Everything becomes a little different as soon as it is spoken out loud.
Hermann Hesse

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Everything becomes a little different as soon as it is spoken out loud.
Hermann Hesse
"Within us there is someone who knows everything, wills everything, does everything better than we ourselves."
- Hesse
-Hesse's personal objects.
-Hesse and his friend, Italy
-First editions of Hesse's books.
And all the voices, all the goals, all the yearnings, all the sorrows, all the pleasures, all the good and evil, all of them together was the world. All of them together was the stream of events, the music of life.
-Hesse
“I have always been a great dreamer. In dreams I have always been more active than in my real life, and these shadows sapped me of my health and energy.”
Hermann Hesse
The shadow or "shadow aspect" may refer to the entirety of the unconscious, i.e., everything of which a person is not fully conscious, or an unconscious aspect of the personality which the conscious ego does not recognize in itself. Because one tends to reject or remain ignorant of the least desirable aspects of one's personality, the shadow is largely negative. There are, however, positive aspects which may also remain hidden in one's shadow (especially in people with low self-esteem). Contrary to a Freudian conceptualization of shadow, therefore, the Jungian shadow often refers to all that lies outside the light of consciousness, and may be positive or negative. "Everyone carries a shadow," Jung wrote, "and the less it is embodied in the individual's conscious life, the blacker and denser it is." It may be (in part) one's link to more primitive animal instincts, which are superseded during early childhood by the conscious mind...
Jung also believed that "in spite of its function as a reservoir for human darkness—or perhaps because of this—the shadow is the seat of creativity."; so that for some, it may be, 'the dark side of his being, his sinister shadow...represents the true spirit of life as against the arid scholar'.
-Wiki
The relationship between psychological origin and the aesthetic value of a work is another subject, and is discussed by Jung in his work. Furthermore, we are not concerned here with die validity of die psychology of C. G. Jung as such. Such a discussion properly belongs to such Archetypes as the "Anima". the "Shadow", the "Chaos", "Self" etc.
This is supported by Hesse's biographer Hugo Ball. Hesse himself refers in his letters to the "new note" which he struck in Demian.
Jung claims to have had a direct influence upon Siddhartha and Steppenwolf in the course of analytical sessions with Hesse. The emphasis in this dissertation is upon interpretation in the light of Jungian psychology without evaluation of the aesthetic and literary merits of Hesse's work.
-The Psychology of C.G. Jung in the Works of Hermann Hesse, by Emanuel Maier
No claim is made that a knowledge of C.G. Jung's psychology Is indispeasable for the understanding and appreciation of Hesse'a writings: nevertheleas. Important aspects of Hesse's works need to be clarified by reference to Jung.
The strong emotional appeal of certain situations in Hesse's works, which are strange and mysterious to the logical mind, can be ascribed to the Archetypes, which, if Jung is correct, affect the reader whether he is conscious of them or not.
An attempt shall be made here to explain in terms of the psychology of Carl Gustav Jung what appears to many as obscure mysticism or romantic fantasy.
It is the writer's opinion that many characters in Hesse's works represent aspects or personified contents of die unconscious. An individual becomes aware of these contents in the form of projections upon odiers. or as mythological forms.
-The Psychology of C.G. Jung in the Works of Hermann Hesse, by Emanuel Maier
On September 6, 1911, Hermann Hesse boards the "Prinz Eitel Friedrich" in Genoa in the company of his friend, the painter Hans Sturzenegger, to travel to India, the country in which his grandparents, his father and his mother worked as missionaries.
In actual fact, however, it turns out to be a trip not to India but to Indonesia: Penang, Singapore, Sumatra, Borneo, and Burma. The three-month itinerary touches the Indian subcontinent only peripherally. The ship does dock in Ceylon, where Hesse goes ashore, visits the sacred Buddhist shrines at Kandy, and climbs the highest mountain, yet the original plan to see the Malabar Coast comes to nothing.
The educational trip to the Far East takes place at a time of reorientation. At home in Gaienhofen, where his third son, Martin, had just been born, Hesse feels increasingly estranged and ill at ease, and is gripped by wanderlust and a sense that a new phase in his life is about to begin. He dreams of a bachelor life.
Yet the journey to India is a disappointment. The idealized image of India. as shaped by the stories told by grandfather Hermann Gundert, proves to be elusive. He is, in fact, even disgusted by the reality of what he sees - the heat, the dirt, the colonialism, the social conditions, the obsequious nature of the Malays. The Chinese are the only people to command his respect.
The journey finds its first literary expression in the book entitled Aus Indien, which is published in 1913. Years later, Hesse confesses that he not only failed to encounter India during the trip to Asia but that he did not experience any sense of inner liberation either. In a 1919 letter, Hesse writes:
"For many years, I have been convinced that the European spirit is on the wane, and is in need of a return to its Asian roots. I have admired Buddha for many years, and have been reading Indian literature since my earliest youth. Later, I became more familiar with Lao Tsu and the other Chinese philosophers. My journey to India was but a small addition to, and illustration of, these thoughts and studies."
For Hesse, the real fruits of this journey did not emerge until the publication of Siddhartha in 1922.
The video is from a private film footage, captured by 'Prof. Dr. Arthur Stoll'. It shows the writer with wife Ninon, son Bruno, and friends in front of his home, Casa Rossa in Montagnola, pruning roses, at his desk, and playing bocce in a "grotto."
This short version of the film contains Herman Hesse's daily moments for ten unique seconds.
Enjoy!
"I find something original in all of your pictures, and no matter which it might be, for me there is something of you, of your face and the way you are, in them all..."
-Hesse writes to his son about these photographs of Calw that Martin Hesse took in 1932 in the town in which his father was born.
- Hesse with a friend, a travel to Italy.