testing out fonts for a new theme and there's something so special about this

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Today's Document
One Nice Bug Per Day
Cosimo Galluzzi
d e v o n
KIROKAZE
sheepfilms
DEAR READER
dirt enthusiast
Peter Solarz
art blog(derogatory)
PUT YOUR BEARD IN MY MOUTH

tannertan36
2025 on Tumblr: Trends That Defined the Year

izzy's playlists!

Love Begins
Show & Tell
almost home
I'd rather be in outer space 🛸
seen from Germany

seen from Brazil

seen from Malaysia

seen from United States

seen from Germany

seen from Chile
seen from Kosovo

seen from United States

seen from United States
seen from United States
seen from Malaysia

seen from United States

seen from United States

seen from Indonesia
seen from United States

seen from United States
seen from Germany
seen from United States

seen from United States
seen from United States
@spiralingtrap
testing out fonts for a new theme and there's something so special about this
Shouldn't you be making a marvellous invention
Don’t make your younger self into your own dead wife.
Men used to do stuff like be in Brockhampton
"i'm just gonna block people who make my posts about them" woooow it's almost like if you screenshot someone's tags to make fun of them they get upset!
Thousands of starfish had washed up on the beach, and a little girl was diligently throwing them back into the water, one at a time.
A man came up to the girl and said, "You'll never save all of them. What you're doing is pointless. It doesn't matter."
The girl threw another starfish into the water. "It mattered to that one."
The man snorted and walked away.
The girl kept throwing starfish, one after another.
To throw one starfish back into the ocean takes a trivial amount of effort, but to throw ten, or fifty, is much less so. The girl had not learned much of biomechanics, but she began to feel the strain in her back. Her skin had softened from the seawater, and the starfish themselves were abrasive. Her fingers had pruned. Her shoulder hurt. She was cut, twice, on her fingers, as the same storm that had stranded the starfish had also brought up broken shells and crab carapaces. The skin of a starfish was like sandpaper.
She tried switching hands, and could throw the starfish less well, and it wasn't long before she had mirrored all her injuries. She was bleeding, though the blood wept rather than flowing, briefly staining the starfish pink before they were tossed into the ocean.
It seemed as though there were just as many dying starfish as when she'd started.
After three hours, the girl was sunburnt. A passing man had told her that she should stop what she was doing, and had offered her some water, which she took, but he hadn't helped to throw the starfish back.
The girl's hands were cracked, scraped, and raw. Saltwater found the wounds, but she'd gone numb, and her motions became more mechanical.
"It mattered to that one," she thought to herself, "It mattered to that one," over and over, like a mantra. Her muscles ached, but the ache became familiar. When she'd started, her throws had been beautiful things, guided by purpose, but now they were sloppy and threatened to pull her off balance.
She did fall, more than once, landing on sand that was filled with jagged debris, and sometimes she was slow to get up. But she did get up, because there were more starfish to save, tens of thousands of them.
Night fell, and it was harder to see the starfish, but they were still in need of help. She was tired, and the cuts on her fingers had multiplied. The skin had been wet for too long, and in one place, on her palm, where she had gripped a thousand starfish to throw them, a piece of white skin had come off.
Still, she kept throwing starfish.
Her mother didn't find her until after midnight.
"Hi mom," said the girl. Her voice croaked. She had been saying, "It mattered to that one" under her breath for long enough that her vocal cords had strained. She threw another starfish into the ocean.
"You need to come home," her mother said.
"These starfish will die without me," said the girl.
"I know," said her mother. "But you need to come home, because if you keep doing this, you'll collapse on the beach, and like a starfish, you'll need to be rescued too."
The girl stooped down, back aching, and picked up another starfish. Many of them had died by this point, but there were still uncountably many that lived. The rough skin of the starfish grated at her tender skin, but she rose and threw it, arm protesting, and watched it fall down into the water.
Her mother grabbed her gently by the shoulders. "I'm bringing you home," she said. "It would be better if I didn't have to carry you, but I will if I have to."
"I don't want to be the sort of person who leaves starfish to die," said the girl, shrugging off her mother. But a part of her did want to be carried, because she'd walked for miles along this beach, one stooping step at a time.
"I know," said her mother. "But to survive, you have to be. Save as many as you can, but take breaks, get good sleep, eat well. Then go back and save more."
The girl swayed where she was. She was close to passing out, though maybe it was because her rhythm had been interrupted.
Her mother held out a hand, so they could walk together, like they'd done when she was smaller.
And it was then that she noticed the scars on her mother's hands, the calluses and rough spots, the places where cuts had healed. She had seen her mother's hands many times before, but had never asked why they were that way.
The girl slipped her hand into her mother's and began to cry as they walked back home.
anime girl who's always saying shit like "POWER OVERWHELMING" and "ERADICATE" and "OBLITERATE"
Gef the Talking Mongoose
unironically floating around in a room completely filled with water like that one tomodachi life dream would fix me
oh so lonely angel
if anyone's interested we made a nekoweb site! we're gonna try to get back into personal website blogging proper after all these years!
btw if anyone needs these
you can shake him. he enjoys it
chunnibyou guided meditation
Breathe in. *Feel* the demon energy welling up in your cursed eye. Breathe out. Relax your phantom dragon wings.
Naomi Misora’s Stand, 「KILLING MACHINE」, is a Bound Stand that takes the form of a 1911 pistol. Unlike 「THE EMPEROR」 or 「SEX PISTOLS」, she has no power to redirect the bullet’s path and must rely on her own aim; instead, 「KILLING MACHINE」 allows her to selectively ignore the consequences of firing the weapon. She can use her ability as the perfect silencer by negating the consequence of “firing a bullet creates a very loud sound”; she can fire through cover and strike people on the other side by negating the consequence of “the bullet collides with this brick wall”, ignore drop and wind resistance by negating “the bullet falls due to gravity and is blown about by wind”, or fire into a crowd without worry of hitting civilians by negating the consequence of “if this bullet hits a non-Stand user, they will be harmed by it”. She can’t make her attacks completely imperceptible – everyone can always see every part of her action in shooting the gun, including the muzzle flash, and can always perceive the bullet itself. She has to concentrate on each consequence she negates, so she can’t turn off everything all the time.
Consequences that involve the behavior of others cannot be controlled, only influenced, and only much more narrowly and with much deeper knowledge of the people involved. She cannot make the subject of her attack not care about being attacked, but if there is an observer who might plausibly not care about her firing, and she knows enough to know why they would not care, then maybe she can negate the consequence of “this person is alerted and upset by the gunshots”. She does not often try to use this ability anyway. If she has knowledge of local legal codes, she can negate the consequence of “this action is illegal” (she may still run afoul of laws she did not know about, like noise ordinances), but she cannot negate the consequence of “people, in law enforcement or otherwise, are aware of what I did and want payback or to stop me.”
Misa Amasora’s Stand, 「BLEED FOR ME」, is a Close-Range Stand that gives her the ability to obtain information about other people by studying their faces or sampling their blood. She can always tell anyone’s name and how close to death they are by glancing at their face, but closer inspection slowly allows her to see things like their age, their disposition, their personality, their Stand’s type, their Stand’s abilities, their relationship to her, their current goal, what they are thinking of right now, etc. More detailed or specific information takes more time of study, from several minutes up to about an hour for mind reading. Looking at a photograph of a person reveals results for them as of the moment the photograph was taken, not what they are doing or what they are like right now. Tasting a person’s blood allows her to gather most of this information instantly, though she has to be focusing on what information she wants to draw out and doesn’t automatically know everything about them. As long as their blood is in her mouth, she can receive constant updates about them, allowing her to track their location and read their thoughts in real time (though if their internal monologue is in a language she doesn’t speak or doesn’t use coherent language at all, she can’t understand it).
The humanoid manifestation of her Stand is unique in that not only does it have its own personality, it can’t be seen even by other Stand users who have never touched her body or clothing, and does not reflect damage back to her, but has several seemingly-arbitrary limitations on its actions. For example, it cannot carry a human for purposes of transport, it cannot participate in any sort of action to directly extend a human’s lifespan, and is incapable of harming humans. Misa very rarely allows the humanoid form of her Stand to manifest because it’s not often helpful and it’s morose and creepy as heck.
Light Yagami’s Stand, 「YOU KNOW MY NAME」, is a close-range Stand whose humanoid form has similar properties to that of 「BLEED FOR ME」: independently thinking, invisible to other Stand users that have not touched him, incapable of directly harming or aiding human beings. Light’s Stand is bound in his notebook, so Stand users must touch it instead of him to see his Stand. His Stand’s ability is literally just the powers of the Death Note to “alter someone’s fate” ending in their death, with the same restrictions and powers. That thing is powerful enough.
Leslie Taylor Lawliet’s Stand, 「FREEWILL」, allows him to stop time for everyone and everything but himself for a theoretically unlimited duration. However, he cannot physically affect anything while time is stopped and when time resumes he returns to the same place he was before it stopped, so his power is used to make observations and deductions “instantly”, figuring things out and reacting faster than any human being could. Moving while 「FREEWILL」 is active is arduous, as if his body was encased in lead, but 「TOM SAWYER」 can move freely and observe things to report to him. Lawliet does not age in the frozen time, but he does get hungry and tired in accordance with the subjective time he experiences, causing him to be perpetually sleep-deprived and shoveling sweets into his mouth.
Lawliet believes his Stand has a sub-ability like 「BITES THE DUST」 or 「EPITAPH」 called 「TOM SAWYER」, a long-range automatic Stand that follows his commands and has all the abilities and visibility of a human being but never gets bored or tired, allowing him to use it to take care of mundane tasks. Lawliet is wrong. 「FREEWILL」 is a phenomenon Stand with no physical manifestation. 「TOM SAWYER」 is an independent, parasitic Stand akin to 「CHEAP TRICK」 that is pretending to be bound to Lawliet and his will. 「TOM SAWYER」’s true motivations and abilities are yet unknown.