friends, romans, countrymen, i present to you my labour of love and loathing:
an animatic that asks "what if you took star wars and an acoustic cover of Eleanor Rigby and shook them real hard"

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titsay
h
Show & Tell
Keni
Claire Keane
Monterey Bay Aquarium
taylor price
untitled
sheepfilms

gracie abrams
KIROKAZE
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Lint Roller? I Barely Know Her
The Stonewall Inn
d e v o n
ojovivo
I'd rather be in outer space 🛸

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let's talk about Bridgerton tea, my ask is open
seen from Bulgaria
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@thenegoteator
friends, romans, countrymen, i present to you my labour of love and loathing:
an animatic that asks "what if you took star wars and an acoustic cover of Eleanor Rigby and shook them real hard"
Y'all for real please do these. Even if you're certain your posture doesn't suck. One day you will wake up with impinged shoulder pain like I did and let me tell you it fucking HURTS. Do these exercises even just once a week and it will make such a difference. Especially my fellow creatives out there, stop shrimping over your work and go do these right now. RIGHT NOW.
Also, if you’re even a little concerned about getting a hump or having trouble standing fully upright in your old age, this is how you prevent that. If you want to be up and about when you’re old you have to start when you’re younger. And keep in mind there is no bad time to start and it’s never too late. Starting today is way better than never starting at all.
yknow I'm feeling a bit brave so I will venture to say what this blighted essay's pitch actually is: reading project hail mary (novel and film) as a ravishment fantasy. in both main threads of the narrative grace is brought wildly out of his element and pulled into the orbit of a mysterious foreign stranger who is significantly stronger / richer / more powerful than him, forced to accept unsolicited lavish gifts and personal praise despite protests and discomfort, and made to live in isolated locations in extremely close proximity to these people with no say in the matter, all of which are common motifs in ravishment fantasies. on her own, stratt also brings in other common motifs of restraints, drugging, being above the law, multiple kidnappings (I'm doing crazy things with the classical definition of "rape" as in "abduction" and its shared etymology with "rapture" as in "being taken to the heavens"), and the very specific yet still common motif of "otherwise trustworthy partner goes too far and doesn't take 'no' for an answer." rocky on his own brings in the overprotective flavor common to a lot of dark romance novel heroes, i.e. "I make sure you sleep and I like to watch you while you do it, I make sure you eat enough even if you've got baggage about it, I make inhuman displays of strength when you're injured, and as long as I'm around I'll make sure nothing bad ever happens to you ever again."
the issue I was running into with researching this a few weeks ago is that almost all of the scholarly writing on the content of people's forced-sex fantasies focuses solely on women's fantasies and starts with the research question of "why would women enjoy imagining such a horrible misogynistic thing?" despite surveys often showing that men have force-fantasies (where they are the one being forced) at very comparable rates to women. my hypothesis for a bit was "either men's fantasies are exactly the same as women's or they're completely different in [x] way," which was disproven interestingly when I did finally find something about men's force-fantasies: in content they are almost exactly the same as women's fantasies but the emotional motivations are often different in [y] way, which I hadn't expected. and [y] also super applies to my buddy ryland, perhaps even more than my original [x] hypothesis.
my hopes for writing this are twofold: a) to address the question I sometimes see phm audience members come away with of "if grace likes his life by the end and doesn't seem that mad about all of that, is the message supposed to be 'violation of bodily autonomy is good, actually?'", and b) to lightly resist one of the prevailing notions in the study of forced-sex fantasies, that ravishment fantasies are solely abstracted and fantastical and pleasurable and are completely 100% separate from fearful paranoid imaginings of / flashbacks to realistic sexual violence.
oh also: the most common interpretation of why people have ravishment fantasies is that it allows the fantasist to disavow a desire they feel ashamed of because, in the fiction of the forcing, they don't *want* it at all, they're being made to do whatever it is and can't be considered at fault. as I allude to in my final paragraph of the original post, I think it's a tad more nuanced, but there's definitely a lot of truth to that. grace can tell stratt that he's not smart or important or capable or brave or selfless enough to do what she wants, but she'll ignore it, make him do it anyway, and kit him out with skilled staff members and expensive lab equipment and coffee just the way he likes it. it's a fantasy of being respected and heroic and good whether he likes it or not.
with rocky, the fantasy is of being forced to be loved and protected. rocky decides to initiate contact, he decides that he's moving into the hail mary, he decides that he's always going to watch grace sleep even if grace says he doesn't need it, he decides to gift grace the fuel to get home even when grace pretends he doesn't want it, and he decides he's not going to let grace die to save him even when grace says he's made his choice. the two scenarios allow grace to experience the rewards of being selfless without needing to be so gauche as to ever say he thinks he's that good of a person AND to experience the rewards of being selfish without saying he thinks he deserves to be cared for.
#if it’s an order i’ll take it thank you
my controversial opinion is I don’t think Zuko was confused by “my first girlfriend turned into the moon”
he was there during siege of the North. he infiltrated the spirit oasis. he has an uncle who studies spirits and the spirit world. he watched the sky go dark then the moon suddenly reappear like everyone else in the entire world did. and most importantly he watched zhao get eaten by a giant godzilla fish spirit.
his entire life since he saw that beam of blue-white light in the south pole has been ‘this day has already been so goddamn weird’
The only really new information was that that was Sokka’s girlfriend
Important opinion in the tags that I need to have be part of the post:
Also, Iroh was there? He literally watched Sokka make out with the moon spirit. And you want to tell me that a romantic sap like him would not have immediately told Zuko about this romantic tragedy? Please, Zuko has known about this for ages, he just knows that this is not an acceptable situation in which to say “yeah, I know.”
Sokka: “My girlfriend turned into the moon.”
Zuko: “I know.” “Yes.” “She sure did.” “Uh huh.” “Tell me something new.” “Are we still talking about that?” “That’s rough, buddy.”
[image: tags by samwisethebold: #it’s not that he doesn’t get what sokka means #it’s that how on earth do you respond to that]
When you put it like that, this is actually a legendary display of tact on Zuko’s part
many people ask 'how do i know my art is good enough to start a comic'. this is a very common mistake. you do not make a comic to make good art you make comics because its fun and looked yummy
saying this very gently. how will you improve
me when i improve the skill by (checks notes) not doing it so no one sees me doing it badly
kind of want to start a testimonials wall with just this printed out next to a cigarette stapled there
Romeo and Juliet, but it's about Aldi Nord vs Aldi Süd and set in Siegen
Love standing on a railway platform in the UK and experiencing place names previously unknown to man
there should be more options than suffering via employment and suffering via unemployment
Do you have a Master’s degree?
Do you have a Master’s degree?
Yes
No
guardian of the forest
Caught myself spiraling and then remembered it's just my body not wanting to exist in these temperatures
So I was scrolling and saw this image in an article about the European heat wave,
And was like, uh, are you missing something there, buddy? Like all that red in northern Africa? Because that's a lot of red.
And I was going to give them the benefit of doubt, since I don't know much about the climate in Northern Africa, aside from Morroco and Egypt, which seem like really hot places, so you know, maybe it's normal there?
But nope, that's not the case:
Africa is struggling with heat waves and many countries on the continent lack the resources rich economies have to deal with rising temperat
Some selections from the article:
"The region has been experiencing some of the most intense heat waves in recent years, but in many cases they’ve been under-reported due to misconceptions about Africans’ ability to withstand them.
“Africa is seen as a sunny and hot continent,” said Amadou Thierno Gaye, a research scientist and professor at Cheikh Anta Diop University in Dakar, the capital of Senegal. “People think we are used to heat, but we are having high temperatures for a longer duration. Nobody is used to this.”
"The Sahel, for instance, has been heating at a faster pace than the global average despite being hot already. Burkina Faso and Mali, both in West Africa’s Sahel, are among countries that are set to become almost uninhabitable by 2080, if the world continues on its current trajectory, a UK university study found. Its people are especially vulnerable due to shrinking resources, such as water, and poor amenities, and a dearth of trees and parks means there are few options for places to cool off."
a character being a perpetrator does not negate their victimhood and neither does their victimhood negate being a perpetrator. u can accept and reckon w both dimensions in ur analysis
there is nothing morally purifying about suffering or victimhood, it is not something that inculcates “goodness.”
one’s character has no impact on whether they were/are a victim or not, victim status is not something that is only afforded to the palatable.
it also does not = absolution.
ppl cant handle this in cartoons made for teenagers lets not get ahead of ourselves
—Even losing you (the joking voice, a gesture I love) I shan't have lied. It's evident the art of losing's not too hard to master though it may look like (Write it!) like disaster.
-- 'One Art' by Elizabeth Bishop
you ever think about how after everything Ahsoka told Vader "I'm not leaving you" and it wasn't enough
i hate it when people mistake "etymology" with "entomology." like, i know where they coming from but it still bugs me
AI slop prompters will never feel the exhilaration of drawing fanatically. Time becomes irrelevant. Your body morphs into just a device for devotion. You are devotion. Never blinking. Your heart beat might as well have never began, because you have become a machine for craft. You are every person before you that has ever touched pencil to paper. Your blood sings as you become a singularity. Never blinking. Never breathing. Never hearing. Eyes on paper, hand moving as if pushed and pulled by an unknown force. They will never understand the madness you feel when you enter a state where you do not starve, ache, or think. The moment you snap out of that haze, your hands covered in graphite and your stomach clawing at your insides for sustenance, that's the closest thing to divinity I have ever felt. I chase it even when my body deteriorates. I understand the weakness of my flesh and it does not deter me
MY RESEARCH METHODS TEXTBOOK IS THE WEENIE SPEED TEXTBOOK????????
i think mayhaps dr. babbie does not think very highly of university deans
a closer examination of the front matter has also yielded a confession that he never took a university statistics class and a realization that every chapter's glossary of vocabulary terms is exactly like the excerpts above. I mourn that this man retired before the advent of ratemyprofessor because I DESPERATELY want to read those reviews
also this is the portrait he chose for the author's note. it's not any higher resolution in the actual ebook