Too young, to be this old

(icon from kero.kero_ink (Instagram) and background mood board by Ema--Walker) You can use any pronouns idc, and, i am a Fangirl, a Femenist, a Demigod, a Warrior, a SlytherinHearth-Potterhead, a Divergent, a Volunteer, a Crazy bitch... This kind of a writeblr? i guess...

[life-in-a-monospace-typeface]

The Shibari Game

At a conference/festival last year, there was a Shibari workshop on the schedule for some reason, although the topic of the event was prediction markets. This led to the following exchange (all names changed):

Adam (who at the time was basically a stranger to me): Hmm, "Shibari"... What is that, some kind of Jewish ritual?

Me: No, it's-

Barbara: EVERYONE SHUT UP! Ok. Nobody tell this man what shibari is.

Everyone: ...?

Barbara: We’re playing 20 questions.

Thus began what was by far the best game of 20 questions I have ever witnessed. There were... appreciably more than 20 questions.

[literally ten minutes of questions later]

Adam: Ok, so! Shibari... is a Japanese social export, it's an activity somebody does, it's in some way artistic, it does not involve drawing, it does not involve writing, it involves an inorganic object and an organic object, and... the organic object is a human, right?

Everyone: Right

Adam: And the inorganic object...

Barbara: Well...

Chris: The inanimate object

Adam: The inanimate object, which, oh, which is organic, which suggests that it's clothes... Is the inanimate object clothing?

Everyone: No

Me: To clarify, the inanimate object is always organic in terms of 'organic chemistry', but might or might not be, like, made from biological material

Adam: Ok. And so, you have an inanimate object, and you have a person... The person does not have to do anything during the... shibari activity. You are doing a manipulation to the inanimate object, with the person, for purposes that are fun... Is it for the entertainment of a group?

Barbara: Could be? ...

Adam: So it could be for the entertainment of a group, but it could be for the entertainment of the individuals?

Everyone: Right

Adam: Ok. The inanimate object - the equipment - right? It is not specialised, but is a common object, correct?

Everyone: yeah

AI

Adam: Does it have anything at all to do with AI?

Everyone: [laughter] No

Adam: I had to check. In this setting, everything turns back to AI at some point

Me: I would say no

Frank: Not yet!

Me: Right, not yet. But yeah, 'No' is definitely the answer to that one

George: I trust Rob Miles on this

Barbara: As an expert in shibari?

Frank: As an expert in AI Shibari. I think that's what it's called.

Chris: Oh, yeah it kind of is!

Can one shibari by accident?

Adam: Ok. Is it something that one might do without knowing that it is shibari?

Everyone: [cacophony of disagreement]

Me: Interesting question!

Frank: Very interesting question.

Barbara: It's totally plausible that someone would do something that would qualify as shibari without knowing the Japanese artform

Me: Yeah, and they might also have seen things about it but not know the name of it

Chatting during shibari

Adam: Does it involve talking?

Everyone: No, not necessarily

Adam: God Dammit. Agh, I thought it might be... talking using some prop or something

Barbara: For me it always involves talking, but it's...

Adam: One doesn't have to?

Barbara: It's just 'cause I don't stop talking

[laughter]

Adam: And it doesn't involve betting markets in any way?

Everyone: No

How technologically advanced is shibari equipment?

Adam: Ok. Is the object technologically difficult to make?

Everyone: No

One guy: Yes

Everyone: What? No it isn't!

Adam: Is it only available in an industrialised economy?

Everyone: No

That one guy again: Yes!

Everyone: NO!!!

The guy: No, you're right, I'm sorry... But it is difficult to make

George: Every object is difficult to make!

Barbara: Maybe you're confused about what shibari is

Ed: Yeah, you should be up there with Adam

Adam: Would it have been available before industrialisation?

Everyone: Yes!

Adam: Ok. Um... is it a stick?

Everyone: It's not a stick

No cheap tricks allowed

Adam: I feel like I'm gonna get close to covering everything...

Me: I feel like we were very close just now, when you were like "Well what could this object be?"

Adam: Ok so the object is important. It's... before industrialisation... Does it begin with a letter before-

Everyone: No, no, we're not doing that. N/A

Adam: Ok so it starts with an N and an A...

[laughter]

What is this dang object?

Adam: Ok... so... is the object artificially pigmented?

Everyone: Can be, but not necessarily

Adam: Is it commonly painted?

Everyone: No

Adam: Is it commonly dyed?

Everyone: Yes

Adam: Ok, is it something that it's very common to dye in other purposes?

Everyone: Yeah

Adam: Does it involve a vegetable, of some kind?

Everyone: ...No?

Adam: Does it involve a plant?

Everyone: [confusion about what 'involve' means]

George: The object can have... some relation to a plant

Me: eehhh, that's more confusing than helpful. We already said that it can be biologically derived

Adam: But it would have been available before industrialisation?

Everyone: Yeah

Adam: So it's got to be something that is... around. Is it something that requires human modification to make into the form we know and love?

Everyone: Yes

Adam: Uh.. does this processing require specialised skill?

Everyone: Yeah, some skill for sure

Adam: Would I be able to do it? Like, without training?

Everyone: Probably not

Ed: On a long enough time horizon you'd figure it out, but the answer is basically no

Adam: Like, you throw me in with the tools to make it and say "come out in an hour", could I...

Everyone: No, probably not

Adam: But other people would be able to make it in an hour?

Everyone: Yeah, with the right skills

It’s not a weapon

Adam: Does it involve a weapon of any kind?

Everyone: No.

George: How creative are you allowed to-

Everyone: The answer's no

What shape is the object?

[long pause]

Adam: Well... does anyone else have any questions?

Barbara: You're asking such good questions though!

Ed: Yeah you're doing a good job

Danielle: I think you should ask more questions about the shape of the object

Everyone: Oh, great suggestion

Adam: Ok, is it spherical?

Everyone: No

Adam: Is it cylindrical?

Everyone: Yyeeaahh, sort of, yeah.

Adam: So it's not a pure cylinder but it's cylindrical-ish?

Everyone: Yeah

Adam: Is it an ovaloid?

Everyone: No.

Adam: Is it an ellipsoid?

Everyone: No

Adam: Is it uh... hmm... But it's longer than it is wide?

Everyone: Yes!!!

[scattered applause, we're close now]

Adam: Is it a plank of wood?

Everyone: No!!!

Barbara: It still isn't that!

Frank: No, his previous guess was stick

Adam: Yeah, a plank of wood requires processing and I couldn't make it... like it fits a lot of the other questions

Barbara: No you're right, that's fair, I'm convinced. It is a plank of wood.

Where is the object?

Adam: Could I find it inside a building or outside a building?

Everyone: Yes...

Adam: Wait. I mean. Ok, can you find it in a bathroom?

Everyone: Not really

Adam: Can you find it in a kitchen?

Everyone: Probably not

Adam: Can you find it lying on the ground?

Everyone: Yeah possibly

Adam: Is it something that people commonly use?

Everyone: Yeah

Adam: Is it something that people would pick up if they saw it lying there?

Everyone: Nah

It’s really not a weapon

Adam: Is it something that is dangerous at all?

Everyone: Can be, but not especially

Adam: Is any part of it sharp?

Everyone: No

Adam: Can any part of it fragment?

Everyone: [???]

Adam: Like, is it brittle?

Everyone: No

Adam: So it's firm?

Everyone: No

Adam: Is it flexible?

Everyone: Yes!!

Adam: Ok! Is it a pool noodle?

Everyone: [laughter]

Adam: Which is cylindrical, flexible, and organic, dyed but not painted...

Everyone: No, we're so proud of you, you're doing great

Me: But we did say "pre-industrial"

Pinning down the object

Adam: Ok ok. Is it a solid?

Everyone: Yes

Adam: Is it any of the solid hybrids, like a colloid or a gel?

Everyone: No

Adam: Does it retain its shape after being bent?

Everyone: Uh... yes?

Adam: So it doesn't spring back with any force?

Everyone: No, it doesn't spring back

Adam: Ok... so... Is it Japanese in origin, or is it found around the world?

Everyone: [assorted contradictory statements]

Me: The origin of the practice is Japan, but the origin of the object is all over

Adam: Is the object put on a person?

Everyone: Yes!

Adam: Is the object... um... is the object rope?

Everyone: YES!!

[scattered applause]

Me: The object is rope!

Adam: Ok!

Me: Now bring it home

Bringing it home?

Adam: Are things hung upon the rope?

Everyone: Uuuuummmmmm. Ambiguous? No.

Adam: Is the rope itself... does the rope look good?

Everyone: Yes!

Adam: Ok! Is this putting-on... a mark of esteem?

Everyone: No?? ???

[laughter]

Adam: So the object is a rope, and you're putting the rope on somebody

Everyone: Yes!

Adam: You're... putting rope on somebody!

Everyone: Yeah!

Adam: Is that... is that not the practice?

Everyone: No, no, it is, it is!

[confused cheering. Are we done?]

We’re not done

Chris: But, no, come on, there's more to it!

Ed: You're missing something critical!

Chris: You're so close!

Adam: Ok. Do you... hang someone?

Everyone: [strongly conflicting opinions]

Barbara: Only if you're doing it extremely wrong

Adam: Ok. But you can tie knots?

Everyone: YES!

Adam: Ok! Do you tie... is it a bracelet of some-

Everyone: No!

Adam: So it's not an adornment of any kind...

Everyone: Well...

Where on the body?

Adam: Is it put on your neck?

Chris: No

Danielle: Well, can be...

Adam: On your head?

Everyone: Can be

Adam: On a limb?

Everyone: Yeah

Adam: It's on a limb

Me: Not exclusively

Adam: On an arm?

Everyone: Can be

Adam: On a leg?

Everyone: Can be

Adam: On... uh... I've run out of limbs...

What does it mean?

Adam: Ok, it's rope, you put it on somebody, it's Japanese in origin... does it... signify something?

Everyone: Not really

Adam: Hmm. Do you tie the rope in a loop?

Everyone: ...Yeah??

Adam: I'm wondering, is it the casting of ropes upon people, like uh...

Chris: It's not a lasso, no

Frank: I like the idea of shibari as, like, a carnival game...

Barbara: I'm unclear on what the win condition is here...

Ed: I feel like there is a really important component that we haven't got yet

Everyone: Yeah, when he gets that component, he’s won

Are people into shibari?

Adam: Hmm... Did you find yourself fired by enthusiasm to do it upon being told about it?

Several people: Yes

Me: Personally no, but...

[laughter]

Adam: So it has mixed appeal?

Barbara: That is absolutely correct

Can one shibari... too hard?

Adam: Is it um, does it involve the tying of knots?

Everyone: YES

Adam: Ok. Are there knots that are peculiar to shibari?

Everyone: yeah

Adam: Is the learning of knots, or the tying of knots upon other people the important part?

Everyone: Uh... yes?

Adam: Do you tie someone up and they attempt to escape?

Everyone: Uh, not necessarily, but like, often.

Me: Yes is closer than no, I think

Adam: Ok, you tie rope on someone. Do you have to use some sort of special rope for it? Can you use any rope?

Barbara: You can use any rope, but some are better than others

Adam: So you wouldn't want to use any rough ropes, or...

Danielle: No, you do, that's actually preferred

Adam: You prefer rough ropes?

Chris: Some do

Frank: It depends

Danielle: Natural fibers tend to be rougher

Adam: Does it chafe?

Danielle: It can, but ideally not

Adam: Would you do it even if you were injured in the process of doing it?

Frank: No

Barbara: You would not want that to happen generally

Adam: Uh... Does it look cool?

Everyone: Yes!!

Origami?

Adam: So you're tying knots that look cool... is it like an origami for knots?

Everyone: [confused disagreement]

Ed: It's not about the knots

Chris: It's totally about the knots!

Frank: It's all about the cones...

Adam: Like, in origami you fold paper in ways that look cool, maybe you tie knots in ways that look cool?

Everyone: [loud disagreement]

Diagnosing the problem

[long long pause]

Chris: Ask the question in your heart!

Adam: ...Neckties?

Everyone: No?

Barbara: I keep thinking "But, he already has it", and then he asks a question that makes me say "No, he doesn't have it at all"

Frank: I think there's a question you want to ask, but you're not...

Everyone: Yeah

Chris: Yeah, ask the question that you don't want to ask

Danielle: I don't think he has the question...

Adam: Would it cause any gratification in someone?

Everyone: Yes!

Adam: Would it... Would it cause sexual gratification?

Everyone: Yes!!

Adam: Is it a practice... under the category of kink?

Everyone: Yes!!!

Adam: Is it tying somebody up for bondage purposes?

Everyone: YEAH!!! [Pandemonium, hollering, applause, Adam is lifted above the cheering crowd]

After the hearty congratulations were done, I wandered off, elated from the experience, and I bumped into a group of friends.

"Friends!" I said, "I just had the funniest experience. This guy didn't know what 'shibari' was, so we-"

"Shibari?" a friend interjected, "What is that, like, a Jewish building?"

"OK EVERYONE SHUT UP" I said.

[seventypercentvodka]

I have had the coffee thing pinned at the top of my dash for years but you have just won. This post is getting pinned! You're figuratively on my fridge in a place of honor. Honor like Zuko lmao

[seventypercentvodka]

Live blogging teen wolf s1

Yeah sure why not let's go find a cadaver in the woods just small town things ig??

Bad moment to be a bro but ok ig leave your homie behind we wouldn't want something bad to happen to him like get grounded right?

This dude is killing it on the most random sport ever so cool

Stiles literally clocked everything in 5 seconds flat damn

Allison's stuff is cute but honestly idk she should have ditched him after the party but they really cute together

Derek is Soo fineee had forgotten all about that

The hunters have a banger entrance not gonna lie

Derek you are so weird omg I love you but still

[backfliips]

A lot of people on twitter wanted me to explain how I draw expressions, so here you go

Unless you're drawing explicit realism, in my opinion, expressions should be exaggerated to some degree. If you aren't doing a 1:1 recreation, the point is to get the FEELING across. Try making the expression you want to draw and feeling how your face pinches and stretches.

Skin doesn't just "disappear" when your face moves it around --- that's where wrinkles come from! Pay attention to where your skin creases when you emote, and use it to your benefit. It's a fine line between overdoing it and underdoing it -- find your own balance.

Ultimately, every expression has a little bit of push and pull, unless your face is completely neutral (and even then, there are still some wrinkles...). Learning to think of expressions as actions and reactions is VERY helpful in learning to draw them without needing a reference, and in learning how to stylize and push expressions based on references as well!

I think a lot of people end up with stiff or unexpressive emotions in their art because they're just trying to recreate a picture instead of understanding WHY and HOW the face is moving --- and it's a tough thing that takes a while to really pick up and learn. Hopefully is helpful in showing a way of thinking about it that can influence your process and approach to emotions!!!

Also, bonus: even without the lines, the planes alone still show a LOT of emotion.

[twiststreet]

She got the idea for the study while walking with her advisor at Stanford to discuss her thesis topic, and the paper she eventually published in the Journal of Experimental Psychology in 2014 is sharp enough that it should have ended the seated meeting on the day it came out.

She ran 4 experiments on 176 people. Same person tested twice. Once sitting, once walking. The creativity tasks were the standard ones psychologists have used for decades to measure how good a brain is at generating novel useful ideas.

81% of participants in the first experiment produced more creative ideas while walking than while sitting. In the second experiment, 88%. In the third, 100%. Every single person walked into a more creative version of themselves. On average, people generated 60% more novel useful ideas the moment their legs started moving.

The skeptical question is the obvious one. Maybe it was the fresh air. Maybe it was the scenery passing by. Maybe it was the change of environment doing the work, not the walking itself.

Oppezzo killed every one of those explanations with one experimental decision. She put people on a treadmill facing a blank wall. No scenery. No fresh air. No environmental change. Just legs moving in place while staring at white drywall. The 60% boost held.

Then she ran the experiment that closed the case completely. She took participants outside in two conditions. Half of them walked through a Stanford courtyard. The other half were pushed through the exact same courtyard in a wheelchair. Same outdoor stimulation. Same scenery passing at the same speed. The only difference was whether the legs were moving.

The walkers produced dramatically more novel high-quality ideas than the wheelchair group. The outdoors did almost nothing on its own. The walking did everything.

She also tested the opposite kind of thinking. Convergent thinking. The kind where there is one right answer and you have to narrow down to it. Word puzzles where 3 words share a hidden fourth word that connects them. The seated participants did slightly better on these. Walkers got slightly worse.

Walking is not a general intelligence enhancer. It does one specific thing. It opens up the divergent search inside your brain. The part that generates options. The part that produces unexpected connections. The part that takes a problem and finds five ways into it instead of one.

When you need to converge on the single right answer, sit down. When you need to find the answer in the first place, get up.

The mechanism is now well understood. Walking selectively activates what neuroscientists call the default mode network, the system inside your brain that runs when you are not consciously focused on anything. The DMN is where mind-wandering happens. Where memories cross-reference each other. Where ideas that have been sitting in separate folders inside your head finally bump into each other.

When you sit at a desk and force yourself to concentrate, you suppress the DMN. When you walk at a natural pace, the executive part of your brain gets just busy enough handling the walking that the DMN comes online and starts doing the work that focus was blocking.

The most useful finding in the entire paper is the one almost nobody quotes. The boost did not turn off the moment people stopped walking. Participants who walked first and then sat back down stayed elevated. Their next round of seated creativity work was still significantly better than people who had been sitting the whole time. The rest lingered for at least several minutes after the legs stopped moving.

You do not need to do creative work while walking. You need to walk before the creative work. The brain holds the state.

Edited down a long tweet. (x)

[laughoutloud-club]

[purr-in-ink]

The sound of meowing 🐾

Monsieur LeFlouf is almost saying goodbye. 👈 🐾

[ihavenoconsistentinterests]

genuinely SO sick of that thing in media where a character doesn't want to have sex and it's treated like some kind of barrier to be overcome or problem to be fixed. Reading a book that treats it somewhat like that right now, and it genuinely made me question myself for a second, what the fuck. This is truly the first time I have ever had a thought along the lines of "what if my asexuality means I'm broken", and that was awful. Horrid. Fuck this.

[parkchanwoohoo]

[femmepathy]

The mile-long rainbow flag being carried down First Avenue in New York City.

[arcaneasexual]

“For New York City Pride in 1994 (Stonewall 25), Baker created a mile-long rainbow flag that was carried down First Avenue in Manhattan. During the parade, Baker used scissors to cut segments from the flag to be rushed to Fifth Avenue for an impromptu protest march in front of St. Patrick’s Cathedral, the headquarters of New York City’s anti-gay Catholic archdiocese.

^“At the bottom of the image is the segment of the flag cut for the St. Patrick’s Cathedral protest. Photograph by Mick Hicks”

“Gilbert Baker wearing a white sequined dress (right) and other protestors triumphantly march the cut pieces of the mile-long flag past St. Patrick’s Cathedral. Photograph by Charles Beal”

[pusong-mangga]

[animals-with-fan-art]

This counts as fan art

[subaru-copilot]

it gets to a point that is just weirder if they didn't fuck

[subaru-copilot]

you did all this and it was not even because you wanted to bang him? weirdo

[distinguishedbaloney]

[eilooxara]

Non cooking spray stick

[eilooxara]

Non spray stick cooking

[that-house]

Non cooking stick spray

[dionysiaproductions]

[striders]

[gvaine]

4.10, "A Herald of the New Age"

[stealingpotatoes]

reason 1 million why i love zukka: how extra insane it makes hakoda's family tree

(links // tip jar!)

[starfleetofficial]

Something I enjoy about Martha Wells writing and the Murderbot books is how often she plays with the way very close 1st Person narration blinds you the physical reality of the character. Murderbot just spent three pages telling me about its very level headed ideas and then it cuts to and anyway the whole time I've been thinking about that I've been silently curled up on the floor like a dog while everyone politely waited for me to be done.