speculative

vtubers, gacha, various garbage

[totally-kasane-teto]

@ mekeoekaki

[yamada-ryo]

This Nijika

[yamada-ryo]

It’s this^ Nijika’s birthday, if you even care

[baron-von-tibbles]

[yamada-ryo]

It is once again this Nijika’s birthday. If you care.

[valla-chan]

[yamada-ryo]

If you care, it is this Nijika’s birthday, yet once more

[miles-tails-prowers-crotch]

[yamada-ryo]

You care. It’s this Nijika’s birthday!

[goomboat]

Hourai Hourai Hourai Hourai

[goomboat]

Shanghai Shanghai Shanghai Shanghai

[hymnism]

[chkq-deactivated20260531]

i'll never understand women's fashion...

[chkq-deactivated20260531]

[chkq-deactivated20260531]

what we know so far

[banzerschreck]

i'm starting a collection

[flareonfloof]

norp i dont like dat

[simply-a-dream]

“don’t take it personally” how would you like me to take it then? professionally? romantically? academically?

[creative-anchorage]

[suriandtaal]

[passion-of-l0vers]

caramel frappe give me the strength to clean my room

[passion-of-l0vers]

caramel frappe PLEASE

[passion-of-l0vers]

#this art is so evocative. it feels like a goya painting 

thank you so much this is the highest compliment

[tintheelvenking]

OP did a lovely job with this piece. The pose they picked is a difficult one to do correctly and dynamically- the doubling over is hard to illustrate without making it look weird or poorly drawn, the low seat of the “pelvis” making the figure dip down lower (to emphasize the clutching motion of the hands) is a hard perspective to imagine without a reference. I liked the way OP chose to draw the shoulders, evoking both the hunching of shoulders that would be present in a fleshier painting and drawing out the strong, dynamic curve of the body.

The blood, the desperate clutch, the crying and the pose all suggest something religious, making the post all the more impactful with its drawing- The caramel frappe does not answer the subject, just as God does not answer the subjects of paintings who depicted the same theme.

It’s also intriguing where OP chose to put details. In amostly minimalist creation, the (relatively) detailed frappe, hands, and face guides your eyes in a a dynamic way- from the frappe to the face, then follows the line of the body out to the end of the legs- making the art more interesting to the eye.

I have a theory about the colors that I’m not sure is true, but I think the subject being black and white separates it from the frappe, which is fully colored. The blood, neither frappe nor person colored, acts as a connector between the two– the only ways the two subjects can connect are through touch and sight, both of which causes the human subject pain. Then again, I may be reading into things too much idk

[c-53]

[salix03]

this kingdom is going to shit man

[fjordojustice]

An honorable mention that lives forever in my heart

[postit-mikus]

[personsonable-deactivated201908]

me holding a gun to a mushroom: tell me the name of god you fungal piece of shit

mushroom: can you feel your heart burning? can you feel the struggle within? the fear within me is beyond anything your soul can make. you cannot kill me in a way that matters

me cocking the gun, tears streaming down my face: I’M NOT FUCKING SCARED OF YOU

[miaislying]

Hey OP? What the FUCK does this mean?

[personsonable-deactivated201908]

decay exists as an extant form of life

[miaislying]

That’s a terrifying answer, have a nice day

[haystarlight]

THE ORIGINAL?!?!!!!!!!!;!!!!!!!!???

[penguintim]

"Heterostraightphobia doesn't exist"

Me, an innocent heterostraight: Good macklemorning to you

Tumbler SWJs:

[mimimimimimimiii]

[ryoyamadaily]

Day 306: tourism

[gyaruicide]