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GDV >> [ SHEWASONFIRE ] bass beats sidechained synths 

Future-bass excursion...

vox >> The incredible kreyashawn

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[ GRAPHDEVILLE’S ] >>>

CRAZYHOT _£W3N'S I LOVE MILEY SEXFLIP,,,,,

AN ELECCTRONIC TRYS'T PROPAOSAL TO THE ANGEL M.C #001

#highbass #matta #faridabaderun #ridestore #Rashdrive #BassBoost #SonyShake5 #Overloaded #Icanthearu#Geneza #Peshawer #b2loud #b2audio #lowbass #b2cars #impressif #stilldreaming #barfly #edmsacramento#916raves #dontmisshis #xmax #bassmodify #2x46 #beatsbydr #crazysound #iclick #pasaje #psychosoma#anjin

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ØSHO’s debut four tracker fuses elements of musique concrète, ethnic IDM and hypnagogic polyrhythm to construct a contemporary bastard hybrid.

Electro-accoustic throughout, appropriating sidechained synths and female vox from the brat-step sound. Precisely layered esoteric percussion and haunting Lynchian melodies are painstakingly combined to birth a heterodox composite.

We here at Shlunk are excited to present to you ØSHO’s widescreen iconoclastic orchestral assault, SUMMERSKANE.

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Neo Paris 2079

>> Forthcoming on Debut GOLD BLOOD EP 

>> FOR SHLUNKRECORDS

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On Lexical Agility, Graphdeville's second outing for Shlunk this year, he mines the transient post-dubstep landscape, fusing elements of trap, neuro & bass music to construct four archetypal slow-beat jams. Sci-fi, widescreen ambience, trap hats, midrange synths, screaming bass and hip-hop beats combine as an antidote to the overpopulated pop-step scene. >> Available soon from all good digital retailers. >> Cover Girl Fashion & Beauty Blogger Jasmine McRea.

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We are proud to introduce Two AM,Young Orins debut ep for Shlunk, Four hypnagogic bass synth late night electrotales..rooted in hip hop & trap for the beat constructs… dark wave ambiance…chopped & screwed vocal fragments…& delicate scenes of floating instrumentation….combine to build the four future bass so-dance workouts…evocative & delicate yet sombre and left field to the core....

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Not my photography, nice to see creative types making good use of one of my walls though…..Model » http://purpleport.com/portfolio/yasminhunter

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SHLUNKRECORDS is proud to present » INTO THE BREACH » Highlights from Graphdevilles last four years of production, some pre “SHLUNKRECORDS” some unreleased, a few reflips & some of our personal favorites..The first Graphdeville back to back original mixtape, available shortly as a FREE DL on SHLUNK scloud.

Enjoy, Deebz x

» PRESS BLURB » BLEEP / WARPRECORDS »

Contemporary modern artist graphdeville mines the post dubstep landscape on SHLUNK Records. Getting out boom-bap beats, glitched-out synths and melancholic vocal shards, these elements combine to create a series of futuristic explorations. A master at combining different genre forms to create a new, nebulous whole.

Sleeve art, wall by Graphdeville, Covergirl » Model » Yasmin Hunter

Clickthrough »  INTO THE BREACH

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Free Minimix DL of >>

CIRQUE’s debut offering CODA, a four tracker devoted to instrumental bass & breaks, jazz & hip hop influences throughout. Dirty bass-lines, snippets of synth and offbeat samples sit alongside deconstructed piano licks. The mood is laid back but sombre. As a duo CIRQUE’s production technique breeds a certain air of conflict born from their different approach to construction, this in our minds here at Shlunk is no bad thing!

Coda; the concluding passage of a piece or movement, typically forming an addition to the basic structure.

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Graphdevilles Nov Mixtape >> click through link to mixcloud...

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Shlunk is proud to present a signature bastard hybrid EP put forward by Graphdeville, fusing elements of Bass, Post-Step and Detroit-Techno. Grating mid range synths, hats a la trap and heavy side-chain on the low end juxtaposed with pitch shifted vocal stylings. A delicate amalgam of dissonant elements and an antidote to mainstream EDM. Soulful, evocative and esoteric to the core.

Available from all good digital retailers early Jan 2015

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Solo1's debut EP for shlunk eta mid Jan 2014, promo to follow shortly

The land and the sea is the 4 track debut release for Solo1 on Shlunk Records. Written in London and Portugal across the dying days of Summer 2013 this debut for Shlunk sees Solo1 deliver another set of infected house songs and broken dub messages that fits in perfectly with our label aesthetic. Circling the dance floor and fitting nicely with the current fucked up house vox pop, slow beats (all favouring the wrong side of 100 bpm) are under painted with blurred sub bass and overpainted with severely damaged synths and static interference. With an approach to beat making that can only be described as subterranean, Solo1 uses a variety of hardware, favouring cassette and 4 track degeneration over off the peg DAW solutions. With a luddite view of modern recording technology and production, songs are crafted on old handheld cassette recorders then built up like paintings over a number of months. Influenced strongly by the surroundings they were made in and often including vocals recorded straight into a mobile on the Underground or the wilds of South West England, Solo1 will then add in the top painting (synth, found vocals, radio static and screwed melodies). Constantly refining and chopping into tracks will only then deliver the final song like an image emerging out of a static field. We like this at Shlunk a lot.

Bio >>

Solo1 has been cutting a name out for himself as a producer on the peripheral of the dance floor for the last few years working pretty much in isolation. Little is known of previous outputs but there have been a number of CDR's in circulation for some time that highlight his painterly approach to sound making and capture nicely how broken 4 track recorders, old tapes and field recordings (jacked on mobile phones) can be put to use. Using a set up that favours hardware Solo1 continues to drive forwards his blurred, minor key, bass explorations on a wave of painterly sunshine synth and static. The layers and skeins of sounds culled from travels fit together and are underpinned by snippets of jungle footwork and damaged house rhythms. Memory rave for those who don't want to remember.

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SHLUNKRECORDS are canvasing for new prospective signings/artists to collaborate with & release, this their soundcloud group pool is the place to put forward your submissions….

Multi-genre accepted, bastard-hybrids preferred. Aesthetic sensitivity and subtlety preferred over bass in your face. If you feel your sound doesn’t fit comfortably into any specific genre but is bass heavy, then this could be the place for you. Here we’ve an eye on what’s happening on the fringes, and what’s yet to come. If you are an artist who is comfortable with taking a little direction and/or criticism, then there might even be a release in it for you, plus the exposure that leads to a global audience.

Fbook/Twatter/Flikr/Scloud/Bandcamp

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{ AVAILABLE NOW FROM ALL GOOD DIGITAL RETAILERS }

NEXT-SHIT future bass audio excursions eta early NOV on shlunk

Free promo mini-mix 

Hybrid from beginning to end Graphdevilles latest series of audio vignettes, dislocated slo-mo dance for the cerebral audiophile, dirt crusted bass distortion, boom bap on the breaks & beats, detroit on the synth, sparse yet complex, leaving space for the listener, in no rush to get to the drop..cinematic 80's tinged atmospherics wash over & throughout, enough grit though to move any downtempo focused dance floor, SHLUNK is proud to present 'High frequency low life' an alternative take on more mainstream bass manoeuvres.

itunes/bleep/beatport

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Free DL Minimix

Future boom bap avant-shit forthcoming on SHLUNK records, ETA early Sept.

Cover model the lovely Acacia >> neutraldensity.tumblr.com/image/54296840346

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A free minimix DL for you here

Bass heavy dislocated synth hop, broken beats, dirty & verbed freebass, pitch shifted vocal hooks..duel tempo hats 'trap' echoes of detroit on the synth constructs..a stripped back slo-dance affair, shlunk is pround to present Graphdevilles latest audio juxtaposition 'she brings the rain'

Cover model 'Emerald Firebird' ameilaparisienne.tumblr.com/