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❣ Chile in a Photography ❣
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@snxdal
on her mind
220420 #Dreamcatcher1stWin
gender troubles: the butches (2016), dir. lisa plourde
watch it here!!
HYUNJUNG X Zitti E Buoni - COVER (cool vers)
maybe this is bc i’m from the south and not fuckin uhhhh new york or wherever the hell but like. it is still not really normalized for a man to wear makeup or nail polish. women with short hair still get offensive comments about their appearances. like even small acts of gender nonconformity can still be scary and dangerous in 2021 and i feel like so many people just live in this progressive bubble where they think that all dudes being Remotely “feminine” in some way are like homophobic tiktok e-boys doing it for clout or whatever and that’s uh. fucking stupid. like i can PROMISE you that the vast majority of gender nonconforming people are not trying to do something that’s never been done before, nor are they claiming to do so, they’re just trying to live their lives and look the way they want to look. you aren’t helping anybody by trying to police who has the right to be wearing skirts or painting their nails or doing their hair a certain way.
anyway this is ur daily reminder that gender nonconformity is not a trend and it’s gross to attack people for being gender nonconforming in a way that you think “has been done before” or “isn’t that special” or whatever the fuck. like i’m sorry but it’s just cruel and hateful! being gender nonconforming still takes bravery and courage. people still face discrimination and harassment. whose cause do you think you’re helping by attempting to be the gatekeeper of nontraditional gender expression? genuinely, who do you think benefits when you attack people for stepping outside of the bounds of traditional gender expression? who? because it certainly fucking isn’t gnc people.
now lets admire one of my favorite quotes about TRANSNESS
[ID: A quote from Ivan Coyote taken from Tomboy Survival Guide, reading Is never really related to the theory that being trans meant my body didn’t match my brain. I feel like this is a handy narrative that puts all of the pressure and responsibility for change into trans people and off of the rest of society... My day-to-day struggles are not so much between me and my body. I am not trapped in the wrong body, I am trapped in a world that makes very little space for bodies like mine.’ Beside the quote is an illustration of Ivan Coyote coloured with the colours of the trans flag. /End ID]
Do you know of any non binary sapphic books?
Hmm, well, Ivan Coyote published most of their books while they IDed as a butch lesbian, but now IDs as non-binary. (And their books are all amazing.) I especially recommend Gender Failure, which is written with another non-binary author(/musician), Rae Spoon (review here).
Freak of Nurture by Kelli Dunham talks about the author’s genderqueer lesbian identity (review).
Other non-binary books that are sometimes categorized as sapphic or have been reviewed at the Lesbrary:
Orlando by Virginia Woolf (review)
Written on the Body by Jeanette Winterson (gender unspecified)
Lost Boi by Sassafras Lowrey (review)
A + E 4ever by i. merey
Out of Salem by Hal Schrieve (review)
First Spring Grass Fire by Rae Spoon (review)
Stone Butch Blues by Leslie Feinberg
Sapphic books with non-binary love interests:
Girl Made of Stars by Ashley Herring Blake (review)
The Little Homo Sapiens Scientist by S.L. Huang (review)
Mermaid in Chelsea Creek by Michelle Tea
The Brilliant Death by Amy Rose Capetta (demigirl MC and genderfluid LI)
Once and Future by Amy Rose Capetta
Like Water by Rebecca Podos
The Brightsiders by Jen Wilde (review)
Heart of the Liliko'i by Dena Hankins
A Lake of Feathers and Moonbeams by Dax Murray has both sapphic main characters and a non-binary main character (review).
I know The Lost Coast by Amy Rose Capetta has a prominent non-binary character and sapphic representation, but I don’t know the particulars.
There’s also a goodreads list of Non-Binary (Genderqueer, Genderfluid, Gender-Unspecified, etc) Fiction and Memoirs that may be helpful for you.
I hope that helps!
I want people to stop attacking nonbinary people who describe their genders in abstract, flowery terms. And I want them to stop dismissing them as “just teenagers who don’t know any better”, too.
You know why? Because cis people do the same thing all the time and nobody bats an eye about it.
Manhood and womanhood are associated with symbols, colors, animals, astronomical objects, mythological figures, a whole list of things that have no inherent gendered properties, and that’s fine. (A lot of those symbols are stereotypical, but some binary people still embrace them, while others have come up with alternate symbols that better reflect what being a man or woman means to them.)
If men and women can describe their genders in abstract, symbolic, poetic terms, so can nonbinary people.
AREM ♡ Rolling Quartz x 6ixDayz
Chizuru Morii Kaplan (Japanese, b. 1954), Venice Night II, 2020. Watercolour on Arches paper, 62 x 45 in.
Ruprecht von Kaufmann (German, b. 1974), The Avant Garde, 2018. Charcoal on paper, 100 x 70 cm.
Tomoo Gokita (Japanese, b. 1969), Untitled, 2010. Charcoal and graphite on paper, 11 x 8.25 in.
New 'Puella Magic Madoka Magica' Film Announced; Direct Sequal to 2013's 'Rebellion'
At the 10th anniversary event of Puella Magi Madoka Magica, it was announced that the series will get a new anime film titled Gekijouban Mahou Shoujo Madoka Magica: Walpurgis no Kaiten (Turning the Tide of Walpurgis). The fill will be the official sequel to the 2013 film Puella Magic Madoka Magica The Movie Part 3: Rebellion, itself a sequel of the original anime series.
Magica Quartet, the staff, consisting of chief director Akiyuki Simbo, scriptwriting Gen Urobuchi, character designer Ume Aoki, and producer Atsuhiro Iwakami will work on the project. Additional staff includes Gekidan Inu Curry and Junichiro Taniguchi. The movie will be animated at studio SHAFT.
Many cast members from the original series also return to reprise their roles. The cast for the anime includes:
Aio Yuuki as Madoka Kaname
Chiwa Saito as Homura Akemi
Kaori Mizuhashi as Mami Tomoe
Ai Nonaka as Kyouko Sakura
Eri Kitamura as Sayaka Miki
Emiri Katou as Kyubey
Kana Asumi as Nagisa Momoe
Anne Wallace (Australian, b. 1970), Boughs, 2018. Gouache on paper, 46 x 65 cm.