"MOM" and "DAD" from A Womb with a View by Briauna Falk
https://www.briaunafalk.com/a-womb-with-a-view

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KIROKAZE
occasionally subtle
Show & Tell

roma★

❣ Chile in a Photography ❣
we're not kids anymore.
YOU ARE THE REASON
$LAYYYTER
Game of Thrones Daily
Mike Driver
Not today Justin

Product Placement
Today's Document
Lint Roller? I Barely Know Her
Cosimo Galluzzi
RMH

⁂

Andulka
DEAR READER

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@sidbranca
"MOM" and "DAD" from A Womb with a View by Briauna Falk
https://www.briaunafalk.com/a-womb-with-a-view
truth coming out of her well to shame mankind (tumblr safe version)
“the curious blending and duality in the emotions of the Dionysian revelers remind us—as medicines remind us of deadly poisons—of the phenomenon that pain begets joy, that ecstasy may wring sounds of agony from us.” - Friedrich Nietzsche, The Birth of Tragedy. // i’m feeling badly today, one of those times when the blend of external stressors and internal imbalances is overwhelming, but i am trying to remember that all experience is part of some mystery unfolding, filling in some patch of blank space in the painting of my life, and it is difficult to create a powerful composition without contrast. // my dear friend Emily Esperanza ( @esperanzaphoto on ig ) took this shot of me on 35mm earlier this year and i really love it a lot. 🖤⛓🌿 // (at Temple of Dionysus) https://www.instagram.com/p/Bq0Ql6bH1xe/?utm_source=ig_tumblr_share&igshid=1oz47srmriays
i’m having one of those days where i feel like i haven’t made any artistic progress, like i never finish anything, like i have no follow-through, like i don’t learn anything and am just constantly jumping from new project to newer project, only for that too to be abandoned and forgotten. i am trying to remind myself that not everything has to be finished overnight, or even in a year or two or three or five. that some projects don’t ever find a real finished form, and that is okay, and that i am actually always learning. these images are from the first time i tried doing projection design in the context of theater — a little workshop performance with @firstfloortheater while doing a residency at the Logan Center for the Arts. The Distance to the Moon was inspired by a Calvino story and this version had live camera feeds run through a bunch of effects, coordinating with puppetry and movement work. this was in 2013(?!?), aka over five years ago, and i know a lot more now than i did then, and learned a lot from this experience. even if this project never quite felt like it landed in a final form that felt finished or whatever, it was the starting point of a significant part of my current artistic practice, and i have actually made progress and i shouldn’t be so hard on myself all the time probably???? (at Reva and David Logan Center for the Arts) https://www.instagram.com/p/BqqeDKqHFQk/?utm_source=ig_tumblr_share&igshid=184ue7pl0d1l
Sharon Van Etten - Comeback Kid
that feel when someone recommends something to you, and it really feels like something a bizarro universe version of yourself would have made
like in the parallel dimension where i am less goth and less butch and more musically talented and polished and had gone down a couple of different paths of life experience that i only very nearly turned away from, this feels like me, if that makes any sense?
The photo above is the closest humanity has ever come to creating Medusa. If you were to look at this, you would die instantly.
The image is of a reactor core lava formation in the basement of the Chernobyl nuclear plant. It’s called the Elephant’s Foot and weighs hundreds of tons, but is only a couple meters across.
Oh, and regarding the Medusa thing, this picture was taken through a mirror around the corner of the hallway. Because the wheeled camera they sent up to take pictures of it was destroyed by the radiation. The Elephant’s Foot is almost as if it is a living creature.
Friendly reminder that this blob of core material was so hot and dense, it melted/burned through three floors of the building before coming to rest in the lowest basement.
And there’s now a unique species of black mold that feeds off the gamma radiation it produces.
Is no one else seriously freaked out by that mold? No? Just me, then?
wiki article about the mold
LOVE that mold!
okay but
wwwwwwwwwwwwwwwwhy was someone shooting it with a kalashnikov
dps check
I mean, the Elephant’s Foot is very very dangerous, but it wouldn’t kill you instantly. When it was first created about a minute of exposure would give you a fatal dose (x, x). That number is now around one hour. And yes, that photo was taken with mirrors, but you know which one wasn’t?
Yeah, this is a selfie. The guy set the timer on the camera and went and stood by it, and it produced this horrifying image that now haunts my dreams. The reason all the photos from Chernobyl are grainy and poor-quality, by the way, is due to radiation. The cameras were fine; radiation just… does that.
Anyway, that guy’s name is Artur Korneyev- and I use ‘is’ because he’s still alive! He helped to build the original sarcophagus which encased reactor 4 after the meltdown, and kept going back inside with reporters to be like ‘look how fuckin weird this is’. He helped plan the New Safe Confinement which now surrounds the sarcophagus, and would probably have helped build it too if they didn’t full-on ban him.
A quote:
‘Korneyev’s sense of humor remained intact, though. He seemed to have no regrets about his life’s work. “Soviet radiation,” he joked, “is the best radiation in the world.”‘
Possibly the coolest guy alive? I’m tempted to think so.
Honestly, I feel like Chernobyl has been shunted into this category of like, ‘a lot of innocent and naive people died horribly’, when in reality a lot of tough as fuck people saved everybody else. The oft-told story of the ‘suicide mission’ to dive into the reactor and open the valves of the pool? Yeah, all three of the men who dove lived. One died in 2005 of heart failure; the other two are still alive.
A total of 31 direct and 15 indirect deaths are thought to have occurred from the Chernobyl disaster. Long-term deaths are… difficult to measure. Oh, and there’s a few hundred people still living in the exclusion zone.
If you’re at all interested, I really recommend reading up about Chernobyl- and, in particular, what was done to contain it and deal with the radiation. This is a beautiful write-up, and the wiki page is also worth checking out. A lot of people did absolutely incredible work and it goes unrecognised most of the time.
And yeah, fungus is always the fucking weirdest.
Works by Scottish sculptor, Philip Jackson.
SOS I’m realizing I’ve been drawn to Fox Mulder my entire life because alien abduction narratives are metaphors for assault and trauma, and Mulder is a man with some institutional authority who consistently believes people when they describe their traumatic experiences to him.
La Vérité sortant du puits armée de son martinet pour châtier l'humanité - Jean-Léon Gérôme, 1896. // translated as “Truth coming out of her well to chastise mankind.” more literally “Truth coming out of the well, armed with her martinet, to chasten humanity.” // In English, a martinet is a strict disciplinarian, often in a military context, who demands rigid adherence to the rules. In French, “martinet” usually refers to a short multi-tailed whip that common tool of corporeal punishment in France in the 1800s, one that a mother would use to discipline her sons when they refused to obey her. // this painting was made in the context of both the way new technology (photography) was influencing conceptions of truth, and of a moment of activists and artists aggressively questioning the supposed justice of the government and the military (the Dreyfus affair). // the exhaustion of this much anger is easy to write off as a choice, if you do not experience its causes directly, in a constant stream that cannot be ignored. for every thing that is said, so much is not said. // https://www.instagram.com/p/Bom3ou9gv8G/?utm_source=ig_tumblr_share&igshid=1ob5j44mmpzqj
(a photo of me in probably May 2001, one of very few photos of me from that year, looking nothing like I usually did and trying really hard to look like someone who might be popular in high school. this was a couple of years before I came out, chopped off my hair into a mohawk and dressed mostly in butch hand-me-downs I’d stenciled things onto, paired with those bondage pants from Hot Topic.)
There are not a lot of photographs of me that predate 9/11 that are not from the ‘90s, not from my actual childhood. On September 11, 2001 I was still a few months away from my fourteenth birthday, an awkward freshman in high school in the small town I’d lived in all my life. Shoreham, New York, is a seventy-three mile drive from where the towers once stood. It’s shorter as the crow flies, of course, or the plane. A town full of people who take the Ronkonkoma line to Penn Station five days a week, shuttling between a beach town where everyone knows everyone and the Center of the Universe. A town where everyone knew someone on that block.
I never quite know what to say about it, so I keep picking at the memories each year, all full of panic even when it sneaks up on me, even when yes I always remember September 11th but maybe I forgot that today was Tuesday and I wonder why I wake up sweating. Maybe it is a sign of adulthood that this time I knew it was coming and I slept alone for the first night in a long while and maybe I didn’t even have bad dreams. I just woke up thinking about my father, who never became a New Yorker, a thing that I have always been since birth and a title I don’t necessarily deserve, but he took that train, all that back and forth, when I was a tiny little baby who knew nothing.
I got my first camera in, I believe, 2003. My hard drive suddenly swells to fill all my young attempts to figure out not only how a camera works, but what I look like. This is still how I use cameras; to express, to document, to help me remember, to preserve, to celebrate, but also to sort through the fact that I exist in some physical form. Here I am. This is what I look like. I am a body in space. I often say that I’m a narcissist, but maybe I’m more of a detective.
There’s this stretch of time from maybe 1998 to 2002 where there is not a lot of documentation of my life -- there are some physical photographs somewhere, buried in a box in my mother’s house -- and so sometimes it doesn’t feel real. (Earlier than that, age 10 and under, just feels like the vague fog of childhood, an era that certainly happened although I don’t recall much of it in detail, certain moments sticking out and up into clarity like skyscrapers wrapped in mist.) These dissociated years roughly span the experience of middle school, perhaps not a surprise. Junior high is often a deeply trying time for the weird and queer. Hell, it’s a deeply trying time for almost everyone.
But a strange result of this trick of timing -- a moment of real fear on a national scale, with an even more intense impact on my particular location in the country, occurring right when I was launching into my teenhood, mere days into high school -- is that life prior to that moment barely feels real.
The difference between me and those several years younger than me is not that I clearly remember living in a pre-9/11 world, but that I clearly remember the moments in which we pushed through some membrane of time into a post-9/11 world, those minutes when we just hung in it, suspended in total uncertainty.
The phrase “never forget” always strikes me as so strange. There are things burned so deeply even in my faulty memory that they cannot go. I am sure for anyone who actually stood there, looking out the window, and rushing their colleagues down the stairs and up the block and off the island while the scene plays out again and again behind their eyes forgetting is not something to imply is an option. is the sentiment underneath “always learn”? isn’t it a warning for the future, for the ones who weren’t there? or a command not just to replay our memories, but to have them be understood as a part of everything that came before and also everything that comes after?
I don’t know. I don’t know anything. This day makes me feel small and afraid. This day is my first memory as a version of myself that doesn’t feel so impossibly distant from who I am now, although so much has changed.
It’s probably worth saying: this day isn’t about me, obviously, and I feel vaguely guilty even writing about it this way. I think, I should have written something eloquent about the lives lost that day, or the many lives lost later and the awful racism that some people used the suffering of that day to justify, or the incredible resilience of New Yorkers and their unique place in the national identity of this country. I also think, other people have done that better than I could. I think, I wasn’t really there, I don’t get to speak about this.
But even so many years later, I have an intense and complicated emotional response every time I look at the calendar and see it’s September 11th. Each year I find myself trying to process that, dig through another layer. Thanks for listening to me pick at old wounds.
Myriam Cyr as Claire Clairmont and Gabriel Byrne as Lord Byron in Gothic (1986)
Daisies (1966)
i’ve only seen like two episodes of Shameless because my friend was in them but y’all know I instantly started screaming and taking screenshots when this moment happened.
Isabella Rossellini in Death Becomes Her (1992)