Avon: Blake’s well being is no concern of mine.
Blake: *stumbles slightly*
Avon: *Throws his arms around Blake and hangs on like a stylish koala until the very last minute*
Stylish koala! 🤣
Aqua Utopia|海の底で記憶を紡ぐ
todays bird
Keni
Mike Driver
occasionally subtle
One Nice Bug Per Day
we're not kids anymore.
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titsay
almost home
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The Stonewall Inn

Product Placement
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The Bowery Presents
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seen from T1

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@spacechick2015
Avon: Blake’s well being is no concern of mine.
Blake: *stumbles slightly*
Avon: *Throws his arms around Blake and hangs on like a stylish koala until the very last minute*
Stylish koala! 🤣
Keep the flame going for those we have lost to suicide.
Couldn’t scroll
I don’t give a fuck if this doesn’t suit your ‘theme’ have a heart and reblog.
Reblog
Its the least u can do, if u cant press the rb button u can hit that unfollow button
Okay, buckle up buckaroos, because today I met an honest-to-goodness cryptid.
I was out running errands and I made a stop at Intimate Books (…for a friend), and on my way out I realized that the bookshop next door was open.
This bookshop has existed for more than a hundred years, and in all my life it has NEVER BEEN OPEN. I mean, I assume it has to be open sometimes, but never at any normal, reasonable hour. Everyone says it’s a front for the mob or something.
So what do you do when the weird mafia bookshop is open? You go the fuck inside.
The first thing I noticed was the smell. You know that smell when you accidentally leave your towel on the bathroom floor all day and you come back to that mildew funk? The shop smelled like that times a thousand. I expected to see stuff growing on the walls, but the books were pristine. We’re talking first editions, rare editions, weird Bibles and books inscribed to really famous dead people. Librarians would weep for the chance to accession this place. In the first two minutes I found a signed copy of The Crucible and what I think was a first edition of Blake’s Book of Thel.
Then a clerk showed up out of nowhere—honestly nowhere. He looked EXACTLY like a bookseller should look, kind of fluffy and bewildered and really, really gay.
“Are you lost?” was the first thing he said to me.
“Nope. Just browsing, thanks.”
“Browsing, I see. Erm. How do you feel about snakes?” he asked. And without waiting for me to answer, he just walked away and vanished around a shelf.
I figured it was a metaphor, or a code phrase for the mafia. Until I turned a corner like ten minutes later and found a little reading nook. It was really pretty, although I feel like that particular window should have been on an interior wall? Anyway, curled up in an armchair in a patch of sunlight was the biggest fuck-off black snake I have ever seen.
Like, I don’t mind snakes in general. But in their normal context, right? Outside. On the ground. Not six feet long and sitting on a threadbare velvet armchair like it owns the place.
I was about to turn around and leave, but I saw a gorgeous first-edition copy of Leaves of Grass on a shelf, a little too close to the snake for comfort. But I had never needed anything so badly in my life.
So I went back to the counter to buy it, but the clerk was nowhere to be found.
While I was waiting, I noticed a collection of pictures hanging on the wall behind the counter, dating back to the very dawn of photography. A couple were of this rock-star looking guy from the 70s that I should probably have recognized, but there were authors and landscapes and stuff, too. There was even an old tintype portrait of Oscar freaking Wilde, sitting in this very shop with a guy that I would ACTUALLY SWEAR was the clerk from before. Like, I know my family all has the same nose, but this guy had the same everything.
After approximately one year of waiting, the clerk came back out to the desk. By now I’ve realized that he’s too bad at his job to be anything but the owner of the shop.
“I saw your snake,” I told him.
“Did you? Was he behaving himself?”
“He was sleeping.”
“Yes, he enjoys that.”
“Does he just stay out in the open like that? What if he gets out?”
He shrugged and smiled. “He always comes home again, the dear boy.”
Right, a homing snake. That’s totally normal.
Then he cleared his throat and asked, in a weirdly reluctant voice, if I was going to buy the Whitman.
“Yes, please,” I told him. “I saw it on a shelf by the snake, and it was just too tempting.”
He sighed. “Oh, yes, I expect it was.”
When I started to hand him my card, he went all fluttery and said that they didn’t take cards.
All right, fine. I had some cash on me, but I told him that he’d sell a lot more books if he got a Square or something.
He got this scandalized look on his face and went, “Why would I want to do that?”
Oookay. I handed over the cash and he popped open the ancient till and started making change.
In shillings. Shillings! I swear to god I saw Queen Anne’s face on one of them. The silver value of the coins was probably as much as I paid for the book.
But I had to have proof that this happened—at that point, all I had was a book in a plain brown wrapper, not appreciably different from what I bought next door. So I asked him for a receipt.
He looked delighted and wrote one up for me.
By hand.
With a fountain pen.
And that’s the story of how I met a bookseller cryptid and his pet snake.
Hey, OP, I love you.
This is the best thing I have ever read
@aziraphalesbian @bettergroomedwings
-Have you betrayed me?- A commission. The late Paul Darrow as Kerr Avon from ‘Blake’s 7’. My attempt at capturing something of that ambiguous smirk Avon has in the final seconds of *that* final episode. Made in Super and Regular Sculpey.
I just realised I used the same reference for two portraits - the first one I painted in 2011 and the second one in 2019.
It’s not how I expected my style/skill to evolve over time, but this comparison makes me think I like where I am now (which is a thought that does tend to dissipate).
Paul Darrow as Avon in Blake’s 7
WOW.
This is so fucking important to understand. All of it.
Completely agree, the coming out process is a unique experience for everyone.
Dayna, I love you babe but pissing this woman off if you plan on living a full and happy life is never a good idea.
^Truths wot I learneded from B7.
“Sylvester wanted to send this message about #PaulDarrow “we became great friends,worked together, and he would light up the room whenever he entered. He lost his legs but never lost his wry sense of humour, his elegance, his dignity. I refuse to believe he’s gone. Not Fair !””
“Sylvester wanted to send this message about #PaulDarrow “we became great friends,worked together, and he would light up the room whenever he entered. He lost his legs but never lost his wry sense of humour, his elegance, his dignity. I refuse to believe he’s gone. Not Fair !””
Just for the record: I have a few more memorial posts for Paul Darrow in my queue, and a few more still to put into the queue, but afterwards I will retire the #rip paul darrow tag and everything afterwards will just be tagged #paul darrow (or #kerr avon, as appropriate) - though no less sincerely in his memory, of course.
I will not, ever, refer to Avon in the past tense. We may have to say goodbye to his actor, but it won’t do to consign the character he shaped to past and memory, so long as there are still people to watch and love and write for B7.
Good Omens: a gentle reminder
Your headcanon is your headcanon. The characters in your mind are what they are, and nobody is trying to take them away from you. Think of the Good Omens TV series as a stage play: for six full hours, actors are going to be portraying the roles of Crowley and Aziraphale, Shadwell and Madame Tracy, Newt and Anathema, Adam, Pepper, Wensleydale and Brian and the rest. Will they look like the people in your head? The ones you’ve been drawing and writing about and imagining for (in some cases) almost 30 years?
Probably not. Which is fine.
The people in your head and your drawings are still there, and still real and still true. I’ve seen drawings of hundreds of different Aziraphales over the years, all with different faces and body-shapes, different hair and skin, and would never have thought to tell anyone who drew or loved them that that wasn’t what Aziraphale looked like. (And a couple of years after we wrote it, I was amused to realise that the Aziraphale in my head looked nothing like the Aziraphale in Terry’s head.) I’ve loved every instance of Good Omens Cosplay I’ve seen, and in no case did I ever think anyone was doing it wrong: they were all Aziraphales and Crowleys, and it was always a delight.
Good Omens has been unillustrated for 27 years, which means that each of you gets to make up your own look for the characters, your own backstories, your own ideas about how they will behave.
The TV version is being made with love and with faithfulness to the story. It’s got material and characters in it that Terry and I had discussed over the years, (some of it from what we would have done it there had been a sequel). Writing it has taken up the greater part of my last three years. You might like it – I really hope you will – but you don’t have to. You can start watching it, decide that you prefer the thing in your head, and stop watching it. (I never saw the last Lord of the Rings movie, because I liked the thing in my head too much.)
Remember we are making this with love.
And that your own personal headCrowleys and headAziraphales and headFourHorsemen and headThem and headHastur and headLigur and headSisterMary and all the rest are yours, and safe, and nobody is ever going to take them away from you.