Sophoclese

sorrow found me when I was young, sorrow waited, sorrow won

[rasputinaillyanna]

Kyle Gallner as The Demon in Strange Darling (2023)

[letsbelonelytogetherr]

— Arthur Miller, The Crucible

[pietriarchy]

[asexualgeorgecostanza-deactivat]

[joey-wheeler-official]

[piss-bong]

[canopycapers-deactivated2022111]

[schmendrick-lamar-deactivated20]

[journeymanfool]

[dowereallyneedthis]

[favoritefightingfrenchgoth]

[disorderfaking-deactivated20200]

[goofballproximitysurveyor-deact]

[wilburian-deactivated20221116]

great job everyone lets hit the showers

[testosteronetwink]

[pinkthinkspalistineshouldbefree]

Not again

[cool-way-to-die-deactivated2022]

gentle reminder that you can’t get this kind of nonsense from any other site

[lady-byleth]

it always comes back to skyrim somehow.

[gaillol-13]

Heritage post

[sophoclese]

This is still the worst day. And every day forth will be the worst day.

[percyfraser]

OSCAR ISAAC as Jonathan — Scenes from a Marriage | 1.01 “Innocence & Panic”

[girlgerard]

feeling well fed today thank you for the content mr mikkelsen

[holyisthenameofmyruthlessaxe]

Riding the One-Eyed Ford, ‘Booze ‘N’ Loozing Blues,’ Diane Burns

[ID: it’s 4 a.m. / and it’s August / And I can’t sleep / I hate everyone who is sleeping]

[justcallmejoe]

HIGHWAY (2014)

[thecollectibles]

Art by Eugene Korolev

[googifs]

I can’t stop watching it.

[frosty3thefrostening]

For fans of chocolate and fans of Particle Annihilation Beam technology

[animalcrossingmemes]

[olyphant-tim]

You get mistaken a lot for the actor Josh Duhamel. That’s why I am here. I am here to promote something on Netflix.

+ bonus

[pierhenry]

Photo : Jesse Frohman

[shesnake]

never bothered watching the movie but I feel this frame on a spiritual level

[sophoclese]

Some of yall really showing your asses with the atrocities committed to Palestinians.

It’s 2021 and we’re living in the state of “The call to prayer over the rubble of a mosque,” is a headline, the displacement of human beings colouring the earth with their own blood is met with no semblance of remorse nor apology, but instead celebration, and yet the thoughts of the enraged are dismissed - patronised - and clouded over with the consensus driven by the western narrative that there is a lack of understanding of “the bigger picture”, that the refusal to stop being angry is foolish, that everything that is occurring is mere commentary, that this is just a debate of politics.

As if your damn politics wasn’t built over the shrouds of martyrs.

[aloneandforsakenbyfateandbyman]

Hatchet for the Honeymoon (1970)

[aloneandforsakenbyfateandbyman]

L'important c'est d'aimer (1975)