void

[formlab]

Trees, Takashi Kuribayashi, 2015

[save0904]

New in my modest collection …

Andrzej Steinbach

Gesellschaft beginnt mit Drei/Society starts at Three (2017)

Edition of 15

5 Inkjet Prints

[save0904]

Bruce Nauman‘s „Square Depression“ is planned to be rebuild again on the Campus of University of Münster, with target date of 2028/29. Very good news!

[gregdotorg]

Cameron Rowland's Estate (2024) documents fifty years of real estate transactions by Dia Art Center and its various art constituents. One property on West 23rd St in Manhattan, was to be a permanent Cy Twombly Museum.

But then Dia imploded, the de Menil family swooped in to take over and stop burning money, and a bunch of properties were disposed of, including the once-future-Cy Twombly Museum. Which got a shitty five floor condo addition in 1988. Sorry not sorry if you live there. I do wish it was a Twombly Museum instead tho

Estate of Cameron Rowland [greg.org]

[save0904]

I‘m a fan of the sculptures by American artist, living in Cologne, Victoria Bell. First one is „Fliegende Lokomotive, 2005 and the second one is „Propeller for D“, 2001

[thomasmartinnutt]

Robert Morris. Blind Time I, 1973

[gregdotorg]

In 2016 I marked the appearance at auction of Gerhard Richter's print Erster Blick (2000) by making a full-scale print of the entire FAZ article Richter had clipped his subatomic picture from.

Now, while another example of Richter's print is for sale, Untitled (Erster Blick) will be available, too, until around 11AM CT, 16 July 2026

Untitled (Erster Blick), 2016/2026 [greg.org] 📷: Gerhard Richter, Erster Blick, 2000, 182 x 151 mm, offset lithograph, ed. 16/100, via wright20; Untitled (Erster Blick), 2016/2026, graphite and ink on digital print, 386 x 273 mm, ed. 100

[gregdotorg]

this idea, of a commemorative artwork marking the sale of another artwork, began during Frieze 2014, when I made a photocopy of an unsigned, cropped, 1989 Cady Noland photocopy of Patty Hearst at Tanya at Christie's. Which, if you cut off all the greg.org parts, would leave a perfect [sic] replica of Noland's version.

So, keep a real work by me, or destroy it to make a fake Cady Noland, the choice was yours.

Untitled (Tanya), 2014 [greg.org]

[save0904]

Andrezj Steinbach „Hausfrieden, Übungsgelände“

[swagvo1d]

doomed

[badarchitecturesucks]

Richard Serra, Dead Load (2014)

[julialukedesign]

Andy Warhol, early drawing

[my-kelde]

Lauren Crazybull. For the moment, 2026.

oil on canvas

[nobrashfestivity]

Lee Ufan, From Point, 1970s

[nobrashfestivity]

Alexander Rodchenko, Points, Composition 119, 1920 

[proustian-dream]

Alina Szapocznikow, Bouquet II, 1966.

[abwwia]

A selection of archival slides by Pauline Rhodes, 1987–8

Archives are collections of knowledge used to tell stories about artists and history. By drawing on the legacy of art historians Jonathan Mane-Wheoki, Julie King and Karen Stevenson, Living Archives focuses on intergenerational relationships, artistic lineage and creative networks. Gallery librarian and archivist Tim Jones and curator Melanie Oliver sat down to talk about archives and art history as they prepared for this exhibition. https://christchurchartgallery.org.nz/bulletin/222/living-archives

Pauline Rhodes (born 1937) is a New Zealand artist. Rhodes is known for her artworks related to the landscape, which take two forms: outdoor works, in which she makes minimal sculptural interventions in the landscape, which exist only through her documentation, and sculptural installations in gallery spaces, which are conceptually related to the outdoor works. via W

[d-m-nagu]

The Loomings (2026) a group of paper collages, 27x32cm

Paper Works by D.M. Nagu