WERWULF (2026) dir. robert eggers
trying on a metaphor

blake kathryn
DEAR READER
No title available
Three Goblin Art
No title available

if i look back, i am lost

@theartofmadeline
todays bird
noise dept.
wallacepolsom
PUT YOUR BEARD IN MY MOUTH

#extradirty

shark vs the universe
d e v o n

Janaina Medeiros
Lint Roller? I Barely Know Her
taylor price
almost home
Xuebing Du
seen from Taiwan

seen from Argentina

seen from Russia

seen from United States

seen from United States

seen from United States

seen from United States

seen from Argentina
seen from Canada

seen from United States
seen from France

seen from Brazil

seen from Türkiye
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
@snowinmouth
WERWULF (2026) dir. robert eggers
ZENDAYA arriving at the "Spider-Man: Brand New Day" photocall in London (June 25, 2026)
The horn of Helm Hammerhand shall sound in the deep, one last time.
something something dykes on bikes 🏍️🌈💨 (because it's not pride without some l e a t h e r)
[patreon]
All this discourse over who does "painting with light"
Hiroshi Nagai's paintings need sunglasses to look at.
They look like how it feels to walk across a parking lot on a 98° summer day without a speck of shade in sight.
They look like heaven but also like you'd burn your bare feet on the ground.
Even when you can see shade you know it's not enough and the minute you step out you'll be burnt to a crisp like a vampire.
And it's BEAUTIFUL
I'll throw in the wonderful Eizin Suzuki into this ring too, a man whose work just breathes light without actually using dynamic lighting in the usual way. It's no surprise both Nagai and Suzuki are both considered prolific in art pertaining to the city pop genre because they're able to paint these kinds of scenes with a delicate touch.
This feels like I could trip on that radio and fall right into that water, feeling the crystal waves as I drop in.
And this, a nice stroll down a resort strip, where my sunscreened skin could literally feel cooked if I leaned too close to the tiling.
And then a nice stretch of summer street, wherein you could see your face in the flushed red of that car provided it didn't blind you from its sunny reflections.
I don't think I even need to say anything more, Suzuki's a massive influence in how he even places colours so warmly in such unorthodox manner. It's a naturally sunkissed talent~ 🌊
16 frame shooting star animation. January 2022-September 2024 Needlepoint
Frames from my shooting star gif. 16 frames total. Each frame is 8x6.5 inches on a 10” mesh. Designed and animated in photoshop and needlepointed by me. I started drafting this 1/14/22 and finished animating it 9/25/24. It took approximately two years and eight months to finish. This is one of the largest projects I’ve ever worked on and I’m very happy with how it turned out.
If you were the last vampire on Earth it would be enough. You and me. Me and you.
INTERVIEW WITH THE VAMPIRE (2022–) Season 2, Episode 1 | Season 3, Episode 4
Werwulf (2026)
2.07 | 2.08 | 3.02
INTERVIEW WITH THE VAMPIRE | Season 3, Episode 4, "The Devil's Road"
INTERVIEW WITH THE VAMPIRE | Season 3, Episode 4, "The Devil's Road"
David Corenswet as Superman / Clark Kent in recent clip from Supergirl (2026), dir. Craig Gillespie
He opened his eyes. He was on the plane. [...] “You’re dying,” Armand said softly. “ ‘And though I walk through the valley of the shadow of death,’ et cetera,” Daniel whispered. His throat was so dry. And his head ached. Didn’t matter saying what was really on his mind. All been said long ago.
QUEEN OF THE DAMNED | Part I, Chapter 4 "The Story of Daniel, the Devil's Minion, or the Boy from Interview with the Vampire"
FRANKENSTEIN (2025) dir. Guillermo del Toro
A once-in-a-lifetime shot — the moon perfectly framed by a rainbow. Caught at just the right time. 🌈 🌕
Sourcing the photos as taken by Mark Ham on Instagram, according to one of the replies.
Happy Pride month to the moon
The comedian and The Daily Show host gave the keynote address for Class Day 2026.
The answer to "How did these Ancient People do this????" is basically always
1. A lot of dudes. Just a ton of fucking people from beginning to end of the process.
2. Ancient people weren't stupid, they just figured shit out the same way we do: fuck around until you find out.
3. We're gonna plan this out and it's gonna take ten fucking years, and you will cope.
4. Sticks and string are surprisingly versatile and can be used for a variety of purposes, like moving stuff and making sure things are even and go in the spot you wanted to put them in!
5. I want to make this easier and more efficient to move. If I put this on the round thing and push, it will move. If I put this in water, it will move. If I get some animals and rope and have a whole bunch of them drag it, it will move. All of these things are a better option than one guy trying to pick the whole fucking thing up.
"I'm not calling the people who believe in this conspiracy theory racist" I am. They're racist. Maybe not out of malice, but the fact that they believe in this is in itself racist. These conspiracies are always about brown people. Machu Pichu, the Pyramids, Göbekli Tepe, Easter Island, it is ALWAYS POC. It's never the Parthenon, it's never the Colliseum, despite the fact that these were built around the same time as some of the other sites these conspiracy chucklefucks like to throw around, it's never something fucking European. It's always "primitive people" with "stone tools" and "no understanding of modern engineering" so "clearly someone must have taught them this or given them the technology because CLEARLY they were just too Primitive and Savage to figure it out themselves." Fuck off with that shit.