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we're not kids anymore.
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Not today Justin

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if i look back, i am lost

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@stcriestcldstuff
The house will survive despite having its heart cut out. Its history will smear the landscape, like an oily handprint. And silence will return.
pins by Abprallen
Truly, the world is a better place for having skilled people who are willing to use their skills in the pursuit of incredible silliness.
I’ve said it before and I’ll say it again, this is strangely soothing.
The house is surprised. The atrium sends deep roots down into the soil. In the foyer, the girl reaches the end of her tether.
got too drunk last night and granted someone a boon
Georges Hobeika | Fall/Winter 2025 Couture
a vampire's long term fwbb (friend with blood benefits) making an idle remark about how it was a struggle to handle the aphrodisiac in the bite venom for the first while but now they're used to it and know to expect it and the vampire saying "hey um. so I don't have any bite venom. like at all."
Spinning right from the bunny. He was off course naturally shedding, and was perfectly content to let me take the fiber from him.
Can’t let that hide in the comments
every leverage dynamic ⮎ the redemption team
but the reason we’re a family is that we learned, although some easier than others, that we can’t go it alone. that the single smartest thing we can do is to ask for help. help me finish this, please. of course.
Sarah Lamb and Vadim Muntagirov in The Winter's Tale (Royal Ballet 2018)
La Mode illustrée, no. 17, 26 avril, 1896, Paris. Robe en soie nuance argile. Robe en batiste bise pour jeune fille. Robe en surah gris-acier. Modèles de chez Mmes Coussinet-Piret, rue Richer 43. Mod. de chez Mme Gradoz, r. de Provence,67. Ville de Paris / Bibliothèque Forney
Royal Ballet, Coregrapher: Wayne McGregor, Designer: Vicki Mortimer
Succubus yanking an angels halo down around their neck and wrapping a chain around it to use as a leash and collar
Bridesmaid dress 1896