Kyle Gallner as The Demon in Strange Darling (2023)
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Jules of Nature

roma★
Sade Olutola
The Stonewall Inn

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"I'm Dorothy Gale from Kansas"
𓃗

★
One Nice Bug Per Day
Cosmic Funnies
Xuebing Du

shark vs the universe
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occasionally subtle

izzy's playlists!
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EXPECTATIONS
cherry valley forever
The Bowery Presents

seen from United States

seen from Belarus
seen from Colombia

seen from Mexico
seen from Russia
seen from United States

seen from Bangladesh
seen from United States
seen from United States

seen from United States

seen from Argentina
seen from Lebanon
seen from India
seen from Morocco
seen from Mexico
seen from Brazil
seen from United States

seen from United States
seen from United States
seen from United States
@sophoclese
Kyle Gallner as The Demon in Strange Darling (2023)
— Arthur Miller, The Crucible
great job everyone lets hit the showers
Not again
gentle reminder that you can’t get this kind of nonsense from any other site
it always comes back to skyrim somehow.
Heritage post
This is still the worst day. And every day forth will be the worst day.
OSCAR ISAAC as Jonathan — Scenes from a Marriage | 1.01 “Innocence & Panic”
feeling well fed today thank you for the content mr mikkelsen
Riding the One-Eyed Ford, ‘Booze ‘N’ Loozing Blues,’ Diane Burns
[ID: it’s 4 a.m. / and it’s August / And I can’t sleep / I hate everyone who is sleeping]
HIGHWAY (2014)
Art by Eugene Korolev
I can’t stop watching it.
For fans of chocolate and fans of Particle Annihilation Beam technology
You get mistaken a lot for the actor Josh Duhamel. That’s why I am here. I am here to promote something on Netflix.
+ bonus
Photo : Jesse Frohman
never bothered watching the movie but I feel this frame on a spiritual level
Some of yall really showing your asses with the atrocities committed to Palestinians.
It’s 2021 and we’re living in the state of “The call to prayer over the rubble of a mosque,” is a headline, the displacement of human beings colouring the earth with their own blood is met with no semblance of remorse nor apology, but instead celebration, and yet the thoughts of the enraged are dismissed - patronised - and clouded over with the consensus driven by the western narrative that there is a lack of understanding of “the bigger picture”, that the refusal to stop being angry is foolish, that everything that is occurring is mere commentary, that this is just a debate of politics.
As if your damn politics wasn’t built over the shrouds of martyrs.
Hatchet for the Honeymoon (1970)
L'important c'est d'aimer (1975)