Sculpture Condition

[theories-of]

Lena Henke Robert Moses Mother Drives Through Wallis 2018, 2018 plaster, fiberglass, rubber, paint, 200 × 170 × 180 cm (each)

[theories-of]

Vera Mota

[theories-of]

Lorenz Ganthaler

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DAVE HARDY-RIVER-BED, 2019 Mousse polyurethane, verre, ciment, aluminium, peinture, colorant, baton de collec, crayon, pâte à modeler h 43,5 x w 39 x d 30,5 cm

[theories-of]

Henrique Oliveira Canapé 2015 Mixed media 180 x 115 x 130 cm

[theories-of]

JENNIFER CAUBET

[theories-of]

Jes Fan

[theories-of]

Jes Fan-Systems III, 2018

[theories-of]

Taichi Machida- Energy 2019  115x155x40mm

[theories-of]

Henrique Oliveira Untitled 2017 Tree barks, plywood, glue, cardboard 45 x 37 x 33 cm

[mentaltimetraveller]

Mark Manders Unfired Clay Head [Tête en argile crue], 2015-2016. Époxy peinte, bois

[mentaltimetraveller]

Marisa Merz, Senza titolo, 1976

Collezione Giancarlo e Danna Olgiati

[mentaltimetraveller]

Hans Josephsohn

Untitled, 2003

[mentaltimetraveller]

Ettore Spalletti, Colonna di colore, 1978 installation view at Nouveau Musée National de Monaco – Villa Paloma, Monaco, 2019

[mentaltimetraveller]

Willie Cole, Air Mask (Red, White and Blue), 1990, Assemblage with blowdryers, 18 x 24 x 12 in (45.7 x 61 x 30.5cm)

at Bortolami

[mentaltimetraveller]

Agata Ingarden, L’heure de chien (entre chien et loup), 2020, Oyster shells, painted steel, mosquito net, neon lights, electrical wiring, window blinds, 200 x 60 x 30 cm / 78.7 x 23.6 11.8 in

BORDERLINKING

High Art, Paris

February 29 – November 4, 2020

[mentaltimetraveller]

Jesper Just

Corporealités

Perrotin, New York, US

January 14 – February 15, 2020