A Chaotic Writer

WIPs: Well Legend Has It, Tyrants, The Golden Girl, Plummit, To Rise I Fall, The Wildwood Institute, Mellon Woods, Scrap Water, Flagburner, Jade & Jetsam, and Hog Hunt Hare. Feel free to shoot me asks! my askbox is always open! Any pronouns, sideblog to @mobbothetrue Icon by ThatDragonAdara

[corvidprompts]

The fae smiled, sharply: “Give me your name, child.”

“Uhhhhh. Stick.”

“What.”

“Does Leaf work better? I’m just kinda looking around this clearing. Look, I’m trans, I haven’t decided on one yet, I’m throwing some spaghetti at the wall, you know how it is.”

[shadeshadow234]

Fae are born with features sharp and narrow, yet this one seems to soften as Moss looks at it. Its grin— sharp, teeth gleaming, its eyes— cutting, searching, the jut and pull of its jaw enough to scratch glass. It does not blink. Branch does not blink. It softens.

“I said, give me your name, child.”

“I still haven’t picked one,” Grass defends, even now still hoping for a way out of a faeries deal.

“No. But your parents did. Give me your name, child, and it shall no longer be yours. The entity of your name shall no longer exist, and you will be free for whichever name you choose— Leaf, or Stick, or Lichen.”

“...oh.” says Petal, and in the next moment a name falls from their lips. It is not their name. It never has been. The fae is sharp and cutting and witty, that moment of softness an imagined slight.

“Very well, child. Be warned of mushroom circles, should you lose your name again.”

“Okay,” Mushroom smiles, and the Fae pulls itself away from their reality in a swirl of feathers and silk.

When they go home for the first time in two months, their mother frets over them in a way she had not since they were a child, and she calls them by no name at all.

[bruciemilf]

Did I daydream this, or was there a website for writers with like. A ridiculous quantity of descriptive aid. Like I remember clicking on " inside a cinema " or something like that. Then, BAM. Here's a list of smell and sounds. I can't remember it for the life of me, but if someone else can, help a bitch out <3

[bruciemilf]

I FOUND IT BITCHES

[dramono]

This is going to save me so much trouble in the future.

[pangur-and-grim]

BY THE WAY, if you're an aspiring writer, there's a great opportunity right now to get your work critiqued!

the Literary Auction for Change is a charity event raising money to help underrepresented groups enter the world of publishing. specifically, they're offering fellowships and mentorship programs to marginalized people seeking to become literary agents (because how you can expect diversity in books if there's no diversity among agents?)

you can browse through the various packages on auction, and probably find something that would give you a boost. query letter critiques, manuscript critiques, videos calls with various agents, and also signed books, if you're more of a reader. take a look!

[pangur-and-grim]

Queer Books and Authors are at a Breaking Point

Authors, agents, publishers: every part of the industry is seeing the strain of five years of escalating anti-LGBTQ censorship.

[pangur-and-grim]

if you'd like to show support, here are some upcoming queer books:

When Life Gives You Corpses is a brilliant YA about a cursed praying mantis who falls for a young witch. Yield Under Great Persuasion is a raunchy, but surprisingly sweet story about two men repairing their relationship. Fabulous Bodies is a horror story about a queer rockstar rising from the dead.

This is Where the Future Bleeds is a fantasy set in a vividly imagined land, where two women (who happen to kiss) are the key to healing the broken sky. You're No Better is a story about a teen struggling in the shadow of his murderous parent. Oil on Canvas is about a woman who finds disturbing paintings in the home of her dead mother.

and then here's a list of 26 queer books by Black authors set to publish this year, and a 10 upcoming books by trans authors. if you want to fight back against queer censorship, use your wallet! or (if that's not an option) you can contact your local library and ask them to stock a copy.

[penelopepennington]

In addition: looking for indie publishers and queer bookshops is a great way to find and support queer authors and stories of so many infinite varieties! (The following suggestions are based on my UK-centric knowledge)

(Some) Queer Presses:

Lurid Editions are "a publishing project committed to intentional and conscientious acts of archival repair". They are "attentive to how marginalised histories are forgotten and remembered, [and] hungry to rediscover overlooked queer books". They've just received funding from Arts Council England to engage queer readers in a project to contribute to the archive!

Cipher Press "We’re really keen on the idea that queer and minority stories are for everybody, and we want to make our books – and the stories they tell - accessible to all" (what an amazing mission statement!)

Anamot Press "Anamot [Անամոթ] means shameless in Armenian. ⁣⁣Anamot Press publishes poetry and prose on intersecting experiences of gender, sexuality, race, migration, class, belonging and loss - with no shame."

(Some) Queer Bookshops

Queer Lit Oh man, I remember when this was just a tiny little shop, and now they're the biggest LGBT+ bookshop in Europe! They do amazing work in donating books about being trans to schools and parliament! They have a pay-it-forward board that will make you sob with its notes of love and support. (You can tell I wish I still lived nearby)

Lighthouse For Scottish friends - "a queer-owned and woman led independent community bookshop. We are an unapologetically activist, intersectional, feminist, antiracist, lgbtq+ community space"

Gay's The Word The OG Queer bookshop in the UK. One day I will make my pilgrimage!!

This really is just a tiny snapshot of all the amazing work of celebration and resistance that's being done for Queer literature at the moment. We live in frightening times, but I promise there is still lots of love and joy and hope out there in spaces like these. Support them in whatever way you can!!

[pangur-and-grim]

@creekfiend was very kind in sharing some writing resources with me, and I thought I'd pass along the kindness by listing them down below.

N.K. Jemisin's article 'Describing characters of color in writing'

Mary Anne Mohanraj's article on approaching characters of colour

Renee Harleston's article How to 'Write Characters of Color Without Using Stereotypes'

Working with Colour, a resource site for writers

the book Writing the Other by by Nisi Shawl and Cynthia Ward, which had a description that cut deep, because I've definitely fallen into this trap out of fear:

and then a video recommended by @sheprd (thank you!) about pitfalls in descriptive language

if anyone else has more resources to add, feel free to reblog with them! this is something I want to learn more about.

[pangur-and-grim]

I was talking yesterday about how I should probably change the skin colour of a character in a not-yet-written book, because that character is a large, aggressive dragon-shifter and I was worried about her being read with unintentional and offensive subtext.

I haven't gotten my hands on Writing the Other yet (it's still in the mail!) but from reading my way through these articles and watching the Princess Weekes video, I now understand that 'white-ifying' a character you're worried about is a lazy and cowardly solution. so, if I do ever finish the book Eres loses Everything, I'll keep her as is, do my best to be thoughtful, and hire a sensitivity reader to pick out any blind spots.

thank you to everyone who passed on resources, I really appreciate it!

[pangur-and-grim]

here are a few more resources I've found, if anyone’s interested:

Writing Diversely FAQ

Writing With Colour blog

A conversation between many writers on writing diverse characters

Four Tips to Help You Incorporate Diversity and Inclusion in Your Writing

A Medium Article: "Yes, You Should Be Afraid to Write “Diverse” Characters"

[thewriteadviceforwriters]

✨ HOW TO ACTUALLY START A BOOK

(no ✨vibes✨, just structure, stakes, and first-sentence sweat)

hello writer friends 💌 so you opened a doc. you sat down. you cracked your knuckles. maybe you even made a playlist or moodboard. and then… you stared at the blinking cursor like it personally insulted your entire bloodline.

here’s your intervention. this post is for when you want to write chapter one, but all you have is aesthetic, maybe a plot bunny, maybe a world idea, maybe nothing at all. here’s how to actually start a book, from structure to sentence one.

—

🌶️ STEP 1: THE SPICE BASE ~ “WHAT’S CHANGING?”

start with this question:

what changes in the protagonist’s life in the first 5–10 pages?

doesn’t have to be earth-shattering. they could get a letter, lose a job, run late, break a rule, wake up hungover in the wrong house. what matters is disruption. the opening of your book should mark a shift. if their day starts normal, it shouldn’t end that way.

🏁 opening chapters are about motion. forward movement. tension. momentum. if nothing is changing, your story isn’t starting, you’re just doing a prequel.

—

⚙️ STEP 2: THE CRUNCHY BITS - CHOOSE AN ENTRY POINT

there are 3 classic places to start a novel. each one works if you’re intentional:

The Day Everything Changes most popular. you drop us in right before or during the inciting incident. clean, fast, efficient.

pro: immediate stakes con: harder to sneak in worldbuilding or character grounding

The Calm Before the Storm starts slightly earlier. show the character’s “normal” life, then break it. useful if the change won’t make sense without context.

pro: space to introduce your character’s routine/flaws con: risky if it drags or feels like setup

The Aftermath drop us in after the big event and fill in gaps as we go. works well for thrillers, mysteries, or emotionally heavy plots.

pro: instant drama con: requires precision to avoid confusion

📝 pick one. commit. don’t blend them or you’ll write three intros at once and cry.

—

🧠 STEP 3: CHARACTER FIRST, ALWAYS

readers don’t care about your setting, your magic system, or your cool mafia politics unless they’re anchored in someone.

in the first scene, we need to know:

what this person wants

what’s bothering them (externally or internally)

one trait they lead with (bold, anxious, calculating, naive, etc.)

that’s it. just one want, one tension, one vibe. no bios. no monologues. no “they weren’t like other girls” essays. put them in a situation and show how they act.

—

⛓️ STEP 4: OPEN WITH FRICTION

first scenes should create questions, not answer them.

there should be tension between:

what the character wants vs. what they’re getting

what’s happening vs. what they expected

what’s being said vs. what’s being felt

you don’t need a gunshot or a car crash (unless you want one). you need conflict. tension = momentum = readers keep reading.

—

✏️ STEP 5: WRITE THE FIRST SENTENCE - THEN IGNORE IT

okay. now you write it.

no pressure. you’re not tattooing it on your soul. this isn’t the final line on the final page. you just need something.

tricks that work:

start in the middle of an action

start with a contradiction

start with something unexpected, funny, or sharp

start with a small lie or a weird detail

💬 examples:

“The body was exactly where she’d left it - rude.” “He was already two hours late to his own kidnapping.” “There was blood on the welcome mat. Again.” “They said don’t open the door. She opened it anyway.”

once you’ve got it? keep going. don’t revise yet. don’t edit. just build momentum.

you can come back and make it ✨iconic✨ later.

—

📦 BONUS: WHAT NOT TO DO IN YOUR OPENING

don’t start with a dream

don’t info-dump lore in paragraph one

don’t give me three pages of your OC making toast

don’t try to sound like a Victorian cryptid unless it’s on purpose

don’t introduce 7 named characters in one scene

don’t start with a quote unless you are 800% sure it slaps

be weird. be sharp. be specific. aim for interest, not perfection.

—

🏁 TL;DR (but make it ✨useful✨)

something in your MC’s life should change immediately

pick a structural entry point and stick to it

give us a person, not a setting

friction = good

first lines are disposable, just make them interesting

and if you needed a sign to just start the damn book, this is it.

💌 love, -rin t.

P.S. I made a free mini eBook about the 5 biggest mistakes writers make in the first 10 pages 👀 you can grab it here for FREE:

5 Opening Pages Mistakes to Stop Making — A Mini eBook for Fiction Writers

✦ A free (and actually helpful) guide to leveling up your first 10 pages ✦If you're unsure whether your opening is ✨doing enough✨ to hook re

[eternally-conflicted]

My mother makes and sells beautiful handfelted woolen animals, but AI-generated listings have clogged Etsy’s feed and destroyed her business. For the first time approaching the holidays she has zero orders.

Please take a look if you need a gift idea. They are truly extraordinary pieces.

The BramblyWoods

[bowelfly]

new ally acquired

[walmart-the-official]

Hey, don’t cry. Free online database of Japanese folk lore

[bleu-guacamole]

Might I add, free database of mostly European folklore and myths

[walmart-the-official]

:0

Thank you!

[rederiswrites]

There used to be a lot of activities that took place around a populated area like a village or town, which you would encounter before you reached the town itself. Most of those crafts have either been eliminated in the developed world or now take place out of view on private land, and so modern authors don't think of them when creating fantasy worlds or writing historical fiction. I think that sprinkling those in could both enrich the worlds you're writing in and, potentially, add useful plot devices.

For example, your travelers might know that they're near civilization when they start finding trees in the woods that have been tapped, for pitch or for sap. They might find a forester's trap line and trace it back to his hut to get medical care. Maybe they retrace the passage of a peasant and his pig out hunting for truffles. If they're coming along a coast, maybe your travelers come across the pools where sea water is dried down to salt, or the furnaces where bog iron ore is smelted.

Maybe they see a column of smoke and follow it to the house-sized kilns of a potter's yard where men work making bricks or roof tiles. From miles away they could smell the unmistakeable odor of pine sap being rendered down into pitch, and follow that to a village. Or they hear the flute playing of a shepherd boy whiling away the hours in the high pasture.

They could find the clearing where the charcoal burners recently broke down an earth kiln, and follow the hoof prints and drag marks of their horse and sledge as they hauled the charcoal back to civilization. Or follow the sound of metal on stone to a quarry or gravel pit. Maybe they know they're nearly to town when they come across a clay bank with signs of recent clay gathering.

Of course around every town and city there will be farms, more densely packed the closer you are. But don't just think of fields of grains or vegetables. Think of managed woodlands, like maybe trees coppiced-- cut and then regrown--to customize the shape or size of the branches. Cows being grazed in a communal green. Waiting as a huge flock of ducks is driven across the road. Orchards in bloom.

If they're approaching by road, there will be things best done out of town. The threshing floor where grain is beaten with flails or run through crushing wheels to separate the grain from its casing, and then winnowed, using the wind to carry away the chaff. Laundresses working in the river, their linens bleaching on the grass at the drying yard. The stench of the tanners, barred from town for stinking so badly. The rushing wheel-race and great creaking wheel of the flour mill.

If it's a larger town, there might be a livestock market outside the gates, with goats milling in woven willow pens or chickens in wooden cages. Or a line of horses for the wealthier buyer or your desperate travelers. There might be a red light district, escaping the regulations of the city proper, or plain old slums. More industrial yards, like the yards where fabric is dyed (these might also smell quite bad, like rotting plant material, or urine).

There are so many things that preindustrial people did and would find familiar that we just don't know about now. So much of life was lived out in the open for anyone to see. Make your world busy and loud and colorful!

[ahedderick]

This is a big reason that I have always loved the Brother Cadfael novels, set in the mid 1100s. Written by Ellis Peters, each book has such a vivid sense of the place and the time period. Many different settings around Shrewsbury are described, along with the people and their various jobs.

[toooldfortumbling]

I love that kind of world building and would add that many resources were tightly regulated that we don't consider nowadays. Examples are the right to herd your pigs in an oak forest belonging to a specific monastery (saw an example where an altar piece had a carved pig to make sure the claim was known and advertised) or down to which farmers had the right to tree leaves in the fall (shortage of other animal bedding in certain Swiss valleys). The idea of a wilderness in a medieval setting is not what we think.

[rederiswrites]

Great points! Thank you.

[batbetbitbotbut]

Forever recommending A Collection of Unmitigated Pedantry as an introductory resource for this! The author is a historian of the ancient mediterranean and he has a lengthy two-part blog post on "lonely cities": how fictional cities tend to look in pseudomedieval fantasy versus how real cities actually worked, specifically how they reshaped the land use for many miles around. Part I, part II, or available read aloud on YouTube here.

[random-questions-fairy]

Oh my gosh. I just found this website that walks you though creating a believable society. It breaks each facet down into individual questions and makes it so simple! It seems really helpful for worldbuilding!

[theredscreech]

Heads up that this is a very extensive questionnaire and might be daunting to a lot of writers (myself included). That being said, it is also an amazing questionnaire and I will definitely be using it (or at the very least, some of it).

[heroineimages]

Bookmarking this…

[backofthebookshelf]

This inspired me to see if Patricia C. Wrede’s Worldbuilding Questions are still online, and not only are they, they’re on the exact same page I saw them on in 1998. Somewhere there’s a binder of the Word doc I made of all of them and the answers I filled in for Baby’s First Fantasy World

[my-random-fandoms]

[thetrekkiehasthephonebox]

Verified: Microsoft 365 gets massive 45% price hike — and it's all to do with AI tools (Tom's Guide - January 17, 2025)

[mothwizard]

oopsie i tripped and spilled my link to archive dot org's downloadable copy of Microsoft office suite for 2007, which features no AI tools and is a powerful word processor that still holds up just fine on windows 10!

[mellifera38]

Mel’s Big Fantasy Place-Name Reference

So I’ve been doing lots of D&D world-building lately and I’ve kind of been putting together lists of words to help inspire new fantasy place names. I figured I’d share. These are helpful for naming towns, regions, landforms, roads, shops, and they’re also probably useful for coming up with surnames. This is LONG. There’s plenty more under the cut including a huge list of “fantasy sounding” word-parts. Enjoy!

Towns & Kingdoms

town, borough, city, hamlet, parish, township, village, villa, domain

kingdom, empire, nation, country, county, city-state, state, province, dominion

Town Name End Words (English flavored)

-ton, -ston, -caster, -dale, -den, -field, -gate, -glen, -ham, -holm, -hurst, -bar, -boro, -by, -cross, -kirk, -meade, -moore, -ville, -wich, -bee, -burg, -cester, -don, -lea, -mer, -rose, -wall, -worth, -berg, -burgh, -chase, -ly, -lin, -mor, -mere, -pool. -port, -stead, -stow, -strath, -side, -way, -berry, -bury, -chester, -haven, -mar, -mont, -ton, -wick, -meet, -heim, -hold, -hall, -point

Buildings & Places

castle, fort, palace, fortress, garrison, lodge, estate, hold, stronghold, tower, watchtower, palace, spire, citadel, bastion, court, manor, house

altar, chapel, abbey, shrine, temple, monastery, cathedral, sanctum, crypt, catacomb, tomb

orchard, arbor, vineyard, farm, farmstead, shire, garden, ranch

plaza, district, quarter, market, courtyard, inn, stables, tavern, blacksmith, forge, mine, mill, quarry, gallows, apothecary, college, bakery, clothier, library, guild house, bath house, pleasure house, brothel, jail, prison, dungeon, cellar, basement, attic, sewer, cistern

lookout, post, tradepost, camp, outpost, hovel, hideaway, lair, nook, watch, roost, respite, retreat, hostel, holdout, redoubt, perch, refuge, haven, alcove, haunt, knell, enclave, station, caravan, exchange, conclave

port, bridge, ferry, harbor, landing, jetty, wharf, berth, footbridge, dam, beacon, lighthouse, marina, dockyard, shipyard

road, street, way, row, lane, trail, corner, crossing, gate, junction, waygate, end, wall, crossroads,  barrier, bulwark, blockade, pavilion, avenue, promenade, alley, fork, route

Time & Direction

North, South, East, West, up, down, side, rise, fall, over, under

Winter, Spring, Summer, Autumn, solstice, equanox, vernal, ever, never

dusk, dawn, dawnrise, morning, night, nightfall, evening, sundown, sunbreak, sunset

lunar, solar, sun, moon, star, eclipse

Geographical Terms

Cave, cavern, cenote, precipice, crevasse, crater, maar, chasm, ravine, trench, rift, pit

Cliff, bluff, crag, scarp, outcrop, stack, tor, falls, run, eyrie, aerie

Hill, mountain, volcano, knoll, hillock, downs, barrow, plateau, mesa, butte, pike, peak, mount, summit, horn, knob, pass, ridge, terrace, gap, point, rise, rim, range, view, vista, canyon, hogback, ledge, stair, descent

Valley, gulch, gully, vale, dale, dell, glen, hollow, grotto, gorge, bottoms, basin, knoll, combe

Meadow, grassland, field, pasture, steppe, veld, sward, lea, mead, fell, moor, moorland, heath, croft, paddock, boondock, prairie, acre, strath, heights, mount, belt

Woodlands, woods, forest, bush, bower, arbor, grove, weald, timberland, thicket, bosk, copse, coppice, underbrush, hinterland, park, jungle, rainforest, wilds, frontier, outskirts

Desert, dunes, playa, arroyo, chaparral, karst, salt flats, salt pan, oasis, spring, seep, tar pit, hot springs, fissure, steam vent, geyser, waste, wasteland, badland, brushland, dustbowl, scrubland

Ocean, sea, lake, pond, spring, tarn, mere, sluice, pool, coast, gulf, bay

Lagoon, cay, key, reef, atoll, shoal, tideland, tide flat, swale, cove, sandspit, strand, beach

Snowdrift, snowbank, permafrost, floe, hoar, rime, tundra, fjord, glacier, iceberg

River, stream, creek, brook, tributary, watersmeet, headwater, ford, levee, delta, estuary, firth, strait, narrows, channel, eddy, inlet, rapids, mouth, falls

Wetland, marsh, bog, fen, moor, bayou, glade, swamp, banks, span, wash, march, shallows, mire, morass, quag, quagmire, everglade, slough, lowland, sump, reach

Island, isle, peninsula, isthmus, bight, headland, promontory, cape, pointe, cape

More under the cut including: Color words, Animal/Monster related words, Rocks/Metals/Gems list, Foliage, People groups/types, Weather/Environment/ Elemental words, Man-made Items, Body Parts, Mechanical sounding words, a huge list of both pleasant and unpleasant Atmospheric Descriptors, and a huge list of Fantasy Word-parts.

Keep reading

[sourdough-seal]

hyperfixation please stay with me long enough to complete the project. hyperfixation do not fade. hyperfixation finish what you started for the love of god

[rielzero]

Ohh, so I was looking at my storage and found these! I originally shared them on twitter before yeeting the platform. Anyway, feel free to use! Art memes for your oc :D

[rubyjones]

Create your own book cover - without generative 'AI' | Ruby Jones

Get more from Ruby Jones on Patreon

Too many writers are using generative 'AI' to make their book covers, so I've written a guide on how to make your own cover for free or cheap without turning to a machine.

If you can't afford to pay an artist, you CAN make your own!

I hope this is a helpful overview that covers the basics and points to some free resources.

[rhube]

I annoyed my cat by writing this and not playing with her; you might find it useful?

[copperbadge]

This is a fantastic guide not only to the technical aspect of cover design but the aesthetic aspect as well!

[naamahdarling]

This is GREAT STUFF. Highly recommend! Exactly the techniques I have used on covers in the past, and they look great!

[vacantgodling]

need to make a seraphim cowboy oc now

[vacantgodling]

something wicked this way rides

couldn’t figure out how to add the hat but yeah

@multi-lefaiye

[multi-lefaiye]

cowboy hats are literally the worst thing on earth to draw

ANYWAY I LOVE HIM HI HI HI

[vacantgodling]

THE WORST… but i figured it out… kinda 👁️👁️

[multi-lefaiye]

YEAHHHH THIS SLAPS!!! YOU GOT IT YOU GOT IT!!!

[quietwingsinthesky]

im a fucking sucker for the “character gets so badly injured that they can’t think clearly and start calling for help in a distressingly vulnerable way.” characters who start using nicknames for their friends they haven’t used since they were kids. characters who start begging for their brother they haven’t seen in years to be there. characters who would usually use their parents’ names or call them mother/father/etc crying out mama when they go down. u understand.