Encounter: Anvil Tree
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Stranger Things

★

ellievsbear
d e v o n
Claire Keane
Sade Olutola

Love Begins
he wasn't even looking at me and he found me
PUT YOUR BEARD IN MY MOUTH

Kiana Khansmith
trying on a metaphor
Lint Roller? I Barely Know Her
sheepfilms
🩵 avery cochrane 🩵
cherry valley forever
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Xuebing Du

Product Placement
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seen from Türkiye

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@screeno42
Encounter: Anvil Tree
We need to put out periodic reminders in fandom that trying to argue in favor of the divine right of kings or defending wartime atrocities or rich people's entitlement to the deference of indentured servants or whatever is, in fact, way less compelling and far stupider than just going well, that character is hot and this is fiction so I've decided it's all good.
Wanting to fuck the evil demon king because he's gorgeous and tormented is far more respectable than trying to defend his actual policies. If someone accuses you of only liking him because you want to fuck him, you can just say yeah that's true, and then what? Either they kinkshame you or they leave. Checkmate.
It's Puggles the Snuggles! Will you say hello to him?
[Image IDs: a set of seven photos of a small diorama on a white background. A nameplate affixed to the front of the base says "Puggles the Snuggles". The main object of the diorama is a Beast of Nurgle: a fat, green, slug-like creature covered in scars, open wounds, and pustules. It has two arms, one of which waves, showing thick claws and a pink paw pad. It has a small head with three tiny, yellow eyes and a wide-open, mucous-dripping mouth with chapped lips. On its stomach is another mouth, full of square teeth. It has intestine-like tubes on its head that give the vague appearance of hair; some of them drip pus. Balanced on spikes on its back sits a yellow-green Nurgling (a small, pestilent imp) with its tongue out. The Beast sits in a swamp that is home to little shrubs and patches of grass and flowers amidst puddles of stagnant, muddy water. A pathetic-looking tree stands behind the Beast; before it is a log coated in moss on which a second, pink Nurgling stands, grinning. End ID.]
I love Solarpunk so fucking much. It’s the most late 2010s ass genre humanly possible. A genre consisting entirely of Pinterest concept art boards and a yogurt commercial. Aggressively political with no actual political stance or statement other than “climate change is bad.” genuinely incredible levels of sucking
Solarpunk started out as a concept of imagining a sustainable future without capitalism cooked up by Brazilian anarchists, to my understanding. (There's a whole timeline I found here if anyone wants to flip through it.) Something of a humanist/naturalist contrast from transhumanist and singularity/"rationalist" views of the future. And, of course, contrast from the gritty dark hypercorporate crapsack worlds of cyberpunk. A few novels were written, but overall the literary movement fizzled out because it turns out writing compelling stories in utopian settings with solely interpersonal conflict is pretty hard, actually.
From there the political aspect of it got picked up by climate doomerist types who pushed it as an antidote to the impending apocalypse. Alas, being fanatically worried about climate change seems to have fallen out of fashion since COVID for whatever reason. I believe a lot of these people have moved on to walkable urbanism and anti-AI movements.
And the aesthetic side of it started off with a particularly influential Tumblr post from 2014 that had quite a few neat ideas. All of those were sanded down over time into a vision of skyscrapers with moss and solar panels, coupled with some recycled cottagecore material and a bunch of Ghibli screencaps.
And then Chobani comes in and makes a yogurt commercial that's just futurist luxury automated cottagecore in a Ghibli aesthetic, complete with some vague handwaves at a spunky DIY attitude and a whole bunch of small-scale renewable electric generators. And from there the movement, whatever it was, merged with "Frutiger Aero" and completely fell apart into bland nothingness.
I suspect the Brazilian anarchist sci-fi writers who were hoping for some kind of cultural counterpart to thinking that Isaac Asimov's "The Last Question" was literally going to come true are rather disappointed in this turn of events.
It turns out that praxis leading to solarpunk future and solarpunk presence is million skills with million names and acquiring and practicing these skills don't look particularly like solarpunk aesthetic. It looks punk. But to give it a distinct visual language, both consistent and recognizable at a glance, you need to put a strictly aesthetic effort on top of everything else.
Praxis itself? It looks like disability activism. It looks like attending local town council meetings. It looks like diving into super specific debate on local law requirements on water-permeable surfaces percentage. It looks like keeping in contact with local priest to snoothly distribute furniture from well-off middle class finishing renovation to 18yo orphans ageing out of the system. It looks like negotating with local cultural activity center how to organise half-illegal craft workshops because paperwork for fully legal ones excludes the most neglected demographic. It looks like lobbying for health insurance to put "replacing batteries in the implant surgery" on the list of covered medical services, so people don't need to surgically replace whole implants. It looks like million other specific things.
People who got inspired by solarpunk tend to spend some time looking at art, then turn around, ask "okay but what can be done now that I can engage with" and then go do it. And then what they do stops looking like solarpunk aesthetic.
Of course there's also that thing that before Covid, lots of climate collapse containment issues were literally "we know that business-as-usual is cheapest short-term but can we focus on how it's killing us long-term". Covid era showed that business-as-usual is unsustainable now, mid-term and short-term and today and yesterday; and also that goverments can simply decide to act and it create tangible effects. Suddenly, it wasn't "solar would be better if your gas import was ever endangered", it's "we build all the solar for yesterday because we cannot afford keeping to gas". Creating inspiring narratives is optional when cost of business-as-usual is visible to naked eye. Lots of people who used to share inspiring pictures of solar on background of green hills either went to install solar and negotiate specifics of grid inclusion, or moved on to the next issue.
Central idea of solarpunk aesthetic was to give people tools to imagine sustainable future; to create visual and narrative shorthands allowing people to engage with vision of non-apocalyptic future.
Central idea of solarpunk philosophy is that apocalypse is anything but inevitable and the main challenge isn't lack of means and tools, but widespread cultural pessimism. You cannot change anything if you believe change is impossible. Therefore, for change to be possible, you need to envision the world that can be changed.
Basically, if solarpunk art convinced anyone that there is achievable alternative to doom, it have already succeeded.
You absolutely can merge in one all the issues ever discussed in context of exploring how sustainable climate-proofed non-capitalistic world can work and how it can be achieved, with the attempt to design a distinctive and consistent visual language for it.
And you absolutely can blame whichever aspect of that merged entity for the fact that detailed fact-based solutions are difficult to derive from visual language or using visual design tools.
You can! Totally! You're just going to sound silly.
EAT SPAGHETTI. FUCK UNTIL YOU DIE.
Psst hey champ,
Take these hash browns and go rizz up Sana with them, trust me.
(Context)
This is absolutely the funniest spam email I've ever gotten.
Reaaaaalllllllll smooth man
Bonus:
Hello! Thank you for this page 🧡
Tumblr search did not return any posts when I looked up Frank M. Snowden Jr's name on here but do tell me if I encountered a glitch and these two books were recommended before:
"Blacks in Antiquity: Ethiopians in the Greco-Roman experience"
"Before Color Prejudice: The Ancient View of Blacks"
He was a phenomenal African-American classicist and I don't see him mentioned around classical spaces on here remotely as much as I'd love to. I have read the first book and it was a fantastic experience, he's drawing from so many archeological examples! Haven't gotten to the second one yet but I have no doubt it will be great.
Bye, thank you for your time!
Thank you for sharing!! African American Classicist, boy I know he went through hell getting those degrees.
Harlem 1978 by René Burri
⚔️ 𝗡𝗲𝘄 𝗶𝘁𝗲𝗺! Musket of Insult and Injury Weapon (musket), very rare ___ This wide-mouthed musket releases an audible and maniacal laugh whenever it’s fired, in addition to the sound of the blast. This weapon uses 3d6 for its damage dice, instead of 1d12. When at least one of the weapon’s damage dice rolls a 6, the target takes an additional 1d6 psychic damage from the attack. When this happens, if the target is a creature and can understand at least one language, it must also make a DC 16 Charisma saving throw; the target automatically succeeds on this save if it has immunity to psychic damage. On a failed save, the next attack roll or ability check that creature makes before the end of its next turn is made with disadvantage. ___ ✨ Patrons get huge perks! Access this and hundreds of other item cards, art files, and compendium entries when you support The Griffon’s Saddlebag on Patreon for as little as $3 a month!
Apparently the new things I do when I'm tired and cranky:
Browse Pinterest to add things to my Pink Vampire board.
Create a matching Tumblr, because why not?
Shit, the way things are going, racial slurs, racist jokes, and the N word have become socially acceptable too. The bar, already in hell, has gone lower and still!
first batch of art fight attacks! working through these EXTREMELY slow cuz i’m also catching up on comms oops… also why are they all yuri-
the rest will probably be easy from now on… impostor syndrome got me bad sorry guys lol
characters belong to @larkasheanou @skyblob and @deltabyss