Sitcom, Comedy, Parody, Adventure, Musical, FantasyA musical comedy adventure featuring a knight on a quest for love who helps a childish ki
All the episodes of Galavant are on the Internet Archive!

PR's Tumblrdome
Misplaced Lens Cap
Keni

Product Placement
Cosimo Galluzzi

No title available
Cosmic Funnies
TVSTRANGERTHINGS
untitled
$LAYYYTER
Game of Thrones Daily

izzy's playlists!
🩵 avery cochrane 🩵
tumblr dot com

blake kathryn
macklin celebrini has autism
will byers stan first human second
2025 on Tumblr: Trends That Defined the Year
I'd rather be in outer space 🛸

Kiana Khansmith
seen from Tunisia
seen from Brazil
seen from Brazil

seen from Ecuador
seen from Indonesia
seen from United States

seen from Philippines
seen from Spain

seen from United States

seen from Australia

seen from Serbia
seen from Philippines
seen from Bahrain

seen from TĂĽrkiye

seen from Philippines
seen from Spain
seen from United Kingdom
seen from Venezuela
seen from Malaysia
seen from Australia
@serendipity-song
Sitcom, Comedy, Parody, Adventure, Musical, FantasyA musical comedy adventure featuring a knight on a quest for love who helps a childish ki
All the episodes of Galavant are on the Internet Archive!
''what if you regret it'' then you will expirience regret - a normal and unavoidable part of the human expirience.
the more you twist yourself into a pretzel to avoid regret the harder it will hit when it eventually catches up to you.
life is so hard when you’re a very lazy girl by nature but you also want to do a lot of things in your one wild and precious life
next year james patterson is slapping his name on a book called "the secret lives of booksellers and librarians," which is real bold considering that every bookseller and librarian that i've met in my time as a bookseller and librarian absolutely loathes him. including me.
"rowan if you hate james patterson how come you know about a book of his that's coming out seven months from now?"
I Must Keep The Scope Of My Sniper Rifle Trained On The Beast At All Times
Okay, I feel the need to explain just why James Patterson is so hated by librarians.
See, it's not just that he writes mediocre, churned-out thrillers; there are many, many authors of mediocre, churned-out thrillers out there, he ain't special.
It's also not that he "writes" them with "coauthors" and slaps his name on them - again, this is not unique.
It's not even - though this is starting to get there- that he chases every publishing trend and creates His Version of everything from Diary of a Wimpy Kid to Nicholas Sparks, which nobody likes as well as they like his thrillers but still buy because they have His Name on them like a summoning charm.
No, what makes James Patterson uniquely loathed is the combination of the frequency of publication and his popularity. Because, to be honest, I'm not sure that anyone even likes his books anymore, but it doesn't matter, because if they have the James Patterson name on them then readers will be queuing up like zombies desperate for a fix of decaying cerebral matter. Which would be tolerable if he had the decency to only write one book a year like most other bestselling authors, but "James Patterson" (quotes VERY intentional) puts out roughly two books per month. So as a librarian, not only do you have to buy every new book James Patterson puts out, you have to buy multiple copies in order to fulfill demand. Somewhere around 5% of my fiction budget is spent ENTIRELY ON JAMES PATTERSON. Every new James Patterson that comes out means a dozen or more queer romances, inventive sci-fi novellas, unique cultural viewpoints, etc, etc that you can't buy because YOU HAVE TO BUY JAMES PATTERSON INSTEAD. (See also, you just weeded and shifted the Ps in fiction to make room and now it's full again oh god why.)
And the clincher - the absolute clincher - is the knowledge that the publishers will be "finding" "unfinished manuscripts" by "James Patterson" for a minimum of fifty years after his death, so even if some right-minded bibliophile with a claymore takes one for the team, we will never, ever be free.
And that is why we hate James Patterson.
I was wondering about this when i saw the first version of this post
PARKS AND RECREATION | 3.06
jeff goldblum is the type of guy who gets mistaken for gay because he’s jewish. nathan lane is the type of guy who gets mistaken for jewish because he’s gay. stanley tucci is the type of guy who gets mistaken for gay because he’s a mild-mannered italian, which is jewish. seth meyers gets mistaken for jewish because of everything about him. zachary levi gets mistaken for jewish because everyone wants him dead. tom cruise gets mistaken for gay because he is.
wow really good addition here
"You can say that [orangutans] are not dependent on social support and approval, and if you admire this in them, that an orang is irredeemably his own person, 'the most poetic of the apes', researcher Lynn Miles told me once in an unguarded moments. What she had in mind was the difference between orangs and chimps in the way they carry on their discourse with the world.
Chimps are much admired for their tool use and for their problem-solving relationship with things as they find them...the orang is, let us say, not so replete with enterprise. Give an orangutan the hexagonal peg and the several shapes of hole, and then hide behind the two-way mirror and watch how he engages with the problem.
And watch and watch and watch--because he does not engage with the problem. He uses the peg to scratch his back, has a look-see at his right wrist, makes a half-hearted and soon abandoned attempt to use his fur as a macramé project, stares dreamily out the window if there is one and at nothing in particular if not, and the sun begins to set. (The sun will also set if you are observing a chimp, but the chimp is more amusing, so you are less likely to mark the moment in your notes. An orang observer has plenty of time to be a student of the vanities of sunset.)
You watch, and the orang dreams...when casually and as if thinking of something else, the orang slips the hexagonal peg into the hexagonal hole. And continues staring off dreamily."
Vicki Hearne, "The Case of the Disobedient Orangutans"
Important tags from @sashayed
its honestly bananas to me that so many on this website seem to assume that someone's tumblr output is an accurate reflection of their real life priorities and activism and all of their beliefs in order of how hard they believe them. like. idk about you guys but i'm reblogging things that i want to reblog not keeping a minute by minute record of my deepest held beliefs. for one thing my deepest held beliefs are mostly not about star wars
its honestly bananas to me that so many on this website seem to assume that someone's tumblr output is an accurate reflection of their real life priorities and activism and all of their beliefs in order of how hard they believe them. like. idk about you guys but i'm reblogging things that i want to reblog not keeping a minute by minute record of my deepest held beliefs. for one thing my deepest held beliefs are mostly not about star wars
I don’t like this actually
This is depressing does anyone else find this depressing
I would actually make the argument that the heart of the problem here is not either about fans, as the article claims, or production companies being exploitative cowards, as some of the comments are claiming. The heart of the problem is the increasingly eroding privacy we are seeing in the modern age.
There's some people in the comments saying "fandoms have always been like this" and others saying "No, it's worse than it was." And both are to some extent right. Fans (or at least a small percentage of fans, and the larger a fanbase gets the larger a group this will describe) have always been Like That; but they did not always have the level of access to creators and actors that they have now.
The notion that a performer needs to be constantly available to public scrutiny, that their personal information should by default be available to any rando with google, is pretty new. It used to be that actors would only be expected to engage with the public on limited, specific, and controlled occasions, usually with security provided. Now they're being asked to rawdog exposure to the mob 24/7 on their own.
(Also, production companies have always always always been exploitative cowards, just to get that straight; reading the biographies of literally any actress from golden Hollywood years makes that clear. It's just, again, more public now.)
There has also been a negative feedback loop as fandoms come to realize that the constant access they have to creatives increases their leverage and power. It did not use to be the case that this was so; fandoms pre-internet largely worked under the assumption that they didn't really have any meaningful way to contact or influence the publication houses. Even if they sent a letter or a campaign of letters, they wouldn't even know whether the letters were being received or read unless the publishing house chose to respond. So, without that expectation of access, the drama usually stayed internal. Nowadays, with constant immediate feedback from creators and publishers, fans are ever more incentivized to act out to try to push an agenda, get attention, or just vent whatever is going on in their lives onto a face contractually obliged to be friendly to them.
KIKI'S DELIVERY SERVICE (1989)
A HANDY CHART FOR THOSE OF YOU WONDERING WHAT THE FUCK IS UP WITH THESE. NOTE THAT THESE ARE ALL THE INFORMAL AND YOU IS THE FORMAL SO LIKE YOU WOULD ALWAYS ADDRESS YOUR SUPERIOR/ OLDER PERSON/ SOCIAL BETTER WITH YOU BUT WITH YOUR BUDS YOU CAN USE THESE.Â
I’m not sure I knew the thy/thine distinction. Thanks for this!