. I would've even acquiesced their wishes to join my rap blog flock. One of my critics took up my offer of a tête-à-tête. "Aren't you vulturizing an artform you have only a superficial interest in? Tell me, what do you even know about rap?" he asked.
"Tell you, you oldhead! You spawn of a backpacker. You wish you had the hits I have. While you bum out in your mom's basement listening to a Geto Boys album, I'm getting paid." Unsatisfied with our discourse, he shook his head and walked away but not before a final word: "You're just another fetishizer throwing up your hands in innocence claiming authentic demand for the misguided content you spew out. All this while you eat from the same hands that ensure we stay famished".
"But I'm based tho!" I exclaimed. I'm afraid he didn't hear me.
Q: what's the key to a #based thanksgiving?
A: a #rare bird
Hope it's not too early to make Valentine's Day plans: will retweet and/or fave any tweets containing Fiona Apple lyrics from #tiwiwttdotsawcwsymtrwed
@rumege
Think Normal, Think Mormon
Taking a cue from Paul Ryan's last minute appeal to evangelicals, Mitt Romney is making sure to cover all his bases by reaching out to members of the Church of Latter Day Saints on the eve of election day. Mr. Romney's team has filmed the presidential hopeful over the course of the past months for a video to be added to the "...and I'm a Mormon" campaign that is designed to show everyday people who happen to be Mormon. Mr. Romney is taking some time from his last day of campaigning to wrap up this short ad...
AIDE: The point of this ad is to normalize you and energize the Mormon base without ostracizing the rest of the country. Think Mormon but also think normal.
MITT ROMNEY: That sounds great fellas. I am the normal guy!
AIDE: The film already covers your upbringing and your American values around family, hard work and success so all we need today is just to film that last phrase.
MITT ROMNEY: Let's do it.
AIDE: Ok. Let's try some of these out that I've written and feel free to ad-lib.
MITT ROMNEY: Ok. Here I go: I'm a father, I'm a husband, I'm the former governor of Massachusetts. I'm Willard Mitt Romney. Vote for me on Tuesday Ohio!
AIDE: Right. Ok so that was a great start. Again this isn't quite a campaign ad. You want to identify yourself in a relatable way. Then just close it out with "...and I'm a Mormon".
MITT ROMNEY: Got it. All this campaigning I tell ya!
AIDE: Right. Also, let's stick to "Mitt Romney". Willard has not tested well.
MITT ROMNEY: Ok: I'm a father. I'm a husband. I'm a proud American, a homeowner, once, twice, hell many times over! No apologies. We built this! I'm a Mormon.
AIDE: Ok. Great energy. Let's just keep in mind that you don't want to isolate anyone with your statement because Mormonism already is testing to be pretty isolating.
MITT ROMNEY: Right.
AIDE: So stay away from any talk about your finances.
MITT ROMNEY: You know I can do that!
AIDE: I do know that sir. Let's try it one more time.
MITT ROMNEY: You got it skip!
AIDE: From the top.
MITT ROMNEY: I'm a father, a husband, I'm a moderate Conservative and a right-leaning Republican. I believe in us America. I'm Mitt Romney, I'm a political chameleon, a presidential hopeful and I'm a Mormon.
The Diverse Voices of Rape Culture (from Top to Bottom, L to R) Wisconsin State Rep. Roger "Some Girls, They Rape So Easy" Rivard Pennsylvania Senate Candidate Tom "Out-of-Wedlock Pregnancy ~ Rape Pregnancy" Smith Missouri Senate Candidate Todd "Legitimate Rape" Akin Indiana Senate Candidate Richard "God Intended It To Happen" Mourdock Iowa State Rep Steve "No Pregnancy From Statutory Rape" King (Not Pictured: Kansas State Rep. Pete "Flat Tire ~ Rape Right?" DeGraaf