I have no explanation for this other than it's what pops into my head whenever I hear this on the radio
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I have no explanation for this other than it's what pops into my head whenever I hear this on the radio
My spouse and I were talking last night and the jeans problem came up so I want to talk about it with tumblr here.
The jeans problem was the favorite lecture one of my philosophy professors in college gave about the history of jeans and how it ties into capitalism/mainstream culture absorbing and monetizing any counterculture it encounters. So prior to the 1950s jeans were mostly an item of work-wear that you wore on the job as a farmer or factory worker or miner because they were cheap, durable, and hard-wearing. If you were off the job you'd wear what we'd call now dress pants or slacks. This changes in the 1950s when youth culture start wearing jeans as regular clothing, again because they're cheap, durable, and hard-wearing. But then jeans get absorbed by the culture and we start getting designer jeans, acid-washed jeans, pre-ripped jeans, and now we got people shelling out hundreds of dollars for "povertycore" aesthetic. And now jeans aren't even cheap, durable, and hard-wearing.
This came up because my spouse was talking about thrifting and spooky things (two of her favorite things) and how there was this trend of buying a landscape painting from a thrift store which was probably going to end up in a garbage dump and painting a sheet ghost on it to make it art millennials would like. But now you can go to Michael's or Home Goods or wherever and just buy a landscape painting with a sheet ghost on it, mass-manufactured by a corporation. The counter-culture once again being monetized and absorbed by the culture. It's the jeans problem again.
not a decision made lightly but im proud to finally announce that i will be getting panda express for lunch today. thank you for everybody whos supported me
the thing about that weird stuff americans call cheese is that if you heat it a little it becomes an excellent burger condiment despite its failings in every other area. such is the fate of the american cultural product
the American 'cheese' slice was engineered by our best scientific minds (all borrowed from Germany ofc) to melt perfectly onto a burger and for nothing else. Its only purpose is to compliment the one true product of the American people. The hamburger. (also borrowed from Germany)
reeling a little at the implication that the Kraft Single was a product of operation paperclip
in case you were wondering:
American Cheese is a processed cheese made of Cheddar, Colby, or similar, combined with Sodium citrate. The Sodium citrate keeps the cheese fats from separating during the pasteurization process.
The patent for processing American Cheese was granted in 1916 to James L. Kraft, a Canadian of German descent who had immigrated to the US in 1904. Pasteurizing the cheese prevents it from spoiling, allowing it to be shipped farther and stored longer. It was actually WW1 that gave Kraft (and his company) their big break, as the US government provided cheese (in tins) to the armed forces abroad.
So no, Project Paperclip here, although the US Armed Forces and Germans were involved. His ancestors left Germany for Mennonite reasons, not because they were Nazis.
Fun fact: His parents spelled their last name "Krafft". He dropped one of the Fs when he started J.L. Kraft & Bros. Company, which later became Kraft Foods.
Sorry, I went to go look this up on wikipedia and I need more details about the horse this man lost doing door to door cheese sales
My doctor recommended not checking my phone before 10 (I wake up at 7), because of how cortisol production works and affects your body. I rarely manage it, but it's nice to know there's a medical possibility that doesn't involve ignoring things or being in denial.
ocean sounds for those of you who need it
thanks i made a little painting about it
Local neglected demon baby wants noodles. Please feed him
You know maybe zuko was right to get the flu after doing 1 good deed. I did something that was in my own interests for the first time my whole life and man I could throw up after it
I will make a beautiful life for myself no matter how long it takes. I will I will I will
my controversial opinion is I don’t think Zuko was confused by “my first girlfriend turned into the moon”
he was there during siege of the North. he infiltrated the spirit oasis. he has an uncle who studies spirits and the spirit world. he watched the sky go dark then the moon suddenly reappear like everyone else in the entire world did. and most importantly he watched zhao get eaten by a giant godzilla fish spirit.
his entire life since he saw that beam of blue-white light in the south pole has been ‘this day has already been so goddamn weird’
The only really new information was that that was Sokka’s girlfriend
Important opinion in the tags that I need to have be part of the post:
Also, Iroh was there? He literally watched Sokka make out with the moon spirit. And you want to tell me that a romantic sap like him would not have immediately told Zuko about this romantic tragedy? Please, Zuko has known about this for ages, he just knows that this is not an acceptable situation in which to say “yeah, I know.”
Sokka: “My girlfriend turned into the moon.”
Zuko: “I know.” “Yes.” “She sure did.” “Uh huh.” “Tell me something new.” “Are we still talking about that?” “That’s rough, buddy.”
[image: tags by samwisethebold: #it’s not that he doesn’t get what sokka means #it’s that how on earth do you respond to that]
When you put it like that, this is actually a legendary display of tact on Zuko’s part
Being an adult will have you unironically craving a vegetable
Being an adult will have you unironically sad about a parasite outbreak in fresh vegetables.
Came across this art installation, Liza Lou's Kitchen, at the Whitney Museum of American Art, NYC. It's a kitchen made of tiny glass beads, that artist Liza Lou did, taking 5 yrs. to complete, from 1991 - 1996.
My favorite part is the sink.
Architecture of return, escape (The British Museum) 2022 Pigment and acrylic on deer hide, 36 x 55 in. (91.4 x 139.7 cm) Nicholas Galanin Born 1979, Tlingit/Unangax̂
"Galanin’s work engages themes of persistence, power, and survival in the face of settler colonialism and its legacies of institutional racism and collective amnesia. Here, the floor plan of the British Museum is painted over a blue field. Pictograms of baskets, masks, woven hats, weapons, tools, and textiles reference the contested objects held in the museum’s collection, while a red line maps an escape route for these examples of Indigenous cultural production. In many Native cultures, hide paintings relay histories across generations and objects embody lineages; in referencing both, Galanin is proposing a getaway plan for his ancestors."