Slytherco

30. she/her My AO3 | twitter 18+ ONLY, sals, dl;dr, kinktomato, antis/fancops not welcome Disclaimer: do not repost any of my works to other sites, thank you!

[evil-puppetmaster]

I thought you liked catholics?

That’s a fetish. Good for roleplay but not earnestly irl. I like their horny art. But ultimately the Catholic Church is an enemy of humanity.

[fruityshirts]

#catholicism is a machine that produces kinks and atrocities#use it wisely

[katistry]

girl help! the popular fanon interpretation of my favorite character is stupid as fuck

[valiants]

This heat

[valiants]

Back here

[valiants]

Still here

[leonardcohenofficial]

hate an x reader fic do not put me in a situation

[leonardcohenofficial]

peace and love on planet earth

[ordr]

Thanks for sexualizing peoples trauma fuckhead

anytime

[echoekhi]

I’m Declaring War Against “What If” Videos: Project Copy-Knight

What Are “What If” Videos?

These videos follow a common recipe: A narrator, given a fandom (usually anime ones like My Hero Academia and Naruto), explores an alternative timeline where something is different. Maybe the main character has extra powers, maybe a key plot point goes differently. They then go on and make up a whole new story, detailing the conflicts and romance between characters, much like an ordinary fanfic.

Except, they are fanfics. Actual fanfics, pulled off AO3, FFN and Wattpad, given a different title, with random thumbnail and background images added to them, narrated by computer text-to-speech synthesizers.

They are very easy to make: pick a fanfic, copy all the text into a text-to-speech generator, mix the resulting audio file with some generic art from the fandom as the background, give it a snappy title like “What if Deku had the Power of Ten Rings”, photoshop an attention-grabbing thumbnail, dump it onto YouTube and get thousands of views.

In fact, the process is so straightforward and requires so little effort, it’s pretty clear some of these channels have automated pipelines to pump these out en-masse. They don’t bother with asking the fic authors for permission. Sometimes they don’t even bother with putting the fic’s link in the description or crediting the author. These content-farms then monetise these videos, so they get a cut from YouTube’s ads.

In short, an industry has emerged from the systematic copyright theft of fanfiction, for profit.

Project Copy-Knight

Since the adversaries almost certainly have automated systems set up for this, the only realistic countermeasure is with another automated system. Identifying fanfics manually by listening to the videos and searching them up with tags is just too slow and impractical.

And so, I came up with a simple automated pipeline to identify the original authors of “What If” videos.

It would go download these videos, run speech recognition on it, search the text through a database full of AO3 fics, and identify which work it came from. After manual confirmation, the original authors will be notified that their works have been subject to copyright theft, and instructions provided on how to DMCA-strike the channel out of existence.

I built a prototype over the weekend, and it works surprisingly well:

On a randomly-selected YouTube channel (in this case Infinite Paradox Fanfic), the toolchain was able to identify the origin of half of the content. The raw output, after manual verification, turned out to be extremely accurate. The time taken to identify the source of a video was about 5 minutes, most of those were spent running Whisper, and the actual full-text-search query and Levenshtein analysis was less than 5 seconds.

The other videos probably came from fanfiction websites other than AO3, like fanfiction.net or Wattpad. As I do not have access to archives of those websites, I cannot identify the other ones, but they are almost certainly not original.

Armed with this fantastic proof-of-concept, I’m officially declaring war against “What If” videos. The mission statement of Project Copy-Knight will be the elimination of “What If” videos based on the theft of AO3 content on YouTube.

I Need Your Help

I am acutely aware that I cannot accomplish this on my own. There are many moving parts in this system that simply cannot be completely automated – like the selection of YouTube channels to feed into the toolchain, the manual verification step to prevent false-positives being sent to authors, the reaching-out to authors who have comments disabled, etc, etc.

So, if you are interested in helping to defend fanworks, or just want to have a chat or ask about the technical details of the toolchain, please consider joining my Discord server. I could really use your help.

------

See full blog article and acknowledgements here: https://echoekhi.com/2023/11/25/project-copy-knight/

[anevermadebed]

“yikes- op is a spn blogger.”

*miranda priestly voice* OK, I see. You think this has nothing to do with you. You go to your dash and you reblog that corny romantic quote, for instance, because you're trying to tell the world that you take yourself too seriously and care about what you put on your dash, but what you don't know is that that post is not just a romantic quote. It's not richard siken. It's not louise glück. It's actually supernatural fanfic. And you're also blithely unaware of the fact that in 2008, eric kripke did a season on angels falling from grace, and then I think it was ben edlund who showed a fallen angel in military jackets, and then endverse tropes quickly set up in the collections of different fic writers. And then it filtered down through the spn bloggers, and then trickled on down onto some tragic aesthetic blog where you no doubt fished it out of some generic love tag. However, that quote represents thousands of fics and countless blogs, and it's sort of comical how you think you made a choice that exempts you from big destiel when, in fact, you're reblogging a quote that was selected for you, by my mutuals, from a cw tv show.

[raptorcivilization]

Random fact: They did a study on courtship and mating behavior of American alligators at the St. Augustine Alligator Farm in the early 1980's. This study revealed that, among other things, the majority of alligator sex is gay

[raptorcivilization]

Male/male 1 is when the larger male gator topped, male/male 2 is when the smaller male topped

[werewolf-girlfriend]

[tiredandjaded]

average ao3 "sort by categories" result

[gilduii]

soap, price, ghost at some point in their lives. not gaz bc he actually has a sense of style.

[syoddeye]

the ghost special

[ilium-ilia]

price probably

[2334242xiao]

Ghoap sketches from n/d

[armacheart]

Show me where the delicate stops

[valiants]

Kinda wanted to try this last year but felt unworthy…

[notebooks-and-laptops]

Why Fenris could Never Cameo in Dragon Age: The Veilguard

In the run up to Dragon age: The Veilguard, I was almost certain that Fenris would be our main legacy character from previous games. Not only has he been central in the comics released between DAI and DATV, he is an escaped Tevinter slave who's plot revolved around magisters, magic and the structural prejudices surrounding elves in Thedas. Not only that, but he's canonically in Tevinter killing slavers currently so he's geographically in the right place for us to meet him.

About halfway through the game though, it was clear to me: Fenris could never cameo in The Veilguard. Because he'd break it.

How the Veilguard treats Thedas is...odd to me, to say the least. I will be writing another post about how much I adored the expanded big lore in this game (the titans, ancient elves were spirits, where the blight came from etc.) and yet while these large lore expansions worked for me, the actual culture of modern Thedas is entirely softened, its sharp edges filed down until it's a sanitised fantasy world devoid of what made the franchise so vibrant and compelling in the first place.

So let's start with Fenris and slavery. In all three games, the reality of slavery is pushing at the corners of the world. In DAO Loghain allows Tevinter Magisters to enslave elves in order to raise money for his war effort. In DA2 Fenris is fighting to be free from slavers who will not leave him be, let alone the reminders that the city was built by slaves which are everywhere. In DAI one of the two possible mini-bosses is Calpurnia who was a slave, and characters such as Gatt and Dorian both show us how much slavery is tied into Tevinters culture and success.

But DATV the first game actually set in Tevinter where we get to see the famed Minrathous...it's like the game purposefully wants to avoid the issue. I can feel it tilting the camera away to not allow me to see. Slavery is mentioned, but never talked about in depth or as a specifically ELVEN problem in Tevinter. This might have been done to be less problematic, it feels ignored.

We are in DOCK TOWN. We are at the DOCKS. You would think that slaves from all over Thedas who are being smuggled and bought by various groups would be everywhere. You would think that the injustice in dock town would be partly built on the back of ships we've seen in the comics crammed with elves in chains. This is the world Dragon age set up for us. And yet...nothing. zilch. A tiny easily skippable side quest where we free a couple of venatori slaves, but only one of whom is an elf.

None of our Tevinter characters seem to have been influenced by their culture even a little bit when it comes to how they view elves; there is no moment when Neve fucks up and says something prejudiced, no moment when Bellara or Davrin are distrustful of her for being a Tevinter mage.

The same goes for Zevran; a character who epitomised the issues with the crows. The crows have consistently been characterised as very morally dubious assassins who kill for the highest bidder and who buy children on the slave market and torture them as they grow in order to assure that they reach maturity able to withstand torture without giving away a client's name. Zevran is very explicit about the fact that if you fail a contract your life is forefit.

Nobody responds particularly to you if you're an elf. Nobody trusts rook less for it in Tevinter. Nobody treats Rook any differently. Even DAI had better mechanics for this; with nobles in Orlais less likely to trust you as an elf.

Considering one of the main plot points of this game and what makes Solas sympathetic is the fact that he was fighting against the slavery of ancient elves...you'd think the game might want to mirror that in modern Thedas. It might want to show us how characters fighting to end slavery in Tevinter are similar to Solas and how the society Solas fought against was similar to the one that characters we love such as Fenris have fought against in modern Thedas. Maybe we'd want to explore how in a world of slavery like this, how could the answer NOT be to tear it all down? Maybe we should have that option at the end of the game so it really can chose whether we agree with Solas and his plans or not.

Adding Fenris to this game would entirely break the game because Fenris refuses to allow you to look away from this horror. He is a sympathetic character who had to learn to trust mages again because of course he didn't trust them. Of course he didn't. Fenris wouldn't allow the camera to shift focus because he's literally covered in the lyrium scars that show how slaves are used as experiments in Tevinter. Fenris WOULD question Neve on how she feels about elves and slaves. Fenris WOULD have things to say about Lucanis and the crows (let alone the fact Lucanis is an abomonation). So he could never be in this game; he'd drop a bomb on it's carefully constructed blinders to the very society its supposed to be set in.

And yet, in DATV, the crows are presented as...a found family of misfits and orphans? The politician who opposes the crows having absolute power in Antiva is framed as a comically evil idiot who doesn't understand that the crows are ontologically good. Yet...they're NOT. Crows in this game act more like a secret rebel group than an assassin organisation. We see no crow taking contracts with the VERY RICH venatori magisters despite being hired killers. We see crows just refuse to kill people despite having a contract because 'its crueler to leave them alive'. The crows don't feel like the crows here, they feel like a softened version of a cool assassin group who are cool because they wear black and purple.

Our pirate group are also sanitised; the Lords of Fortune are good pirates who only steal treasure that's not culturally significant. Theyve clearly read the modern critiques of the British Museum and have decided to explicitly stop anyone levelling similar critiques at them. There is no faction of the Lords of Fortune who aren't like this, no internal arguments about it. Everyone just. Agrees. And is able to accurately tell what a cultural artifact is vs. what treasure that you can have yourself is. Rather than showing us why a pirate stealing cultural artifacts might be bad (like in da2 where such a situation literally causes a coup and a war) it just tells us it's bad. But also pirates are cool so we still want them in our world.

This issue seaps into Thedas and drains it of any of the interesting complexity and ability to SAY anything that this franchise had before this game. It becomes a game about telling and not showing rather than the other way around. The games have ALWAYS asked questions about oppressive structural systems and their interplay with society, religion and culture and how these things can affect even the most well meaning character. Dragon age at its best IS a game about society and how society functions both for and against it's characters and what happens to societies built on cruelty and indifference. The best bad guys dragon age has given us are those who are bad because they embody these systems or have been shaped by them. Our main characters have had to wrestle with questions surrounding how to exist in these systems, fight against them, learn and grow.

Yet every group you come across in DATV is sanitised and cleaned up to the point of being as non problematic as humanly possible. None of our cast of characters have to wrestle with where they came from or the world that shaped them. None of them have to confront their own biases. They start the game perfectly non-problematic and end it that way too.

And this just...isn't what Dragon Age has been in the past. It isn't why I love the franchise. The whole game just felt, in a way, hollow. And this was a CHOICE and it is why the legacy characters are few and far between. Too many dragon age characters are just too...angry and complex for this game. You can feel them pulling their punches on this one. I have to imagine they did this because they didn't want to be criticised or have too much controversy? But I think it honestly goes far too much in the other direction and just makes it bland.

I can't imagine what I say here will be unique, but it is the basis for a LOT of my other thoughts on this game so I wanted to get it out of the way first. The softened Thedas and characters make this game by far the weakest in the franchise.

[mumblesplash]

most fuckable tetris piece

I

O

T

J

L

S

Z

Voting ended onNov 14, 2024

Explain yourself.

[mumblesplash]

some people might not have seen all of them yet

[mumblesplash]

i am SO glad people are explaining their choices because one of my favorite parts of what’s going on here is the huge variety of reasons and lines of thinking people are using all to arrive at the exact same answer

[mumblesplash]

at this point so many of you have independently described similar personality traits for all the tetriminos that i almost feel like i could draw them as people

[mumblesplash]

they are reading the comments

[mumblesplash]

some wild shit going on in the notes that’s hard to pick up on if you’re not getting notifications every time someone says anything:

for some reason both people who prefer S AND people who prefer Z say they think Z would be kind of mean

people who Don’t pick the T overwhelmingly assume people who do chose it because it looks like a dick, actual given reasons for picking T lean more toward gameplay versatility, sex toy safety (i.e. they ALL look like dicks but T has a flared base), and personality

there’s a fairly even split on use of gendered pronouns for I, O, T, and Z, but people tend to use she/her for L, J, and especially S

there have been multiple unconnected instances of the phrase ‘triple t spin in the pussy’. this doesn’t really matter it just feels worth mentioning

by and large S and Z fuckers are MUCH more passionate about their choices than L and J fuckers

there’s been a tumblr-typical handful of ‘submissive and breedable’ comments, but as far as i’ve seen only the T piece has people explicitly and directly saying they want to get it pregnant. no idea what caused this. the art seems to have made it worse

[were--ralph]

When his knot is too swollen after being rawed behind the Arby's air conditioning unit for three hours with no break

[persbaderse]

[pistol-kitten]

ohhhhhh okay I see

[cum-padre]

Me in 2029 when king kongs penis is public domain

[stinglesswasp]

Overseas 🇺🇸