The Mortifying Ordeal Of Getting Owned @shamefulquartz - Tumblr Blog

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horriblewarlock

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esoanem

#this is one of my favorite posts on this site #fav #labyrinth

cow-inthe-closet

friend whos always planning everything: hey guys lets do something this week!! when are you all available?

friend whos always available: i can do whenever

friend whos constantly busy: im sorry i have work and then school and then the labyrinth and then more work :( i can do tuesday at 3:00 am for five minutes tho

friend with the randomly generated sleep schedule: (no response)

friend who went missing in the woods behind their house 12 years ago and hasn't been heard from since: (no response)

friend whos really into genshin impact: does anyone want to play genshin impact

beardedmrbean

specterthief

humbling

specterthief

people saying "write what you want to see in the world!" and that's always a good sentiment but this post isn't really about "oh no there's no content for my ship", more the feeling of "i looked up something that i thought was so obvious that surely plenty of more seasoned ao3 perverts would have thought of it already, but apparently i'm the weird one"

divorce-enjoyer

ice water is awesome because you get more water in your water

divorce-enjoyer

you think youre out of water but then you check back in five minutes and woah! theres more water! the world is so beautiful

anistarrose

my futile wish is for people to understand that "sex scenes in movies/TV don't have to serve the plot and can genuinely just be for pleasure" and "sex-repulsed people are allowed to complain about how rare it is for media made for adults like them to be something they can enjoy completely" are both true statements. unfortunately society hates both sex and people who don't like sex, so everyone gets far too defensive about any sex or lack thereof in fiction to actually have this conversation

valenalentine

creepycrag

i think we need copyright reform. currently most works are protected by copyright for the life of the author plus 70 years. here are my two proposals.

18 years. this is enough time for the work to grow to adulthood and begin to care for itself

life of the author + zero years. i like this one because it encourages you to kill people

swagophile

keep rapidly oscillating between scary imposing threatening woman and the most pathetic fail loser in the entire world. which makes a lot of sense for a jester in my opinion

swagophile

me at 11 am: tch. your hubris sickens me. this world will not remember your name. you will be nothing, and i will inherit the earth.

me at 1 pm: i should be put down like a diseased dog for wanting to feel anything other than pain

me at 3 pm: this world will buckle under the strength of my resolve. everyone will regrt the day they chose to stand against me.

me at 5 pm: i want a beautiful babe to. kick me in theface

me at 7 pm: one day all of this will prove to have been worth the struggle.

me at 9 pm: i'm the mostuaeless motherfuckwr on the entire planet

me at 11 pm: [after taking my pills] i should eat 10 snack cakes and go to bed

swagophile

me in a heist movie scenario: [right about to execute the big plan] i hope you guys kbow if this plan goes south i'm killing myself

driver: what

me: alright team. we kbow our roles. lets get to it

demolitions expert: wait can we go back to that thing earlier

grifter: yeah what was that about

me: charlie, i want you to take point. you're the most important for the early phase so you gotta make sure to nail this. remember we only have a limited time to pull this off, so the sooner the better

safecracker: youre not really gonna kill yourself if we fuck this up right

me: [putting on my badass sunglasses as smooth bossa nova music plays] i'm definitely going to kill myself if we get this wrong

cryptotheism

Stop clicking on my thighs. Bro my cum meter isn't moving. You need to click elsewhere.

annabelle--cane

yknow I'm feeling a bit brave so I will venture to say what this blighted essay's pitch actually is: reading project hail mary (novel and film) as a ravishment fantasy. in both main threads of the narrative grace is brought wildly out of his element and pulled into the orbit of a mysterious foreign stranger who is significantly stronger / richer / more powerful than him, forced to accept unsolicited lavish gifts and personal praise despite protests and discomfort, and made to live in isolated locations in extremely close proximity to these people with no say in the matter, all of which are common motifs in ravishment fantasies. on her own, stratt also brings in other common motifs of restraints, drugging, being above the law, multiple kidnappings (I'm doing crazy things with the classical definition of "rape" as in "abduction" and its shared etymology with "rapture" as in "being taken to the heavens"), and the very specific yet still common motif of "otherwise trustworthy partner goes too far and doesn't take 'no' for an answer." rocky on his own brings in the overprotective flavor common to a lot of dark romance novel heroes, i.e. "I make sure you sleep and I like to watch you while you do it, I make sure you eat enough even if you've got baggage about it, I make inhuman displays of strength when you're injured, and as long as I'm around I'll make sure nothing bad ever happens to you ever again."

the issue I was running into with researching this a few weeks ago is that almost all of the scholarly writing on the content of people's forced-sex fantasies focuses solely on women's fantasies and starts with the research question of "why would women enjoy imagining such a horrible misogynistic thing?" despite surveys often showing that men have force-fantasies (where they are the one being forced) at very comparable rates to women. my hypothesis for a bit was "either men's fantasies are exactly the same as women's or they're completely different in [x] way," which was disproven interestingly when I did finally find something about men's force-fantasies: in content they are almost exactly the same as women's fantasies but the emotional motivations are often different in [y] way, which I hadn't expected. and [y] also super applies to my buddy ryland, perhaps even more than my original [x] hypothesis.

my hopes for writing this are twofold: a) to address the question I sometimes see phm audience members come away with of "if grace likes his life by the end and doesn't seem that mad about all of that, is the message supposed to be 'violation of bodily autonomy is good, actually?'", and b) to lightly resist one of the prevailing notions in the study of forced-sex fantasies, that ravishment fantasies are solely abstracted and fantastical and pleasurable and are completely 100% separate from fearful paranoid imaginings of / flashbacks to realistic sexual violence.

annabelle--cane

oh also: the most common interpretation of why people have ravishment fantasies is that it allows the fantasist to disavow a desire they feel ashamed of because, in the fiction of the forcing, they don't *want* it at all, they're being made to do whatever it is and can't be considered at fault. as I allude to in my final paragraph of the original post, I think it's a tad more nuanced, but there's definitely a lot of truth to that. grace can tell stratt that he's not smart or important or capable or brave or selfless enough to do what she wants, but she'll ignore it, make him do it anyway, and kit him out with skilled staff members and expensive lab equipment and coffee just the way he likes it. it's a fantasy of being respected and heroic and good whether he likes it or not.

with rocky, the fantasy is of being forced to be loved and protected. rocky decides to initiate contact, he decides that he's moving into the hail mary, he decides that he's always going to watch grace sleep even if grace says he doesn't need it, he decides to gift grace the fuel to get home even when grace pretends he doesn't want it, and he decides he's not going to let grace die to save him even when grace says he's made his choice. the two scenarios allow grace to experience the rewards of being selfless without needing to be so gauche as to ever say he thinks he's that good of a person AND to experience the rewards of being selfish without saying he thinks he deserves to be cared for.

#Fascinating!!

junglejim4322

One of my favorite tiktok niches that was created by people so bored they’re barely alive is that there’s a whole diet soda community where they believe everything you do greatly effects the way diet soda tastes and there are very specific methods of serving it to make sure you get the right flavor as if it’s an expensive steak or something. but the best part is they believe how long you leave it in the fridge is the most important part in all of it, which they call, “marinating”

mayothompson

i checked this out because i found it almost impossible to believe but its true at least for this one lady

twomothsholdinghands

kunosoura

diet cola fan here. our world contains multitudes you cannot fathom

ubercharge

op is posting from tamriel. or perhaps the lands between

segamascott

brehaaorgana

Too many artists are held back by outdated and bad color theory rules, or even rules that are fine but have built in limitations that you should know and I want to set everyone free.

brehaaorgana

Tertiary Red and Secondary Blue could be in your color theory understanding and make paint mixing way easier but they played you

brehaaorgana

Also hot takes:

Learning color theory through oil painting is more difficult than learning it through gouache & watercolor, primarily because it takes way more time to find mass tone and mix everything and also it's much less obvious to easily and quickly discern if a paint pigment is highly staining or transparent.

Oil painters like to seem like they have the richest and most storied traditions in color theory to past down but also inevitably they are the most likely to retain an extremely limited chroma palette based on classical palettes for the sake of classicism and not always make that fact very apparent to a beginner aside from saying it's an "old masters palette" watercolor/gouache painters are bad at using paints that are not light-fast and clinging to them despite having better alternatives, but generally still understand chroma gamuts and pigment importance better or at least talk about them more.

When you're mixing paints, the earth colors (browns) don't need to handled and thought of as brown. Ask yourself if the brown is yellow, orange, red, or leaning towards a black (which would be treated as a violet or blue, depending on whether black is warmer or cooler).

Yes there are cool reds and warm blues

Any reference color wheel that places red on the very top hurts my feelings, stop doing this just because you learned "roygbiv". Yellow is at the top and the Indigo-Blue range is on the bottom because this also means the color with the lightest possible value is opposite the color with the darkest possible value, so you have the colors arranged with a value scale from top to bottom BUILT IN.

this is related to why ivory black is actually very dark blue.

brehaaorgana

@rizahawkeyesmuscles

This makes me think makeup artists have good color theory, having to understand undertones of skin, warm v neutral v cool toned red lipstick....

Yes!!! I mean first of all, makeup artists are artists.

and they are ALSO ultimately just blending pigments to produce certain colors and effects, so yeah professionally do study the basics of color theory and then necessarily have to adapt it to their medium. And they tend to generally add like, what you talked about with recognizing cool/warm/olive/neutral undertones and such as a big consideration to their canvas.

And that IS why people will say "this is a cooler red lipstick" (although even cooler than that would be magenta or fuschia!).

I think the only thing I've noticed wrt to honestly mostly beauty influencers and not actual professional MUAs is that too many people buy an eyeshadow palette of cool tones in the palette and then put it on and complain it pulls "too warm for their cool skin." And it "isn't actually a true cool tone palette."

I just want to grab all these people by the face and say:

"Shhhhhh. Color temperature is relative. Although you have cool skin undertones, you ALSO have blood under your skin which will inherently make your base skin-canvas slightly warm no matter your foundation shade. So when you put any kind of pigment that isn't fully opaque onto your skin, the transparency WILL be warmed by your skin because you're alive and have blood still. The eyeshadow palette IS a cool palette. You're just not a vampire, which is why that cool taupe shade suddenly looks different from the mass tone in the palette."

These influencers would understand this better if they did some watercolor painting on pre-tintedpaper and then compared it to painting on pure white.

But a MUA probably already figured this out yeah.

brehaaorgana

In case anyone is curious here are my top color recommendations

Handprint.com is hands down the most comprehensive scientific explanation of how different color wheels or palette choices work. It's big and dense and exceptionally thorough. I skim frequently and find myself always learning more. https://handprint.com/HP/WCL/water.html everything is done using watercolors as a reference point but a LOT of this translates to other mediums. For the record his CIECAM color wheel is what I consider to be the best (not 3 dimensional) color wheel for artists. Period.

He uses pigment numbers for some of the most common watercolors rather than specific paint brands or color names to place the pigments. It's also a case study in why yellow being at the top is the best because it also means you have a value scale from top to bottom (since black paints are just dark violets or blues, ultimately.)

When you look at this, you can start realizing more and more why the earth colors can be used as if they were like, straight red, or yellow, or orange. Like if you wanted to make a limited palette, you could use "burnt sienna" as your dark yellow (which will make the whole palette lean orange!) Or it could be your orange or you could use burnt sienna as your red. (Look at gamut masking links below)

Seriously it's good to try and swatch your medium (even really quickly!) Within a CIECAM Artist's color wheel. Below are two of my attempts:

From loose memory and then mapping pigments roughly.

He also discusses the difference between visual complements and mixing complements!

Anyways absolutely try to read bits and pieces. The whole site is amazing. Handprint is amazing.

Also:

https://gurneyjourney.blogspot.com and James Gurney's book: Color and Light: a guide for the realist painter. James Gurney is the dinotopia guy. That book is also amazing for painting fantasy with lots of fantastical examples. Here are two short videos on gamut mapping and gamut masking. Accompanying blog posts.

No surprises here! His book also charts pigments:

Actually these are my four favorite books hands down:

Color and Light: a Guide for the realist painter - James Gurney

Color for Painters: a guide to traditions & practice - Al Gury

The oil painters color handbook - Todd m casey

Artist's master series: Color & light - 3d total publishing. This one emphasizes digital!

The first two have been out for awhile now and you can more easily find them cheaper/used online than the latter two which are relatively newer and hefty hardbacks.

Also, from personal experience: al gury is a sweetheart angel who is a huge crazy cat man. I adore him, he's so kind and helpful. I think it's a little late to join the current session (although they did only start Jan 28, so you can always ask! Class videos are recorded), BUT he frequently offers a class on color that is fully online through PAFA continuing education, as well as other classes. I haven't taken it yet, but I HAVE taken other classes online with Al and he's really great.

Oh also online gamut masking tools:

In krita: https://docs.krita.org/en/user_manual/gamut_masks.html

https://claudiamatosa.com/resources/gamut-masking simple tool

https://mypaintingclub.com/blog/post/39-The-Gamut-Mask-Tool another tool with more complexity

The tl;Dr of a gamut mask is to show you the full range of possible colors you can mix within a given palette (choices of colors/pigments).

#save point