He is half of my soul, as the poets say @starscrapes - Tumblr Blog

It's not just to have a "do over" that doesn't involve the original cast, it's to cut them out of the royalties. Literally the entire point is to make sure all the money made by Harry Potter goes to transphobes or people willing to work with transphobes.

If you watch it, you are supporting bigotry, hate, and oppression. That's just objective reality. All for a story that you probably have already seen in movie and book form.

apocalypse-angel

#the last point is especially true since the old cast receives royalties for anything with their likeness on it#meaning the original trio still gets money for every mug with their 14 year old faces on it#if they stop making those and replace them with the new cast which they will the old cast gets cut off completely#which is again exactly what rowling wants because she cannot stand those 'ungrateful brats' as she would likely put it#and as she has last say in anything that gets made in harry potter paraphernalia this might also explain the decrease in faces on products

via @discipleofkleio

I hate Rowling so much.

chanafehs

‘you put that cig out, you can hold her’

#sinners

weirdlandtv

Droodles by Roger Price (from his 1953 book). Droodles (a blend of “doodle”, “drawing”, “riddle”) are simple drawings with a witty, often absurd, caption. The first one, as some of you may know, was used by Frank Zappa for his 1982 album, Ship Arriving Too Late to Save a Drowning Witch. (Zappa, a fan of Price's work, lived just a few miles from the artist and personally sought permission to use the image.)

These come from the 1972 edition of the book.

theinternetarchive

a few great films that are free on the internet archive

in decent quality too!

here is the archive collection of these films so you can favorite on there/save if desired.

links below

black girl (1966) dir. ousmane sembene

the battle of algiers (1966) dir. gillo pontecorvo

paris, texas (1984) dir. wim wenders

desert hearts (1985) dir. donna deitch

harold and maude (1973) dir. hal ashby

los olvidados (1952) dir. luis bunuel

walkabout (1971) dir. nicolas roeg

rope (1948) dir alfred hitchcock

freaks (1932) dir. tod browning

frankenstein (1931) dir. james whale

sunset boulevard (1950) dir billy wilder

fantastic planet (1973) dir. rené laloux

jeanne dielman (1975) dir. chantal akerman

the color of pomegranates (1969) dir. sergei parajanov

all about eve (1950) dir. joseph l. mankiewicz

gilda (1946) dir. charles vidor

the night of the hunter (1950) dir. charles laughton

the invisible man (1931) dir. james whale

COLLECTION of georges méliès shorts

rebecca (1940) dir. alfred hitchcock

brief encounter (1946) dir. david lean

to be or not to be (1942) dir. ernst lubitsch

a place in the sun (1951) dir george stevens

eyes without a face (1960) dir. georges franju

double indeminity (1944) dir. billy wilder

wild strawberries (1957) dir. ingmar bergman

shame (1968) dir. ingmar bergman

through a glass darkly (1961) dir. ingmar bergman

persona (1961) dir. ingmar bergman

winter light (1963) dir. ingmar bergman

the ascent (1977) dir. larisa shepitko

the devil, probably (1977) dir. robert bresson

cleo from 5 to 7 (1962) dir. agnes varda

alien (1979) dir. ridley scott + its sequels

after hours (1985) dir. martin scorsese

halloween (1978) dir. john carpenter

the watermelon woman (1996) dir. cheryl dune

EDIT: part two here + the letterboxd list

edit: part three here

queer-as-city-folk

just added 7 films to my Jellyfin library with these lists!!

everoutoftouch

#about me #er #my son

lumsel

elden ring lore explained

#this #er

demon-of-the-ancient-world

Thinking about Dune and bodily autonomy, and the reoccurring theme of characters being stripped of it.

Alia being forced into complete consciousness against her will before she's even born. The implications of Feyd's relationship with the Baron. How Chani, in the books, is given contraceptives without her consent, depriving her of the right to a child she wants. And in the films, Jessica forces her by use of the Voice to go against her deep cultural and personal principals in order to bring Paul back. How, earlier in the same movie, Jessica herself is in turn forced by the Voice to complete the Water of Life ritual. How (according to Frank's notes at least) Jessica is a child of rape. How the first scene in the books is Paul being forced - by Jessica's mother no less - to engage in a painful and potentially deadly test. And Jessica is forced to be complicit in letting it happen.

I'd say it compares to a 'cycle of violence' type thing, but it's not even that at this point. It's about a system that so continuously bends and forces people into the roles it requires them to play in order to keep going, through brutal means if necessary. The many terrible and tangible examples of characters having their autonomy ripped from them is just a more visible concentration of this wider theme.

#dune

chunlo

I like Dune: Part 2 PRINTS

#dune

s-u-f-j-a-n-s-t-e-v-e-n-s

“Mystery of Love (Demo)" by @SufjanStevensOfficial released on 3/31/2025. From the upcoming release, Carrie & Lowell - 10th Anniversary Edit

"Sufjan Stevens Announces Carrie & Lowell - 10th Anniversary Edition – Out May 30

This May, Asthmatic Kitty Records celebrates the ten-year anniversary of Carrie & Lowell with an expanded double-LP album that includes seven previously unreleased bonus tracks, a 40-page art book, and a new essay by Sufjan Stevens. The deluxe edition also offers an alternative cover: a full-framed version of the original Polaroid zoomed out to reveal the photo’s caption written in a child’s handwriting—“Carrie & Lowell”—disclosing the source of the album title (it was written by Sufjan's sister Djamilah). The new edition was designed by Sufjan himself: the 40-page booklet contains various collages of vintage family photos spanning four generations interfused with artwork and drawings (on themes of death, dying, grief and the state of Oregon) as well as landscape photos Sufjan took while traveling across the western U.S. over a decade ago.

The original album is preserved on disc one, while disc two contains 40 minutes of extras, including demo versions of "Death With Dignity," "Should Have Known Better," "The Only Thing," and "Eugene". Expansive outtakes of "Fourth of July" and "Wallowa Lake Monster" are also included, both featuring a more cinematic mood. The final gem is the original demo of "Mystery of Love”, which was recorded around the same time as Carrie & Lowell. This song was scrapped for the album but later re-worked and re-recorded for Luca Guadagnino’s Call Me By Your Name.

Carrie & Lowell was the result of an immensely difficult process in which Sufjan’s songwriting – usually a salve – failed him in the wake of his mother’s death. He was eventually led out of a cycle of creative doubt with a rare handover of production duties to Thomas Bartlett. In wrestling with darkness and devastation, life and death, Sufjan was eventually able to begin making sense of the beauty and ugliness of love.

Sufjan toured the album and personally connected his findings with his listeners, a beautiful hand-over of sorts happened - making these songs those of the listeners and their lives and losses and complexities.Since the album’s release the live tour was turned into a live album, so surprisingly celebratory and cathartic as to become something else entirely. Outtakes, remixes, and iPhone notes have been shared via Sufjan’s The Greatest Gift mixtape as well as a collection of “Fourth of July” versions that took one moment from the album and explored its every crevice.

Ten years on, this anniversary edition does things differently to those other treasures. Rather than deconstructing the album or building on it and continuing its legacy, this edition takes the listener back to the moments leading up to and including its release. Carrie & Lowell is presented in its full form once again, alongside a glimpse of the different roads it could have taken. There are new corners to explore, photographic realising of moments previously only lyrically painted, direct reflection from the album’s creator, subtly different weight on certain syllables that speak to Sufjan’s mind right before he shared it with the world.

Carrie & Lowell -10th Anniversary Edition Tracklist

Disc 1:

1. Death with Dignity 2. Should Have Known Better 3. All of Me Wants All of You 4. Drawn To the Blood 5. Eugene 6. Fourth of July 7. The Only Thing 8. Carrie & Lowell 9. John My Beloved 10. No Shade in the Shadow of the Cross 11. Blue Bucket of Gold

Disc 2:

Death with Dignity (Demo)

Should Have Known Better (Demo)

Eugene (Demo)

The Only Thing (Demo)

Mystery Of Love (Demo)

Wallowa Lake Monster (Version 2)

Fourth of July (Version 4)

Carrie & Lowell - 10th Anniversary Edition is now available to pre-order / pre-save here. All pre-orders will include a lyric postcard featuring artwork designed by Sufjan.

“Mystery of Love” may be widely known from the film Call Me By Your Name, but it began as an early demo during the Carrie & Lowell era. Now released as the first single from Carrie & Lowell – 10th Anniversary Edition, this version presents the song in its original, intimate form.

Video directed and produced by Rena Johnson. Original artwork and select photos by Sufjan Stevens. Archival photos and 8mm film provided by Sufjan Stevens and additional assets provided by Rena Johnson.

Ten years of 'Carrie & Lowell'. Explore the full story in our new comprehensive archive, featuring 'Carrie & Lowell 'and its six companion releases. Photos, video, essays and other materials, gathered in one place for the first time.

WWW.CL.SUFJAN.COM" - Originally posted by Asthmatic Kitty Records