Portrait de la Marquise de Segouzac
Jean-Baptiste-Jacques Augustin, 1796
Credits: Musée du Louvre
hello vonnie
Cosmic Funnies
wallacepolsom
let's talk about Bridgerton tea, my ask is open
Keni
noise dept.

JBB: An Artblog!

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trying on a metaphor

Kaledo Art

blake kathryn
One Nice Bug Per Day
YOU ARE THE REASON
he wasn't even looking at me and he found me
we're not kids anymore.
Three Goblin Art
occasionally subtle
Sade Olutola
Monterey Bay Aquarium

Andulka

seen from Türkiye
seen from Spain

seen from Belarus

seen from Singapore

seen from United States
seen from United Kingdom

seen from Canada
seen from Brazil

seen from United States
seen from Chile
seen from United States
seen from United States

seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
@shatovthings
Portrait de la Marquise de Segouzac
Jean-Baptiste-Jacques Augustin, 1796
Credits: Musée du Louvre
Portrait of Petar Jagodić of Krnjača
Konstantin Danil, 1829-1831
Ministry of Culture and Media of the Republic of Serbia (on Google Arts & Culture)
A Muslim listening to a preacher sitting on a pulpit
Watercolour by an (unidentified/unknown) Indian artist, between 1800 and 1899?
Wellcome Collection
Glimpses from Korea, c.1900
[As the photos are all untitled, the following captions - available at the source’s website (see bottom) - only offer a crude description of the scenes]
1. Two shops or market stalls, in Korea
2. Two men sawing a baulk of timber in a woodyard, in Korea
3. A line of shops beside a dusty street, with telegraph poles overhead, in Korea
4. A group of people eating a meal, seated behind a small table, in front of a painted screen
Edwin Nichol Fallaize (1877-1957), c.1900
Wellcome Collection
The Imperial Summer Palace (Yuan ming yuan), Beijing, China: the pagoda.
Felice Beato, 1860
Wellcome Collection
The Capo dell'Arco Promontory on the Island of Ventoténe (Ventotiene, Ancient Pandatoria), Showing Strata of Tufa and Lava
Pietro Fabris, 1776
Published in 'Campi Phlegraei', by Sir William Hamilton, Naples 1776, vol.1, plate XXXIV.
Credits: Wellcome Collection
Lacco (Lacco Ameno) on the Island of Ischia, Composed of Volcanic Tufa, with Other Islands Raised by Volcanic Eruptions: View at Sunset
Pietro Fabris, 1776
On the left, Vesuvius, with the sun setting behind it. Published in 'Campi Phlegraei', by Sir William Hamilton, Naples 1776, vol.1, plate XXXII.
Medium: etching & gouache on paper
Credits: Wellcome Collection
Pieces of Volcanic Minerals from Solfatara
Pietro Fabris, 1776
Sal ammoniac, pumice, sulphur, cinnabar, crystals of alum, etc. Published in 'Campi Phlegraei', by Sir William Hamilton, Naples 1776, vol.1, plate LIII.
Credits: Wellcome Collection
The Pisciarelli, a Hot Spring, Issuing from the Cone of the Solfatara, and a Man Bathing in the Hot Waters
Pietro Fabris, 1776
A plate to Sir William Hamilton’s, ‘Campi Phlegraei’, Naples 1776, vol.I. The Pisciarelli bath is described by Hamilton as a ‘bath of which the common people of Naples, and its neighbourhood, make great use in summer time for cutaneous diseases’.
Credits: Wellcome Collection
Vitrifications and Other Volcanic Productions
The material shown is from Misenum, Mount Etna, the island of Vulcano, Ventotene, Vesuvius, etc.
Pietro Fabris, 1776
Medium: etching & gouache on paper
Credits: Wellcome Collection
1) Six Pieces of Lava from inside the Crater of Mount Vesuvius
Published in 'Campi Phlegraei', by Sir William Hamilton, Naples 1776, vol.1, plate XXXXIV.
2) Seven Pieces of Tufa from the Vicinity of Naples
Top left, tufa attached to a piece of painted stucco from the ancient theatre at Herculaneum. Centre, tufa with oyster shells and an almond embedded in it. Bottom right, tufa with the texture of wood. Published in 'Campi Phlegraei', by Sir William Hamilton, Naples 1776, vol.1, plate XXXXV.
3) Four Specimens of Tufa from the Quarries near the Grotto of Posillipo
Published in 'Campi Phlegraei', by Sir William Hamilton, Naples 1776, vol.1, plate XXXXII. The piece at the top left has oyster shells embedded in it.
4) Eight Pieces of Volcanic Matter Taken from the Road Leading from the Pisciarelli (Spring) to the Solfatara
Published in 'Campi Phlegraei', by Sir William Hamilton, Naples 1776, vol.1, plate XXXXIII.
Pietro Fabris, 1776
Medium: etching & gouache on paper
Credits: Wellcome Collection
Lava, Scoriae and Pumice from Mount Vesuvius
Pietro Fabris, 1776
The rocks are depicted in such a way as to suggest that they form large structures extending high above ground. Published in 'Campi Phlegraei', by Sir William Hamilton, Naples 1776, vol.1, plate LI.
Medium: etching & gouache on paper
Credits: Wellcome Collection
Specimens of Stone and Volcanic Matter Found on Mount Vesuvius, including Lava Enclosed in Marble
Pietro Fabris, 1776
Bottom centre, a snuffbox made of a species of stalactite. Published in 'Campi Phlegraei', by Sir William Hamilton, Naples 1776, vol.1, plate XXXXVIII.
Medium: etching & gouache on paper
Credits: Wellcome Collection
Two Mineral Specimens Found in the Fossa Grande on Mount Vesuvius
Pietro Fabris, 1776
Credits: Wellcome Collection
1) Lava, Scoriae and Vitrified Matter Found after the Eruption of Mount Vesuvius on 8 August 1779
Published in 'Supplement to Campi Phlegraei', by Sir William Hamilton, Naples 1779, plate V.
2) Pieces of Lava and Vitrified, Flinty Matter Found after the Eruption of Mount Vesuvius on 8 August 1779
Published in 'Supplement to Campi Phlegraei', by Sir William Hamilton, Naples 1779, plate IV.
Pietro Fabris, 1779
Credits: Wellcome Collection
Stones or Crystals from Mount Vesuvius
Pietro Fabris, 1776
Including chrysolites, topaz, jacinth, and other substances used in jewellery. Published in 'Campi Phlegraei', by Sir William Hamilton, Naples 1776, vol.1, plate LIIII (and last).
Credits: Wellcome Collection
Polished Schists of Marble* and Other Mixed Stones from Mount Vesuvius
Pietro Fabris, 1776
Published in 'Campi Phlegraei', by Sir William Hamilton, Naples 1776, vol.1, plate L.
Wellcome Collection
*Maybe they meant “schists and marble” and not “schists of marble”. Funny igneous rocks are not mentioned in this plate.