I could fix him in my fics but making him worse is so much more fun. #bleeding as enrichment
macklin celebrini has autism
cherry valley forever
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Origami Around
Monterey Bay Aquarium
untitled
trying on a metaphor

bliss lane

tannertan36
Cosmic Funnies

❣ Chile in a Photography ❣

oozey mess
Show & Tell
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Jules of Nature
TVSTRANGERTHINGS
Aqua Utopia|海の底で記憶を紡ぐ
ojovivo
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@snake-with-scallions
I could fix him in my fics but making him worse is so much more fun. #bleeding as enrichment
I love fantasizing about what would've happened if Jet had won that fight.
No wait, this is actually a FASCINATING hypothetical to contemplate, even if you put aside the shipper lens. because, when you watch the scene, neither of them decisively won or lost that fight. Both of them lose one sword each, and end up in That Spinshot™ before the Dai Li arrive and say:
"Drop your weapons!"
And Jet disengages from the fight and says:
"Arrest them. They're firebenders!"
Interesting. Throughout this entire sequence, Jet repeatedly addresses the bystanders, the onlookers, the crowd. The only times he directly addresses Zuko (and Iroh by proxy), is when he's trying to goad him into firebending. Right from the start, it's an intentionally public (albeit rash,) attempt at proving their origins and his claims undeniably, and alerting the milieu and the authorities. Crucially, he is not trying to KILL them HIMSELF. When the Dai Li tells them to stop, HE COMPLIES, probably because he genuinely thought they'd hear him out on what he's damn sure he saw. The Jet we see at the tea-shop fight has not taken it upon himself to personally do away with the fire nationals, but rather prove his claims to the public and make it possible to take collective/official action against them (which again, makes sense in context of his character arc and motivations for going to Ba Sing Se).
And as much as he hates his life here at this point, Zuko is pretty darn serious about not blowing their cover. Sure, he immediately squares up to fight Jet (because he's still Zuko, and working customer service at that) but at no point does he say or do anything that might give them away. He says a total of two lines throughout the whole sequence. Literally relentless force vs immovable object.
Which brings me to why this is so very intriguing in context of the art here. For the fight to have gotten to that point, there had to have been no intervention (the guards didn't seem interested in doing so in the original, and neither did any of the bystanders). Zuko, assumably, still hasn't done anything to prove the accusation. They're, once again assumably, still in public, with a significant audience, at that. Jet literally has 'Lee' pinned at swordpoint. He could kill him right then and there.
But would he? Would Jet, the boy who's trying and failing to do better, considering the juncture in his life that he's at, outright kill the people person he knows suspects is a firebender - finish the job himself for the greater good? And if not, what on earth would he do at this point? What would Zuko do, one arm immobilized, the other gripping the blade itself, facing imminent death for all he knows (unless he does something)? What would Iroh do, Iroh who's been watching and yelling placations from afar?
Anway, sorry for the mini-essay, and i don't know if I was able to put across my thoughts clearly, but I think this situation would be soo interesting considering their individual motivations, where they're at in their lives currently, and how it has affected them.
Friend, please never apologize for writing a mini-essay on my favorite characters from my current favorite hyper-fixation. I come to tumblr specifically to read long-form essays by complete strangers that shed new lights on a thing of beauty that we both love. I read every word with care and attention. Never apologize.
Yeah, this is a really compelling piece of art and I never thought about any of this before. Thrilling.
Thank you T-T It's heartening to know people like these analyses as much as I do.
SO I'M HERE TO FURTHER (OVER)ANALYSE THIS PIECE OF ART.
(most of these probably weren't intended but that will not stop me from reading into it, sorry you told me not to apologise)
One thing that stands out to me here is that Jet is also gripping the blade portion of his sword. Probably because this is a tight spot to be in, anything could happen if he loosens his hold at this point, and he hasn't had the chance to adjust his grip lest the tide of the battle turns in an instant.
Neither of them look particularly concerned by the fact that they're tightly holding A SHARP METAL WEAPON THAT'S CAPABLE OF SLICING A WOODEN TABLE CLEANLY IN HALF (as seen earlier)
Besides, Zuko here has to be countering the force Jet is exerting so that he doesn't get his fucking throat slit (as put so well by @0bscvr1ty). Whether Jet would actually do it or not is debatable, as I said earlier, but I don't think either of them know the answer to that at this point, and would thus act accordingly. What I'm trying to say is, he has to be holding the blade with a considerable amount of force.
The NEXT THING(s) I noticed are very very interesting: 1. Jet's wheat grass is still intact. 2. Zuko still has his apron.
Now, it's very likely the artist has added those in to make the characters recognisable, I totally get it, but let us ponder The Implications for a second. The apron disappearing is likely an animation error in the original, but since the fight scene is spliced with other scenes, it's very possible Zuko lost it at some point during the fight. Meanwhile, we very clearly SEE the wheat grass being sliced by Zuko - the show draws attention to it with a whole ass slow-motion.
We already know this art piece is a divergence from `what actually went down. With the help of these details, we can pinpoint the exact portion of the OG fight from where it diverges. It all lines up! This is the series of events in the original fight:
Jet and Zuko each lose one sword.
Zuko slices Jet's wheat-grass
Jet leaps back to give his "The Fire Nation is trying to silence me!" dialogue and jumps back into attacking.
(Crucially, Zuko has his apron throughout this whole sequence)
The scene cuts to the Earth King's party (as it continually does throughout the fight). We can assume that the fight is continuing in this time, only off-screen.
When we next cut back to the fight, Zuko does not have his apron.
Therefore, I think it's perfectly possible for him to have lost it in the scuffle in a portion of the fight that happened off-screen while the show cut to the party. Watched continuously, it's impossible as there's only a 3 second gap between the apron being present, and subsequently disappearing. BUT!! if you interpret the fight to not be continuous (as is implied, now that I watch it again. Jet leaps at Zuko from the front, and the scene cuts away. When we cut back, they're facing to the side, as we can see with the perspective provided by the well in the foreground. Zuko does not have his apron anymore.), you end up with a plausible interval during which the apron might have been discarded.
Therefore, this particular situation depicted in the art above would HAVE to have taken place between points 1 and 2. Which is 30 seconds into a fight that lasts a whole minute (minus any bits that might have happened off-screen during the scene splicing), if watched unbroken.
(yes, i did the math)
By inference, it's unlikely that Jet ever ends up in the situation where he climbs a well and yells "THE FIRE NATION IS TRYING TO SILENCE ME!!" to an entire square full of people, since that happens after he has to retreat for a second once his wheat grass gets sliced.
And I'm willing to bet that him screaming that particular line in public, from an elevated position at that, was what alerted the Dai Li to come to the site as quickly as they did in the OG show.
Don't get me wrong, I don't for a second think that the Dai Li will just...not show up in this canon-divergent situation. All I'm saying is, it's likely they'd take a bit MORE time to get there. Up until that point, Jet had been loud, but only in the confines of the tea shop. The only lines he says prior to the wheat-grass-slicing (which has not occurred in this art), are said to Zuko personally to goad him into firebending, NOT YELLED TO A WHOLE DAMN AUDIENCE.
It'd buy Jet at least half a minute more, if not a whole one, before the Dai Li show up in this particular instance depicted in the art - whether he knows it or not.
tldr; the ripple effect of Jet overpowering Zuko at that point of the fight specifically would be INSANE (and prev has unleashed something rather unhinged within me).
Thinking about the whole "there is no platonic explanation for this" thing and how it doesn't account for intense platonic situationships and anyways I think we should start saying "there is no casual explanation for this" bc really what we're talking about is the way the characters in question are Obsessed with each other
Reblog to give prev the power to write their fanfiction
Reblog to give prev the TIME to write their fanfiction
Reblog to give prev the hocus focus to write their fanfiction.
Reblog to give prev the energy to write their fanfiction
Reblog to give prev the executive function to write their fanfiction
How it feels when someone prevs you
kitten fever is worse than baby fever because a kitten is way easier to obtain than a baby so it's more dangerous
that tumblr sexyman poll is pissing me off so bad like oh my god ryland grace isn't a tumblr sexyman MY MOM FINDS HIM SEXY . THAT'S RYAN FUCKING GOSLING ToT ... IDC if tumblr loves him he's also ryan god damn gosling . at least senshi and tenna are like a little more niche, a little more against the grain... RYLAND GRACE IS PLAYED BY RYAN GOSLING............ YOU PEOPLE ARE CRAZY !!!
i would never wish celiac on anyone but sometimes i wish i could give people the experience temporarily so they stop judging me for being so cautious around food. someone once gave me a hard time for only ever ordering the same thing at one of the few local restaurants i can eat at, and it's like.... well, i have confirmed that this one thing will not poison me. i have not yet confirmed that anything else on the menu will not poison me. i don't feel like violently throwing up today if i take a risk that pans out badly.
I have Crohn's not celiac, but the vibe is honestly exactly the same. I think people who do not experience chronic GI disorders truly do not understand the unmitigated horror that is unleashed by eating the Wrong™ food. Like.
I do not want to spend the next several days or weeks bent over in agony as my intestines try to physically yeet themselves out of my body.
So no. I'm not going to risk eating something that may contain a trigger food. Yes, it is that serious. And no, I'm not being "difficult" about it.
You are for insisting that your food preferences outweigh my desire to not get fucking poisoned.
they should make a second car horn where instead of honking it says "i love you my beautifil friend the light is green please go" and a third car horn that says "hi grandma" for when you see your grandma while youre driving
SIMPLE GUIDE:
Body Horror: Things that cannot happen in real life. EX: The Thing, stomach mouths, eyes on hands, etc
Gore: Fresh injuries, often severe. EX: Severed leg, gutspill, deep gashes, etc
NEITHER: Healed injuries and burns, congenital differences, missing appendages, etc. If I could theoretically go to the store and see that character browsing the isles- It isn't body horror or gore. That's just a person. *AND the amount of people that tag, not just fictional characters, but real human beings as body horror is staggering. Its not solely a fandom issue, ableism and bigotry against anyone that looks sufficiently "different" is prevalent in real life and has devastating consequences.
(Modified) from my comment left on this post.
Adding:
Self harm scars are not body horror.
Pregnant people are not body horror.
Burn scars are not body horror, that includes chemical burn scars.
Prosthetics are not body horror.
NOT having prosthetics is also not body horror.
There is no disability aid that is body horror.
Congenital differences + disabilities are not body horror.
AND acquired differences + disabilities are also not body horror.
Real people are not body horror.
If you are uncomfortable or scared because someone looks different than you that is YOUR PROBLEM. It is your responsibility to get over it, or at the very least not make it everyone else's issue. Play the quiet game.
Not mama, but another baby
basketball dracula isn't real dude he can't-- *sudden squeaking noises from the shadows*
*two pool toys having sex tumble by in the wind* oh thank god
*thunderous slam dunk noise*
Hero of Time
Not mama, but another baby
I never liked those posts that reduce the Disney princesses to “girl who overacts about something and dramatically flings herself down and bawls” (super popular in the early 10’s and somehow that’s how a shocking majority view the classics now) but after an Aladdin (1992) rewatch, it’s especially egregious that they ever included Jasmine in that.
This part. This is the part I’m talking about
This is not a woman falling to pieces because her father won’t let her marry a man she just met.
This is a woman born to a life she has very little say in. She has never had a genuine friend (besides a tiger). She is facing a marriage to a man she doesn’t know and doesn’t like but duty (and the law) demands it. So she took a risk, ran away, ran to a world she doesn’t know or understand and when she landed in trouble (serious, serious trouble) a stranger came to her aid. She finally (finally!) made a real connection with someone but they didn’t get much time together before the guards showed up and she had to reveal who she was.
This moment when she’s crying her heart out? It comes after she’s been told that the first person she ever connected with, the first person to be genuinely interested in her for who she is and not what she is, the first real friend she has ever made, was executed… because of her.
She believes a good, innocent person has lost their life because of her actions, and what’s more, it brings home the reality for her that she cannot have a normal life or normal relationships, because see the consequences one little attempt wrought?
I actually love this trope. People treat crying like some kind of moral failure. Boys shouldn't cry, girls *can* cry, but that's also what makes them inferior. If this is not an example of toxic masculity, I don't know what is.
Crying is normal. Even if it's over something trivial. We all face a lot of struggles in their lives, whether we acknowledge it or not. Something minor might end up breaking the camel's back.
Anyway, here's one of my favorite scenes in Beauty and the Beast:
Belle's reaction is completely understandable. I think Mrs. Potts put it best: "The girl lost her father and her freedom all in one day." That's not overreacting!
Thank you so much for adding Belle!
Really, none of the classic princesses deserve the misinterpretation.
Cinderella?
Again, this is not after someone told her “yOu CaN’t MaRrY a MaN yOu JuSt MeT”—this is after she went to great lengths to get ready for the ball, adhering to the intentionally difficult (meant to be impossible) stipulations set by her abusive step-mother for her to be allowed to attend (when really she was invited and had as much right as the others to attend). She made that dress (I can’t recall off the top of my head if the classic animated version was also her mother’s old dress she restyled or not but still, she put in a ton of work on top of all the extra house work) and what did her step-family do? They tore to shreds while she was wearing it. Of course she’s lost hope: it’s the final straw after years and years of doggedly remaining optimistic despite constant harsh treatment.
Let’s go to another favourite: Mulan.
Mulan’s just had the worst day.
She tried her hardest to live up to her family’s and her society’s expectations and vision of a perfect bride but she failed. Not only did it go wrong, but she was publicly humiliated by the Matchmaker—by extension, humiliating her family.
Granted, her family has been kind and sympathetic about the whole thing. Her father even goes to encourage her, assuring her of his unconditional love for her and his confidence that she’ll get it right next time.
She’s just beginning to smile when the drums pound and news of war reaches their village. Her father—her beloved father who’s already a veteran and lives with a disability—is expected as the only male in their family to suit up and head out in the morning.
Mulan can’t help. Nothing she says will be listened to and she can’t take his place (until, of course, she thinks of a way to do so which this moment of crying it out in the rain leads to—score one for having a good cry and clearing your head).
There’s of course more. Take any princess’ dramatic crying momentTM and review the context and I’ll bet you’ll see it’s never as trivial as some have framed it. And, yes, like prev pointed out, it’s this awful thing of people believing boys can’t cry and girls can but then they can never be taken seriously.
Crying is healthy. And crying in response to emotional distress is totally normal. Writers and storytellers across the ages have understood it and portrayed it.
is this gonna get me fired you think