Where it grows - Line Holtegaard , 2024.
Danish , b, 1980 -
Oil and acrylic on canvas , 60 x 70 cm.
i don't do bad sauce passes
No title available
Misplaced Lens Cap
occasionally subtle
Alisa U Zemlji Chuda
"I'm Dorothy Gale from Kansas"
One Nice Bug Per Day
TVSTRANGERTHINGS
Monterey Bay Aquarium
cherry valley forever

No title available
YOU ARE THE REASON
Jules of Nature
Peter Solarz

ellievsbear
No title available
DEAR READER
trying on a metaphor
ojovivo

Kaledo Art

seen from Italy

seen from United Kingdom
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seen from United States

seen from Germany

seen from Poland
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seen from United States

seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
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seen from Morocco

seen from United Kingdom
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@saltspray
Where it grows - Line Holtegaard , 2024.
Danish , b, 1980 -
Oil and acrylic on canvas , 60 x 70 cm.
I love English
Flowers greet the night, Torino, Italy
emanuele_boffa
The Golden Girls – 2.03: Take Him He's Mine
Video from Aaron Parnas on Instagram.
Government controlled media is already reducing it to "hundreds" of people in the streets today, but rest assured it is tens of thousands of Minnesotans marching through downtown. Local folks on bluesky were saying all the buses were full, the metro trains were all full, the highways were empty on a Friday.
This is not insignificant. This is what resistance looks like. We outnumber them and we are organized
Hiking in Chattanooga 11/05/25. Standing above a waterfall.
Emma Corrin and Jack O'Connell as Constance "Connie" Reid, Lady Chatterley and Oliver Mellors in Lady Chatterley's Lover (2022) dir. Laure de Clermont-Tonnerre
LADY CHATTERLEY'S LOVER (2022)
dir. laure de clermont-tonnerre
The End of the F***ing World | Season 1 (2017). Jonathan Entwistle
Alabama autumn | Anne Strickland
by daniel_casson
“your friend is dead, and their corpse is inhabited by something only you can see for what it truly is" is already good horror. but "you begin to love the thing that wears their face"? the blasphemy of it. terror turning into desire. grief turning into longing. being enticed by what should repel you. it twists the knife deeper, because the horror is not based on deception anymore. the fear comes from recognizing the monster in its raw form and finding beauty there. you're not clinging to scraps of your friend, you're surrendering to something other, something wrong, and loving it. you're not holding onto a ghost of the past, it’s the monster itself that you choose