Book Review: Midwinterblood by Marcus Sedgwick
Every year when the book awards come out, I get pretty excited. I guess they are kind of like my oscars. I don't read nearly all of them or anything, but I usually find a few gems that I might otherwise never have heard of or read. This year, I was really intrigued by the Printz winner, Midwinterblood by Marcus Sedgwick. (Also, I was intrigued by the Caldecott winner Locomotive by Brian Floca. It is a GORGEOUS book and my love for it is probably influenced by the 14 hour train ride I took back in January, but anywho.) I just finished Midwinterblood last night and though it is a small book and a quick read because of the mysterious plot, by the end, I was just left frustrated.
Don't get me wrong, the language of the book is beautifully sparse (reminiscent of Cormac McCarthy), creating an unsettling atmosphere lingering over the one setting in the book, a small island where it is rumored no children are born and people live a very long time. The book summary promises vikings and vampires, so after reading that, I was sold and checked it out. Midwinterblood is told in 7 parts, each their own short story and each a step further back in time. I definitely give Sedgwick props for an unusual structure, even if by the end things unraveled a bit and became a big pile of confusing threads.
Perhaps I missed the point, but I was under the impression the book was a tale of the power of love. The problem was there was so much time spent on the intricate plot that very little time was spent on character development. While this may have been the author's point (I can't say why or I might give too much away), it's very hard to care about what happens to the characters in the end. So, when I put the book down after the epilogue, I just felt hugely disappointed and deflated. For a book that had me holding my breath the whole time, feeling both supremely creeped out and intrigued, the last pages just came off as weak to me.
Also, excuse me while I "fangirl" here (which I have yet to read! Rats!), but I really don't understand why this book beat Eleanor and Park by Rainbow Rowell in the Printz category, other than it felt more "literary." I'm also kind of confused as to why Midwinterblood is in the YA section at all. It is a bit heavy-handed with its themes, though, and I don't think most adults would put up with that. I just don't see how Midwinterblood could possibly speak to teens or teens could relate like they could to Eleanor and Park. Maybe I'll just let the Amazon reviews serve as proof. There are 25 reviews of Midwinterblood. There are 970 of Eleanor and Park. It's a book that's gotten people talking, whether it be over controversy or over the way those characters just break your heart. A year later, I am still just as in love with that book as I was when I finished it.
I'm not saying Midwinterblood was a bad book, and I don't feel like I wasted my time, as I did really enjoy about 80% of the book. I just didn't get this one and I certainly don't understand it as the Printz winner. But, that's the beauty of every reader his or her book and every book his or her reader... On to the next one!















