I saw a bumper sticker and thought “is that seductive Daffy Duck” and then when I looked closer I realized it was actually a fishing bumper sticker but also. also it is still very much seductive Daffy Duck???? somehow????????
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@silentboredom
I saw a bumper sticker and thought “is that seductive Daffy Duck” and then when I looked closer I realized it was actually a fishing bumper sticker but also. also it is still very much seductive Daffy Duck???? somehow????????
More of you need to learn about these ☝️
“i have something important to say and can’t say it here please DM me 🥺”
never follow a bot to a second location
Now make your feminine lesbians dark skinned.
gentle psa to new comic artists about a problem i also suffered from: slow quiet pacing is totally fine BUT if that's not what you're deliberately going for, you CAN fit more Story Progression on the page. no, more than that. more than that even. i promise if you don't want it to a single action doesn't need to take a whole page to illustrate each of its steps, a lot of connecting magic happens in the gutters i /promise/ if you draw someone pulling up in a car then skip to them walking in the door with groceries we will Understand that they unloaded the car and unlocked the house you feel me
#I am not a comic artist#but I had a similar problem when I was in film school#I call it “the door problem”#in my thesis film I had written that two characters walk out the back of the club into the alley behind the club#and my club location did not have a back alley but did have a side room that we used as the door#but that door opened in#and the location I used for the alley had a back door but that door opened outwards#and I knew it looked weird#I struggled framing the shots#and blocking the actors#and I got really really caught in my own head about how to make this door work#because to me it was really important that you saw every step from club to outside#because even though we had learned in school that you could transition it didn't feel right because it didn't feel like a new scene to me#(this being one of the struggles with a short film. It can all feel like one scene if your script is short!)#AND THEN#when we got into the editing room we just...cut the door transition entirely#initially not on purpose#what happened was that we decided to tighten up the timing by cutting non-linearly to the custom music I had commissioned#which made it much more experimental especially in comparison to my fellow classmates#however it showed me that the story still absolutely worked without needing to show how they got into the alley#the audience can infer the door#so now anytime I can feel myself getting stuck on something when I'm filming I think#“Is this a Door Problem?”#as a storyteller it's always a question of what is the absolute bare minimum you need to convey what you're trying to say#and sometimes that means you just need to already be outside the club
(via @currentlycreating )
Exactly! Film and comics are VERY similar mediums in this way, I love this. We should always be considering Door Problems
[Image ID: A screenshot of a tweet by Mohammed El-Kurd (@/m7mdkurd) that reads: "What Israel is doing in Lebanon is unambiguously genocidal against Shias. And it is unambiguously an attempt to reoccupy and even annex a huge part of the country. It's infuriating that we're pretending that there's a ceasefire. And even more infuriating that Western media continues to turn a blind eye to Israel's endless colonial expansion and insatiable hunger for Arab land." /End ID.]
Shout-out to aromantic people whose lives are so fucking busy that they periodically forget what day of the week it is. today is Wednesday, June 5th. Happy Aromantic Visibility Day.
Today is Thursday, June 5th. Happy Aromantic Visibility Day.
It's June 5th again!
"everyone should get more aromantic" can appeal to tumblr's sensibilities but I genuinely think everyone should also get more asexual. I don't mean everyone stop having sex, what I mean is
Sex is not essential. You can live without it. Full stop.
Not having sex isn't shameful or a sign of failure. It also doesn't make anyone boring.
You are not entitled to having sex with anybody and nobody is entitled to having sex with you.
Sex is not what makes someone an adult.
Nobody's worth is defined by how much sex they have or don't have.
Sex is not equally important to everyone.
You can have fulfilling and happy relationships without sex.
You should only have sex on your own terms, not because you feel like you owe it to someone, or because you feel like you'd be incomplete without it.
Know your boundaries around sex and be firm about them. Know how to respect other people's boundaries.
The previous point also applies when it comes to discussing sex. If someone doesn't wanna talk about it or hear about it you have to back down.
Anything can be sexual but not everything has to be sexual.
i do not at all mean this in a perjorative manner, but i do think it’s important to be able to consume a piece of media and go, “i’m not the audience for this” and be able to just walk away
there doesn’t have to be something wrong or “problematic” about something for a person to not like it. personal taste is personal taste. but something not doing it for you doesn’t mean it automatically has to be wrong or bad. it’s just not for you.
There’s been several times when I’ve watched a thing and been like, they clearly did what they intended to do, and did it well, and I don’t want any part of it. This is a high quality and deeply unpleasant piece of art.
“This is a high quality and deeply unpleasant piece of art” is a wonderful line, I love it, I feel it in my soul
too good a take to be left in the tags
btw if you’re fat and your partner doesn’t love you wholeheartedly, if they’re attracted to you “despite” your body, if they avoid touching you, if they look away from certain parts of you, you’re allowed to break up with that person. look at me. you can do better. you are not unloveable and you don’t have to settle i fucking promise.
You actually cannot skip to being good at a creative endeavour that you haven't put much practice into. You cannot trick your way out of the 'knows that your work is not what you want it to be but don't know how to improve it' stage by planning or reading or talking about it really really hard. At some point you just have to craft through it until your brain finds it's own unique way back to the 'everything I make slaps' stage and be prepared to start the cycle all over again. You just have to make that project you're excited about slightly less good than you want it to be. (Says this standing in a pool of blood and covered in blood and also coughing up a little blood)
everyone stop reblogging this I hate to be reminded of my own good advice
Not sure how to caption this. Just thought it was cute and funny
If you're writing anything involving cons, scams, heists, or morally questionable characters who are very good at lying, here are some free resources I've been using for research. Saving you the "why is this in my search history" anxiety.
1. The FBI's Famous Cases & Criminals archive (fbi.gov/history/famous-cases) has detailed breakdowns of real fraud cases, Ponzi schemes, and confidence operations. The language they use is clinical and precise, which is perfect for getting the procedural details right.
2. The FTC Consumer Sentinel Network publishes annual reports on the most common fraud tactics in the US. Great for understanding how modern scams actually work and what makes people fall for them.
3. The Smithsonian's American Art Museum has a free digital collection of forgery case studies. If your character forges documents or art, this is gold.
4. Court Listener (courtlistener.com) is a free legal database where you can read actual court transcripts from fraud trials. Want to know how a real con artist talks under oath? This is where you find out.
5. The Internet Archive's collection of old newspaper crime sections. Search for "confidence man" or "swindle" in papers from the 1920s through 1960s and you'll find incredible real stories that would feel too dramatic for fiction.
Bonus: The Psychology of Fraud section on the Association for Psychological Science website has accessible articles about why people trust, how deception works cognitively, and what makes someone a convincing liar. Essential reading if you want your con artist characters to feel psychologically real.
Reblog to save for later. Your WIP will thank you.
hope tumblr lasts another 20 years so i can liveblog my midlife crisis
I am so tired of short-attention-span, trim-the-fat culture. All writing advice these days is for how to write like Chuck Palahniuk. "Cut 'think', cut 'feel', cut 'wonder' - only action, only pushing forward, show and move and move and move." What if I could emulate this style, and still don't want to? What if I want to write like Henry James, with three paragraphs of introspective musings between each dialogue line? The music advice is, "make it shortform, make it Tik-Tok compatible, make it punchy, hit the refrain as soon as possible." What if I want that 10-minute prog rock piece? What if I want that symphony? What if I want it slow and luxurious and lazy? Movies. Series. Poetry. Bodies. Everything is "trimmed trimmed trimmed trimmed, stripped bare, you have three seconds to win me over, make it airport chic." I don't want to win you over, then, I guess. I want the fat left it. I want the pleasure and the indolence and the indulgence. Fuck this art-advice that's always "your art needs Ozempic."
They supporting
Thats the context for this meme???
I feel like I've been robbed the whole time. This is magical.
this is better than anything id hope for the context