My housemate's cat came into my room while my dictation was on...
Keni

roma★

JBB: An Artblog!
Three Goblin Art
Sade Olutola
taylor price
RMH
Sweet Seals For You, Always
occasionally subtle

pixel skylines

Kaledo Art
Cosmic Funnies
Peter Solarz
"I'm Dorothy Gale from Kansas"
DEAR READER
$LAYYYTER
let's talk about Bridgerton tea, my ask is open

shark vs the universe
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he wasn't even looking at me and he found me

seen from Germany
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seen from United States

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@shmuzzieheart
My housemate's cat came into my room while my dictation was on...
Disgust has absolutely no ethical weight. If you are basing your ethical positions on the emotion of disgust you should stop, it is entirely unjustified and leads to a huge amount of harm.
Word for today: wisdom of repugnance
The logical fallacy that because something disgusts you it must be bad
this is probably the funniest example of a tumblr user simply not reading the post theyre reblogging at all
shipping the popular yaoi pairing but shaking my head while i do to indicate that i also care about the work's themes and other characters
FINALLY I GET TO SHARE THIS PICTURE
this is how the show went right
Tribute 🏠❤️
Here are your stickers for everyone who's voted
The opposite of “the elephant in the room” is “the centipede in the room”: something that’s not actually an issue but everyone is freaking out about
Can't wait to see which male confidant the Persona 6 protag is going to have unbelievable chemistry with but won't be a romance option but he'll have two or three grown women that are.
its ok that karina is leaving drawfee. although the phrasing of the post is a bit concerning, i respect drawfee as a team of adults who can handle their own buisness. i look forward to supporting both the drawfee team and karina with their new directions going forward
let's be normal together :)
Happy Pied! 🌈👻💝🩸
quick intros of my little OCs that exist in my head if anyone was ever curious !! :) or at least the ones that form a solid connected story, their basic rundowns :3
i used this twitter user's chart template if you would like to make yours too
look at my clutchmate dawgg, they are gonna get us fired from the biodome project
(@tamago-cantdraw's wonder)
I did some studies of some glassware pics after a very long drought of no drawing at all. pls enjoy
More AAVE
Most of these come from the book from Juba to the Jive
Gullah & Early AAVE (Enslaved & Post-Emancipation)
Afeared – (1650s-1890s) Scared; afraid. A retention of Old English, preserved in Gullah and coastal AAVE.
Bimeby – (1700s-1920s) Before long; soon. A corruption of "by and by," originating in pidgin and Creole.
Cootie – (1650s-1990s) A body louse. From West African kuta (turtle) or nkuda (Kongo), applied to the insect's shape.
Cudjo / Cuffee / Cuffy – (1620s-1890s) Day names for African males (e.g., Kofi for Friday). Used as forms of address among the enslaved.
Hag – (1620s-1890s) An evil spirit or skinless ghost from Gullah lore, said to ride sleeping people.
Haint – (1690s-1940s) A ghost, spirit, or disembodied presence. A corruption of "haunt."
Juba – (1790s-1900s) A plantation dance rhythmically slapping hands, knees, and thighs. Also a day name for a girl born on Monday.
Massa – (1650s-1860s) Enslaved person's term for the white slaveholder. From Mandingo mande, masa ("chief").
Plat-eye – (1760s-1940s) A terrifying female ghost, strong as an animal, that scratches at doors. From Bantu platatayi.
Patteroller – (1700s-1860s) A slave-catcher or patroller who hunted runaways; a predecessor to the Klan.
Jazz, Blues & Mid-Century (1920s–1960s)
Ace – (1940s-1990s) One's best friend. Short for "ace boon coon," from card-playing.
Apple – (1930s-1960s) New York City. "Big Apple" was first used by jazz musicians; Harlem was the "stem."
Blow – (1920s-1950s) To play an instrument with skill; to speak well; to leave. Extended to "blow a typewriter" (to write).
Bone – (1900s-1930s) A trombone. Later (1960s-1990s) shifted to mean the penis.
Bread – (1930s-1960s) Money, as a basic survival necessity.
Break It Up – (1930s-1940s) To earn great applause; to stop the show. Also, to explode with laughter.
Chicken Shack – (1940s-1960s) A low-priced restaurant or diner serving soul food.
Chill / Chilling – (1980s-1990s) Relaxing, cooling it. "Chill out" means to desist or be calm.
Chopper – (1940s-1990s) A machine gun or automatic weapon; later, a helicopter.
Chump – (1950s-1960s) A square, victim, or dupe. "Chump change" is a small amount of money.
Down – (1950s-1970s) A word of approval; excellent; brave; hip. "Down with" means in agreement.
Drag – (1930s-1980s) A bore; a dull person. Also, feminine attire worn by a male (from the 1940s).
Gig – (1700s-1960s) A jazzman's job; later, any job. Also a trick, tease, or child's pacifier.
Gravy – (1940s-1990s) Money or the power it generates. In the 1980s, shifted to mean heroin.
Hawk – (1930s-1990s) The biting, cold winter wind, especially in Chicago. Extended to mean to sell goods aggressively.
Hipster – (1930s-1940s) A hip, knowledgeable person. Dropped by black speakers by the late 1940s, adopted by white beatniks.
Homeboy – (1930s-1990s) A male from one's own town or neighborhood, especially the South.
Hoochie – (1880s-1930s) A very erotic dance; a conjure "doctor." Later revived as "hoochie mama."
Hump – (1950s-1990s) A difficulty; to perform sexual intercourse.
Mack / Macking – (1900s-1990s) Pimping; to use slick, flirtatious talk. "Mack on" means aggressive seduction.
Mellow – (1930s-1970s) Gentle, sincere, satisfying; cool. Also, a best or closest friend.
Mug – (1940s) The human face. Extended to "mug shot" and "mugging" (making faces).
Nod – (1930s-1990s) The stupor of a person high on heroin. "On the nod" means drifting in and out.
Pad – (1800s-1990s) One's home, room, or bed.
Rag – (1800s-1990s) A sanitary napkin. "On the rag" means menstruating. Also, a newspaper.
Roach – (1930s-1960s) The butt end of a marijuana cigarette. "Roach clip" holds it.
Satch / Satchel-mouth – (1900s-1940s) A person with a very large mouth. "Satchmo" (Louis Armstrong) is a corruption.
Scrub – (1580s-1990s) A contemptible, mediocre, or untalented person.
Shade – (1850s-1900s) A Black person (from derogatory white use, used ironically). Later, in ballroom, a subtle insult.
Skins – (1930s-1970s) Drums or drumheads. "Skin-beater" is a drummer.
Square – (1900s-1990s) A conventional, unenlightened person; not "hip."
Stash – (1920s-1990s) To hide something (especially drugs); also, the hidden supply itself.
Stud – (1900s-1970s) Any hip male. Also, a lesbian (1940s-1950s).
Trip / Tripping – (1960s-1990s) To be passionately involved; high on drugs; saying inappropriate things.
Uptight – (1950s-1970s) In early jazz, a good feeling or good sex. Later, short on cash, then mentally anxious.
Viper – (1930s-1940s) A marijuana smoker or dealer, from the hissing sound of inhaling.
Wail – (1950s-1970s) A beautiful musical performance. "Wail on" means to fight someone.
Wig – (1930s-1960s) Natural hair that has been processed; also, one's mentality. "Blow your wig" means to get excited.
Woodshed – (1930s-1970s) To practice an instrument in private (literally or figuratively).
Yardbird – (1930s-1940s) An unpolished musician; later, Charlie Parker's nickname.
1970s–1990s (Pre-Internet & Early Hip-Hop)
B-girl / B-boy – (1980s-1990s) A breakdancer or hip-hop head. The "B" stands for "break" (breakbeat).
Crew – (1980s-1990s) A group of young people forming a loosely knit gang or social unit.
Dope – (1900s-1990s) Heroin or any narcotic. The positive meaning ("that's dope!") came later.
Duckets / Ducats – (1990s) Money; a ticket or admission. From Italian ducato (a coin), via theater slang.
Fade – (1940s-1990s) A haircut that gradually becomes shorter; also, to leave quietly or disappear.
Gangsta – (1950s-1990s) A gang member; a criminal. "Gangsta rap" emerged in the late 1980s.
Gat – (1900s-1990s) A handgun. Short for "Gatling gun."
Hype – (1960s-1990s) Deception; a phony scheme; an addict (from "hypodermic"). Also, extravagant promotion.
Ice – (1950s-1990s) Diamonds or expensive jewelry.
Ill – (1980s-1990s) Excellent, cool, or extreme. "Illin'" means suffering from severe stress.
Kick it – (1900s-1990s) To play music; to relax; to hang out.
Knowledge / Acknowledge – (1920s) "He's got the acknowledge" means he has the info or skills.
Loot – (1930s-1940s) Money or cash.
Main squeeze – (1960s) One's favorite lover or girlfriend.
Man – (1900s-1990s) A form of address carrying respect, counteracting whites calling Black males "boy."
Mobb / Mobbed up – (1990s) A group of friends or a crew. "Mobb Deep."
Murphy – (1940s-1960s) A confidence game where the victim is promised sex and is robbed.
Ofay – (1800s-1950s) A white person. Possibly from West African bama fe or Pig Latin for "foe."
Phat – (1990s) Cool, excellent. A backronym ("Pretty Hot And Tempting") on the AAVE word "fat" (wealthy).
Piece – (1900s-1980s) A pistol or handgun. Also, a musical instrument or an ounce of heroin.
Pump – (1970s-1990s) A machine gun or shotgun requiring a pumping action.
Punk – (1940s-1990s) A weak, cowardly, or effeminate male; a prison submissive.
Rap – (1730s-1990s) To converse; a lyrical, rhyming monologue. The musical form emerged in the 1970s Bronx.
Rep / Reps – (1950s-1990s) One's reputation. Also, repetitions in exercise.
Ride – (1950s-1990s) A car. "That's a bad ride." Also, to drive.
Rollin' / On a roll – (1900s-1990s) Having a streak of success; moving with confidence.
Shorty – (1930s-1990s) A young person, especially a girl. Also, an automobile.
Sista – (1940s-1990s) A term of address for a Black woman, expressing cultural solidarity.
Soul – (1930s-1990s) Black authenticity; deep racial feeling; the essence of Black culture.
Stone – (1940s-1990s) An intensifier: "stone fox," "stone cold."
Tight – (1920s-1990s) Close friends. Also, well-dressed, attractive, or excellent.
Trick – (1900s-1990s) A prostitute's customer; a "John." "Turn a trick" means to perform sex work.
Twenty-four-seven – (1980s-1990s) All the time; constantly. From 24-hour convenience stores.
Word is bond – (1980s-1990s) "I'm telling the truth." From Nation of Islam teachings.
2000s–Present (Internet, Ballroom, & Social Media)
Beat – (1960s-1990s) Ugly ("beat with an ugly stick"). In ballroom/drag, inverted to mean makeup applied flawlessly.
Bougie – (1950s-1990s) Short for "bourgeois." Derogatory for middle-class, pretentious Black people.
Chile – (1970s-1990s) A phonetic spelling of "child," used as a term of endearment or exclamation (like "girl").
Clout – (1990s-2000s) Influence, power, or fame, especially on social media. "Clout chaser."
Crusty – (1990s-2000s) Unattractive, out of style, or unhygienic.
Deadass – (1990s-2010s) Serious; telling the truth. "Deadass?" means "Are you serious?" Originated in New York AAVE.
Glow up – (1990s-2010s) A dramatic, positive transformation, especially in appearance.
Hits different – (2010s) When something is experienced in a new, more profound, or more emotional way.
Hood – (1960s-1990s) One's neighborhood, especially a ghetto or gang territory. "Hood rat" is derogatory.
Mood – (2010s) An expression of relatability. "That's a mood."
Receipts – (2010s) Proof or evidence, especially to back up an accusation or show hypocrisy.
Ratio – (2010s) To have more replies (especially negative) than likes or retweets. "Ratio'd" means defeated online.
Salty – (1930s-1970s) Irritated or angry. Revived in 2010s internet slang.
Send – (1900s-1950s) To arouse emotionally. In ballroom/drag, "she sends" means an outstanding performance.
Stan – (2000s) An obsessive fan. From Eminem's 2000 song "Stan."
Tea – (1990s-2000s) Gossip or personal information. "That's the tea." From drag culture's "T" (truth).
Unc / Uncle – (1750s-1990s) An elderly Black male; a familiar term for any older man.
Valid – (2010s) Authentic, legitimate, or worthy of respect. "That's valid" means "I agree."
Vibe / Vibing – (1960s-1990s) Feelings or a harmonious connection. "Vibe check" assesses the mood.
Yeet – (2010s) An exclamation of excitement, approval, or to throw something forcefully.
“what are you gonna do, cry about it?” yes . the fuck
I'm going to have to play Persona 6 aren't I
title of this is just ‘lesbian sex’
lot of terfs have been reblogging this so I may as well publicly state that the woman on the right is modeled with permission after my transfemme friend. if you relate to it as strongly as many of you claim in the tags I urge you to reflect upon that with empathy and compassion about the depth of experiences you truly do share with trans women.
otherwise fuck off I guess. my art is not fuel for your hatred.