Day 17
Daydream Mention
almost home
Show & Tell
TVSTRANGERTHINGS
ojovivo
One Nice Bug Per Day
RMH
No title available
taylor price
Cosmic Funnies
"I'm Dorothy Gale from Kansas"
đȘŒ

Origami Around
YOU ARE THE REASON
d e v o n

@theartofmadeline
will byers stan first human second

â

oozey mess
Three Goblin Art
Sade Olutola
seen from Malaysia

seen from India

seen from Malaysia
seen from United States

seen from United States
seen from India
seen from Italy
seen from United States
seen from United States
seen from United States

seen from United States

seen from Germany
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from TĂŒrkiye
seen from United States

seen from United States
@starryeyedsans
Day 17
Daydream Mention
Happy month for the silent ones
theyâre so round to me
Woe, Afterdeath be upon ye
Little sketch with my baby boi Goth(i love him so much)
( ⹠Ꭰ- ) â§
Easy afterdeath
If you tell neurodivergent people they need to "get comfortable with being uncomfortable" I am putting gravel in your shoes. No you can't take the gravel out. You have to deal with it. Dealing with it makes you a better person. What do you mean "pointless suffering".
Dreammare please?
teehee blushes and giggles and twirls my hair
đ„ Shattered Dream đ„
A world where Dream was the one hurt by a naval mine
(For mermay week one Shallows)
That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:
1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.
2) the people who run Disney would be the first to fall in line with a fascist regime.
3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.
4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.
J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late â80s/early â90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.
And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?
That one is from his autobiography, Becoming Superman. See also:
(As he goes on to say, heâs never worked in animation againâheâs effectively been blacklisted by the cartoon industry.)
Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin âFeet Manâ Tarantino.
When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didnât actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvinâs skull that lodge in Samuel L. Jacksonâs hairpiece). The resultant cuts were actually more permissive than heâd expected, so he cut a little more and submitted it, and it got passed with an R.
The second story is about that artist on Morrowind whose name escapes me (Iâm not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and âworkingâ for another few hours on a second, âtoned-downâ version, and it worked every time.
The reason I bring these up is that the thing that drives censors isnât some extant physical rubrick of what is and isnât acceptable, itâs the idea that they can have absolute power over someone elseâs creative work. Itâs about the social dominance of the interaction.
There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.
This is true of all censorship.
Iâve been a professional designer for 8 years and that last bit is so true. In addition to politics, a huge part of people meddling with creative work is just ego. They want to feel like they had a hand in the final product, even though they not only did not create it but are in fact incapable of creating something on that level. So they reach their hand into someone elseâs work and command it to change, not in service of a mutual artistic goal, but simply because they have the power to do so and they like feeling that power.
today I was wearing my âyes homoâ shirt and some lady told me âyouâre going to hellâ and I said âwith you around itâs like weâre already thereâ and I swear she made this exact fkn face
I cannot believe this post I made in 2015 is still going aroundâŠ. anyway plot twist this same lady got famous on my townâs facebook gossip group for divorcing her husband for a woman đ đ»âš I like to believe my yes homo shirt pointed her in the right direction
The Muppets s01e01
Fozzy getting hit on by lots of twinks
Happy Pride Month
Ten years later, this bit still slaps. They made a great pun and realized they could be nice/inclusive with it too.
Every year a bobcat mama gives birth to a litter of kittens on my roof. I set up a camera this time around.Â
(Source)
Youth fascination with technology
universal mom noises of get the fuck down from there
What if YELLOW
Yeehawww đ