every good and perfect gift is from above.

♱ indie good omens roleplay blog ♱ ♔the principality aziraphale, guardian of the eastern gate♔  ♙18+ | semi selective | wip♙

[allthingseurope]

Parliament of Budapest, Hungary 

[gnossienne]

Glastonbury Abbey (c.1865-1886)

[kokoko-sir]

[goodomensedit]

[cherriko-art]

“When I saw you, I fell in love, and you smiled because you knew” - William Shakespeare

[mirrors-and-candles]

[ancient-serpent]

Library of Trinity College, Oxford, UK

[goodomensedit]

[bluezest]

So young he already looked like an angel. So there was nothing to be done right? Fate and everything

I hope everyone is holding on.Je vous embrasse <3

[estrellablogg]

Ama işte yaşamak başka nefes almak başka.. ☀️

[lifeisabowlofbullshit]

[larygosomens]

Am I speaking to...God?

[littledallilasbookshelf]

Austrian National Library, Vienna by Amanda Rust on Flickr. A secret door in the library

[xofemeraldstars]

Character Study Collection — Aziraphale 188/∞ &&   Crowley 184/∞

[itisa-profoundbond-sarandom]

Holy Richard Speight Jr.

I like to think none of this would have worked out if you weren’t, at heart, just a little bit a good person. And if you weren’t, deep down, just enough of a bastard to be worth knowing.

Cheers.

[larygosomens]

[neddea]

A kinda quick study of one of my favourite shots in Good Omens and my favourite Aziraphale moment in the series. This, right here, is a perfect example of how to use subtext to tell more about a character (spoiler alert, by the way): at the church scene, the wings of a sculpture right behind Aziraphale are in flames, and there’s a fallen cross at his feet. The entire shot also shows Crowley, standing, gazing at his angel surrounded by a darker and cooler background. With so much orange and burning colours going on in Aziraphale’s half, from Crowley’s side there’s a blue light cooling him down, like water in the middle of the desert. I also find incredibly beautiful how classic both Aziraphale and Crowley are standing: the angel in a quite symmetrical, frontal view; the demon, in profile, almost out of camera. Given what’s happening at the moment, it feels like Crowley is giving Aziraphale some space to understand what’s going on (namely, his own fall and, in a matter of seconds, his falling *in love*), but keeping him cool with his blueish ambient. If I’m not mistaken, the bag with Aziraphale’s books is right in the middle. This could easily be a classical painting structure, if you ask me.

[mynameisgarlic-deactivated20231]