Baby sphinx trying to be like mama and waylaying travelers, but all its riddles are completely non-sensical like the ones a 1st grader would tell
we're not kids anymore.
Aqua Utopia|海の底で記憶を紡ぐ

JVL
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shark vs the universe
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Three Goblin Art

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Lint Roller? I Barely Know Her
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Cosmic Funnies

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@stufftoinspiremetowrite
Baby sphinx trying to be like mama and waylaying travelers, but all its riddles are completely non-sensical like the ones a 1st grader would tell
ID / TL;DW: young Black man explains the history of voodoo dolls: they originated in England, where Black people where prohibited from learning to read or write, to help witches keep track of what ailed their patients. Eg., person goes to witch and laments headache, they treat their headache and make a small doll (called "poppet"), trying to represent them as good as possible, stick a needle in its head and put it up a shelf. When they return next week, the witch takes their poppet and asks about their headache. If it's gone, they remove the needle, otherwise they know they have to treat a rather persistent headache.
I'm just gonna freeze-frame this for everybody:
They should get a baby to eat. As a treat.
What is their crime? Trying to eat a baby? A succulent human baby?
Does this count as stimulation? Or are they just bad zoos? @why-animals-do-the-thing?
Cats are going to cat, no matter where they are. You see this in videos posted from sanctuaries, too, which many people feel are the “opposite” of a zoo environment.
Watching / interacting with / messing with people is absolutely enriching for many zoo animals. People make loud noises and do weird things when you pounce close to them! I can’t add videos to a post with one video clip already, but I’ve got two that come to mind when thinking about cats actively interacting at windows.
The first was with Sophia, the elderly jaguar at Happy Hollow Zoo who unfortunately recently just passed. A couple of years ago I was hanging out there with a friend and he’s a huge cat person too, so we just camped out at her window for a while. She was alternating being up on a perch watching and patrolling and didn’t pay us much attention. But then this family with little kids came over, and they had the kids turn their back to the windows for a photo. She immediately ran up, bounced up behind the kids and pawed and mock-bit at the air. They screamed, everyone reacted, and then she just… decided that was enough and trotted back up to her perch to watch from afar. I could literally see her making the choice to go over, seeing something more interesting than two quietly adoring adults had showed up.
Second was last fall, with the lioness Ashoka at Zoo Boise. I was there for the Halloween event and obviously it was a busy day. I’d snagged some photos of her and the male earlier in the day before the hordes had arrived and, again, she didn’t care very much about me and my camera. So mid-afternoon I found myself back at the window again, with a gaggle of kiddos alongside me and her a good ten feet away, and I looked down to check my phone. BAM there’s lion paws in front of my face. And shame on me for depriving her, I didn’t do anything interesting like scream or jump or flinch. She gave up after a couple seconds and went down to paw at the kiddos… and was really interested in their treat buckets. My guess is maybe they looked like stuff she’d get enrichment in sometimes? But as little kiddos will do, after they got over the screaming, they took turns pulling little trinkets out of the baskets to show her, or tilting the buckets so she could see inside. And she was really into it!
Now, I’m not saying there isn’t some instinctual drive to stalk little loud running creatures, but even beyond that, kiddos are just good enrichment for big cats (when safely protected behind an appropriate barrier).
you can't have your hitter as your mastermind in a heist/con situation. the mastermind's job is to have a plan, and the hitter's job is to make sure everyone gets out alive. these are separate and exclusive roles. the hitter cannot have any emotional stake in the plan. their job is to make sure everyone gets out alive even if it means saying 'fuck it' to the plan and ruining everything. a hitter cannot be thinking about the plan basically ever at all because they need to be counting exits and obstacles between those exits and where every member of the team is at all times. they cannot be distracted by the plan because they need to be fully focused on how to get everyone out if it all goes wrong.
this is why eliot spencer never even considers wanting the role of mastermind after nate, and lets parker and hardison throw their hats in that ring as many times as they want without competing for it. it's why he never runs a job. his job is to get them out alive.
there is not a single day i don't think about this quote in relation to tragedies
Aeschylus, The Oresteia
Richard Siken, Planet of Love
The Lumineers, Cleopatra
the novelisation of The Revenge of the Sith (via @nonbinarydin)
being able to play songs in your head is cool and all but not really if you can't control what and when it plays so this is a visualization of me trying to concentrate while angel of music plays in my head
[Image ID: Tweet from iya ehime ora (@/ ehimeora) reading: You'll be surprised by the many talents hidden within you if you gave yourself the permission to be a beginner. /End ID]
As someone who was alive when Bob Ross (and William Alexander before him — that’s where the approach is from) was on PBS, I can 100% testify that you can paint along with him.
You may need to learn how to set up your paints and such… but this is what people did, live, while the show aired. That’s what the show was for. I had family members create lovely works of art they enjoyed, which I still have on my walls, because William Alexander and Bob Ross both said:
SCREW METICULOUS CLASSICAL ART PRACTICES — JUST GRAB A PALETTE KNIFE AND BIG OLD BRUSH AND PAINT!
They freed a whole generation of people who were taught to paint detail and realism and exact representation of reality — people who largely gave up this kind of thing because it got tedious.
I watched the joy of family members as they rediscovered art as a messy fun spontaneous half hour activity.
Give it a try.
A hitman who advertises his services the way a commission artist does
“Um hey guys. I’ve been hit pretty hard with financial difficulty lately. I’d really appreciate it if you’d consider commissioning me.”
Stabbings: $45
Gunshots: $100
Poisonings: $200
Thanks you guys please share if you can! ❤️❤️❤️
Commissions I will NOT take:
👎 Kids (Teens are fine tho)
👎 Bystanders
👎 Other Hitmen
If you want to know why, message me, but otherwise no hate pls ✨
hey guys, normally i try to keep drama off of my blog but this is really important. I just wanted to let you know that someone named WetWorkKing05 has been taking credit for MY kills over on redbloodle.com and is making money off of my hard work. When I messaged him directly he blocked me and threatened to kill ME >_> I’ve tried talking with the mods about getting his account taken down, but redbloodle has NO policy for this and they are no help at all. i don’t know what to do??
PLS signal boost if you can! And in the meantime, if you need somebody killed, do NOT hire WetWorkKing05! he is a THIEF!
repeat after me:
MURDER 👏 THEFT 👏 IS 👏 A 👏 WORSE 👏 CRIME 👏 THAN 👏 REGULAR 👏 MURDER 👏
Credits to the murderer
“Why are your prices so high???? I could kill him myself for free! whatever, ur not even that good at murder anyway”
Emergency Murder Slots available!
First Person - $450, additional bodies add $375 each
(Basically a steal still my normal rate is $650. Cmon guys it’s $200 off!)
Serious inquiries only. EXPOSURE IS NOT A CURRENCY!
Guys please support all these hardworking Individuals!
Good hitmen are hard to find so it’s up to us to raise awareness!!!!
Omg I love this guy’s work! He’s new and not so well known in the hitman community, but he’s so amazing and is appreciate it if you guys have him some love ❤️❤️
Support your local assassins
”um why would I pay a hitmen would I could just steal military ai and have it kill anyone I want for free”
Ai military robots can not murder like real hit men, they’re messy and lack the spirit that involves murder
I’m never leaving this fucking app.
Reminds me of @babyblankyerror s hitman stan
I genuinely wonder if people realize how many projects get abandoned because the readership "wasn't there", when in reality, the readership just stayed silent. It's a big thing in trad pub that book series get discontinued because readers pirate the books or wait until the series is finished to buy a copy, leading the publisher to think that nobody actually wants the book enough to continue the series, but it happens with indie creators too.
I've discontinued a lot of free, online series because it's not worth putting 3-5 hours a week into posting a project for no readers. Sometimes I finish the series for me but just never post it again, other times I don't finish it at all because it feels more worthwhile to put my time into other things. Sometimes I hear from readers who are sad or upset that I didn't finish something they were liking, but the *reason* it never got finished is because I didn't know anyone liked it. If you like something, tell the creator, tell your friends, make some noise about it. If you would be sad if a story never finished, make that interest known because one of my biggest considerations before discontinuing a series is "will people miss this? Will I be letting people down" and 9/10 times, I come to the conclusion of "no, it doesn't even seem like anyone's reading this" only to learn after I've moved on that apparently someone was.
I've said this before in a different way, and this post said it so well. With real examples. If you like something, tell people.
If you want more content from an artist or author, if you like their stuff, tell them. It will give them creative fuel to keep going. And often it gives them other resources as well. Recommend a work to other people. Leave a comment or a review. It doesn't have to be long, just genuine, a sentence or two. Not many people know that a book's success is judged by book reviews as well as sales. Review the book on Amazon or another site to help it pass the metric of success and be recognized by publishers and retailers.
arctic/antarctic
There is a really frustrating thing where some kinds of speculative story are hard to write because they will be assumed to be bad (clumsy, harmful, regressive) metaphors for real-world events or people, rather than exploring completely speculative ideas. Like:
"What if a small group of religious extremists, persecuted in their own country, moved to an inhospitable uninhabited island and had to rebuild society there?" - But the Americas and Australia weren't inhospitable and were full of Native nations, why are you perpetuating the idea of Terra Nullius and manifest destiny? - Yes, that's because this isn't a metaphor for the British invading other countries, it's a metaphor for finding out how much of a person's religious practise is rooted in worldly concerns, vs how much they will really stymie themselves for the sake of God.
"What if 1/100 children born was a werewolf?" - But queer people are no danger to straight people, and disabled people don't have predictable patterns to their illnesses, and most people who have uncontrollable rages really CAN control them and are just lying, and no minority group has superpowers... - Yes, but that's all immaterial, because I wanted to talk about a load of other metaphors about the passage of time and responsibility and the relationship between humans and wildlife.
It almost feels like death of the author, like "Death of the most obvious metaphor" - If you couldn't reach for the (tormented) parallel between being an alien species and being stateless, what stories could someone tell? If your changeling-baby was neither disabled nor adopted, what would the story be about? Etc.
I was literally just thinking about this yesterday! It's a trend I've seen a LOT in recent years in lit crit, particularly when discussing fantasy.
I think it particularly comes up the moment an author includes any sort of marginalisation/oppression for their fictional/fantasy world. I've lost count of the times now where I've seen people read a book on, say, the terrible oppression of the Gwyllion, and immediately gone "Oh, so the Gwyllion are a metaphor for the real world X people, either deliberately or accidentally through the author's inherent racism. This is therefore super problematic because the Gwyllion are also described as Y, which means the author is also saying that about X people."
There will always be real world parallels when discussing oppression. Always. But that's because oppression is oppression - precise details may vary, but it follows the same pathways the world over, and that will naturally be copied into fiction as well. This does not mean the author is intentionally telling the exact allegory that you've projected onto it. If that's how you read everything, then yeah, everything becomes super problematic, but also, why are you reading any fiction that isn't solely about real world historical events? It's clearly not for you
And, you know, obviously there are works that are racist/misogynistic/etc, including deliberately so. But I really don't like the way people have started going "I have spotted a PROBLEMATIC ALLEGORY here, I'm ever so smart" and acting like they're the cleverest little critic that ever lived. You have to meet a work on its own terms. Lovecraft was a big ole racist, sure. Someone who has written a book about the oppression of magic users in their fantasy world, however, is rarely writing a story about how queerness lurks in family lines and must be controlled; they are way more commonly writing a story about a world with magic that they then wanted to take seriously, and while there might well be elements of queerness there, those magic users are not a 1:1 replacement.
Sometimes these lines are blurry! But we're going way too far to one end of that spectrum
The post that got me thinking about this yesterday was someone talking about how they'd love to write a vampire story exploring vampirism as a disability (dependence on a substance to manage the condition, blindness/weakness in daytime, can't enter buildings without accommodation, etc). But, they said, they can't, because they don't want to be making the point that disabled people are parasites, and vampires are generally considered parasitic.
And like. What an incredible shame. That we'll lose that, because they're already afraid of the "I have spotted a PROBLEMATIC ALLEGORY" crowd. That would be a great story for exploring disability themes, OR just a great new take on vampires, and either of those things would be so good to read. But there would be so many people who would jump in with "So you think disabled people are draining the life force of the ableds around them?", never stopping to actually think "Vampires are not a 1:1 stand in for real world disability because they are fictional and do not exist."
Anyway sorry I've rambled here, not sure how coherent I'm being. But yes, I was thinking about this just yesterday! Wild.
Sometimes as well, people assume that their interpretation of a text is correct/morally valuable because it must be the only way to read that text.
A reminder here that analysis isn't math: there is rarely a definitive authorial answer, or way to 'catch' the author in their interpretative truth. There is usually just varying degrees of creative analysis, and that is super okay.
Dancers on the ballet stage by Miroslava Vrbová-Štefková (Czech, 1909–1991)
If you're writing anything involving cons, scams, heists, or morally questionable characters who are very good at lying, here are some free resources I've been using for research. Saving you the "why is this in my search history" anxiety.
1. The FBI's Famous Cases & Criminals archive (fbi.gov/history/famous-cases) has detailed breakdowns of real fraud cases, Ponzi schemes, and confidence operations. The language they use is clinical and precise, which is perfect for getting the procedural details right.
2. The FTC Consumer Sentinel Network publishes annual reports on the most common fraud tactics in the US. Great for understanding how modern scams actually work and what makes people fall for them.
3. The Smithsonian's American Art Museum has a free digital collection of forgery case studies. If your character forges documents or art, this is gold.
4. Court Listener (courtlistener.com) is a free legal database where you can read actual court transcripts from fraud trials. Want to know how a real con artist talks under oath? This is where you find out.
5. The Internet Archive's collection of old newspaper crime sections. Search for "confidence man" or "swindle" in papers from the 1920s through 1960s and you'll find incredible real stories that would feel too dramatic for fiction.
Bonus: The Psychology of Fraud section on the Association for Psychological Science website has accessible articles about why people trust, how deception works cognitively, and what makes someone a convincing liar. Essential reading if you want your con artist characters to feel psychologically real.
Reblog to save for later. Your WIP will thank you.
@theoutcastrogue
I think one of the gentlest things in the world is when a friend just gets your weird little brain. like you say half a sentence and they finish it. you reference something incredibly niche from seven years ago and they’re already nodding. they understand your strange vocabulary for emotions that don’t have real words yet. it’s being seen and known and still loved. maybe especially because you’re known. god. what a gift.
It’s always my favorite character