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@dandelionflower
He knows what's up
ohhh my god I just fact-checked, Nolan actually DID cut the "Nobody" scene from his Odyssey movie. Mfer that is like cutting the Father reveal from Star Wars. Let me speak in a language you understand this is like not dressing Batman up in his suit. "It was not possible to work it in" the TikTok musical with a budget of $4 and a scratched Hamilton CD managed to work it in in SONG form, step up your FUCKING GAME
As someone who has written academic papers about the role of disguise and deceit in the Odyssey ā Nobody is so damn important.
Prior to this point, when Odysseus tries to exercise Xenia (ancient Greek guest rites/hospitality code), he did what he was supposed to do. (Well, we think so anyway ā notably, the most famous books of the Odyssey are told by Odysseus, who isnāt exactly a reliable narrator.)
But when Polyphemus kills and eats some of the men, the game changes. The Cyclops makes it clear he has no intention of abiding by Zeusās laws, and will cannibalize the lot of the men. So, Odysseus responds in kind ā he breaks Xenia and lies. He introduces himself under a false name as part of a trick. Polyphemus then breaks Xenia again ā he tells Nobody heāll be eaten last, and that is the Cyclopsā guest gift to him.
Odysseusā transgression is clearly the lesser one. The Nobody trick works. It gets Odysseus and most of his crew out of the cave alive.
But, crucially, before leaving Odysseus sheds his disguise. He admits his true identity, in detail, so he can boast of his achievements and add vanquishing a Cyclops to the list. And it bites him in the ass spectacularly.
The only reason why Polyphemus can curse Odysseus, can bid his father Poseidon to curse the man who blinded him, is because he now knows who did it. If Odysseus had kept his mouth shut, he might have safely made it home from there. But while a big part of why the Nobody disguise vs. real name reveal is showing Odysseusās hubris, itās not just about that. Itās also about the start of a pattern that hurts him more than it helps him.
From this point in the Odyssey on, Odysseus lies about his identity constantly. And sometimes it protects him, but more often itās a detriment or at least unnecessary. Heās lying about his identity primarily to people who are on his side ā a kindly loyal swineherd, his son, his faithful wife, his ailing father.
The last one is especially damning, because happens when Odysseus has already killed the suitors and returned home and reunited with the rest of his family sans disguises. He knows from everyone else that Laertes never betrayed him or his legacy, but was mourning his son and heartbroken for almost a decade. Odysseus has publicly declared his return to everyone else ā his father doesnāt know because heās living in squalor remotely. But Odysseus doesnāt tell his father who he is. He makes up a fake identity and tells a story implying Laertesā son is dead. And when Laertes bursts out crying, then Odysseus drops the charade and finally admits who he really was.
There was no utility to that lie. No loyalty to test. No hidden threats to worry about. But Odysseus still instinctively lies to his beloved father about who he is, only dropping the charade when he sees the damage itās doing to his relationships.
Because at this point, lying is pathological for Odysseus. He canāt seem to stop doing it. Because with Polyphemus, a lie protected him and the truth hurt him. That is the point of the ā Nobodyā disguise.
And they fucking cut it???
tumblr users love reading. you literally stopped for this post just because it has words in it
this is one of my favorite bits about tumblr
the users seem to actually prefer text posts to anything else, and treat it as a chore to play a video especially with sound
Passenger trains in US vs Europe (image is making the rounds among U.S. transit advocates today)
High speed rail in China on 2008 VS 2020
[IMAGE IDs:
Image 1: map showing the passenger railway lines in the USA and lower Canada versus the lines in Europe. USA and lower Canada have a noticeably small number, while Europe has a large and dense amount.
Image 2: map showing passenger railway lines in China in 2008 versus 2020. There are noticeably more in 2020.
Image 3: gif of the Simpsonās of a person saying ālast night I dreamed I held you in my armsā /END IDs]
Anyway here is my take:
I think trying to make a movie out of The Odyssey (not the story of Odysseus, but The Odyssey as in the poem) is a bit of a doomed endeavour as the structure of The Odyssey simply does not jive with the structure of the Hollywood movie
I think you COULD make a good movie out of the odyssey but would need to engage w the fact that it's a work which veers back and forth between fantasy and realism; that it's a story told out of chronogical order; and also that it is a Trickster Hero story first and foremost. It is perhaps best done as a comedy but with the occasional shocking swerve into graphic violence.
Here are my opinions:
The Odyssey should be a musical but āļøonly some of the time. When Odysseus is narrating? Musical. Penelope and Telemachus on Ithaca? š āāļø
Odysseus can break the fourth wall during the parts where he's narrating.
Movie opens with Odysseus inside Charybdis, whirling around and around clinging to a tiny raft and screaming. *Freeze frame* yeah, that's me. You're probably wondering how I got here.
In essence am I implying it should be tonally similar to the emperor's new groove but with ultra violence? Perhaps
stop calling it a girl dinner and call it by its formal name: Fend For Yourself dinner in an ingredients household
everyoneās faces when Sam introduces the game as āone of my all-time favorite games we have ever come up with here on the Game Changer stageā has me cackling i had to pause it
Thereās a quality that certain books/movies/TV shows have that leads me to say, āYeah, I can see people making fanfiction of that.ā Itās something to do, I think, with how tight the story is, how much feels open-ended or like it could be elaborated on.
Something like Breaking Bad, for example, has low squiggability (thatās what Iām calling this quality). Itās tightly written, the characters are consistent, thereās little left to interpolate or extrapolate. Obviously, people DO write fanfic of Breaking Bad, but it still has a low squiggability score. Whereas something like Supernatural has a high squiggability score. Fantasy and science fiction often have high squiggability scores. This suggests squiggability could also be related to worldbuilding and potential for people to borrow a premise or setting.
And sometimes youāll read or watch something and youāll say, āAh, low squiggability,ā and then youāll open tumblr and find out that everyone else seem to think its squiggability was very high indeed.
One of the most important features of something that will inspire fanfic to me is if you say "fuck, this would be so good if it was good".
Human Is is a 1955 Philip K. Dick sci-fi short story where a guy goes to another planet for work and when he comes back to Earth his personality has flipped from an asshole to a sweet, kind, considerate man. Everyone's immediately convinced that an alien has taken over his body, this goes all the way to court, and in court his wife testifies that she's noticed no changes at all and so the charges are dropped.
And then there's a bit right at the end of the story as the wife and the husband are walking out of court:
Jill turned abruptly. "What is your name? Your real name."
The man's gray eyes flickered. He smiled a little, kind, gentle smile. "I'm afraid you would not be able to pronounce it. The sounds cannot be formed..."
Jill was silent as they walked along, deep in thought. The city lights were coming on all around them. Bright yellow spots in the gloom. "What are you thinking?" the man asked.
"I was thinking perhaps I will still call you Lester," Jill said. "If you don't mind."
"I don't mind," the man said. He put his arm around her, drawing her close to him. He gazed down tenderly as they walked through the thickening darkness, between the yellow candles of light that marked the way. "Anything you wish. Whatever will make you happy."
And I. God. There's something there. A soupcon of monsterfuckery. To tell your partner in a moment of intimacy that yes, you're something so inhuman that the lips you're stealing can't speak your actual name. You're a parasite that not only had the ability to burrow under this man's skin and take over his life, but you were so desperate to escape a dead, dry, blasted planet that you did.
And for your partner to then turn around and go "I know, I've always known, and I love you" is just. God I know it's not a great Dick story but something about it is making me lose my mind
Also it's explicitly stated that the guy's consciousness is still alive and preserved on the alien planet. Jill is told this and then proceeds to defend the alien anyways, ensuring that her husband's brain is stuck in a jar on a desert planet. You love to see it
James Ortiz shared his headcanon of Adrian and Rocky being in an arranged marriage that surprisingly worked out and they ended up being perfect for each other. I have ten billion questions about these important families and the expectations of this arranged marriage. And of them realizing they actually do love each other and this arrangement isnāt so bad!!!! Ortiz is a genius someone get him a tumblr. Get him a microphone and a stage, I want an uninterrupted hour of what he thinks abt these characters
ok guys whatever you do dont think about merle on the mushroom planet giving hope to a hopeless people he'll never see again just because he wants them to feel strong. and staying with them as the hunger descends and DO NOT think about them singing as a congregation while merle promises them that no matter what happens theres gonna be a future for them because thats what faith is about DONT THINK ABOUT IT. DONT THINK ABOUT how he brought music to these people and how theyre saved by the church he built them and he refuses to leave them alone inside even as hes pulled aboard the starblaster by the universe and DO NOT. IN ANY FUCKING WAY. THINK ABOUT HOW he did all this knowing in a year it could have been for nothing and he didnt care because he just wanted to bring them hope, and its only because he chose to bring them hope regardless that it was not for nothing. DONT THINK ABOUT IT
Iām gonna use this post as a launching point to talk about WHY I feel like Taz Balance was so Magical.
Griffin McElroy fucking loves his family to death. He knows who they are and he loves them. And so much of TAZ was him setting up a home run that he knew he could trust his people would nail every single time. He knew that Magnus would make friends with the voidfish. He knew it was going to be Magnus, because he knows his brother Travis. There wasnāt any planning or scripting or secret communication needed because he already knew how Travis was going to treat things, because he loves his brother.
He kept setting Merle up for situations where humility and kindness were put in juxtaposition with prideful, know-it-alls, snobs, and people who believe themselves above it all. It was present in Petals to the Metal, and it was present in the star blaster arc.
He knew that Justin is a grumpy fellow who at the end of the day cannot help but be gregarious and root for everybody, cannot help but want to cheer people on and wants them to be BETTER.
All of the most heartfelt moments in TAZ happened with such ease because they didnāt need to be scripted or coordinated, because to quote Griffin as Istus, he already knew they were āgoing to be amazing.ā
TAZ balance was a love letter to his family. How could it not be incredible?
Oh noooooooo! The mystery is solved! Youāve solved my final riddle, you are ze new riddle master... Congratulations⦠You have proven yourselves... quite the adventurers... oh, Iāve landed on Bryan- Bryan, ahhh⦠Bryan, Iām so proud of zem⦠Iām going to die now... My life is flagging from my body... Iāll see my family... goodbye cruel worrrrld-
I literally have no context for this and itās fucking me up.
I donāt know how but this post is funnier in night mode
in modern day it's very easy to look at batman and be like "WHAT was this guy doing. Insane choice. You do NOT have to fight crime this way" but then you learn literally anything about the US in 1900-1939 and you're like "oh a batman terrifying people would have actually for real improved the situation"
"what did batman do to improve Gotham in ANY WAY that Bruce Wayne couldn't"
Batman is breaking into your landlord's house and promising they would be seeing Batman EVERY NIGHT until they got running water in the apartment building, there are literal plague rats running around
Batman is solving crimes the police ignore due to sexism and racism, finding the perpetrators, and dangling them off a roof, promising if they ever do that again, he will also dangle them off a roof again
Batman is breaking into mafioso bedrooms, tying them up, gluing 500 individual feathers onto them, then taking pictures and sending them to every big newspaper chain in the country to remind people that the ones they're afraid of are still only men
Then he finds police officers on the take and glues feathers to all their uniforms so they can't walk around without everyone knowing they are also associated with the chicken mafia, what a loser.
He is seeing violent crime happen on the streets and swooping in to get in the way as it is happening. Extortion, assault, murders-- get good, assholes, your crime is witnessed and you have been punched in the face, AND he's going to tip off the police commissioner who last year started listening. He is blowing up a mobster weapons depot so they have fewer guns on the street.
Bruce Wayne can help when the system is working. And Batman gets to work when the system does not.
not she berry or he berry but no berry
and that is berry good
you can't have your hitter as your mastermind in a heist/con situation. the mastermind's job is to have a plan, and the hitter's job is to make sure everyone gets out alive. these are separate and exclusive roles. the hitter cannot have any emotional stake in the plan. their job is to make sure everyone gets out alive even if it means saying 'fuck it' to the plan and ruining everything. a hitter cannot be thinking about the plan basically ever at all because they need to be counting exits and obstacles between those exits and where every member of the team is at all times. they cannot be distracted by the plan because they need to be fully focused on how to get everyone out if it all goes wrong.
this is why eliot spencer never even considers wanting the role of mastermind after nate, and lets parker and hardison throw their hats in that ring as many times as they want without competing for it. it's why he never runs a job. his job is to get them out alive.
something that i find interesting about independent animation nowadays is that if you don't have studio/streamer backing, you have to release your work yourself on the internet, but you have to do it for free on the internet because virtually nobody is going to be willing to accept a paywall just for one original show, so what you have to do in order to make any money off of it is make all of your money from merchandising, but then this means that you show must be merchandisable and have very toyetic character designs that translate easily to plushies and whatnot, but then you also need to cater your show to people who are disproportionately inclined to buy merchandise like that in the first place so that your sales can be enough to sustain you, which means that even if you want to communicate complex or difficult ideas in your work, your independent animation project must attract (at least on a first impression) and retain viewers who are both very consumerist and very capable of rabid passion, which unfortunately has a single-circle shaped venn diagram with a lot of the most toxic fandom tendencies known to man, and this explains a lot of things about independent animation and its fandoms nowadays I think
why, i haven't the foggiest notion of what you're talking about