Blue Star Wars
Noah Kahan
No title available
cherry valley forever
let's talk about Bridgerton tea, my ask is open
RMH
Aqua Utopia|海の底で記憶を紡ぐ
d e v o n

Discoholic 🪩

Kiana Khansmith

Product Placement
Sade Olutola
Cosmic Funnies
Sweet Seals For You, Always
Cookie Run:Kingdom Official!
Fai_Ryy
Show & Tell

@theartofmadeline

Game Changer & Make Some Noise

ellievsbear
occasionally subtle
seen from Colombia
seen from United States

seen from United States
seen from Brazil
seen from Italy
seen from United States
seen from Venezuela
seen from Australia
seen from United States
seen from Malaysia

seen from France

seen from Australia
seen from United States

seen from Kenya
seen from United States
seen from Canada
seen from Argentina
seen from United States

seen from Malaysia

seen from Türkiye
@starwarsbookshelf
Blue Star Wars
Microdosing fan art to treat my burnout, don't mind me
What if I want to stop fighting?
Academy Award winner Marcia Lucas has died. While winning major awards for her work as an editor for Star Wars (alongside a team of editors, including Paul Hirsch and Richard Chew; some of her contributions outside of her work with George Lucas include Alice Doesn't Live Here Anymore, Taxi Driver, and New York, New York), she mostly disappeared from the public eye following her divorce and essentially retired.
While Marcia dispelled the belief that she singlehandedly saved Star Wars in the edit (and very passionately defended George's craftmanship and ideas, which she felt were undercredited, as well as the work of their team in general), there was a lot of work she specifically did and I thought it would be good to highlight just how much she did and give her credit where it is due. There is a lot that came from her that most don't know about. Most of those examples are from Howard Kazanjian's biography, A Producer's Life, published in 2021.
On some of the uncredited dialogue and story revisions for Star Wars:
On some of her work in Star Wars:
On having the iconic trench run on the Death Star as her biggest work while working on Star Wars:
On her uncredited work in The Empire Strikes Back:
On how her input changed the ending of Raiders of the Lost Ark:
On her joining the Return of the Jedi crew, an emphasis in finding the right cut for actors, cutting together footage of Luke in ROTJ after she and George disagreed with the characterization the director had given to Mark Hamill and unable to reshoot footage:
On editing the climactic ending in the Throne Room in ROTJ:
i think the key difference between george lucas’s star wars and disney’s star wars is that lucas is a man with an ideology. someone with a point of view, and all that entails. which comes with ideas of revolution, anti-imperialism, challenging the status quo, cultural appropriation and racist stereotypes. complex and contradictory ideas because that’s how artists are: complex and complicated people. disney is not. disney is a corporation. a corporation can’t have ideology, because ideology defeats the purpose of profit. and when the only thing you do is to turn on the movie manufacturing machine before you sit down and plan what ideas are you trying to convey to the audience, then your results are going to be washed out corporate garbage. and because when you’re a giant corporation who only cares about selling to the widest audience possible, you can’t take sides. you can’t decide on an idea. because you want to sell your product to people who are on the entire political spectrum. which results in movies without ideology, without purpose, without soul.
I have been looking for this post for years after I came across it and it’s finally here and I need to reblog this because it is absolutely and entirely accurate.
#as I always say: lucas was making a samurai film and a ww2 flying ace film and a western film and adding laser swords#because he fundamentally LIKED samurai films and dambusters films and westerns and 40’s adventure serials#but disney are making a ‘star wars film’ and adding nothing because it already had laser swords and they have nothing else to say#xerox of a xerox baybeeeee (via harrietvane)
This post is getting marked NSFW and I think that’s a travesty.
You’re wrong, the lack of railings is the very definition of NSFW
Happy May the Fourth! I added a second page to this comic from last year!
it's been too long since i last drew the last (4) jedi original trilogy au, so had to fix that <3
(commission info // tip jar!)
Steela Gerrera | via Star Wars: Women of the Galaxy
droid angst
congratulations! you have built a star war.
It is vintage times. The powers that be have accepted your casting decisions, and are tentatively moving forward with shooting their new science fiction epic, recently renamed Planet Battles. (somebody thought it sounded cooler.) before they print the posters, take a look at the cast you, the electorate, have assembled!
Luke Skywalker—Sabu Dastagir
Princess Leia—Suraiya
Han Solo—Toshiro Mifune
Obi-Wan Kenobi—Takashi Shimura
Darth Vader—Bela Lugosi
Chewbacca—a Ray Harryhausen stop motion
C-3PO—Charles Hawtrey
R2-D2—Groucho Marx
The Millenium Falcon—Flash Gordon's spaceship (I'm joking, I just needed a ninth thing to complete the grid)
the studio heads are slightly worried this concept is too weird to take off, but hey, even if it fails, i hear the 1977 remake is pretty good.
happy star wars day! redraw of one of my old sw comics bc i am STILL obsessed with the idea of the twins meeting padmé's family
(commission info // tip jar!)
Star Wars really said "Anakin Skywalker had issues rooted in childhood trauma that was not his fault" but also "Anakin made his own choices as an adult for which he alone is responsible" but ALSO "In spite of the truly evil things he chose to do Anakin was still capable of being loved and redeemed" and I think that's important.
So my beta reader for the Big Fics is an astrophysicist, right. Who is currently also writing a hard sci-fi novel about the exploration of Phobos (more power to them, I cannot with the physics required for that, best I can do is soft sci-fi/fantasy and that reminds me I should finish that story).
Anyway I was bitching about how hard it is to come up with feasible planets in Star Wars because sometimes you need a new planet from scratch and sometimes you need to know more about a planet than the 'has jungles, is probably a moon technically' than Wookieepedia will give you, and they're like 'oh yeah I can do something about that'.
So they've written (in Matlab but they swear it will run as a .exe as well and I may be conscripted to embed it as a web tool at some point) a star system generator.
You input what you know about the planet (ecosystem, population, sun colour, does it have liquid water, does it have a moon or moons, is it a moon or moons, temperature averages, atmosphere, you get me) and it will give you the... everything else about the star system, in obedience to real-universe physics. And if you input nothing you get a randomly generated star system.
And I’m like oh I know people who will be into this with a vengeance, and they're not on Tumblr, so this is me seeing who exactly would be keen on, and I cannot stress this enough, a real-physics comprehensive star system generator.
It's still in the debugging phase (last error fixed: every planet wants to have a population of exactly 5000 regardless of other factors, turned out to be a missing equals sign somewhere), but I'm psyched for this and trying to gauge interest for how high a priority 'make this an accessible web tool' needs to be.
@bucketofdeltav says the URL is here: http://tumblr.com/star-system-generator
Follow @star-system-generator and get more of the good stuff by joining Tumblr today. Dive in!
Star Wars has three types of guy: Fump Geezgo from the Womflee system, Stabba Badguyman, and Chris
Happy May the 4th to this, somehow my most popular original post of all time! In celebration here's some more examples of the Guy Types:
Wam Lufba the Yuzzum, Morally Evil, and Wade
@swsource Star Wars Week: Day 6 – Light Side | May the 4th be with you!
May the 4th be with u