feeling a clusterfuck of emotions & self doubt good today
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Janaina Medeiros

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@rylokenny
feeling a clusterfuck of emotions & self doubt good today
fuck dating I’m ready to be courted
okay but like how are you gonna propose to the girl your best friend is in love with on the same night that said best friend is supposed to be celebrating his lifelong dream coming true like what the fuck
doing what has become my annual rewatch and I’ve gotten to this episode…what a shock I still hate barney
thirteen years and I’m still not over it
Happy March 32nd everyone
you will search for me in every person you meet, i promise
Just remember 60 people signed on to stab Caesar and he only had 23 stab wounds, the real moral of the story is group projects have always just been like that
Chrys Watches Got [x] / requests for individuals [x]
Y’all! The Em Dash has finally delivered a public statement regarding the AI allegations.
And it’s glorious!
Read the full article on the McSweeney’s website here!
the most wonderful time of the year ❤☕🎁
Happy december 10th!
COMMUNITY | “Comparative Religion”
I don’t mean to be rude; but I don’t think I’ve ever seen this, does anyone have any examples?
Supernatural
Doctor Who (Steven Moffat specifically)
Sherlock (Steven Moffat specifically)
Actually Steven Moffat is basically just this sentiment given human form.
A version of this happened with The Magicians, tbh. Though instead of expectation: men, reality: women it was expectation: smug nihilists, reality: mentally ill queer folks.
Arguably Game of Thrones.
If we broaden it outside of television…I think Star Wars falls into this, at least the sequel trilogy. Maybe the MCU as well. And I can’t help but think of every band that’s ever complained that their fanbase is mostly women. 5 Seconds of Summer comes immediately to mind.
In general, most white male creators seem to have this massively entitled mindset where they want–and think they deserve–the time, attention, and enthusiasm that creative fandom (i.e. the side of fandom more dominated by women) is known for.
They want our eyes for ratings, our word-of-mouth for free publicity, our metas for social media buzz, and our spending power for merch and cons. But they don’t want us. And they don’t really want the responsibility of telling a story to a thoughtful, engaged audience, regardless of that audience’s demographic makeup. They just want to be praised for whatever schlock they cough up.
And like any other spoiled brat, they will break their toys before they share them.
It goes all the way to the top for kids shows. Toy sales will crash a show. Makes sense, but if those toys are gendered for boys instead of the female viewers, they won’t usually switch up the marketing and move them to the girl aisle. They cancel the show outright.
Mind you it is perfectly possible to make the switch in marketing, but execs would rather throw it all out than have something that doesn’t perform well with male viewers. For example the Rey merch was not expected to be popular, for some reason, there had to be public outcry to get merch of one of the main 3 protagonists. A PROTAGONIST. The fact that she wasn’t a huge part of the 1st launch says a lot already.
And what happened when female fans got too invested in the Sequel Trilogy? The entire writers room didn’t necessarily lash out, but they sure forgot how to behave.
Young Justice
Paul Dini: Superhero cartoon execs don’t want largely female audiences
#WhereIsRey (initial)
#WhereIsRey (ongoing)
The older, male generation of 'Star Wars' fans may be losing interest in the franchise, but female fans are stepping up.
Star Wars: The Rise of Skywalker was designed to be the opposite of The Last Jedi
You’re all sitting on the hot take of the decade tbh
And yet when they fond out that boys were watching MLP:FIM in droves, they had NO PROBLEM with it.
#SONS OF ANARCHY!!!!!!!!!!!!!#LITERALLY SONS OF ANARCHY IS THE BIGGEST EXAMPLE OF THIS LIKE EVER#kurt sutter wrote that show for MEN and ended up with an overwhelmingly female audience#because he’s actually a good writer and knows how to develop characters well and wrote excellent female characters#but once he realized that his audience was almost entirely women he literally took it out on tara and gemma in the show#but like tara specifically#he resented her character for being a huge draw for female viewers so he tore her development to shreds and killed her#in the most brutal gut wrenching way possible#kurt sutter you will pay for your crimes#i actually wrote a manifesto about this on one of my old blogs i should try to find it sldkjsldfjsdljf#long post (via@m-oonknight)
OMG YES. I LOVED Sons of Anarchy, especially the women and then I got to season 6 and it was like - everything was just tossed in the trash? And like, why did Sutter hate that Tara drew tons of attention? That should have been a good thing! He should have been like “Hey folks, this girl’s getting us more viewers, let’s put her in more scenes!” It just doesn’t make sense to me. MEN don’t make sense to me.
The 100 too. I’ll never forget how Jason Rothenberg would attacked female fans on Twitter and mock them in interviews, and then post links to male fan discussions on Reddit to praise and thank them. In his goodbye letter to the show he SPECIFICALLY thanked Reddit and it was so disgusting.
Star Trek from TNG on was also a boy’s club, even though the TOS fans were mostly women. Women, in fact, who literally created modern fandom with their zines. But after TNG it was all, “Women don’t understand Star Trek, only smart men hur dur.”
I think it would be harder for us to find examples of when this DIDNT happen than when it did. It happens all the time.
Doesn’t stop it from boggling the mind
(though it could probably start to make some sense if you follow the money past audience bases to maybe a couple of investors or like a rich patron … 🤔)
Stooooop I just wrote a masters thesis on this shit. Media creation and distribution is a means by which dominant power structures consolidate their hegemony. Dominantly situated creators get upset when the audience they attract isn’t the audience they wanted, because they view the whole creation and sharing of the fiction as an exercise to sustain kyriarchal conditions that benefit themselves. When the audience is Other, they see it as a failure of those efforts and lash out.
Simply, they’re trying to assert a particular worldview via fiction, and upon getting confronted with something else, begin foot stamping. It’s not just men wanting male attention and gatekeeping. It’s that the fiction in the first place was an attempt to curate dominance and whoopsie! they miscalculated.
(anyway if anyone wants to read 35k words of philosophy about this, hmu)
I think a lot about an interview I heard with Bo Burnham a few years ago, where he talks about this phenomenon with his own work. He gained a large audience of teenage girls, and people in comedy spaces would look down on him for that or say what a shame it was, but he responded differently:
“The real truth is, I would perform my show and I would meet kids after and young girls would come up to me and they understood what I was expressing in that bit onstage way more than guys my own age. Way more. So if there was a bridge between us that I had to cross to write the movie [Eighth Grade], it was built to me by them. I felt understood by them before I presumed to understand them.”
Instead of trying to change his comedy, he decided to lean into and celebrate the audience that he actually had by making a movie specifically about the experiences of a teenage girl. It’s fascinating to hear him talk about how he got there, but also to acknowledge how rare that reaction is.
something about tyrion lannister—the man who treats sex workers like property, fantasizes about raping and killing his sister, slaps his teenage lover for mocking him, makes his child bride undress and proceeds to grope her, strangles his lover to death for humiliating him, rapes multiple enslaved women (on his way to the literal breaker of chains)—being haunted by the question of “where do whores go?” is genuinely horrifying.
after a lifetime of physical, emotional, and sexual abuse against women—particularly sex workers—now you want to know where whores go? now you’re finally starting to consider them beyond the context of sexual objectification? to understand what could have happened to tysha, tyrion has to understand a group of people who have never even been human to him (and still aren’t, considering that he rapes two enslaved women before asking them this question, though he doesn’t get an answer from either woman). even regarding tysha, tyrion only starts asking “where do whores go?” after finding out that she wasn’t a sex worker and therefore didn’t deserve to be gang raped. tyrion only recognizes her humanity when she’s once again defined as HIS wife.
tyrion will never know where whores go because he doesn’t deserve to. maybe he’ll find peace or maybe he won’t, but he’s never going to find tysha.
and yeah, tyrion’s misogyny and abusive behavior doesn’t exist in a vacuum. he’s a victim of sexual violence at the hands of his father. he resents women for the revulsion and mockery he sees in their eyes when they look at him. he treats sex workers like objects because they’re the only group of people that he can exercise control over. ALL of that is true. and he’s still never going to know where whores go.
Sansa Stark of course one of the great characters of our times. what if a neurotic twelve year old choir kid got held hostage by her evil middle school boyfriend and then everyone called her dumb for believing that people should be nice. Great premise no notes. Anyhow, one of my favorite things about her is that she is a character who you can put in a cute lil winter outfit and pinch her cheeks and give her lemon cakes and then send her off to experience The Horrors
The lion does not concern itself with the bank account balance when a little treat is calling
The lion will never financially recover from this
i have this unrealistic fantasy in my head where if you calmly and logically explain something to someone perfectly they will understand your position and gain knowledge from the exchange. unfortunately in the real world this does not happen often
when i first heard about the male loneliness epidemic i was like oh yeah close camaraderie and bonding between men is often discouraged in favor of competition or, if not discouraged, at least filtered through a lens of individualism that precludes deep connections. and then i learned what people meant by it (men arent getting laid) to which i say skill issue
Could yall stop shooting each other outside my window im trying to masturbate
So this was actually the sound of my car getting stolen