Melenas @sakia--lumei - Tumblr Blog

A HANDY CHART FOR THOSE OF YOU WONDERING WHAT THE FUCK IS UP WITH THESE. NOTE THAT THESE ARE ALL THE INFORMAL AND YOU IS THE FORMAL SO LIKE YOU WOULD ALWAYS ADDRESS YOUR SUPERIOR/ OLDER PERSON/ SOCIAL BETTER WITH YOU BUT WITH YOUR BUDS YOU CAN USE THESE.

heroineimages

I’m not sure I knew the thy/thine distinction. Thanks for this!

sassycolortheorist101-blog

some fucking resources for all ur writing fuckin needs

* body language masterlist

* a translator that doesn’t eat ass like google translate does

* a reverse dictionary for when ur brain freezes

* 550 words to say instead of fuckin said

* 638 character traits for when ur brain freezes again

* some more body language help

(hope this helps some ppl)

#writing reference

literaryvein-reblogs

Word Alternatives: Colours

BLACK atramentous, charcoal, coal, crow, darksomeness, denigration, duskiness, ebony, funereal, jet, inkiness, melanism, melanotic, midnight, niello, obsidian, pitch, raven, sable, singe, sloe, smirch, smoke, sombrous, soot, swarthiness, swartness, tar

BLUE aquamarine, azure, berylline, cerulean, cerulescent, cyan, cyanosis, cyanotic, electric blue, ice-blue, indigo, lividity, midnight, navy, Oxford blue, pavonian, pavonine, peacock blue, robin's egg blue, royal blue, sapphire, turquoise, ultramarine

BROWN adust, auburn, beige, biscuit, braise, bay, bronze, brune, brunette, buff, burnt umber, burnt sienna, caramel, castaneous, chestnut, chocolate, cinnamon, cocoa, coffee, drab, dun, embrown, fawn, grege, hazel, henna, infuscation, khaki, mushroom, ochre, paper bag, pumpernickel, raw sienna, raw umber, roan, rubiginous, rufous, russet, rust, scorch, seal, sepia, sorrel, suntan, sunburn, tan, taupe, toast, umber, walnut

GRAY ashiness, canescence, cinereous, cineritious, dullness, ecru, fuscous, glaucescence, greige, grisaille, gunmetal, hoar, iron, lead, mousiness, oyster, pewter, slatiness, smokiness, steel, taupe

GREEN aerugo, aestival, avocado, beryl, chartreuse, chloremia, chlorophyll, chlorosis, chlorotic, emerald, foliaged, glaucescence, grass, greensickness, ivy, jade, loden green, holly, olivaceous, olive, patina, patinate, pea-green, smaragdine, springlike, verdancy, verdantness, verdigris, verdure, vernal, virescence, viridescence, viridity

ORANGE apricot, cantaloupe, carotene, carroty, ochreous, ochroid, pumpkin, saffron, tangerine, terracotta, Titian

PINK carnation, coral, coralline, flesh-pink, incarnadine, peach, primrose, roseate, rosy, salmon

PURPLE amethystine, aubergine, bruise, empurple, fuchsia, lavender, lilac, lividity, magenta, mauve, mulberry, orchid, pansy, plum, puce, purpure, purpureous, raisin, violaceous, violet

RED beet, blowzy, cardinal, carmine, carnation, carnelian, cerise, cherry, copper, crimson, damask, encrimson, erubescence, erythema, erythematous, erythrism, erythroderma, ferruginous, fire, floridity, floridness, flushing, gules, hectic, henna, incarnadine, infrared, laky, lateritious, lobster, lurid, magenta, mantling, maroon, miniate, port, puce, raddle, rose, rosiness, rouge, rubefaction, rubicundity, rubor, rubricity, ruby, ruddiness, rufescence, rufosity, russet, rust, sanguine, scarlet, stammel, vermeil, vermilion, vinaceous

YELLOW aureateness, auric, aurify, banana, begild, bilious, biliousness, cadmium, canary, chartreuse, citreous, citrine, citron, engild, fallowness, flavescent, flaxen, fulvous, gildedness, gilt, goldenness, honey, icteric, icterus, jaundice, lemon, lutescent, luteous, luteolous, mustard, ochroid, old gold, primrose yellow, saffron, sallowness, sandy, straw, sulfur, topaz, xanthism, xanthochroism, xanthoderma

WHITE achromatic, alabaster, albescent, albinic, besnow, blanch, bleach, bone, calcimine, chalk, cream, cretaceous, eggshell, etiolate, ghastly, ivory, lactescent, lily, lime, milk, pearl, sheet, swan, sheep, fleece, flour, foam, marmoreal, niveous, paper, pearl, phantom, silver, snow, driven snow, tallow, teeth, wax, wool

VARIEGATION (diversity of colors) spectrum, rainbow, iris, chameleon, leopard, jaguar, cheetah, ocelot, zebra, barber pole, candy cane, Dalmatian, firedog, peacock, butterfly, mother-of-pearl, nacre, tortoise shell, opal, kaleidoscope, stained glass, serpentine, calico cat, marble, mackerel sky, confetti, crazy quilt, patchwork quilt, shot silk, moire, watered silk, marbled paper, Joseph's coat, harlequin, tapestry; bar code, checkerboard

variegation, multicolor; parti-color; medley or mixture of colors, spectrum, rainbow of colors, riot of color; polychrome, polychromatism; dichromatism, trichromatism; dichroism, trichroism

iridescence, iridization, irisation, opalescence, nacreousness, pearliness, chatoyancy, play of colors or light; light show; moire pattern, tabby; burelé or burelage

spottiness, maculation, freckliness, speckliness, mottledness, mottlement, dappleness, dappledness, stippledness, spottedness, dottedness; fleck, speck, speckle; freckle; spot, dot, polka dot, macula, macule, blotch, splotch, patch, splash; mottle, dapple; brindle; stipple, stippling, pointillism, pointillage

check, checker, checks, checking, checkerboard, chessboard; plaid, tartan; checker-work, variegated pattern, harlequin, colors in patches, crazy-work, patchwork; parquet, parquetry, marquetry, mosaic, tesserae, tessellation; crazy-paving; hound's tooth; inlay, damascene

stripe, striping, candy-stripe, pinstripe; barber pole; streak, streaking; striation, striature, stria; striola, striga; crack, craze, crackle, reticulation; bar, band, belt, list

mottled, motley; pied, piebald, skewbald, pinto; dappled, dapple; calico; marbled; clouded; salt-and-pepper

Source: The Concise Roget's International Thesaurus, Revised & Updated (6th Edition) More: Writing Notes & References ⚜ Writing Resources PDFs

#writing reference

macrolit

#writing reference

writingwithcolor

Words for Skin Tone | How to Describe Skin Color

We discussed the issues describing People of Color by means of food in Part I of this guide, which brought rise to even more questions, mostly along the lines of “So, if food’s not an option, what can I use?” Well, I was just getting to that!

This final portion focuses on describing skin tone, with photo and passage examples provided throughout. I hope to cover everything from the use of straight-forward description to the more creatively-inclined, keeping in mind the questions we’ve received on this topic.

Standard Description

Basic Colors

Pictured above: Black, Brown, Beige, White, Pink.

“She had brown skin.”

This is a perfectly fine description that, while not providing the most detail, works well and will never become cliché.

Describing characters’ skin as simply brown or beige works on its own, though it’s not particularly telling just from the range in brown alone.

Complex Colors

These are more rarely used words that actually “mean” their color. Some of these have multiple meanings, so you’ll want to look into those to determine what other associations a word might have.

Pictured above: Umber, Sepia, Ochre, Russet, Terra-cotta, Gold, Tawny, Taupe, Khaki, Fawn.

Complex colors work well alone, though often pair well with a basic color in regards to narrowing down shade/tone.

For example: Golden brown, russet brown, tawny beige…

As some of these are on the “rare” side, sliding in a definition of the word within the sentence itself may help readers who are unfamiliar with the term visualize the color without seeking a dictionary.

“He was tall and slim, his skin a russet, reddish-brown.”

Comparisons to familiar colors or visuals are also helpful:

“His skin was an ochre color, much like the mellow-brown light that bathed the forest.”

Modifiers

Modifiers, often adjectives, make partial changes to a word.The following words are descriptors in reference to skin tone.

Dark - Deep - Rich - Cool

Warm - Medium - Tan

Fair - Light - Pale

Rich Black, Dark brown, Warm beige, Pale pink…

If you’re looking to get more specific than “brown,” modifiers narrow down shade further.

Keep in mind that these modifiers are not exactly colors.

As an already brown-skinned person, I get tan from a lot of sun and resultingly become a darker, deeper brown. I turn a pale, more yellow-brown in the winter.

While best used in combination with a color, I suppose words like “tan” “fair” and “light” do work alone; just note that tan is less likely to be taken for “naturally tan” and much more likely a tanned White person.

Calling someone “dark” as description on its own is offensive to some and also ambiguous. (See: Describing Skin as Dark)

Undertones

Undertones are the colors beneath the skin, seeing as skin isn’t just one even color but has more subdued tones within the dominating palette.

pictured above: warm / earth undertones: yellow, golden, copper, olive, bronze, orange, orange-red, coral | cool / jewel undertones: pink, red, blue, blue-red, rose, magenta, sapphire, silver.

Mentioning the undertones within a character’s skin is an even more precise way to denote skin tone.

As shown, there’s a difference between say, brown skin with warm orange-red undertones (Kelly Rowland) and brown skin with cool, jewel undertones (Rutina Wesley).

“A dazzling smile revealed the bronze glow at her cheeks.”

“He always looked as if he’d ran a mile, a constant tinge of pink under his tawny skin.”

Standard Description Passage

“Farah’s skin, always fawn, had burned and freckled under the summer’s sun. Even at the cusp of autumn, an uneven tan clung to her skin like burrs. So unlike the smooth, red-brown ochre of her mother, which the sun had richened to a blessing.”

-From my story “Where Summer Ends” featured in Strange Little Girls

Here the state of skin also gives insight on character.

Note my use of “fawn” in regards to multiple meaning and association. While fawn is a color, it’s also a small, timid deer, which describes this very traumatized character of mine perfectly.

Though I use standard descriptions of skin tone more in my writing, at the same time I’m no stranger to creative descriptions, and do enjoy the occasional artsy detail of a character.

Creative Description

Whether compared to night-cast rivers or day’s first light…I actually enjoy seeing Characters of Colors dressed in artful detail.

I’ve read loads of descriptions in my day of white characters and their “smooth rose-tinged ivory skin”, while the PoC, if there, are reduced to something from a candy bowl or a Starbucks drink, so to actually read of PoC described in lavish detail can be somewhat of a treat.

Still, be mindful when you get creative with your character descriptions. Too many frills can become purple-prose-like, so do what feels right for your writing when and where. Not every character or scene warrants a creative description, either. Especially if they’re not even a secondary character.

Using a combination of color descriptions from standard to creative is probably a better method than straight creative. But again, do what’s good for your tale.

Natural Settings - Sky

Pictured above: Harvest Moon -Twilight, Fall/Autumn Leaves, Clay, Desert/Sahara, Sunlight - Sunrise - Sunset - Afterglow - Dawn- Day- Daybreak, Field - Prairie - Wheat, Mountain/Cliff, Beach/Sand/Straw/Hay.

Now before you run off to compare your heroine’s skin to the harvest moon or a cliff side, think about the associations to your words.

When I think cliff, I think of jagged, perilous, rough. I hear sand and picture grainy, yet smooth. Calm. mellow.

So consider your character and what you see fit to compare them to.

Also consider whose perspective you’re describing them from. Someone describing a person they revere or admire may have a more pleasant, loftier description than someone who can’t stand the person.

“Her face was like the fire-gold glow of dawn, lifting my gaze, drawing me in.”

“She had a sandy complexion, smooth and tawny.”

Even creative descriptions tend to draw help from your standard words.

Flowers

Pictured above: Calla lilies, Western Coneflower, Hazel Fay, Hibiscus, Freesia, Rose

It was a bit difficult to find flowers to my liking that didn’t have a 20 character name or wasn’t called something like “chocolate silk” so these are the finalists.

You’ll definitely want to avoid purple-prose here.

Also be aware of flowers that most might’ve never heard of. Roses are easy, as most know the look and coloring(s) of this plant. But Western coneflowers? Calla lilies? Maybe not so much.

“He entered the cottage in a huff, cheeks a blushing brown like the flowers Nana planted right under my window. Hazel Fay she called them, was it?”

Assorted Plants & Nature

Pictured above: Cattails, Seashell, Driftwood, Pinecone, Acorn, Amber

These ones are kinda odd. Perhaps because I’ve never seen these in comparison to skin tone, With the exception of amber.

At least they’re common enough that most may have an idea what you’re talking about at the mention of “pinecone."

I suggest reading out your sentences aloud to get a better feel of how it’ll sounds.

"Auburn hair swept past pointed ears, set around a face like an acorn both in shape and shade.”

I pictured some tree-dwelling being or person from a fantasy world in this example, which makes the comparison more appropriate.

I don’t suggest using a comparison just “cuz you can” but actually being thoughtful about what you’re comparing your character to and how it applies to your character and/or setting.

Wood

Pictured above: Mahogany, Walnut, Chestnut, Golden Oak, Ash

Wood can be an iffy description for skin tone. Not only due to several of them having “foody” terminology within their names, but again, associations.

Some people would prefer not to compare/be compared to wood at all, so get opinions, try it aloud, and make sure it’s appropriate to the character if you do use it.

“The old warlock’s skin was a deep shade of mahogany, his stare serious and firm as it held mine.”

Metals

Pictured above: Platinum, Copper, Brass, Gold, Bronze

Copper skin, brass-colored skin, golden skin…

I’ve even heard variations of these used before by comparison to an object of the same properties/coloring, such as penny for copper.

These also work well with modifiers.

“The dress of fine white silks popped against the deep bronze of her skin.”

Gemstones - Minerals

Pictured above: Onyx, Obsidian, Sard, Topaz, Carnelian, Smoky Quartz, Rutile, Pyrite, Citrine, Gypsum

These are trickier to use. As with some complex colors, the writer will have to get us to understand what most of these look like.

If you use these, or any more rare description, consider if it actually “fits” the book or scene.

Even if you’re able to get us to picture what “rutile” looks like, why are you using this description as opposed to something else? Have that answer for yourself.

“His skin reminded her of the topaz ring her father wore at his finger, a gleaming stone of brown, mellow facades.”

Physical Description

Physical character description can be more than skin tone.

Show us hair, eyes, noses, mouth, hands…body posture, body shape, skin texture… though not necessarily all of those nor at once.

Describing features also helps indicate race, especially if your character has some traits common within the race they are, such as afro hair to a Black character.

How comprehensive you decide to get is up to you. I wouldn’t overdo it and get specific to every mole and birthmark. Noting defining characteristics is good, though, like slightly spaced front teeth, curls that stay flopping in their face, hands freckled with sunspots…

General Tips

Indicate Race Early: I suggest indicators of race be made at the earliest convenience within the writing, with more hints threaded throughout here and there.

Get Creative On Your Own: Obviously, I couldn’t cover every proper color or comparison in which has been “approved” to use for your characters’ skin color, so it’s up to you to use discretion when seeking other ways and shades to describe skin tone.

Skin Color May Not Be Enough: Describing skin tone isn’t always enough to indicate someone’s ethnicity. As timeless cases with readers equating brown to “dark white” or something, more indicators of race may be needed.

Describe White characters and PoC Alike: You should describe the race and/or skin tone of your white characters just as you do your Characters of Color. If you don’t, you risk implying that White is the default human being and PoC are the “Other”).

PSA: Don’t use “Colored.” Based on some asks we’ve received using this word, I’d like to say that unless you or your character is a racist grandmama from the 1960s, do not call People of Color “colored” please.

Not Sure Where to Start? You really can’t go wrong using basic colors for your skin descriptions. It’s actually what many people prefer and works best for most writing. Personally, I tend to describe my characters using a combo of basic colors + modifiers, with mentions of undertones at times. I do like to veer into more creative descriptions on occasion.

Want some alternatives to “skin” or “skin color”? Try: Appearance, blend, blush, cast, coloring, complexion, flush, glow, hue, overtone, palette, pigmentation, rinse, shade, sheen, spectrum, tinge, tint, tone, undertone, value, wash.

Skin Tone Resources

List of Color Names

The Color Thesaurus

Skin Undertone & Color Matching

Tips and Words on Describing Skin

Photos: Undertones Described (Modifiers included)

Online Thesaurus (try colors, such as “red” & “brown”)

Don’t Call me Pastries: Creative Skin Tones w/ pics I

Writing & Description Guides

WWC Featured Description Posts

WWC Guide: Words to Describe Hair

Writing with Color: Description & Skin Color Tags

7 Offensive Mistakes Well-intentioned Writers Make

I tried to be as comprehensive as possible with this guide, but if you have a question regarding describing skin color that hasn’t been answered within part I or II of this guide, or have more questions after reading this post, feel free to ask!

~ Mod Colette

#writing reference

domirine

step by step

hope this is clear enough! this is how i do it but i’m sure there are other methods hah

#tutorial #blood tutorial #art tutorial #art reference

berrybird-blog1

Helpful things for action writers to remember

Sticking a landing will royally fuck up your joints and possibly shatter your ankles, depending on how high you’re jumping/falling from. There’s a very good reason free-runners dive and roll.

Hand-to-hand fights usually only last a matter of seconds, sometimes a few minutes. It’s exhausting work and unless you have a lot of training and history with hand-to-hand combat, you’re going to tire out really fast.

Arrows are very effective and you can’t just yank them out without doing a lot of damage. Most of the time the head of the arrow will break off inside the body if you try pulling it out, and arrows are built to pierce deep. An arrow wound demands medical attention.

Throwing your opponent across the room is really not all that smart. You’re giving them the chance to get up and run away. Unless you’re trying to put distance between you so you can shoot them or something, don’t throw them.

Everyone has something called a “flinch response” when they fight. This is pretty much the brain’s way of telling you “get the fuck out of here or we’re gonna die.” Experienced fighters have trained to suppress this. Think about how long your character has been fighting. A character in a fist fight for the first time is going to take a few hits before their survival instinct kicks in and they start hitting back. A character in a fist fight for the eighth time that week is going to respond a little differently.

ADRENALINE WORKS AGAINST YOU WHEN YOU FIGHT. THIS IS IMPORTANT. A lot of times people think that adrenaline will kick in and give you some badass fighting skills, but it’s actually the opposite. Adrenaline is what tires you out in a battle and it also affects the fighter’s efficacy - meaning it makes them shaky and inaccurate, and overall they lose about 60% of their fighting skill because their brain is focusing on not dying. Adrenaline keeps you alive, it doesn’t give you the skill to pull off a perfect roundhouse kick to the opponent’s face.

Swords WILL bend or break if you hit something hard enough. They also dull easily and take a lot of maintenance. In reality, someone who fights with a sword would have to have to repair or replace it constantly.

Fights get messy. There’s blood and sweat everywhere, and that will make it hard to hold your weapon or get a good grip on someone.

A serious battle also smells horrible. There’s lots of sweat, but also the smell of urine and feces. After someone dies, their bowels and bladder empty. There might also be some questionable things on the ground which can be very psychologically traumatizing. Remember to think about all of the character’s senses when they’re in a fight. Everything WILL affect them in some way.

If your sword is sharpened down to a fine edge, the rest of the blade can’t go through the cut you make. You’ll just end up putting a tiny, shallow scratch in the surface of whatever you strike, and you could probably break your sword.

ARCHERS ARE STRONG TOO. Have you ever drawn a bow? It takes a lot of strength, especially when you’re shooting a bow with a higher draw weight. Draw weight basically means “the amount of force you have to use to pull this sucker back enough to fire it.” To give you an idea of how that works, here’s a helpful link to tell you about finding bow sizes and draw weights for your characters. (CLICK ME)

If an archer has to use a bow they’re not used to, it will probably throw them off a little until they’ve done a few practice shots with it and figured out its draw weight and stability.

People bleed. If they get punched in the face, they’ll probably get a bloody nose. If they get stabbed or cut somehow, they’ll bleed accordingly. And if they’ve been fighting for a while, they’ve got a LOT of blood rushing around to provide them with oxygen. They’re going to bleed a lot.

Here’s a link to a chart to show you how much blood a person can lose without dying. (CLICK ME)

If you want a more in-depth medical chart, try this one. (CLICK ME)

Hopefully this helps someone out there. If you reblog, feel free to add more tips for writers or correct anything I’ve gotten wrong here.

ave-aria

How to apply Writing techniques for action scenes:

- Short sentences. Choppy. One action, then another. When there’s a lull in the fight, take a moment, using longer phrases to analyze the situation–then dive back in. Snap, snap, snap. - Same thing with words - short, simple, and strong in the thick of battle. Save the longer syllables for elsewhere. - Characters do not dwell on things when they are in the heat of the moment. They will get punched in the face. Focus on actions, not thoughts. - Go back and cut out as many adverbs as possible. - No seriously, if there’s ever a time to use the strongest verbs in your vocabulary - Bellow, thrash, heave, shriek, snarl, splinter, bolt, hurtle, crumble, shatter, charge, raze - it’s now. - Don’t forget your other senses. People might not even be sure what they saw during a fight, but they always know how they felt. - Taste: Dry mouth, salt from sweat, copper tang from blood, etc - Smell: OP nailed it - Touch: Headache, sore muscles, tense muscles, exhaustion, blood pounding. Bruised knuckles/bowstring fingers. Injuries that ache and pulse, sting and flare white hot with pain. - Pain will stay with a character. Even if it’s minor. - Sound and sight might blur or sharpen depending on the character and their experience/exhaustion. Colors and quick movements will catch the eye. Loud sounds or noises from behind may serve as a fighter’s only alert before an attack. - If something unexpected happens, shifting the character’s whole attention to that thing will shift the Audience’s attention, too. - Aftermath. This is where the details resurface, the characters pick up things they cast aside during the fight, both literally and metaphorically. Fights are chaotic, fast paced, and self-centered. Characters know only their self, their goals, what’s in their way, and the quickest way around those threats. The aftermath is when people can regain their emotions, their relationships, their rationality/introspection, and anything else they couldn’t afford to think or feel while their lives were on the line.

Do everything you can to keep the fight here and now. Maximize the physical, minimize the theoretical. Keep things immediate - no theories or what ifs.

If writing a strategist, who needs to think ahead, try this: keep strategy to before-and-after fights. Lay out plans in calm periods, try to guess what enemies are thinking or what they will do. During combat, however, the character should think about his options, enemies, and terrain in immediate terms; that is, in shapes and direction. (Large enemy rushing me; dive left, circle around / Scaffolding on fire, pool below me / two foes helping each other, separate them.)

Lastly, after writing, read it aloud. Anyplace your tongue catches up on a fast moving scene, edit. Smooth action scenes rarely come on the first try.

#writing reference #reference

yagamimi-aka-mimi-deactivated20

Something like this would be so colossally helpful. I'm sick and tired of trying to research specific clothing from any given culture and being met with either racist stereotypical costumes worn by yt people or ai generated garbage nonsense, and trying to be hyper specific with searches yields fuck all. Like I generally just cannot trust the legitimacy of most search results at this point. It's extremely frustrating. If there are good resources for this then they're buried deep under all the other bullshit, and idk where to start looking.

ama-kitkat123

>:)c

May I present to you, nationalclothing.org?

It doesn't have everything, but it's still my first source when researching traditional clothing from other cultures.

penanatomy-studies

There's also this resource on historical fashion: Claire’s Historical Fashion Reference & Resources

zheida

another addition as far as physical media goes there is the encyclopedia of national dress (that i still need to buy myself bc this kind of thing is super important to my sort of fantasy designing) but yes i do agree i wish there was EVEN MORE documentation on this

#reference

luna-azzurra

Character flaws that can add depth and complexity to your characters:

1. Stubbornness: A character who is excessively stubborn may refuse to listen to others' perspectives or admit when they're wrong, leading to conflicts and missed opportunities for growth.

2. Impulsiveness: An impulsive character acts without thinking, often leading to hasty decisions or reckless behavior that can have negative consequences.

3. Jealousy: A character plagued by jealousy may struggle with feelings of insecurity and possessiveness, causing strain in relationships and potential conflicts with others.

4. Indecisiveness: An indecisive character finds it difficult to make choices, leading to delays, missed opportunities, and frustration from others.

5. Arrogance: An arrogant character believes they are superior to others and often dismisses or belittles those around them, creating tension and damaged relationships.

6. Insecurity: A character with deep-seated insecurity may constantly seek validation and struggle with self-doubt, impacting their decisions and relationships.

7. Impatience: An impatient character lacks tolerance for delays or setbacks, which can lead to rushed actions, poor judgment, and strained relationships.

8. Manipulativeness: A manipulative character uses deceit and manipulation to control others for their own gain, creating a web of lies and mistrust.

9. Hot-tempered: A hot-tempered character easily becomes angry or loses their temper, leading to impulsive actions, damaged relationships, and potential violence.

10. Perfectionism: A perfectionistic character sets impossibly high standards for themselves and others, often leading to stress, frustration, and strained relationships.

11. Distrust: A character with trust issues struggles to trust others, leading to difficulty forming meaningful connections and maintaining healthy relationships.

12. Procrastination: A character who frequently procrastinates avoids tasks or responsibilities, causing unnecessary stress and potential negative consequences.

13. Selfishness: A selfish character prioritizes their own needs and desires above others, disregarding the feelings and well-being of those around them.

14. Pessimism: A pessimistic character constantly expects the worst outcome, which can lead to negativity, lack of motivation, and strained relationships.

15. Impulsiveness: An impulsive character acts on their immediate desires without considering the consequences, often leading to reckless behavior and regrets.

flaws make characters more relatable and human. They create internal and external conflicts and provide opportunities for growth and development throughout your story.

Happy writing!

ravendas

#goes down this list and realizes Hyperia has just about all of these

#writing reference #reference

writing-masterlists

Synonyms For Very

This masterlist is a masterlist of words that you may use alongside the word very, very being one of the most common words that are used when writing. I hope this helps you as much as it helps me in our writing seem more sophisticated and unique.

Very accurate - exact Very afraid - fearful Very angry - furious Very annoying - exasperating

Very bad - atrocious Very beautiful - exquisite Very big - immense Very boring - dull Very bright - luminous Very busy - swamped

Very calm - serene Very careful - cautious Very cheap - stingy Very clean - spotless Very clear - obvious Very clever - intelligent Very cold - freezing Very colourful - vibrant Very competitive - cutthroat Very complete - comprehensive Very confused - perplexed Very conventional - conservative Very creative - innovative Very crowded - bustling Very cute - adorable

Very dangerous - perilous Very dear - cherished Very deep - profound Very depressed - despondent Very detailed - meticulous Very different - disparate Very difficult - arduous Very dirty - filthy Very dry - arid Very dull - tedious

Very eager - keen Very easy - effortless Very empty - desolate Very excited - thrilled Very exciting - exhilarating Very expensive - costly

Very fancy - lavish Very fast - swift Very fat - obese Very friendly - amiable Very frightened - alarmed Very frightening - terrifying Very funny - hilarious

Very glad - overjoyed Very good - excellent Very great - terrific

Very happy - ecstatic Very hard - difficult Very hard-to-find - rare Very heavy - leaden Very high - soaring Very hot - sweltering Very huge - colossal Very hungry - ravenous Very hurt - battered

Very important - crucial Very intelligent - brilliant Very interesting - captivating

Very large - huge Very lazy - indolent Very little - tiny Very lively - vivacious Very long - extensive Very long-term - enduring Very loose - slack Very loud - thunderous Very loved - adored

Very mean - cruel Very messy - slovenly

Very neat - immaculate Very necessary - essential Very nervous - apprehensive Very nice - kind Very noisy - deafening

Very often - frequently Very old - ancient Very old-fashioned - archaic Very open - transparent

Very painful - excruciating Very pale - ashen Very perfect - flawless Very poor - destitute Very powerful - compelling Very pretty - beautiful

Very quick - rapid Very quiet - hushed

Very rainy - pouring Very rich - wealthy

Very sad - sorrowful Very scared - petrified Very scary - chilling Very serious - grave Very sharp - keen Very shiny - gleaming Very short - brief Very shy - timid Very simple - basic Very skinny - skeletal Very slow - sluggish Very small - petite Very smart - intelligent Very smelly - pungent Very smooth - sleek Very soft - downy Very sorry - apologetic Very special - exceptional Very strong - forceful Very stupid - idiotic Very sure - certain Very sweet - thoughtful

Very talented - gifted Very tall - towering Very tasty - delicious Very thirsty - parched Very tight - constricting Very tiny - minuscule Very tired - exhausted

Very ugly - hideous Very unhappy - miserable Very upset - distraught

Very warm - hot Very weak - frail Very well-to-do - wealthy Very wet - soaked Very wide - expansive Very willing - eager Very windy - blustery Very wise - sage Very worried - distressed

A/N: If you know of anymore words I can add please message me.

livingthatlibrarylifestyle

This is very important ;)

stuckupbitchandthebutthurtb-blog

Reblog to save a writer’s life.

apomix-deactivated20210227

I finally finished the thing! Here’s a short little tutorial on drawing curly hair. I hope that you guys find this helpful, and if you have any questions please ask!

#tutorial #art tutorial

nimblesnotebook-blog

Another Halloween themed post.

Part I: Superstitions

GHOSTS AND SPIRITS

Iron and Ghosts

The Early Ghost

Guide to Ghosts

Ghosts

Gravestone Symbolism

10 Little Known Mysterious Ghost Types

Ghost Types

The Different Types of Ghosts

Haunted Places

Cemetery Folklore

Writing a Ghost Story

Tips for Writing Ghost Stories

Ghost Cliches

Horror Cliches

ZOMBIES

The Science of Zombies

Zombie Biology

Zombie Sociology

Zombie Myths

Stage II and Stage III Zombies (pictures)

Vampires vs Zombies

Undead Creatures

Zombies

Guide on Zombies

SHAPE SHIFTERS AND HOMINIDS

Werewolves and other were-beasts

The Shape Shifting Process

Shape Shifters

Hominids of the World

Werewolf Myths

Science of Werewolves

Werewolf Behavior

Werewolves vs Vampires vs Zombies

Werewolf Anatomy

Wolf Body Language

Lycanthropy

Werewolf Myths and Truths

History of the Werewolf Legend

SEA CREATURES

The Mermaid

Sea Creatures

Books About Mermaids and Sea Folklore

Sea Creatures: Books

YA Mermaid Novels

Best Mermaid Books

Awesome Mermaid Books

Mermaid Anatomy

A Dissection of Mermaid Anatomy

VAMPIRES

African Vampires

Writing the A-Typical Vampire

So You Want to Write a Vampire Novel

Avoiding Vampire Cliches

Vampire Cliches

Vampire Burial

Vampire Mythology

Vampire Biology

Vampire Virology

Vampire Sociology

Vampires in Folklore and Literature

AVIAN CREATURES

Underused Bird Mythologies

FAIRIES AND FAE

Types of Faeries A-Z

A Guide to Fairies

Other Names for Fairies

Books About Faery

Best YA Fairy Books

Best YA Fantasy Series About the Fae

ANGELS AND DEMONS

A Glory of Angels

Angels and Demons Resource Post

Do You Give Angels Flaws or Not?

Unusual Angels

Creating Creepy Creatures

Mythology Meme

Master Post of World Mythology, Creatures, and Folklore

Figures of Norse Mythology

Those Who Haunt the Earth

Writing Horror, Paranormal, and Supernatural

Genre: YA Supernatural

List of Mythical Creatures

Mythological Creature Picture Spam

How to Make Your Supernatural Characters Unique

Supernatural Theme Story

Myths and Urban Legends Masterpost

Original Gods, Goddesses, and Myths

World Building Basics: Myths and Legends

Mythical Creatures and Beings

Symbols by Word

Mythology Meme

Writing Paranormal Characters into the Real World

#reference #inspo

soundwall

have fun w/ this

#art reference #tutorial

ancient-serpent

“There are darknesses in life and there are lights, and you are one of the lights, the light of all lights.” ― Bram Stoker, Dracula

(photo by ancient-serpent.tumblr.com)

#aesthetic #inspo

valtsv

i love revenge tragedies so so much because they have so much potential to explore such a nuanced and complex topic and give it the consideration and care it deserves. revenge and revenger characters are such powerful narrative tools, both of catharsis and self reflection. a good revenge tragedy will not tell you that "revenge is bad, seeking revenge makes you just as bad as the people you're seeking vengeance against, and nonviolence and forgiveness are the only paths to building a better world". a good revenge tragedy will present you with a really difficult and complicated situation, even something absolutely unforgivable, and ask you to consider questions like "will this really help anyone?" "am i doing the right thing, or am i just doing what feels good?" "how far can you go before your quest for self-empowerment and personal satisfaction becomes perpetrating the same violence that you claim to be fighting against?" "what else could i do to help build a better future for myself and others, to ensure that the cycle of violence doesn't continue after justice is served?" "what went wrong here? how did something that seemed so right go so wrong?" and "what would i do in this situation?"

sayings like "those who live by the sword will die by the sword" and "those who fight monsters should take care they don't become monsters themselves" often get oversimplified, misinterpreted, and used to criticize people from feeling justifiably angry at their mistreatment and oppression, and discourage them from seeking the restitution they're owed. but when used correctly, a good revenge tragedy will employ these ideas as tools of teaching and learning, of questioning and discussion, of analysis and communication, and as a reminder to think critically and to think for yourself, not as a moral lesson. and those stories are so incredibly and important and valuable to me, and i believe that they have a very necessary place in the world.

valtsv

sorry for taking your commentary out of the tags but this is an excellent analysis on the use of revenge and revenge narratives as a tool for encouraging critical thought and discussion. rather than telling you whether or not you should seek revenge at all, a good revenge narrative will ask you "what do you want revenge to do for you?" and warn you that revenge might not be capable of giving you what you actually want. it will encourage you to stop and think about what you want to achieve and how to realistically achieve it rather than acting on impulse.

also, you're so right about revenge being sexy do not apologize. is revenge good or bad? well it's more complicated than that. but is it hot? yes indisputably.

#inspo #writing