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@siriiustar
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photos from the Hacks series finale by cinematographer Adam Bricker
The idea of the person everyone viewed as a pest turning out to be a savior of sorts is one I’m obsessed with. No one (besides Fiona) ever gave Jerry any grace and yet his moral compass refused to let the honeymoon suite go unchecked and he refused to give up on finding Ohm when it would have been in his best interest to do so. In the end he’s shot in the head with a crossbow for it, like the goats that he shared his mushrooms with who were also viewed as pests which only makes it more special that in his novel Ohm writes in the goat/ram skull that ultimately saves his characters when they too choose kindness and compassion.
for a movie so focused on the porn industry there is a shocking lack of sex between the leads
shipping a consensual, safe & sane pairing all the while i'm shaking my head in disapproval so the audience knows i still love wildly toxic abusive fictional dynamics
Here the film takes its most radical step.
The infected don't see the world the way we do. The virus doesn't make them murderers: it makes them terrified.
It's a complete reversal of the zombie paradigm: they're not predators, they're victims of their own distorted perception. Anger doesn't erase humanity: it buries it under layers of fear.
Kelson, with psychiatric drugs, doesn't "cure" Samson: he brings back fragments of who he was.
The cure becomes an ethical act, not a scientific miracle.
And Samson, in his liminality, is a powerful figure: no longer human, no longer infected, something that exists in-between.
He is the living symbol of the film's moral ambiguity.
Nia DaCosta I love your brain (she is talking about Dr. Kelson)
cunt-off
28 Years Later: The Bone Temple (out on streaming now) star Chi Lewis-Parry on what is was like to work with Ralph Fiennes
It's Kelsam hours
I can't get over The Bone Temple. Deeply compelling that there's a psychological component to the rage virus that everyone missed. That it took a deeply compassionate NHS doctor to figure it out 28 years down the line because of his use of humane methods for dealing with the infected instead of sheer survival brutality that the world had to adopt to survive it. How compelling it is that his need for connection led to him finding that cure. How tragic it is that no one will ever likely know what he figured out and that Samson will probably return to alpha life and never experience the clarity and compassion and connection through the treatment he experienced for that brief moment ever again. I'm going to throw up.
the bone temple is so funny it's like what if one man had a bedside manner so powerful it could make the whole world better. now back to people getting peeled
samson and dr kelson hanging out together
#the most important line in the movie
ZENDAYA as EMMA HARWOOD
The Drama (2026) dir. Kristoffer Borgli
The thing about the Drama that I have a hard time coming to terms with is the reason why Emma didn't go and commit the shooting. Everyone goes with the most uncharitable interpretation of those events; as if she didn't do it because she would no longer be "the first" one to do it in her town.
The movie shows how the shooting impacted the students at Emma's school, and Emma had to sit and take in all the reactions of those around her. The pain it caused others, how shameful it is to do such a thing, the weight of real life taken. Her not going through with it read to me less as a disappointment, and more as a wake-up call.
Before the shooting happened, her view of such events was glamorized play pretend. She was trying to make a "cool" sounding manifesto putting on silly makeup and clothes. After it happened, she was face-to-face with the real consequences that would have on the people around her, and she chose not to go through with her plan.
Charlie's interpretation of this event was the MOST uncharitable possible interpretation of how things went down and idk why his viewpoint is the one taken in this scenario.