Julius has nothing left but himself, and must rebuild his relationships with others.
Subaru has nothing left but his relationships with others, and must rebuild his relationship with himself.
wallacepolsom

Product Placement
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hello vonnie

Kiana Khansmith
Three Goblin Art

ellievsbear
taylor price
Cosimo Galluzzi
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Mike Driver
i don't do bad sauce passes

titsay
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"I'm Dorothy Gale from Kansas"
d e v o n
Alisa U Zemlji Chuda
Misplaced Lens Cap
cherry valley forever

Origami Around

seen from Poland
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seen from United States

seen from United States
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seen from Belarus

seen from Malaysia
seen from Malaysia
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seen from Sweden

seen from Türkiye

seen from United States

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seen from United States
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@strabuzov
Julius has nothing left but himself, and must rebuild his relationships with others.
Subaru has nothing left but his relationships with others, and must rebuild his relationship with himself.
"Too Many Losing Heroine" but it's the plot of Arc 6 of Re:Zero: Nukumizu loses his memory and finds himself friends with all these girls without knowing why, as he learns how he helped them.
He probably wouldn't develop an impostor sense but would simply think it was a misunderstanding or that he had gone mad, because he would never jeopardize his own social peace.
I wonder if a lot of the discussion about Arc 3 and its message isn't because, if I remember correctly, It was during his writing that the LN was published and the editor pushed Tappei to make Subaru a more sympathetic character.
It would therefore be possible that the arc was initially written with WN!Baru in mind, who I understand was more unpleasant, but that during development LN!Baru and his more sympathetic personality had already crept in.
So a very strong start imagined for a character who needed that kind of jolt to mature, It was later concluded by someone who didn't really need something so drastic.
I'm reading PK², but I don't get Lyla's presence in the present. From the ending of PKNA #43 I thought she was stuck in the future, hence the heartbreaking goodbye between her and Paperinik at the end.
I was hoping this would be clarified, but in PK² #5 the issue of the impossibility of time travel is brought up again, without Lyla's presence being questioned.
At this point, either the matter has been answered somewhere else - the scans I've recovered only have the story without the rest of the magazine - or there's a pretty big plot hole. (But that would seem strange to me, knowing the fussiness of the fandom.)
Very good question; I didn't get it either when I read PK2! The theory (or generally used explanation by the fandom) is that when Everett tried to create an alternate present in the last PKNA comic "If" he changed what had happened and resulted in Lyla staying in our time.
Yes, I reread #49/50 and it's clear that in one of the alternate futures, where Lyla is killed by an explosion, what appears to be the pod of a 5Y droid is rescued.
This doesn't explain how Lyla is in our reality or what that capsule actually meant, but it's clear there had to be a connection.
I'm reading PK², but I don't get Lyla's presence in the present. From the ending of PKNA #43 I thought she was stuck in the future, hence the heartbreaking goodbye between her and Paperinik at the end.
I was hoping this would be clarified, but in PK² #5 the issue of the impossibility of time travel is brought up again, without Lyla's presence being questioned.
At this point, either the matter has been answered somewhere else - the scans I've recovered only have the story without the rest of the magazine - or there's a pretty big plot hole. (But that would seem strange to me, knowing the fussiness of the fandom.)
Sure, okay game.
When I pull and pull to get the Manhattan Cafe or Tamamo Cross I wanted, nothing.
I do a single pull on Chiyono O's banner on release day, without any particular interest, and I get it right away.
I repeat, okay game.
i love your artstyleeee can you please draw seiun sky I'd love that OuO
Day 31: Joy and love on planet horse
i like aston machan i think i might pull for her when her banner releases on global,,,,, but i have awful luck with these things so maybe not
Rewatching the series with my mom, and it is interesting to note how the stories of Lin Ling and Yang Cheng are parallel.
Both are ordinary people who have never shine in their lives, but then they get to assume someone else's identity and become famous.
But the difference is in the circumstances and development. Lin Ling is passed off as the real Nice and people are convinced that he is, but he decides to abandon the mask and be a hero as he wants and not the public.
Yang Cheng becomes famous as the new E-Soul but people know that he is not, but in the end he decides to sacrifice himself to the mask and become the hero the public wants.
One managed to free himself from the chains of fictitious popularity and choose his own path, the other remained trapped forever.
Both SSRs?!! With the free 10 roll?!!
All right?!!
I have the impression that the very popular reading of the first season of Re:Zero "The series criticizes the typical anime fan and his behavior through Subaru, so everything that happens to him is deserved and serves his character growth" has been abandoned nowadays or at least adopted in a less extreme way.
Both SSRs?!! With the free 10 roll?!!
The presence of a civilian identity for X that is totally different from his hero identity represents a gigantic change from the established system.
It's a world where public opinion shapes its favorites, and where their words can directly influence their lives. There is no private life, anyone who becomes a hero is essentially a puppet unable to escape from the stage on which he is performing.
But X can escape from all this, X can afford to live a life away from the spotlight and simply be an employee. He can allow himself to move freely and decide what to do and when to do it.
He is a "new type of hero" not because he is the most powerful of all, but because he is the freest. And it is this freedom, this total inability to control that frightens the Association. More than a new Zero, the fear of a world where the hero is not a public figure imposed by the masses but someone who has simply chosen to do good.
Like deciding to give a coin to a girl singing in the street.
Alfa Romeo Alfasud Berlina, 1972, by Italdesign. The Alfasud was a revolutionary model for Alfa Romeo, their first front-wheel-drive small car with a boxer engine built in a brand new factory at Pomigliano d'Arco, near Naples, in southern Italy, hence the car's name, Alfa Sud (Alfa South). Though the Alfasud was well received, it also developed a reputation for rusting prematurely. It remained in production until 1983.
By coincidence I photographed one at a classic car meet today, it was for sale and was registered in 1972:
This sucks. I didn't think AI could find new ways to make my Internet worse, but I clearly underestimated it.
Detective Conan reference in Sleepy Princess in the Demon Castle
Page from a 1986 Super Mario Bros. comic from the Japanese Shogaku Ninensei magazine. Note the unique "silly" Bullet Bill expression (to the upper left of Peach's head).
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