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roma★
Lint Roller? I Barely Know Her
will byers stan first human second
Mike Driver
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$LAYYYTER
Keni
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trying on a metaphor

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Xuebing Du
I'd rather be in outer space 🛸
EXPECTATIONS
The Stonewall Inn
Aqua Utopia|海の底で記憶を紡ぐ
TVSTRANGERTHINGS

tannertan36
wallacepolsom
One Nice Bug Per Day
ojovivo
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@sarraceniacrafts
Check out the first issue of my arts and crafts zine, Queer Qraft Qorner! Read and/or print it for free here: https://ko-fi.com/i/IH2H81GN2LK
Follow Dracula Diabola on Ko-fi
Priestess Takushit from Bubastis, now in the National Archaeological Museum in Athens, Greece
Menswear Menagerie
Clothes I'm wearing this summer
Andrew Salgado’s Gestural Still Lifes Pulse with Energy
A Renaissance Revival carved opal cameo pendant, the cameo attributed to Wilhelm Schmidt depicting Arion riding a dolphin, to elaborate surround of renaissance style incorporating scrolls and two griffins, bearing polychrome enamel decorations and encrusted with two rose-cut diamonds, to a closed back bearing enamel decorations depicting a column surrounded by the Latin word COLUMNAE, terminating to a pearl drop, all suspended by three pearl-set chains with a scrolling upper section set with a faceted emerald, all mounted in gold, circa 1880, measuring approximately 11x3.5cm, gross weight 26.5 grams.
This Renaissance revival pendant comes from the collection of Bentley & Skinner, the London jewellers by appointment to both Her Majesty the Queen and His Royal Highness the Prince of Wales. This pendant features an upper section with a verdant and bright emerald, from which is suspended three chains set with lustrous pearls. Hanging from the chains is a spectacular framed cameo depicting the Ancient Greek poet Arion, who, in Greek folklore, was said to have been rescued by a dolphin while lost at sea. The cameo is carved from opal and is attributed to William Schmidt, who invented a new process for cutting opals in 1874. Opal cameos are rare due to the fragility of the stone, and Schmidt used blanks covered with a thin layer of opal. Surrounding the cameo is a frame of bright gold with wonderful and colourful enamel detail, and a single lustrous pearl drop. This piece incorporates both Renaissance and Ancient Greek styles to create a true masterpiece of late Victorian craftsmanship and design. Schmidt never signed his work but produced many carved opals which have been later attributed to him, some examples of which today can be found in the Natural History Museum, London, the British Museum, and the Fitzwilliam Museum, Cambridge.
Art Deco rock crystal necklace, 1930s.
Dolce & Gabbana Alta Moda 26 Look 1 Peonia
Photography: Dolce & Gabbana
recent artfight attacks!
Dolce & Gabbana Alta Moda 26 Look 2 Devota
Photography: Dolce & Gabbana
Dolce & Gabbana Alta Moda 26 Look 22 Iganzia
Photography: Dolce & Gabbana
Dolce & Gabbana Alta Moda 26 Look 39 Annetta
Photography: Dolce & Gabbana
Dolce & Gabbana Alta Moda 26 Look 69 Geralda
Photography: Dolce & Gabbana
Dolce & Gabbana Alta Moda 26 Look 97 Carlotta
Photography: Dolce & Gabbana
Dolce & Gabbana Alta Moda 26 Look 99 Isola Bella
Photography: Dolce & Gabbana
Pendant with a Lion
17th century
Gold, amber, enamel, and pearls
Europe
Art Institute of Chicago
“Combination” petticoat and corset cover, OR could be used as a petticoat and chemise
Looking at some beautiful quilts by Michael James to cheer me up